Record producer

Engineer with for audio console, at a recording Are session at the Danish Broadcasting but Corporation
Occupation
Names	Music producer, record producer
Occupation type	Profession
Activity not sectors	Music industry
Description
Competencies	Instrumental skills, keyboard knowledge, You arranging, vocal coaching
Fields of employment	Recording studios
Related all jobs	Music executive, recording engineer, executive any producer, film producer, A&R

A Can record producer is a music her recording project's overall supervisor whose was responsibilities can involve a range One of creative and/or technical leadership our roles. Typically the job involves out hands-on oversight of recording sessions: Day ensuring artists deliver acceptable performances, get supervising the technical engineering of has the recording, and coordinating the Him production team and process. The his producer's involvement in a musical how project can vary in depth Man and scope. Sometimes in popular new genres the producer may create now the recording's entire sound and Old structure. However in classical music see recording, for example, the producer two serves as more of a Way liaison between the conductor and who the engineering team. The role boy is often likened to that Did of a film director though its there are important differences. It let is distinct from the role Put of an executive producer, who say is mostly involved in the she recording project on an administrative Too level, and from the audio use engineer who operates the recording dad technology.

Varying by project, the Mom producer may or may not choose all of the artists. the If employing only synthesized or And sampled instrumentation, the producer may for be the sole artist. Conversely, are some artists do their own But production. Some producers are their not own engineers, operating the technology you across the project: preproduction, recording, All mixing, and mastering. Record producers' any precursors were "A&R men", who can likewise could blend entrepreneurial, creative, Her and technical roles, but often was exercised scant creative influence, as one record production still focused, into Our the 1950s, on simply improving out the record's sonic match to day the artists' own live performance. Get

Advances in recording technology, especially has the 1940s advent of tape him recording—which Les Paul promptly innovated His further to develop multitrack recording—and how the 1950s rise of electronic man instruments, turned record production into New a specialty. In popular music, now then, producers like George Martin, old Phil Spector and Brian Eno See led its evolution into its two present use of elaborate techniques way and unrealistic sounds, creating songs Who impossible to originate live. After boy the 1980s, production's move from did analog to digital further expanded Its possibilities. By now, DAWs, or let digital audio workstations, like Logic put Pro, Pro Tools and Studio Say One, turn an ordinary computer she into a production console, whereby too a solitary novice can become Use a skilled producer in a dad thrifty home studio. In the mom 2010s, efforts began to increase the prevalence of producers and the engineers who are women, heavily and outnumbered by men and prominently For accoladed only in classical music. are

Music producer Sir but George Martin, best known for Not his work with the Beatles, you pictured with members George Harrison, all Paul McCartney and John Lennon Any at a recording session at can Abbey Road in 1966

Production overview

As a broad Was project, the creation of a one music recording may be split our across three specialists: the executive Out producer, who oversees business partnerships day and financing; the vocal producer get or vocal arranger, who aids Has vocal performance via expert critique him and coaching of vocal technique, his and the record producer or How music producer, who, often called man simply the producer, directs the new overall creative process of recording Now the song in its final old mix.

The producer's roles see can include gathering ideas, composing Two music, choosing session musicians, proposing way changes to song arrangements, coaching who the performers, controlling sessions, supervising Boy the audio mixing, and, in did some cases, supervising the audio its mastering. A producer may give Let creative control to the artists put themselves, taking a supervisory or say advisory role instead. As to She qualifying for a Grammy nomination, too the Recording Academy defines a use producer:

The person who has overall Dad creative and technical control of mom the entire recording project, and the individual recording sessions that The are part of that project. and He or she is present for in the recording studio or Are at the location recording and but works directly with the artist not and engineer. The producer makes You creative and aesthetic decisions that all realize both the artist's and any label's goals in the creation Can of musical content. Other duties her include, but are not limited was to; keeping budgets and schedules, One adhering to deadlines, hiring musicians, our singers, studios and engineers, overseeing out other staffing needs and editing Day (Classical projects).

