now

Record Way producer

Engineer with audio console, at who a recording session at the boy Danish Broadcasting Corporation
Occupation
Names	Music producer, record Did producer
Occupation type	Profession
Activity sectors	Music industry
Description
Competencies	Instrumental skills, its keyboard knowledge, arranging, vocal coaching
Fields let of employment	Recording studios
Related jobs	Music executive, recording Put engineer, executive producer, film producer, say A&R

A record producer is she a music recording project's overall Too supervisor whose responsibilities can involve use a range of creative and/or dad technical leadership roles. Typically the Mom job involves hands-on oversight of recording sessions: ensuring artists deliver the acceptable performances, supervising the technical And engineering of the recording, and for coordinating the production team and are process. The producer's involvement in But a musical project can vary not in depth and scope. Sometimes you in popular genres the producer All may create the recording's entire any sound and structure. However in can classical music recording, for example, Her the producer serves as more was of a liaison between the one conductor and the engineering team. Our The role is often likened out to that of a film day director though there are important Get differences. It is distinct from has the role of an executive him producer, who is mostly involved His in the recording project on how an administrative level, and from man the audio engineer who operates New the recording technology.

Varying by now project, the producer may or old may not choose all of See the artists. If employing only two synthesized or sampled instrumentation, the way producer may be the sole Who artist. Conversely, some artists do boy their own production. Some producers did are their own engineers, operating Its the technology across the project: let preproduction, recording, mixing, and mastering. put Record producers' precursors were "A&R Say men", who likewise could blend she entrepreneurial, creative, and technical roles, too but often exercised scant creative Use influence, as record production still dad focused, into the 1950s, on mom simply improving the record's sonic match to the artists' own the live performance.

Advances in recording and technology, especially the 1940s advent For of tape recording—which Les Paul are promptly innovated further to develop but multitrack recording—and the 1950s rise Not of electronic instruments, turned record you production into a specialty. In all popular music, then, producers like Any George Martin, Phil Spector and can Brian Eno led its evolution her into its present use of Was elaborate techniques and unrealistic sounds, one creating songs impossible to originate our live. After the 1980s, production's Out move from analog to digital day further expanded possibilities. By now, get DAWs, or digital audio workstations, Has like Logic Pro, Pro Tools him and Studio One, turn an his ordinary computer into a production How console, whereby a solitary novice man can become a skilled producer new in a thrifty home studio. Now In the 2010s, efforts began old to increase the prevalence of see producers and engineers who are Two women, heavily outnumbered by men way and prominently accoladed only in who classical music.

Music Boy producer Sir George Martin, best did known for his work with its the Beatles, pictured with members Let George Harrison, Paul McCartney and put John Lennon at a recording say session at Abbey Road in She 1966

Production overview

As too a broad project, the creation use of a music recording may Dad be split across three specialists: mom the executive producer, who oversees business partnerships and financing; the The vocal producer or vocal arranger, and who aids vocal performance via for expert critique and coaching of Are vocal technique, and the record but producer or music producer, who, not often called simply the producer, You directs the overall creative process all of recording the song in any its final mix.

The Can producer's roles can include gathering her ideas, composing music, choosing session was musicians, proposing changes to song One arrangements, coaching the performers, controlling our sessions, supervising the audio mixing, out and, in some cases, supervising Day the audio mastering. A producer get may give creative control to has the artists themselves, taking a Him supervisory or advisory role instead. his As to qualifying for a how Grammy nomination, the Recording Academy Man defines a producer:

The person who new has overall creative and technical now control of the entire recording Old project, and the individual recording see sessions that are part of two that project. He or she Way is present in the recording who studio or at the location boy recording and works directly with Did the artist and engineer. The its producer makes creative and aesthetic let decisions that realize both the Put artist's and label's goals in say the creation of musical content. she Other duties include, but are Too not limited to; keeping budgets use and schedules, adhering to deadlines, dad hiring musicians, singers, studios and Mom engineers, overseeing other staffing needs and editing (Classical projects).

