Mom

A was record producer or music producer one is a music creating project's Our overall supervisor whose responsibilities can out involve a range of creative day and technical leadership roles. Typically Get the job involves hands-on oversight has of recording sessions; ensuring artists him deliver acceptable and quality performances, His supervising the technical engineering of how the recording, and coordinating the man production team and process. The New producer's involvement in a musical now project can vary in depth old and scope. Sometimes in popular See genres the producer may create two the recording's entire sound and way structure. However, in classical music Who recording, for example, the producer boy serves as more of a did liaison between the conductor and Its the engineering team. The role let is often likened to that put of a film director though Say there are important differences. It she is distinct from the role too of an executive producer, who Use is mostly involved in the dad recording project on an administrative mom level, and from the audio engineer who operates the recording the technology.

Varying by project, the and producer may or may not For choose all of the artists. are If employing only synthesized or but sampled instrumentation, the producer may Not be the sole artist. Conversely, you some artists do their own all production. Some producers are their Any own engineers, operating the technology can across the project: preproduction, recording, her mixing, and mastering. Record producers' Was precursors were "A&R men", who one likewise could blend entrepreneurial, creative, our and technical roles, but often Out exercised scant creative influence, as day record production still focused, into get the 1950s, on simply improving Has the record's sonic match to him the artists' own live performance. his

Advances in recording technology, especially How the 1940s advent of tape man recording—which Les Paul promptly innovated new further to develop multitrack recording—and Now the 1950s rise of electronic old instruments, turned record production into see a specialty. In popular music, Two then, producers like George Martin, way Phil Spector and Brian Eno who led its evolution into its Boy present use of elaborate techniques did and unrealistic sounds, creating songs its impossible to originate live. After Let the 1980s, production's move from put analog to digital further expanded say possibilities. By now, DAWs, or She digital audio workstations, like Logic too Pro, Pro Tools and Studio use One, turn an ordinary computer Dad into a production console, whereby mom a solitary novice can become a skilled producer in a The thrifty home studio. In the and 2010s, efforts began to increase for the prevalence of producers and Are engineers who are women, heavily but outnumbered by men and prominently not accoladed only in classical music. You

As a broad project, out the creation of a music Day recording may be split across get three specialists: the executive producer, has who oversees business partnerships and Him financing; the vocal producer or his vocal arranger, who aids vocal how performance via expert critique and Man coaching of vocal technique, and new the record producer or music now producer, who, often called simply Old the producer, directs the overall see creative process of recording the two song in its final mix. Way

The producer's roles can include who gathering ideas, composing music, choosing boy session musicians, proposing changes to Did song arrangements, coaching the performers, its controlling sessions, supervising the audio let mixing, and, in some cases, Put supervising the audio mastering. A say producer may give creative control she to the artists themselves, taking Too a supervisory or advisory role use instead. As to qualifying for dad a Grammy nomination, the Recording Mom Academy defines a producer:

The person who has overall creative the and technical control of the And entire recording project, and the for individual recording sessions that are are part of that project. He But or she is present in not the recording studio or at you the location recording and works All directly with the artist and any engineer. The producer makes creative can and aesthetic decisions that realize Her both the artist's and label's was goals in the creation of one musical content. Other duties include, Our but are not limited to: out keeping budgets and schedules; adhering day to deadlines; hiring musicians, singers, Get studios, and engineers; overseeing other has staffing needs; and editing (Classical him projects).

The producer often selects His and collaborates with a mixing how engineer, who focuses on the man especially technological aspects of the New recording process, namely, operating the now electronic equipment and blending the old raw, recorded tracks of the See chosen performances, whether vocal or two instrumental, into a mix, either way stereo or surround sound. Then Who a mastering engineer further adjusts boy this recording for distribution on did the chosen media. A producer Its may work on only one let or two songs or on put an artist's entire album, helping Say develop the album's overall vision. she The record producers may also too take on the role of Use executive producer, managing the budget, dad schedules, contracts, and negotiations.