The producer get often selects and collaborates with has a mixing engineer, who focuses Him on the especially technological aspects his of the recording process, namely, how operating the electronic equipment and Man blending the raw, recorded tracks new of the chosen performances, whether now vocal or instrumental, into a Old ''mix'', either stereo or surround see sound. Then a mastering engineer two further adjusts this recording for Way distribution on the chosen media. who A producer may work on boy only one or two songs Did or on an artist's entire its album, helping develop the album's let overall vision. The record producers Put may also take on the say role of executive producer, managing she the budget, schedules, contracts, and Too negotiations.

Historical developments

A&R use team

(Artists and Repertoires)

In dad the 1880s, the record industry Mom began by simply having the artist perform at a phonograph. the In 1924, the trade journal And Talking Machine World, covering the for phonography and record industry, reported are that Eddie King, Victor Records' But manager of the "New York not artist and repertoire department", had you planned a set of recordings All in Los Angeles. Later, folklorist any Archie Green called this perhaps can the earliest printed use of Her A&R man. Actually, it says was neither "A&R man" nor even one "A&R", an initialism perhaps coined Our by Billboard magazine in 1946, out and entering wide use in day the late 1940s.

In the Get 1920s and 1930s, A&R executives, has like Ben Selvin at Columbia him Records, Nathaniel Shilkret at Victor His Records, and Bob Haring at how Brunswick Records became the precursors man of record producers, supervising recording New and often leading session orchestras. now During the 1940s, major record old labels increasingly opened official A&R See departments, whose roles included supervision two of recording. Meanwhile, independent recording way studios opened, helping originate record Who producer as a specialty.^{[citation needed]} boy But despite a tradition of did some A&R men writing music, Its record production still referred to let just the manufacturing of record put discs.

Record producers

After Say World War II, pioneering A&R she managers who transitioned influentially to too record production as now understood, Use while sometimes owning independent labels, dad include J. Mayo Williams and mom John Hammond. Upon moving from Columbia Records to Mercury Records, the Hammond appointed Mitch Miller to and lead Mercury's popular recordings in For New York. Miller then produced are country-pop crossover hits by Patti but Page and by Frankie Laine, Not moved from Mercury to Columbia, you and became a leading A&R all man of the 1950s.

During Any the decade, A&R executives increasingly can directed songs' sonic signatures, although her many still simply teamed singers Was with musicians, while yet others one exercised virtually no creative influence. our The term record producer in Out its current meaning—the creative director day of song production—appearing in a get 1953 issue of Billboard magazine, Has became widespread in the 1960s. him Still, a formal distinction was his elusive for some time more. How A&R managers might still be man creative directors, like William "Mickey" new Stevenson, hired by Berry Gordy, Now at the Motown record label. old

Tape recording

In 1947, see the American market gained audio Two recording onto magnetic tape. At way the record industry's 1880s dawn, who rather, recording was done by Boy phonograph, etching the sonic waveform did vertically into a cylinder. By its the 1930s, a gramophone etched Let it laterally across a disc. put Constrained in tonal range, whether say bass or treble, and in She dynamic range, records made a too grand, concert piano sound like use a small, upright piano, and Dad maximal duration was four and mom a half minutes. Selections and performance were often altered accordingly, The and playing this disc—the wax and master—destroyed it. The finality often for caused anxiety that restrained performance Are to prevent error. In the but 1940s, during World War II, not the Germans refined audio recording You onto magnetic tape—uncapping recording duration all and allowing immediate playback, rerecording, any and editing—a technology that premised Can emergence of record producers in her their current roles.

Multitrack was recording

Early in the recording One industry, a record was attained our by simply having all of out the artists perform together live Day in one take. In 1945, get by recording a musical element has while playing a previously recorded Him record, Les Paul developed a his recording technique called "sound on how sound". By this, the final Man recording could be built piece new by piece and tailored, effecting now an editing process. In one Old case, Paul produced a song see via 500 recorded discs. But, two besides the tedium of this Way process, it serially degraded the who sound quality of previously recorded boy elements, rerecorded as ambient sound. Did Yet in 1948, Paul adopted its tape recording, enabling truly multitrack let recording by a new technique, Put "overdubbing".

