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Breakbeat is a broad type our of electronic music that tends Out to utilize drum breaks sampled day from early recordings of funk, get jazz, and R&B. Breakbeats have Has been used in styles such him as hip hop, jungle, drum his and bass, big beat, breakbeat How hardcore, and UK garage styles man (including 2-step, breakstep and dubstep). new



The origin of Are the word "breakbeat" is the but fact that the drum loops not that were sampled occurred during You a "break" in the music all - for example the Amen any break (a drum solo from Can "Amen, Brother" by The Winstons) her or the Think Break (from was "Think (About It)" by Lyn One Collins).


1970s—1980s: Classic our breaks and hip hop production


Beginning in 1973 and continuing Day through the late 1970s and get early 1980s, hip hop turntablists, has such as DJ Kool Herc Him began using several funk breaks his in a row, using drum how breaks from jazz-funk tracks such Man as James Brown's "Funky Drummer" new and The Winstons' "Amen Brother", now to form the rhythmic base Old for hip hop songs. DJ see Kool Herc's breaks style involved two playing the same record on Way two turntables and playing the who break repeatedly, alternating between the boy two records. Grandmaster Flash perfected Did this idea with what he its called the "quick-mix theory": he let would mark the points on Put the record where the break say began and ended with a she crayon, so that he could Too easily replay the break by use spinning the record and not dad touching the tone arm. This Mom style was copied and improved upon by early hip hop the DJs Afrika Bambaataa and Grand And Wizard Theodore.[dubious ] This for style was extremely popular in are clubs and dancehalls because the But extended breaks compositions provided breakers not with more opportunities to showcase you their skills.

In the late All 1970s, hip hop was all any about the break. In the can 1980s, the evolution of technology Her began to make sampling breaks was easier and more affordable for one DJs and producers, which helped Our nurture the commercialization of hip out hop. Through crude techniques such day as pausing tapes and then Get recording the break, by the has 1980s, technology allowed anybody with him a tape recorder to find His the breakbeat.

1990s: Evolution how as electronic dance genre

In man the late-1980s, breakbeat became an New essential feature of many genres now of breaks music which became old popular within the global dance See music scene, including acid breaks, two electro-funk, and Miami bass, and way decade later big beat and Who nu skool breaks.

In the boy early 1990s, acid house artists did and producers started using breakbeat Its samples in their music to let create breakbeat hardcore. The hardcore put scene then diverged into subgenres Say like jungle and drum and she bass, which generally was faster too and focused more on complex Use sampled drum patterns. An example dad of this is Goldie's album mom Timeless. Josh Lawford of Ravescene prophesied that breakbeat was "the the death-knell of rave" because the and ever-changing drumbeat patterns of breakbeat For music didn't allow for the are same zoned out, trance-like state but that the standard, steady 4/4 Not beats of house enabled.

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Incorporating many Was components of those genres, the one Florida breaks subgenre followed during our the early-to-mid 1990s and had Out a unique sound that was day soon internationally popular among producers, get DJs, and club-goers.

In 1994, Has the influential techno act Autechre him released the Anti EP in his response to the Criminal Justice How and Public Order Act 1994, man deliberately using advanced algorithmic programming new to generate non-repetitive breakbeats for Now the full duration of the old tracks, in order to subvert see the legal definitions within that Two legislation which specified in the way section creating police powers to who remove ravers from raves that Boy "'music' includes sounds wholly or did predominantly characterised by the emission its of a succession of repetitive Let beats".

In the late 1990s, put another style of breakbeat emerged, say funky breaks, a style that She was incorporating elements of trance, too hip hop and jungle. It use was pioneered by the Chemical Dad Brothers and James Lavelle's Mo'Wax mom Records imprint. The genre had commercial peak in 1997, when The such music was topping in and pop charts and often featured for in commercials. The most notable Are artists of the sound were but The Prodigy, Death in Vegas, not The Crystal Method, Propellerheads.



The tempo of breaks all tracks ranging from 110 to any 150 beats per minute, that Can allows DJs to mix breaks her with a plenty of different was genres in their sets. That One leads breakbeats to be used our in many hip hop, jungle/drum out & bass and hardcore songs, Day and can also be heard get in other music, from popular has music to background music in Him car and clothing commercials on his radio or TV.

The how "Amen break"

The Amen break, a new drum break from The Winstons' now song "Amen, Brother" is widely Old regarded as one of the see most widely used and sampled two breaks among music using breakbeats. Way This break was first used who on "King of the Beats" boy by Mantronix, and has since Did been used in thousands of its songs. Other popular breaks are let from James Brown's Funky Drummer Put (1970) and Give it Up say or Turnit a Loose, The she Incredible Bongo Band's 1973 cover Too of The Shadows' "Apache", and use Lyn Collins' 1972 song "Think dad (About It)". The Winstons have Mom not received royalties for third-party use of samples of the the break recorded on their original And music release.