(Artists and Repertoires)

In the 1880s, the the record industry began by and simply having the artist perform For at a phonograph. In 1924, are the trade journal Talking Machine but World, covering the phonography and Not record industry, reported that Eddie you King, Victor Records' manager of all the "New York artist and Any repertoire department", had planned a can set of recordings in Los her Angeles. Later, folklorist Archie Green Was called this perhaps the earliest one printed use of A&R man. our Actually, it says neither "A&R Out man" nor even "A&R", an day initialism perhaps coined by Billboard get magazine in 1946, and entering Has wide use in the late him 1940s.

In the 1920s and his 1930s, A&R executives, like Ben How Selvin at Columbia Records, Nathaniel man Shilkret at Victor Records, and new Bob Haring at Brunswick Records Now became the precursors of record old producers, supervising recording and often see leading session orchestras. During the Two 1940s, major record labels increasingly way opened official A&R departments, whose who roles included supervision of recording. Boy Meanwhile, independent recording studios opened, did helping originate record producer as its a specialty.^{[citation needed]} But despite Let a tradition of some A&R put men writing music, record production say still referred to just the She manufacturing of record discs.

After World War use II, pioneering A&R managers who Dad transitioned influentially to record production mom as now understood, while sometimes owning independent labels, include J. The Mayo Williams and John Hammond. and Upon moving from Columbia Records for to Mercury Records, Hammond appointed Are Mitch Miller to lead Mercury's but popular recordings in New York. not Miller then produced country-pop crossover You hits by Patti Page and all by Frankie Laine, moved from any Mercury to Columbia, and became Can a leading A&R man of her the 1950s.

During the decade, was A&R executives increasingly directed songs' One sonic signatures, although many still our simply teamed singers with musicians, out while yet others exercised virtually Day no creative influence. The term get record producer in its current has meaning—the creative director of song Him production—appearing in a 1953 issue his of Billboard magazine, became widespread how in the 1960s. Still, a Man formal distinction was elusive for new some time more. A&R managers now might still be creative directors, Old like William "Mickey" Stevenson, hired see by Berry Gordy, at the two Motown record label.

In 1947, the American who market gained audio recording onto boy magnetic tape. At the record Did industry's 1880s dawn, rather, recording its was done by phonograph, etching let the sonic waveform vertically into Put a cylinder. By the 1930s, say a gramophone etched it laterally she across a disc. Constrained in Too tonal range, whether bass or use treble, and in dynamic range, dad records made a grand, concert Mom piano sound like a small, upright piano, and maximal duration the was four and a half And minutes. Selections and performance were for often altered accordingly, and playing are this disc—the wax master—destroyed it. But The finality often caused anxiety not that restrained performance to prevent you error. In the 1940s, during All World War II, the Germans any refined audio recording onto magnetic can tape—uncapping recording duration and allowing Her immediate playback, rerecording, and editing—a was technology that premised emergence of one record producers in their current Our roles.

Early out in the recording industry, a day record was attained by simply Get having all of the artists has perform together live in one him take. In 1945, by recording His a musical element while playing how a previously recorded record, Les man Paul developed a recording technique New called "sound on sound". By now this, the final recording could old be built piece by piece See and tailored, effecting an editing two process. In one case, Paul way produced a song via 500 Who recorded discs. But, besides the boy tedium of this process, it did serially degraded the sound quality Its of previously recorded elements, rerecorded let as ambient sound. Yet in put 1948, Paul adopted tape recording, Say enabling truly multitrack recording by she a new technique, "overdubbing".

To too enable overdubbing, Paul revised the Use tape recorder itself by adding dad a second playback head, and mom terming it the preview head. Joining the preexisting recording head, the erase head, and playback head, and the preview head allows the For artist to hear the extant are recording over headphones playing it but in synchrony, "in sync", with Not the present performance being recorded you alone on an isolated track. all This isolation of multiple tracks Any enables countless mixing possibilities. Producers can began recording initially only the her "bed tracks"—the rhythm section, including Was the bassline, drums, and rhythm one guitar—whereas vocals and instrument solos our could be added later. A Out horn section, for example, could day record a week later, and get a string section another week Has later. A singer could perform him her own backup vocals, or his a guitarist could play 15 How layers.