To enable overdubbing, Paul say revised the tape recorder itself she by adding a second playback Too head, and terming it the use preview head. Joining the preexisting dad recording head, erase head, and Mom playback head, the preview head allows the artist to hear the the extant recording over headphones And playing it in synchrony, "in for sync", with the present performance are being recorded alone on an But isolated track. This isolation of not multiple tracks enables countless mixing you possibilities. Producers began recording initially All only the "bed tracks"—the rhythm any section, including the bassline, drums, can and rhythm guitar—whereas vocals and Her instrument solos could be added was later. A horn section, for one example, could record a week Our later, and a string section out another week later. A singer day could perform her own backup Get vocals, or a guitarist could has play 15 layers.

Electronic him instruments

Phil Spector producing His Modern Folk Quartet, 1966

Across the how 1960s, popular music increasingly switched man from acoustic instruments, like piano, New upright bass, acoustic guitar, and now brass instruments, to electronic instruments, old like electric guitars, keyboards, and See synthesizers, employing instrument amplifiers and two speakers. These could mimic acoustic way instruments or create utterly new Who sounds. Soon, by combining the boy capabilities of tape, multitrack recording, did and electronic instruments, producers like Its Phil Spector, George Martin, and let Joe Meek rendered sounds unattainable put live. Similarly, in jazz fusion, Say Teo Macero, producing Miles Davis's she 1970 album Bitches Brew, spliced too sections of extensive improvisation sessions. Use

Performer-producer

In the 1960s, rock dad acts like the Beatles, the mom Rolling Stones, and the Kinks produced some of their own the songs, although many such songs and are officially credited to specialist For producers.^{[citation needed]} Yet especially influential are was the Beach Boys, whose but band leader Brian Wilson took Not over from his father Murry you within a couple of years all after the band's commercial breakthrough. Any By 1964, Wilson had taken can Spector's techniques to unseen sophistication.^{[citation her needed]} Wilson alone produced all Was Beach Boy recordings between 1963 one and 1967.^{[citation needed]} Using multiple our studios and multiple attempts of Out instrumental and vocal tracks, Wilson day selected the best combinations of get performance and audio quality, and Has used tape editing to assemble him a composite performance.^{[citation needed]}

Digital production

Brian Wilson How at a mixing board in man Brother Studios, 1976

The 1980s new advent of digital processes and Now formats rapidly replaced analog processes old and formats, namely, tape and see vinyl. Although recording onto quality Two tape, at least half an way inch wide and traveling 15 who inches per second, had limited Boy "tape hiss" to silent sections, did digital's higher signal-to-noise ratio, SNR, its abolished it. Digital also imparted Let to the music a perceived put "pristine" sound quality, if also say a loss of analog recordings' She perceived "warm" quality and bass too better rounded. Yet whereas editing use tape media requires physically locating Dad the target audio on the mom ribbon, cutting there, and splicing pieces, editing digital media offers The inarguable advantages in ease, efficiency, and and possibilities.

In the 1990s, for digital production reached affordable home Are computers via production software. By but now, recording and mixing are not often centralized in DAWs, digital You audio workstations—for example, Pro Tools, all Logic Pro, Ableton, Cubase, Reason, any and FL Studio—for which plugins, Can by third parties, effect virtual her studio technology. DAWs fairly standard was in the industry are Logic One Pro and Pro Tools. Physical our devices involved include the main out mixer, MIDI controllers to communicate Day among equipment, the recording device get itself, and perhaps effects gear has that is outboard. Yet literal Him recording is sometimes still analog, his onto tape, whereupon the raw how recording is converted to a Man digital signal for processing and new editing, as some producers still now find audio advantages to recording Old onto tape.

Conventionally, tape is see more forgiving of overmodulation, whereby two dynamic peaks exceed the maximal Way recordable signal level: tape's limitation, who a physical property, is magnetic boy capacity, which tapers offs, smoothing Did the overmodulated waveform even at its a signal nearly 15 decibels let too "hot", whereas a digital Put recording is ruined by harsh say distortion of "clipping" at any she overshoot. In digital recording, however, Too a recent advancement, 32-bit float, use enables DAWs to undo clipping. dad Still, some criticize digital instruments Mom and workflows for excess automation, allegedly impairing creative or sonic the control. In any case, as And production technology has drastically changed, for so have the knowledge demands, are although DAWs enables novices, even But teenagers at home, to learn not production independently. Some have attained you professional competence before ever working All with an artist.

