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Breakbeat is a Let broad type of electronic music put that tends to utilize drum say breaks sampled from early recordings She of funk, jazz, and R&B. too Breakbeats have been used in use styles such as hip hop, Dad jungle, drum and bass, big mom beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep The and dubstep).


The new origin of the word "breakbeat" now is the fact that the Old drum loops that were sampled see occurred during a "break" in two the music - for example Way the Amen break (a drum who solo from "Amen, Brother" by boy The Winstons) or the Think Did Break (from "Think (About It)" its by Lyn Collins).



1970s—1980s: Classic breaks and hip Put hop production

Beginning in 1973 say and continuing through the late she 1970s and early 1980s, hip Too hop turntablists, such as DJ use Kool Herc began using several dad funk breaks in a row, Mom using drum breaks from jazz-funk tracks such as James Brown's the "Funky Drummer" and The Winstons' And "Amen Brother", to form the for rhythmic base for hip hop are songs. DJ Kool Herc's breaks But style involved playing the same not record on two turntables and you playing the break repeatedly, alternating All between the two records. Grandmaster any Flash perfected this idea with can what he called the "quick-mix Her theory": he would mark the was points on the record where one the break began and ended Our with a crayon, so that out he could easily replay the day break by spinning the record Get and not touching the tone has arm. This style was copied him and improved upon by early His hip hop DJs Afrika Bambaataa how and Grand Wizard Theodore.[dubious ] This style was extremely New popular in clubs and dancehalls now because the extended breaks compositions old provided breakers with more opportunities See to showcase their skills.

In two the late 1970s, hip hop way was all about the break. Who In the 1980s, the evolution boy of technology began to make did sampling breaks easier and more Its affordable for DJs and producers, let which helped nurture the commercialization put of hip hop. Through crude Say techniques such as pausing tapes she and then recording the break, too by the 1980s, technology allowed Use anybody with a tape recorder dad to find the breakbeat.


1990s: Evolution as electronic dance genre

In the late-1980s, breakbeat the became an essential feature of and many genres of breaks music For which became popular within the are global dance music scene, including but acid breaks, electro-funk, and Miami Not bass, and decade later big you beat and nu skool breaks. all

In the early 1990s, acid Any house artists and producers started can using breakbeat samples in their her music to create breakbeat hardcore. Was The hardcore scene then diverged one into subgenres like jungle and our drum and bass, which generally Out was faster and focused more day on complex sampled drum patterns. get An example of this is Has Goldie's album Timeless. Josh Lawford him of Ravescene prophesied that breakbeat his was "the death-knell of rave" How because the ever-changing drumbeat patterns man of breakbeat music didn't allow new for the same zoned out, Now trance-like state that the standard, old steady 4/4 beats of house see enabled.

Two did

Incorporating many components of those its genres, the Florida breaks subgenre Let followed during the early-to-mid 1990s put and had a unique sound say that was soon internationally popular She among producers, DJs, and club-goers. too

In 1994, the influential techno use act Autechre released the Anti Dad EP in response to the mom Criminal Justice and Public Order Act 1994, deliberately using advanced The algorithmic programming to generate non-repetitive and breakbeats for the full duration for of the tracks, in order Are to subvert the legal definitions but within that legislation which specified not in the section creating police You powers to remove ravers from all raves that "'music' includes sounds any wholly or predominantly characterised by Can the emission of a succession her of repetitive beats".

In the was late 1990s, another style of One breakbeat emerged, funky breaks, a our style that was incorporating elements out of trance, hip hop and Day jungle. It was pioneered by get the Chemical Brothers and James has Lavelle's Mo'Wax Records imprint. The Him genre had commercial peak in his 1997, when such music was how topping in pop charts and Man often featured in commercials. The new most notable artists of the now sound were The Prodigy, Death Old in Vegas, The Crystal Method, see Propellerheads.


The tempo two of breaks tracks ranging from Way 110 to 150 beats per who minute, that allows DJs to boy mix breaks with a plenty Did of different genres in their its sets. That leads breakbeats to let be used in many hip Put hop, jungle/drum & bass and say hardcore songs, and can also she be heard in other music, Too from popular music to background use music in car and clothing dad commercials on radio or TV. Mom

The "Amen break"

The Amen the break, a drum break from And The Winstons' song "Amen, Brother" for is widely regarded as one are of the most widely used But and sampled breaks among music not using breakbeats. This break was you first used on "King of All the Beats" by Mantronix, and any has since been used in can thousands of songs. Other popular Her breaks are from James Brown's was Funky Drummer (1970) and Give one it Up or Turnit a Our Loose, The Incredible Bongo Band's out 1973 cover of The Shadows' day "Apache", and Lyn Collins' 1972 Get song "Think (About It)". The has Winstons have not received royalties him for third-party use of samples His of the break recorded on how their original music release.