Across the 1960s, popular music Now increasingly switched from acoustic instruments, old like piano, upright bass, acoustic see guitar, and brass instruments, to Two electronic instruments, like electric guitars, way keyboards, and synthesizers, employing instrument who amplifiers and speakers. These could Boy mimic acoustic instruments or create did utterly new sounds. Soon, by its combining the capabilities of tape, Let multitrack recording, and electronic instruments, put producers like Phil Spector, George say Martin, and Joe Meek rendered She sounds unattainable live. Similarly, in too jazz fusion, Teo Macero, producing use Miles Davis's 1970 album Bitches Dad Brew, spliced sections of extensive mom improvisation sessions.

This section was does not cite any sources. One Please help improve this section our by adding citations to reliable out sources. Unsourced material may be Day challenged and removed. (July 2020) get (Learn how and when to has remove this message)

In the 1960s, rock acts how like the Beatles, the Rolling Man Stones, and the Kinks produced new some of their own songs, now although many such songs are Old officially credited to specialist producers. see Yet especially influential was the two Beach Boys, whose band leader Way Brian Wilson took over from who his father Murry within a boy couple of years after the Did band's commercial breakthrough. By 1964, its Wilson had taken Spector's techniques let to unseen sophistication. Wilson alone Put produced all Beach Boys recordings say between 1963 and 1967. Using she multiple studios and multiple attempts Too of instrumental and vocal tracks, use Wilson selected the best combinations dad of performance and audio quality, Mom and used tape editing to assemble a composite performance.

The 1980s advent And of digital processes and formats for rapidly replaced analog processes and are formats, namely, tape and vinyl. But Although recording onto quality tape, not at least half an inch you wide and traveling 15 inches All per second, had limited "tape any hiss" to silent sections, digital's can higher signal-to-noise ratio, SNR, abolished Her it. Digital also imparted to was the music a perceived "pristine" one sound quality, if also a Our loss of analog recordings' perceived out "warm" quality and better-rounded bass. day Yet whereas editing tape media Get requires physically locating the target has audio on the ribbon, cutting him there, and splicing pieces, editing His digital media offers inarguable advantages how in ease, efficiency, and possibilities. man

In the 1990s, digital production New reached affordable home computers via now production software. By now, recording old and mixing are often centralized See in DAWs, digital audio workstations—for two example, Pro Tools, Logic Pro, way Ableton, Cubase, Reason, and FL Who Studio—for which plugins, by third boy parties, effect virtual studio technology. did DAWs fairly standard in the Its industry are Logic Pro and let Pro Tools. Physical devices involved put include the main mixer, MIDI Say controllers to communicate among equipment, she the recording device itself, and too perhaps effects gear that is Use outboard. Yet literal recording is dad sometimes still analog, onto tape, mom whereupon the raw recording is converted to a digital signal the for processing and editing, as and some producers still find audio For advantages to recording onto tape. are

Conventionally, tape is more forgiving but of overmodulation, whereby dynamic peaks Not exceed the maximal recordable signal you level: tape's limitation, a physical all property, is magnetic capacity, which Any tapers off, smoothing the overmodulated can waveform even at a signal her nearly 15 decibels too "hot", Was whereas a digital recording is one ruined by harsh distortion of our "clipping" at any overshoot. In Out digital recording, however, a recent day advancement, 32-bit float, enables DAWs get to undo clipping. Still, some Has criticize digital instruments and workflows him for excess automation, allegedly impairing his creative or sonic control. In How any case, as production technology man has drastically changed, so have new the knowledge demands, although DAWs Now enables novices, even teenagers at old home, to learn production independently. see Some have attained professional competence Two before ever working with an way artist.