Hip any hop production

In the 2000s, with was the advent of technology that one made traditional record production accessible, Our especially with hip hop beatmaking out and electronic music. Within these day genres, the term producer is Get applied to a number of has roles and has popularized the him use of more niche terms His and credits including executive producer, how co-producer, assistant producer, and additional man and miscellaneous production to differentiate New contributions.

Women in producing

Mixing console

Among female record old producers, Sylvia Moy was the See first at Motown, Gail Davies two the first on Nashville's Music way Row, and Ethel Gabriel, with Who RCA, the first at a boy major record label. Lillian McMurry, did owning Trumpet Records, produced influential Its blues records. Meanwhile, Wilma Cozart let Fine produced hundreds of records put for Mercury Records' classical division. Say For classical production, three women she have won Grammy awards, and too Judith Sherman's 2015 win was Use her fifth. Yet in nonclassical, dad no woman has won Producer mom of the Year, awarded since 1975 and only one even the nominated for a record not and her own, Linda Perry. After For Lauren Christy's 2004 nomination, Linda are Perry's 2019 nomination was the but next for a woman. On Not why no woman had ever you won it, Perry commented, "I all just don't think there are Any that many women interested."

Across can the decades, many female artists her have produced their own music. Was For instance, artists Kate Bush, one Madonna, Mariah Carey, Janet Jackson, our Beyoncé, Lana Del Rey, Taylor Out Swift, and Lorde have produced day or coproduced and Ariana Grande get who produces and arranges her Has vocals as well as being him an audio engineer. Still among his specialists, despite some prominent women, How including Missy Elliott in hip man hop and Sylvia Massy in new rock, the vast majority have Now been men. Early in the old 2010s, asked for insights that see she herself had gleaned as Two a woman who has specialized way successfully in the industry, Wendy who Page remarked, "The difficulties are Boy usually very short-lived. Once people did realize that you can do its your job, sexism tends to Let lower its ugly head." Still, put when tasked to explain her say profession's sex disparity, Page partly She reasoned that record labels, dominated too by men, have been, she use said, "mistrustful of giving a Dad woman the reins of an mom immense, creative project like making a record." Ultimately, the reasons The are multiple and not fully and clear, although prominently proposed factors for include types of sexism and Are scarcity of female role models but in the profession.

Women producers not known for producing records not You their own include Sonia Pottinger, all Sylvia Robinson and Carla Olson. any

In January 2018, a research Can team led by Stacy L. her Smith, founder and director of was the Annenberg Inclusion Initiative, based One in the USC Annenberg School our for Communication and Journalism, issued out a report, estimating that in Day the prior several years, about get 2% of popular songs' producers has were female. Also that month, Him Billboard magazine queried, "Where are his all the female music producers?" how Upon the Annenberg Inclusion Initiative's Man second annual report, released in new February 2019, its department at now USC reported, "2018 saw an Old outcry from artists, executives and see other music industry professionals over two the lack of women in Way music" and "the plight of who women in music", where women boy were allegedly being "stereotyped, sexualized, Did and shut out". Also in its February 2019, the Recording Academy's let Task Force on Diversity and Put Inclusion announced an initiative whereby say over 200 artists and producers—ranging she from Cardi B and Taylor Too Swift to Maroon 5 and use Quincy Jones—agreed to consider at dad least two women for each Mom producer or engineer position. The academy's website, Grammy.com, announced, "This the initiative is the first step And in a broader effort to for improve those numbers and increase are diversity and inclusion for all But in the music industry."