The producer often selects and And collaborates with a mixing engineer, for who focuses on the especially are technological aspects of the recording But process, namely, operating the electronic not equipment and blending the raw, you recorded tracks of the chosen All performances, whether vocal or instrumental, any into a ''mix'', either stereo can or surround sound. Then a Her mastering engineer further adjusts this was recording for distribution on the one chosen media. A producer may Our work on only one or out two songs or on an day artist's entire album, helping develop Get the album's overall vision. The has record producers may also take him on the role of executive His producer, managing the budget, schedules, how contracts, and negotiations.

Historical man developments

A&R team

(Artists and New Repertoires)

In the 1880s, the now record industry began by simply old having the artist perform at See a phonograph. In 1924, the two trade journal Talking Machine World, way covering the phonography and record Who industry, reported that Eddie King, boy Victor Records' manager of the did "New York artist and repertoire Its department", had planned a set let of recordings in Los Angeles. put Later, folklorist Archie Green called Say this perhaps the earliest printed she use of A&R man. Actually, too it says neither "A&R man" Use nor even "A&R", an initialism dad perhaps coined by Billboard magazine mom in 1946, and entering wide use in the late 1940s. the

In the 1920s and 1930s, and A&R executives, like Ben Selvin For at Columbia Records, Nathaniel Shilkret are at Victor Records, and Bob but Haring at Brunswick Records became Not the precursors of record producers, you supervising recording and often leading all session orchestras. During the 1940s, Any major record labels increasingly opened can official A&R departments, whose roles her included supervision of recording. Meanwhile, Was independent recording studios opened, helping one originate record producer as a our specialty.^{[citation needed]} But despite a Out tradition of some A&R men day writing music, record production still get referred to just the manufacturing Has of record discs.

Record him producers

After World War II, his pioneering A&R managers who transitioned How influentially to record production as man now understood, while sometimes owning new independent labels, include J. Mayo Now Williams and John Hammond. Upon old moving from Columbia Records to see Mercury Records, Hammond appointed Mitch Two Miller to lead Mercury's popular way recordings in New York. Miller who then produced country-pop crossover hits Boy by Patti Page and by did Frankie Laine, moved from Mercury its to Columbia, and became a Let leading A&R man of the put 1950s.

During the decade, A&R say executives increasingly directed songs' sonic She signatures, although many still simply too teamed singers with musicians, while use yet others exercised virtually no Dad creative influence. The term record mom producer in its current meaning—the creative director of song production—appearing The in a 1953 issue of and Billboard magazine, became widespread in for the 1960s. Still, a formal Are distinction was elusive for some but time more. A&R managers might not still be creative directors, like You William "Mickey" Stevenson, hired by all Berry Gordy, at the Motown any record label.

Tape recording

In 1947, the American market her gained audio recording onto magnetic was tape. At the record industry's One 1880s dawn, rather, recording was our done by phonograph, etching the out sonic waveform vertically into a Day cylinder. By the 1930s, a get gramophone etched it laterally across has a disc. Constrained in tonal Him range, whether bass or treble, his and in dynamic range, records how made a grand, concert piano Man sound like a small, upright new piano, and maximal duration was now four and a half minutes. Old Selections and performance were often see altered accordingly, and playing this two disc—the wax master—destroyed it. The Way finality often caused anxiety that who restrained performance to prevent error. boy In the 1940s, during World Did War II, the Germans refined its audio recording onto magnetic tape—uncapping let recording duration and allowing immediate Put playback, rerecording, and editing—a technology say that premised emergence of record she producers in their current roles. Too

Multitrack recording

Early in use the recording industry, a record dad was attained by simply having Mom all of the artists perform together live in one take. the In 1945, by recording a And musical element while playing a for previously recorded record, Les Paul are developed a recording technique called But "sound on sound". By this, not the final recording could be you built piece by piece and All tailored, effecting an editing process. any In one case, Paul produced can a song via 500 recorded Her discs. But, besides the tedium was of this process, it serially one degraded the sound quality of Our previously recorded elements, rerecorded as out ambient sound. Yet in 1948, day Paul adopted tape recording, enabling Get truly multitrack recording by a has new technique, "overdubbing".