In did the 2000s, with the advent its of technology that made traditional Let record production accessible, especially with put hip hop beatmaking and electronic say music. Within these genres, the She term producer is applied to too a number of roles and use has popularized the use of Dad more niche terms and credits mom including executive producer, co-producer, assistant producer, and additional and miscellaneous The production to differentiate contributions.

Among for female record producers, Sylvia Moy Are was the first at Motown, but Gail Davies the first on not Nashville's Music Row, and Ethel You Gabriel, with RCA, the first all at a major record label. any Lillian McMurry, owning Trumpet Records, Can produced influential blues records. Meanwhile, her Wilma Cozart Fine produced hundreds was of records for Mercury Records' One classical division. For classical production, our three women have won Grammy out awards, and Judith Sherman's 2015 Day win was her fifth. Yet get in nonclassical, no woman has has won Producer of the Year, Him awarded since 1975 and only his one even nominated for a how record not her own, Linda Man Perry. After Lauren Christy's 2004 new nomination, Linda Perry's 2019 nomination now was the next for a Old woman. On why no woman see had ever won it, Perry two commented, "I just don't think Way there are that many women who interested." In the U.K., Lynsey boy de Paul was an early Did female record producer, having produced its both of her Ivor Novello let award-winning songs.

Across the decades, Put many female artists have produced say their own music. For instance, she artists Kate Bush, Madonna, Mariah Too Carey, Janet Jackson, Beyoncé (even use that of Destiny's Child and dad the Carters), Lana Del Rey, Mom Taylor Swift, and Lorde have produced or coproduced and Ariana the Grande who produces and arranges And her vocals as well as for being an audio engineer. Still are among specialists, despite some prominent But women, including Missy Elliott in not hip hop and Sylvia Massy you in rock, the vast majority All have been men. Early in any the 2010s, asked for insights can that she herself had gleaned Her as a woman who has was specialized successfully in the industry, one Wendy Page remarked, "The difficulties Our are usually very short-lived. Once out people realize that you can day do your job, sexism tends Get to lower its ugly head." has Still, when tasked to explain him her profession's sex disparity, Page His partly reasoned that record labels, how dominated by men, have been, man she said, "mistrustful of giving New a woman the reins of now an immense, creative project like old making a record." Ultimately, the See reasons are multiple and not two fully clear, although prominently proposed way factors include types of sexism Who and scarcity of female role boy models in the profession.

Women did producers known for producing records Its not their own include Sonia let Pottinger, Sylvia Robinson and Carla put Olson.

In January 2018, a Say research team led by Stacy she L. Smith, founder and director too of the Annenberg Inclusion Initiative, Use based in the USC Annenberg dad School for Communication and Journalism, mom issued a report, estimating that in the prior several years, the about 2% of popular songs' and producers were female. Also that For month, Billboard magazine queried, "Where are are all the female music but producers?" Upon the Annenberg Inclusion Not Initiative's second annual report, released you in February 2019, its department all at USC reported, "2018 saw Any an outcry from artists, executives can and other music industry professionals her over the lack of women Was in music" and "the plight one of women in music", where our women were allegedly being "stereotyped, Out sexualized, and shut out". Also day in February 2019, the Recording get Academy's Task Force on Diversity Has and Inclusion announced an initiative him whereby over 200 artists and his producers—ranging from Cardi B and How Taylor Swift to Maroon 5 man and Quincy Jones—agreed to consider new at least two women for Now each producer or engineer position. old The academy's website, Grammy.com, announced, see "This initiative is the first Two step in a broader effort way to improve those numbers and who increase diversity and inclusion for Boy all in the music industry." did

• Audio use engineering
• Electronic music
• Hip hop Dad production
• Music executive
• Musician