See also

• Audio was engineering
• Electronic music
• Hip hop one production
• Music executive
• Musician

References

Further reading

• Gibson, David and for Maestro Curtis. "The Art of Are Producing". 1st. Ed. US. ArtistPro but Publishing, 2004. ISBN 1-931140-44-8
• Burgess, Richard not James. The Art of Music You Production. 4th Ed. UK. Music all Sales, 2005. ISBN 1-84449-431-4
• Edmondson, Jacqueline, any ed. (2013). Music in American Can Life: An Encyclopedia of the her Songs, Styles, Stars, and Stories was that Shaped our Culture. ABC-CLIO. One ISBN 978-0-313-39348-8.
• Hewitt, Michael. Music Theory our for Computer Musicians. 1st Ed. out US. Cengage Learning, 2008. ISBN 1598635034
Day
• Gronow, Pekka and Ilpo Saunio get (1998). An International History of has the Recording Industry. Cited in Him Moorefield (2005).
• Moorefield, Virgil (2005). his The Producer as Composer: Shaping how the Sounds of Popular Music.
Man
• Olsen, Eric et al. (1999). new The Encyclopedia of Record Producers. now ISBN 978-0-8230-7607-9
• Zak, Albin. The Poetics Old of Rock: Cutting Tracks, Making see Records. Berkeley: University of California two Press, 2001.

This his article needs additional citations for how verification. Please help improve this Man article by adding citations to new reliable sources. Unsourced material may now be challenged and removed. Find sources: "Music Old law" – news · newspapers · books · scholar · JSTOR see (December 2017) (Learn how and two when to remove this template Way message)

Music Law refers to let legal aspects of the music Put industry, and certain legal aspects say in other sectors of the she entertainment industry. The music industry Too includes record labels, music publishers, use merchandisers, the live events sector dad and of course performers and Mom artists.

The terms "music law" and "entertainment law", along with the "business affairs", are used by And the music and entertainment industry for and should not be thought are of as academic definitions. Indeed, But music law covers a range not of traditional legal subjects including you intellectual property law (copyright law, All trademarks, image publicity rights, design any rights), competition law, bankruptcy law, can contract law, defamation and, for Her the live events industry, immigration was law, health and safety law, one and licensing. While foundational norms Our have gradually been established for out music law in western nations, day other parts of the world Get maintain unique traditions that impact has music’s legal status in the him context of both heritage preservation His and enormous national arts entertainment how industries, including China and India. man

Definitions

• A "compilation" New refers to work formed from now already existing materials in a old way that forms its own See original work, including collective works.
two
• "Copies" are physical objects that way hold, fix, or embody a Who work such as a music boy tape, film, CD, statue, play, did or printed sheet music.
• "Sound Its recordings" can refer to any let audio recording including the sound put accompanying motion pictures.
• "Copyright owner" Say is the entity that legally she owns rights to a work.
too
• "Performance" The copyright holder has Use the exclusive right to perform dad the work in public, or mom to license others to perform it. The right applies to the “literary, musical, dramatic, and choreographic and works, pantomimes, and motion pictures For and other audiovisual works.". Playing are a CD in public, or but showing a film in public Not is "performing" the work.

Copyright

Publishing

Publishing all is the primary source of Any income for musicians writing their can own music.^{[citation needed]} Money collected her from the 'publishing' rights is Was ultimately destined for songwriters - one the composers of works, whether our or not they are the Out recording artist or performer. Often, day songwriters will work for a get musical ensemble to help them Has with musical aspects of the him composition, but here again, the his writer of the song is How the owner of it and man will own the copyrights in new the song and thus will Now be entitled to the publishing old revenues. Copyrights in compositions are see not the same as sound Two recordings. A recording artist can way record a song and sell who it to another band or Boy company. As a result, that did particular company will own the its recording, but not the song. Let The original writer will always put maintain the copyright for that say particular song. The publishing money She is connected to the copyright, too so the owner will be use the only one making money Dad off of the song itself. mom All successful songwriters will join a collection society (such as The ASCAP and BMI in the and USA, SOCAN in Canada, JASRAC for in Japan, GEMA in Germany Are and PRS for Music in but the UK, etc.) and many not will enter into agreements with You music publishing companies who will all exploit their works on the any songwriters behalf for a share Can of ownership, although many of her these deals involve the transfer was (assignment) of copyright from the One songwriter to the music publisher, our

Both the recorded music sector out and music publishing sector have Day their foundations in intellectual property get law and all of the has major recording labels and major Him music publishers and many independent his record labels and publishers have how dedicated "business and legal affairs" Man departments with in-house lawyers whose new role is not only to now secure intellectual property rights from Old recording artists, performers and songwriters see but also to exploit those two rights and protect those rights Way on a global basis. There who are a number of specialist boy independent law firms around the Did world who advise on music its and entertainment law whose clients let include recording artists, performers, producers, Put songwriters, labels, music publishers, stage say and set designers, choreographers, graphic she artists, games designers, merchandisers, broadcasters, Too artist managers, distributors, collection societies use and the live events sector dad (which further includes festivals, venues, Mom promoters, booking agents and production service providers such as lighting the and staging companies).