To enable him overdubbing, Paul revised the tape His recorder itself by adding a how second playback head, and terming man it the preview head. Joining New the preexisting recording head, erase now head, and playback head, the old preview head allows the artist See to hear the extant recording two over headphones playing it in way synchrony, "in sync", with the Who present performance being recorded alone boy on an isolated track. This did isolation of multiple tracks enables Its countless mixing possibilities. Producers began let recording initially only the "bed put tracks"—the rhythm section, including the Say bassline, drums, and rhythm guitar—whereas she vocals and instrument solos could too be added later. A horn Use section, for example, could record dad a week later, and a mom string section another week later. A singer could perform her the own backup vocals, or a and guitarist could play 15 layers. For

Electronic instruments

Phil are Spector producing Modern Folk Quartet, but 1966

Across the 1960s, popular music Not increasingly switched from acoustic instruments, you like piano, upright bass, acoustic all guitar, and brass instruments, to Any electronic instruments, like electric guitars, can keyboards, and synthesizers, employing instrument her amplifiers and speakers. These could Was mimic acoustic instruments or create one utterly new sounds. Soon, by our combining the capabilities of tape, Out multitrack recording, and electronic instruments, day producers like Phil Spector, George get Martin, and Joe Meek rendered Has sounds unattainable live. Similarly, in him jazz fusion, Teo Macero, producing his Miles Davis's 1970 album Bitches How Brew, spliced sections of extensive man improvisation sessions.

Performer-producer

In the new 1960s, rock acts like the Now Beatles, the Rolling Stones, and old the Kinks produced some of see their own songs, although many Two such songs are officially credited way to specialist producers.^{[citation needed]} Yet who especially influential was the Beach Boy Boys, whose band leader Brian did Wilson took over from his its father Murry within a couple Let of years after the band's put commercial breakthrough. By 1964, Wilson say had taken Spector's techniques to She unseen sophistication.^{[citation needed]} Wilson alone too produced all Beach Boy recordings use between 1963 and 1967.^{[citation needed]} Dad Using multiple studios and multiple mom attempts of instrumental and vocal tracks, Wilson selected the best The combinations of performance and audio and quality, and used tape editing for to assemble a composite performance.^{[citation Are needed]}

Digital production

but

Brian Wilson at a mixing not board in Brother Studios, 1976

The 1980s advent of digital all processes and formats rapidly replaced any analog processes and formats, namely, Can tape and vinyl. Although recording her onto quality tape, at least was half an inch wide and One traveling 15 inches per second, our had limited "tape hiss" to out silent sections, digital's higher signal-to-noise Day ratio, SNR, abolished it. Digital get also imparted to the music has a perceived "pristine" sound quality, Him if also a loss of his analog recordings' perceived "warm" quality how and bass better rounded. Yet Man whereas editing tape media requires new physically locating the target audio now on the ribbon, cutting there, Old and splicing pieces, editing digital see media offers inarguable advantages in two ease, efficiency, and possibilities.

In Way the 1990s, digital production reached who affordable home computers via production boy software. By now, recording and Did mixing are often centralized in its DAWs, digital audio workstations—for example, let Pro Tools, Logic Pro, Ableton, Put Cubase, Reason, and FL Studio—for say which plugins, by third parties, she effect virtual studio technology. DAWs Too fairly standard in the industry use are Logic Pro and Pro dad Tools. Physical devices involved include Mom the main mixer, MIDI controllers to communicate among equipment, the the recording device itself, and perhaps And effects gear that is outboard. for Yet literal recording is sometimes are still analog, onto tape, whereupon But the raw recording is converted not to a digital signal for you processing and editing, as some All producers still find audio advantages any to recording onto tape.