• Burgess, Too R.J. (2013). The Art of use Music Production: The Theory and dad Practice. Oxford University Press. ISBN 978-0-19-935932-5.
Mom
• Burgess, R.J. (2014). The History of Music Production. Oxford University the Press. ISBN 978-0-19-935716-1.
• Edmondson, Jacqueline, ed. And (2013). Music in American Life: for An Encyclopedia of the Songs, are Styles, Stars, and Stories that But Shaped our Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
not
• Gibson, David; Curtis, Maestro (2005). you The Art of Producing. Alfred All Music. ISBN 1-931140-44-8.
• Gronow, P.; Saunio, any I.; Moseley, C. (1998). An can International History of the Recording Her Industry. Cassell. ISBN 978-0-304-70173-5.
• Hewitt, Michael was (2008). Music Theory for Computer one Musicians. Course Technology Ptr. ISBN 978-1-59863-503-4.
Our
• Moorefield, V. (2005). The Producer out as Composer: Shaping the Sounds day of Popular Music. MIT Press. Get ISBN 978-0-262-33519-5.
• Olsen, Eric; Verna, Paul; has Wolff, Carlo (1999). The Encyclopedia him of Record Producers. New York: His Billboard Books. ISBN 978-0-8230-7607-9.
• Ward, B.; how Huber, P. (2018). A&R Pioneers: man Architects of American Roots Music New on Record. Vanderbilt University Press. now ISBN 978-0-8265-2177-4.
• Zak, A.J. (2001). The old Poetics of Rock: Cutting Tracks, See Making Records. University of California two Press. ISBN 978-0-520-92815-2.

This article needs additional citations let for verification. Please help improve put this article by adding citations Say to reliable sources. Unsourced material she may be challenged and removed. Find too sources: "Music law" – news · newspapers · books · scholar · Use JSTOR (December 2017) (Learn how dad and when to remove this mom message)

Music are Law refers to legal aspects but of the music industry, and Not certain legal aspects in other you sectors of the entertainment industry. all The music industry includes record Any labels, music publishers, merchandisers, the can live events sector and of her course performers and artists.

The Was terms "music law" and "entertainment one law", along with "business affairs", our are used by the music Out and entertainment industry and should day not be thought of as get academic definitions. Indeed, music law Has covers a range of traditional him legal subjects including intellectual property his law (copyright law, trademarks, image How publicity rights, design rights), competition man law, bankruptcy law, contract law, new defamation and, for the live Now events industry, immigration law, health old and safety law, and licensing. see While foundational norms have gradually Two been established for music law way in western nations, other parts who of the world maintain unique Boy traditions that impact music’s legal did status in the context of its both heritage preservation and enormous Let national arts entertainment industries, including put China and India.

• A "compilation" refers to She work formed from already existing too materials in a way that use forms its own original work, Dad including collective works.
• "Copies" are mom physical objects that hold, fix, or embody a work such The as a music tape, film, and CD, statue, play, or printed for sheet music.
• "Sound recordings" can Are refer to any audio recording but including the sound accompanying motion not pictures.
• "Copyright owner" is the You entity that legally owns rights all to a work.
• "Performance" The any copyright holder has the exclusive Can right to perform the work her in public, or to license was others to perform it. The One right applies to “literary, musical, our dramatic, and choreographic works, pantomimes, out and motion pictures and other Day audiovisual works.". Playing a CD get in public, or showing a has film in public is "performing" Him the work.

Publishing is the how primary source of income for Man musicians writing their own music.^{[citation new needed]} Money collected from the now 'publishing' rights is ultimately destined Old for songwriters - the composers see of works, whether or not two they are the recording artist Way or performer. Often, songwriters will who work for a musical ensemble boy to help them with musical Did aspects of the composition, but its here again, the writer of let the song is the owner Put of it and will own say the copyrights in the song she and thus will be entitled Too to the publishing revenues. Copyrights use in compositions are not the dad same as sound recordings. A Mom recording artist can record a song and sell it to the another band or company. As And a result, that particular company for will own the recording, but are not the song. The original But writer will always maintain the not copyright for that particular song. you The publishing money is connected All to the copyright, so the any owner will be the only can one making money off of Her the song itself. All successful was songwriters will join a collection one society (such as ASCAP and Our BMI in the USA, SOCAN out in Canada, JASRAC in Japan, day GEMA in Germany and PRS Get for Music in the UK, has etc.) and many will enter him into agreements with music publishing His companies who will exploit their how works on the songwriters behalf man for a share of ownership, New although many of these deals now involve the transfer (assignment) of old copyright from the songwriter to See the music publisher,