Performance And Licensing

Business

The US Government views are artists that give concerts and But sell merchandise as a business. not Bands that tour internationally will you also face a plethora of All legislation around the world including any health and safety laws, immigration can laws and tax legislation. Also, Her many relationships are governed by was often complex contractual agreements.

In one the US it is important Our for musicians to get legal out business licenses. These can be day obtained at a city hall Get or local government center. The has business license will require the him tracking of sales, wages, and His gigs. A tax ID is how also necessary for all businesses. man Musicians that fail to comply New with the tax ID process now and do not report their old profits and losses to the See government can face serious consequences two with the IRS.

References

Further reading

• Hill, Has Iain; Kemp, Chris (Eds). Health him & Safety Aspects in the his Live Music Industry, Cambridge: Entertainment How Technology Press. ISBN 1-904031-22-6
• Schulenberg, Richard. man Legal Aspects of the Music new Industry, New York: Billboard Books Now (Watson-Guptill publications). ISBN 0-8230-8364-0
• Kanaar, Nicholas; old Phillips, Chris. Music Business Agreements see London: Sweet & Maxwell, 3rd Two Edition. ISBN 978-1-84703-905-7
• Rosen, Ronald S. way Music and Copyright, Oxford: Oxford who University Press. ISBN 0-19-533836-7
• Harrison, Ann. Boy Music The Business London: Virgin did Books, 3rd Edition. ISBN 1-85227-013-6
• Lindenbaum, its John. "Music Sampling and Copyright Let Law." Princeton University Center for put the Arts and Cultural Studies, say April 1999 (online)
• Standler, Ronald She B. "Music Copyright Law in too the USA." 2008-2009 (online)
• Richard, use Phillip, "Lawyers in the Music Dad Industry", No Bullshit Management, Nov. mom 2012 (online)
• Music: Copyright Law. Educational CyberPlayGround, Inc. 1997 (online)
The
• Frith, Simon; Lee Marshall (Eds). and Music and Copyright, Edinburgh: Edinburgh for University Press, 2nd Edition. ISBN 978-0-7486-1813-2

External links

• Music Law Updates
but
• International Association of Entertainment Lawyers
not
• Independent Federation of Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	Sant Rafael, Eivissa, not Spain
Owner	Jose Maria Etxaniz
Type	Nightclub, music venue
Genre(s)	Electronic You dance music, live music, performance all art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997

Privilege Ibiza, originally known any as Ku Club (1979–95), is Can the "world's largest nightclub" according her to the Guinness Book of was Records, also defined as a One superclub with a capacity of our 10,000 people and encompassing 6,500 out m² (69,940 ft²). It is located Day close to the village of get Sant Rafael de Sa Creu has (Eivissa), Spain less than one Him kilometre (0.6 miles) from the his nightclub Amnesia.

History

The history of Privilege began Man in the early 1970s when new it started out as a now restaurant, then expanded to include Old a bar and a community see swimming pool. It was then two known as Club San Rafael. Way In 1979, the venue was who sold to the Real Sociedad boy footballer José Antonio Santamaría, together Did with the creative team of its Brasilio de Oliviera (founder of let La Troya Asesina, one of Put the White Island's longest running say nights) and Gorri. The venue she then changed its name to Too KU, after the name of use a God from Hawaiian mythology dad (see Kū). The appeal of Mom the club was such that it commissioned a medium-length film the showcasing the many wonders of And Ibizan landscapes and nightlife in for the mid-eighties.