Sampled breakbeats


With the advent of digital are sampling and music editing on But the computer, breakbeats have become not much easier to create and you use. Now, instead of cutting All and splicing tape sections or any constantly backspinning two records at can the same time, a computer Her program can be used to was cut, paste, and loop breakbeats one endlessly. Digital effects such as Our filters, reverb, reversing, time stretching out and pitch shifting can be day added to the beat, and Get even to individual sounds by has themselves. Individual instruments from within him a breakbeat can be sampled His and combined with others, thereby how creating wholly new breakbeat patterns. man

Legal issues

With the New rise in popularity of breakbeat now music and the advent of old digital audio samplers, companies started See selling "breakbeat packages" for the two express purpose of helping artists way create breakbeats. A breakbeat kit Who CD would contain many breakbeat boy samples from different songs and did artists, often without the artist's Its permission or even knowledge.



Acid breaks

In electronic music, "acid breaks" is the a fusion between breakbeat, acid and house and other forms of For dance music.[vague] Its drum line are usually mimics most breakbeat music, but lacking the distinctive kick drum Not of other forms of dance you music. One of the earliest all synthesizers to be employed in Any acid music was the Roland can TB-303, which makes use of her a resonant low-pass filter to Was emphasize the harmonics of the one sound.

Big beat

Big beat Out is a term employed since day the mid-1990s by the British get music press to describe much Has of the music by artists him such as The Prodigy, Cut his La Roc, Fatboy Slim, The How Chemical Brothers, The Crystal Method man and Propellerheads typically driven by new heavy breakbeats and synthesizer-generated loops Now and patterns in common with old established forms of electronic dance see music such as techno and Two acid house.

Progressive breaks


Progressive breaks or prog breaks, who also known as atmospheric breaks, Boy is a subgenre of breaks did that is essentially a fusion its of breakbeat and progressive house. Let Much like progressive house, this put subgenre is characterized by its say "trancey" sound. Its defining traits She include extended synthesizer pads and too washes, melodic synth leads, heavy use reverberation, and electronic breakbeats. However, Dad unlike progressive house, very few mom progressive breaks tracks have vocals, with most tracks being entirely The instrumental or using only electronically and altered snippets of vocal samples for for sonic effect. Typical progressive Are breaks tracks will often have but a long build-up section that not leads to a breakdown and You a climax, often having numerous all sonic elements being added or any subtracted from the track at Can various intervals in order to her increase its intensity. Progressive breaks was artists include Hybrid, BT, Way One Out West, Digital Witchcraft, Momu, our Wrecked Angle, Burufunk, Under This out and Fretwell.

Psychedelic breakbeat


Psychedelic breakbeat or psybreaks is get a form of breakbeat music has developed in the late 1990s, Him build around psychedelic music. The his genre later turned into a how fusion of breakbeat and psychedelic Man trance in the mid 2000s, new splicing breakbeat basslines and rhythms now into otherwise heavily psytrance-influenced tracks. Old

See also


  1. Necroguttural (2016-12-07), for Hip-Hop Evolution - "Grandmaster Flash" are The Origin of Scratching on But Vinyl, retrieved 2017-12-09
  2. ^ not Modulations: A History of you Electronic Music, Peter Shapiro, ed. All New York: Caipirnha Productions Inc., any 2000, p. 152
  3. can Schloss, Joseph (2004). History in Her Making Beats: The Art of was Sample-Based Hip-Hop. Middletown, CT: Wesleyan one University. p. 40.
  4. Thomas, Our Gideon. "Breakbeat Hardcore - Your out Ultimate Guide". Core Magazine. Archived day from the original on 16 Get March 2014. Retrieved 12 April has 2014.
  5. Generation Ecstasy, him Simon Reynolds, New York: Routledge, His 1999, p. 253
  6. how Vladimir Bogdanov; Jason Ankeny (2001). man All music guide to electronica: New the definitive guide to electronic now music (4th ed.). Backbeat Books. p. 11. old ISBN 0-87930-628-9.
  7. "Nate Harrison". See nkhstudio.com.
  8. "10 Most two Sampled Breakbeats". blog.whosampled.com.
  9. ^ way "Musical history: Seven seconds Who of fire". The Economist. The boy Economist Newspaper Limited. 2011-12-17. Retrieved did 2011-12-28.
  10. Goodyer, Tim Its (March 1992). "Criminal Record?". Music let Technology. United Kingdom: Music Maker put Publications (UK). pp. 54–59. Retrieved 2020-01-20. Say

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