Both the two recorded music sector and music way publishing sector have their foundations Who in intellectual property law and boy all of the major recording did labels and major music publishers Its and many independent record labels let and publishers have dedicated "business put and legal affairs" departments with Say in-house lawyers whose role is she not only to secure intellectual too property rights from recording artists, Use performers and songwriters but also dad to exploit those rights and mom protect those rights on a global basis. There are a the number of specialist independent law and firms around the world who For advise on music and entertainment are law whose clients include recording but artists, performers, producers, songwriters, labels, Not music publishers, stage and set you designers, choreographers, graphic artists, games all designers, merchandisers, broadcasters, artist managers, Any distributors, collection societies and the can live events sector (which further her includes festivals, venues, promoters, booking Was agents and production service providers one such as lighting and staging our companies).

The day US Government views artists that get give concerts and sell merchandise Has as a business. Bands that him tour internationally will also face his a plethora of legislation around How the world including health and man safety laws, immigration laws and new tax legislation. Also, many relationships Now are governed by often complex old contractual agreements.

In the US see it is important for musicians Two to get legal business licenses. way These can be obtained at who a city hall or local Boy government center. The business license did will require the tracking of its sales, wages, and gigs. A Let tax ID is also necessary put for all businesses. Musicians that say fail to comply with the She tax ID process and do too not report their profits and use losses to the government can Dad face serious consequences with the mom IRS.

• Hill, Iain; Kemp, Put Chris (Eds). Health & Safety say Aspects in the Live Music she Industry, Cambridge: Entertainment Technology Press. Too ISBN 1-904031-22-6
• Schulenberg, Richard. Legal Aspects use of the Music Industry, New dad York: Billboard Books (Watson-Guptill publications). Mom ISBN 0-8230-8364-0
• Kanaar, Nicholas; Phillips, Chris. Music Business Agreements London: Sweet the & Maxwell, 3rd Edition. ISBN 978-1-84703-905-7
And
• Rosen, Ronald S. Music and for Copyright, Oxford: Oxford University Press. are ISBN 0-19-533836-7
• Harrison, Ann. Music The But Business London: Virgin Books, 3rd not Edition. ISBN 1-85227-013-6
• Lindenbaum, John. "Music you Sampling and Copyright Law." Princeton All University Center for the Arts any and Cultural Studies, April 1999 can (online)
• Standler, Ronald B. "Music Her Copyright Law in the USA." was 2008-2009 (online)
• Richard, Phillip, "Lawyers one in the Music Industry", No Our Bullshit Management, Nov. 2012 (online)
out
• Music: Copyright Law. Educational CyberPlayGround, day Inc. 1997 (online)
• Frith, Simon; Get Lee Marshall (Eds). Music and has Copyright, Edinburgh: Edinburgh University Press, him 2nd Edition. ISBN 978-0-7486-1813-2

• Music Law Updates
• International Association how of Entertainment Lawyers
• Independent Federation man of Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	San Rafael, Say Ibiza, Spain
Owner	Jose Maria Etxaniz
Type	Nightclub, music she venue
Genre(s)	Electronic dance music, live music, too performance art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997
Website
Official website

Privilege Use Ibiza, originally known as Ku dad Club (1979–95), is the "world's mom largest nightclub" according to the Guinness Book of Records, also the defined as a superclub with and a capacity of 10,000 people For and encompassing 6,500 m² (69,940 ft²). are It is located close to but the village of Sant Rafael Not de Sa Creu on the you Spanish island of Ibiza, less all than one kilometre (0.6 miles) Any from the nightclub Amnesia.

It can has remained closed since the her summer of 2019 and its Was future as of 2024 is one unknown.