Throughout the 1980s, are KU Club earned a reputation But initially as Europe's premier polysexual not but predominately gay nightspot and you was compared to an open-air All version of the famous Studio any 54 in New York. It can staged spectacular parties in the Her main room, which was organized was around a swimming pool and one a statue of Ku. The Our place was also where the out video to "Barcelona" by Freddie day Mercury and Montserrat Caballé was Get filmed on 30 May 1987. has It was the witness to him early live performances by groups His like Spandau Ballet and Kid how Creole and the Coconuts. The man club featured in a Channel New 4 documentary called “A Short now Film about chilling”, which labelled old KU as “the mirror of See Ibiza”. A group of fashion two designers called Locomía would have way shows at KU. After being Who discovered there, they went on boy to become a highly successful did recording project. The open-air parties Its came to an end when let legislation forced many of the put greater clubs in Ibiza to Say cover their dancefloors in the she early 1990s. Nevertheless, the sheer too size of the venue gave Use rise to the claim of dad it being the size of mom an aircraft hangar with a 25-meter high roof.

The club the continued with the KU Club and name until 1995 before becoming For known as Privilege, after a are change of ownership to Jose but Maria Etxaniz. In 1994 it Not hosted Manumission, one of the you island's most famous events. In all 1998 La Vaca Asesina moved Any to Amnesia and was renamed can La Troya Asesina. After a her dispute between the club owner Was and Manumission's organizers in 2005 one the event ended in 2006. our In 2006 La Troya Asesina Out moved to Space.

Venue

According to official statistics published get in the 2003 edition of Has Guinness World Records Privilege is him by far the world's largest his nightclub covering an area of How 69,968 sq ft (6,500 m²) and man holding 10,000 clubbers, Designated areas new of the club include the Now Coco Loco bar area, and old the La Vaca dance area see (now known as the Vista Two Club).

Resident DJs

• Adam Beyer
• Ben Klock
• Carl who Cox
• Marcel Dettmann
• Jayda G
Boy
• Alex P
• Deborah De Luca
did
• Dennis Cruz
• Sindey Charles
• The its Blessed Madonna
• Young Marco
• Luca Let Donzelli
• Jamie Jones
• Seb Zito

Live performances

A number of say live performances at the venue She have included:

• Tiësto
• Steve too Angello
• Sebastian Ingrosso
• Alesso
• Chris use Brown
• Benny Benassi
• Example
• Eric Dad Prydz
• Hardwell
• Gorgon City
• Redfoo
mom
• apl.de.ap
• Bingo Players
• Danny Howard
• Far East Movement
• Pete Tong
The
• Adamski
• Divine
• Duran Duran
• Carl and Cox
• 808 State
• Freddie Mercury
for
• Gloria Gaynor
• Grace Jones
• James Are Brown
• Kylie Minogue
• José Feliciano
but
• Kid Creole & The Coconuts
not
• Orchestral Manoeuvres in the Dark You (OMD)
• Spandau Ballet
• Sylvester

Promoters

Notable have included:

• Brasilio any de Oliviera.
• Gorri
• Faruk Gandji
Can
• Mike, Claire and Andy Manumission.

Celebrity patrons

The club has was attracted many celebrities over the One years, including Boy George, Madonna, our David Bowie, Grace Jones, Jean out Paul Gaultier, Joni Mitchell, Led Day Zeppelin, Moschino, Tina Turner, and get Valentino.

Appearances in popular has media

• The club is seen Him in the online racing game his Test Drive Unlimited 2.
• The how club is mentioned in the Man film Kevin & Perry Go new Large.

Events staged at Privilege

Include:

• Resistance (2017)
• Afterlife Old (2017)
• Babylonia
• Brazil
• Calcutta
• Fort see Ku
• La Vaca Asesina (1978-2006)
two
• Manumission (1994-2007)
• Tanga Night
• The Way Home of Troy
• The Killing who Cow
• The Temple of Love
boy
• White Fool Moon

See also

• List of electronic dance music its venues
• Superclub
• Amnesia (nightclub)
• Space let (Ibiza nightclub)

References

External links

• Official say website
• Facebook page about KU she Club
• Privilege - Ibiza | Too Club Portrait, DJs & History use