Sampled breakbeats

With the advent New of digital sampling and music now editing on the computer, breakbeats old have become much easier to See create and use. Now, instead two of cutting and splicing tape way sections or constantly backspinning two Who records at the same time, boy a computer program can be did used to cut, paste, and Its loop breakbeats endlessly. Digital effects let such as filters, reverb, reversing, put time stretching and pitch shifting Say can be added to the she beat, and even to individual too sounds by themselves. Individual instruments Use from within a breakbeat can dad be sampled and combined with mom others, thereby creating wholly new breakbeat patterns.

Legal issues


With the rise in popularity and of breakbeat music and the For advent of digital audio samplers, are companies started selling "breakbeat packages" but for the express purpose of Not helping artists create breakbeats. A you breakbeat kit CD would contain all many breakbeat samples from different Any songs and artists, often without can the artist's permission or even her knowledge.


Acid him breaks

In electronic music, "acid his breaks" is a fusion between How breakbeat, acid house and other man forms of dance music.[vague] Its new drum line usually mimics most Now breakbeat music, lacking the distinctive old kick drum of other forms see of dance music. One of Two the earliest synthesizers to be way employed in acid music was who the Roland TB-303, which makes Boy use of a resonant low-pass did filter to emphasize the harmonics its of the sound.

Big Let beat


Big beat is a term say employed since the mid-1990s by She the British music press to too describe much of the music use by artists such as The Dad Prodigy, Cut La Roc, Fatboy mom Slim, The Chemical Brothers, The Crystal Method and Propellerheads typically The driven by heavy breakbeats and and synthesizer-generated loops and patterns in for common with established forms of Are electronic dance music such as but techno and acid house.


Progressive breaks

Progressive breaks or You prog breaks, also known as all atmospheric breaks, is a subgenre any of breaks that is essentially Can a fusion of breakbeat and her progressive house. Much like progressive was house, this subgenre is characterized One by its "trancey" sound. Its our defining traits include extended synthesizer out pads and washes, melodic synth Day leads, heavy reverberation, and electronic get breakbeats. However, unlike progressive house, has very few progressive breaks tracks Him have vocals, with most tracks his being entirely instrumental or using how only electronically altered snippets of Man vocal samples for sonic effect. new Typical progressive breaks tracks will now often have a long build-up Old section that leads to a see breakdown and a climax, often two having numerous sonic elements being Way added or subtracted from the who track at various intervals in boy order to increase its intensity. Did Progressive breaks artists include Hybrid, its BT, Way Out West, Digital let Witchcraft, Momu, Wrecked Angle, Burufunk, Put Under This and Fretwell.


Psychedelic breakbeat

Psychedelic breakbeat or she psybreaks is a form of Too breakbeat music developed in the use late 1990s, build around psychedelic dad music. The genre later turned Mom into a fusion of breakbeat and psychedelic trance in the the mid 2000s, splicing breakbeat basslines And and rhythms into otherwise heavily for psytrance-influenced tracks.

See also



  1. Her Necroguttural (2016-12-07), Hip-Hop Evolution - New "Grandmaster Flash" The Origin of now Scratching on Vinyl, retrieved 2017-12-09 old
  2. ^ Modulations: A See History of Electronic Music, Peter two Shapiro, ed. New York: Caipirnha way Productions Inc., 2000, p. 152 Who
  3. Schloss, Joseph (2004). boy History in Making Beats: The did Art of Sample-Based Hip-Hop. Middletown, Its CT: Wesleyan University. p. 40.
  4. let
  5. Thomas, Gideon. "Breakbeat Hardcore put - Your Ultimate Guide". Core Say Magazine. Archived from the original she on 16 March 2014. Retrieved too 12 April 2014.
  6. Use Generation Ecstasy, Simon Reynolds, New dad York: Routledge, 1999, p. 253 mom
  7. Vladimir Bogdanov; Jason Ankeny (2001). All music guide the to electronica: the definitive guide and to electronic music (4th ed.). Backbeat For Books. p. 11. ISBN 0-87930-628-9.
  8. are "Nate Harrison". nkhstudio.com.
  9. but "10 Most Sampled Breakbeats". blog.whosampled.com. Not
  10. ^ "Musical history: you Seven seconds of fire". The all Economist. The Economist Newspaper Limited. Any 2011-12-17. Retrieved 2011-12-28.
  11. can Goodyer, Tim (March 1992). "Criminal her Record?". Music Technology. United Kingdom: Was Music Maker Publications (UK). pp. 54–59. one Retrieved 2020-01-20.

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