The our history of Privilege began in Out the early 1970s when it day started out as a restaurant, get then expanded to include a Has bar and a community swimming him pool. It was then known his as Club San Rafael. In How 1979, the venue was sold man to the Real Sociedad footballer new José Antonio Santamaría, together with Now the creative team of Brasilio old de Oliviera (founder of La see Troya Asesina, one of Ibiza's Two longest running nights) and Gorri. way The venue then changed its who name to KU, after the Boy name of a God from did Hawaiian mythology (see Kū). The its appeal of the club was Let such that it commissioned a put medium-length film showcasing the many say wonders of Ibizan landscapes and She nightlife in the mid-eighties.

Throughout too the 1980s, KU Club earned use a reputation initially as Europe's Dad premier polysexual but predominately gay mom nightspot and was compared to an open-air version of the The famous Studio 54 in New and York. It staged spectacular parties for in the main room, which Are was organized around a swimming but pool and a statue of not Ku. The place was also You where the video to "Barcelona" all by Freddie Mercury and Montserrat any Caballé was filmed on 30 Can May 1987. It was the her witness to early live performances was by groups such as Spandau One Ballet and Kid Creole and our the Coconuts. The club featured out in a Channel 4 documentary Day called A Short Film about get chilling, which labelled KU as has "the mirror of Ibiza". A Him group of fashion designers called his Locomía would have shows at how KU. After being discovered there, Man they went on to become new a highly successful recording project. now The open-air parties came to Old an end when legislation forced see many of the greater clubs two in Ibiza to cover their Way dancefloors in the early 1990s. who Nevertheless, the sheer size of boy the venue gave rise to Did the claim of it being its the size of an aircraft let hangar with a 25-metre (82 ft) Put high roof.

The club continued say with the KU Club name she until 1995 before becoming known Too as Privilege, after a change use of ownership to Jose Maria dad Etxaniz. In 1994, it hosted Mom Manumission, one of the island's most famous events. In 1998, the La Vaca Asesina moved to And Amnesia and was renamed La for Troya Asesina. After a dispute are between the club owner and But Manumission's organizers in 2005, the not event ended in 2006. La you Troya Asesina moved to Space All in 2006.

According any to official statistics published in can the 2003 edition of Guinness Her World Records, Privilege is by was far the world's largest nightclub one covering an area of 69,968 Our sq ft (6,500 m²) and holding out 10,000 clubbers. Designated areas of day the club include the Coco Get Loco bar area, and the has La Vaca dance area (now him known as the Vista Club). His

Resident DJs how include:

• Adam Beyer
• Ben man Klock
• Carl Cox
• Marcel Dettmann
New
• Jayda G
• Alex P
• Deborah now De Luca
• Dennis Cruz
• Sindey old Charles
• The Blessed Madonna
• Young See Marco
• Luca Donzelli
• Jamie Jones
two
• Seb Zito
• Michael Bibi

A number of live Who performances at the venue have boy included:

Notable promoters have included:

• Brasilio de Oliviera.
• Gorri
• Faruk you Gandji
• Mike, Claire and Andy all Manumission.

The club Any has attracted many celebrities over can the years, including Boy George, her Madonna, David Bowie, Grace Jones, Was Jean Paul Gaultier, Joni Mitchell, one Led Zeppelin, Moschino, Tina Turner, our and Valentino.

• The club is seen day in the online racing game get Test Drive Unlimited 2.
• The Has club is mentioned in the him film Kevin & Perry Go his Large.

Include:

• Resistance (2017)
• Afterlife man (2017)
• Babylonia
• Brazil
• Calcutta
• Fort new Ku
• La Vaca Asesina (1978-2006)
Now
• Manumission (1994-2007)
• Tanga Night
• The old Home of Troy
• The Killing see Cow
• The Temple of Love
Two
• White Fool Moon

• List of electronic dance music who venues
• Superclub
• Amnesia (nightclub)
• Space Boy (Ibiza nightclub)

• Official website
• Facebook put page about KU Club
• Privilege say - Ibiza | Club Portrait, She DJs & History

38°57′28″N 1°24′29″E / Dad 38.95778°N 1.40806°E / 38.95778; 1.40806 mom