Source: Wikipedia 

Breakbeat for is a broad type of Are electronic music that tends to but use drum breaks sampled from not early recordings of funk, jazz, You and R&B. Breakbeats have been all used in styles such as any hip hop, jungle, drum and Can bass, big beat, breakbeat hardcore, her and UK garage styles (including was 2-step, breakstep and dubstep).




The origin of the word let "breakbeat" is the fact that Put the drum loops that were say sampled occurred during a "break" she in the music - for Too example the Amen break (a use drum solo from "Amen, Brother" dad by The Winstons) or the Mom Think Break (from "Think (About It)" by Lyn Collins).



1970s—1980s: Classic breaks and And hip hop production

Beginning in for 1973 and continuing through the are late 1970s and early 1980s, But hip hop turntablists, such as not DJ Kool Herc began using you several funk breaks in a All row, using drum breaks from any jazz-funk tracks such as James can Brown's "Funky Drummer" and The Her Winstons' "Amen Brother", to form was the rhythmic base for hip one hop songs. DJ Kool Herc's Our breaks style involved playing the out same record on two turntables day and playing the break repeatedly, Get alternating between the two records. has Grandmaster Flash perfected this idea him with what he called the His "quick-mix theory": he would mark how the points on the record man where the break began and New ended with a crayon, so now that he could easily replay old the break by spinning the See record and not touching the two tone arm. This style was way copied and improved upon by Who early hip hop DJs Afrika boy Bambaataa and Grand Wizard Theodore.[dubious ] This style was Its extremely popular in clubs and let dancehalls because the extended breaks put compositions provided breakers with more Say opportunities to showcase their skills. she

In the late 1970s, hip too hop was all about the Use break. In the 1980s, the dad evolution of technology began to mom make sampling breaks easier and more affordable for DJs and the producers, which helped nurture the and commercialization of hip hop. Through For crude techniques such as pausing are tapes and then recording the but break, by the 1980s, technology Not allowed anybody with a tape you recorder to find the breakbeat. all

1990s: Evolution as electronic Any dance genre

In the late-1980s, can breakbeat became an essential feature her of many genres of breaks Was music which became popular within one the global dance music scene, our including acid breaks, electro-funk, and Out Miami bass, and decade later day big beat and nu skool get breaks.

In the early 1990s, Has acid house artists and producers him started using breakbeat samples in his their music to create breakbeat How hardcore. The hardcore scene then man diverged into subgenres like jungle new and drum and bass, which Now generally was faster and focused old more on complex sampled drum see patterns. An example of this Two is Goldie's album Timeless. Josh way Lawford of Ravescene prophesied that who breakbeat was "the death-knell of Boy rave" because the ever-changing drumbeat did patterns of breakbeat music didn't its allow for the same zoned Let out, trance-like state that the put standard, steady 4/4 beats of say house enabled.

Incorporating many components Can of those genres, the Florida her breaks subgenre followed during the was early-to-mid 1990s and had a One unique sound that was soon our internationally popular among producers, DJs, out and club-goers.

In 1994, the Day influential techno act Autechre released get the Anti EP in response has to the Criminal Justice and Him Public Order Act 1994, deliberately his using advanced algorithmic programming to how generate non-repetitive breakbeats for the Man full duration of the tracks, new in order to subvert the now legal definitions within that legislation Old which specified in the section see creating police powers to remove two ravers from raves that "'music' Way includes sounds wholly or predominantly who characterised by the emission of boy a succession of repetitive beats". Did

In the late 1990s, another its style of breakbeat emerged, funky let breaks, a style that was Put incorporating elements of trance, hip say hop and jungle. It was she pioneered by the Chemical Brothers Too and James Lavelle's Mo'Wax Records use imprint. The genre had commercial dad peak in 1997, when such Mom music was topping in pop charts and often featured in the commercials. The most notable artists And of the sound were The for Prodigy, Death in Vegas, The are Crystal Method, Propellerheads.



The tempo of breaks tracks, not ranging from 110 to 150 you beats per minute, allows DJs All to mix breaks with a any wide range of different genres can in their sets. This has Her led to breakbeats being used was in many hip hop, jungle/drum one & bass and hardcore tracks. Our They can also be heard out in other music, anywhere from day popular music to background music Get in car and clothing commercials has on radio or TV.


The "Amen break"

The Amen break, how a drum break from The man Winstons' song "Amen, Brother" is New widely regarded as one of now the most widely used and old sampled breaks among music using See breakbeats. This break was first two used on "King of the way Beats" by Mantronix, and has Who since been used in thousands boy of songs. Other popular breaks did are from James Brown's Funky Its Drummer (1970) and Give it let Up or Turnit a Loose, put The Incredible Bongo Band's 1973 Say cover of The Shadows' "Apache", she and Lyn Collins' 1972 song too "Think (About It)". The Winstons Use have not received royalties for dad third-party use of samples of mom the break recorded on their original music release.

Sampled the breakbeats

With the advent of and digital sampling and music editing For on the computer, breakbeats have are become much easier to create but and use. Now, instead of Not cutting and splicing tape sections you or constantly backspinning two records all at the same time, a Any computer program can be used can to cut, paste, and loop her breakbeats endlessly. Digital effects such Was as filters, reverb, reversing, time one stretching and pitch shifting can our be added to the beat, Out and even to individual sounds day by themselves. Individual instruments from get within a breakbeat can be Has sampled and combined with others, him thereby creating wholly new breakbeat his patterns.

Legal issues

With How the rise in popularity of man breakbeat music and the advent new of digital audio samplers, companies Now started selling "breakbeat packages" for old the express purpose of helping see artists create breakbeats. A breakbeat Two kit CD would contain many way breakbeat samples from different songs who and artists, often without the Boy artist's permission or even knowledge. did


Acid breaks


In electronic music, "acid breaks" mom is a fusion between breakbeat, acid house and other forms The of dance music.[vague] Its drum and line usually mimics most breakbeat for music, lacking the distinctive kick Are drum of other forms of but dance music. One of the not earliest synthesizers to be employed You in acid music was the all Roland TB-303, which makes use any of a resonant low-pass filter Can to emphasize the harmonics of her the sound.

Big beat


Big One beat is a term employed our since the mid-1990s by the out British music press to describe Day much of the music by get artists such as The Prodigy, has Cut La Roc, Fatboy Slim, Him The Chemical Brothers, The Crystal his Method and Propellerheads typically driven how by heavy breakbeats and synthesizer-generated Man loops and patterns in common new with established forms of electronic now dance music such as techno Old and acid house.

Progressive see breaks

Progressive breaks or prog two breaks, also known as atmospheric Way breaks, is a subgenre of who breaks that is essentially a boy fusion of breakbeat and progressive Did house. Much like progressive house, its this subgenre is characterized by let its "trancey" sound. Its defining Put traits include extended synthesizer pads say and washes, melodic synth leads, she heavy reverberation, and electronic breakbeats. Too However, unlike progressive house, very use few progressive breaks tracks have dad vocals, with most tracks being Mom entirely instrumental or using only electronically altered snippets of vocal the samples for sonic effect. Typical And progressive breaks tracks will often for have a long build-up section are that leads to a breakdown But and a climax, often having not numerous sonic elements being added you or subtracted from the track All at various intervals in order any to increase its intensity. Progressive can breaks artists include Hybrid, BT, Her Way Out West, Digital Witchcraft, was Momu, Wrecked Angle, Burufunk, Under one This and Fretwell.

See Our also


  1. Necroguttural (2016-12-07), did Hip-Hop Evolution - "Grandmaster Flash" Its The Origin of Scratching on let Vinyl, archived from the original put on 2021-11-17, retrieved 2017-12-09
  2. Say
  3. ^ Modulations: A History she of Electronic Music, Peter Shapiro, too ed. New York: Caipirnha Productions Use Inc., 2000, p. 152
  4. dad
  5. Schloss, Joseph (2004). History mom in Making Beats: The Art of Sample-Based Hip-Hop. Middletown, CT: the Wesleyan University. p. 40.
  6. and Thomas, Gideon. "Breakbeat Hardcore - For Your Ultimate Guide". Core Magazine. are Archived from the original on but 16 March 2014. Retrieved 12 Not April 2014.
  7. Generation you Ecstasy, Simon Reynolds, New York: all Routledge, 1999, p. 253
  8. Any
  9. Vladimir Bogdanov; Jason Ankeny can (2001). All music guide to her electronica: the definitive guide to Was electronic music (4th ed.). Backbeat Books. one p. 11. ISBN 0-87930-628-9.
  10. "Nate our Harrison".
  11. "10 Out Most Sampled Breakbeats".
  12. day
  13. ^ "Musical history: Seven get seconds of fire". The Economist. Has The Economist Newspaper Limited. 2011-12-17. him Retrieved 2011-12-28.
  14. Goodyer, his Tim (March 1992). "Criminal Record?". How Music Technology. United Kingdom: Music man Maker Publications (UK). pp. 54–59. Retrieved new 2020-01-20.

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