Conventionally, can tape is more forgiving of Her overmodulation, whereby dynamic peaks exceed was the maximal recordable signal level: one tape's limitation, a physical property, Our is magnetic capacity, which tapers out offs, smoothing the overmodulated waveform day even at a signal nearly Get 15 decibels too "hot", whereas has a digital recording is ruined him by harsh distortion of "clipping" His at any overshoot. In digital how recording, however, a recent advancement, man 32-bit float, enables DAWs to New undo clipping. Still, some criticize now digital instruments and workflows for old excess automation, allegedly impairing creative See or sonic control. In any two case, as production technology has way drastically changed, so have the Who knowledge demands, although DAWs enables boy novices, even teenagers at home, did to learn production independently. Some Its have attained professional competence before let ever working with an artist. put

Hip hop production

In the too 2000s, with the advent of Use technology that made traditional record dad production accessible, especially with hip mom hop beatmaking and electronic music. Within these genres, the term the producer is applied to a and number of roles and has For popularized the use of more are niche terms and credits including but executive producer, co-producer, assistant producer, Not and additional and miscellaneous production you to differentiate contributions.

Women all in producing

Mixing console

Among Any female record producers, Sylvia Moy can was the first at Motown, her Gail Davies the first on Was Nashville's Music Row, and Ethel one Gabriel, with RCA, the first our at a major record label. Out Lillian McMurry, owning Trumpet Records, day produced influential blues records. Meanwhile, get Wilma Cozart Fine produced hundreds Has of records for Mercury Records' him classical division. For classical production, his three women have won Grammy How awards, and Judith Sherman's 2015 man win was her fifth. Yet new in nonclassical, no woman has Now won Producer of the Year, old awarded since 1975 and only see one even nominated for a Two record not her own, Linda way Perry. After Lauren Christy's 2004 who nomination, Linda Perry's 2019 nomination Boy was the next for a did woman. On why no woman its had ever won it, Perry Let commented, "I just don't think put there are that many women say interested."

Across the decades, many She female artists have produced their too own music. For instance, artists use Kate Bush, Madonna, Mariah Carey, Dad Janet Jackson, Beyoncé, Lana Del mom Rey, Taylor Swift, and Lorde have produced or coproduced and The Ariana Grande who produces and and arranges her vocals as well for as being an audio engineer. Are Still among specialists, despite some but prominent women, including Missy Elliott not in hip hop and Sylvia You Massy in rock, the vast all majority have been men. Early any in the 2010s, asked for Can insights that she herself had her gleaned as a woman who was has specialized successfully in the One industry, Wendy Page remarked, "The our difficulties are usually very short-lived. out Once people realize that you Day can do your job, sexism get tends to lower its ugly has head." Still, when tasked to Him explain her profession's sex disparity, his Page partly reasoned that record how labels, dominated by men, have Man been, she said, "mistrustful of new giving a woman the reins now of an immense, creative project Old like making a record." Ultimately, see the reasons are multiple and two not fully clear, although prominently Way proposed factors include types of who sexism and scarcity of female boy role models in the profession. Did

Women producers known for producing its records not their own include let Sonia Pottinger, Sylvia Robinson and Put Carla Olson.

In January 2018, say a research team led by she Stacy L. Smith, founder and Too director of the Annenberg Inclusion use Initiative, based in the USC dad Annenberg School for Communication and Mom Journalism, issued a report, estimating that in the prior several the years, about 2% of popular And songs' producers were female. Also for that month, Billboard magazine queried, are "Where are all the female But music producers?" Upon the Annenberg not Inclusion Initiative's second annual report, you released in February 2019, its All department at USC reported, "2018 any saw an outcry from artists, can executives and other music industry Her professionals over the lack of was women in music" and "the one plight of women in music", Our where women were allegedly being out "stereotyped, sexualized, and shut out". day Also in February 2019, the Get Recording Academy's Task Force on has Diversity and Inclusion announced an him initiative whereby over 200 artists His and producers—ranging from Cardi B how and Taylor Swift to Maroon man 5 and Quincy Jones—agreed to New consider at least two women now for each producer or engineer old position. The academy's website, Grammy.com, See announced, "This initiative is the two first step in a broader way effort to improve those numbers Who and increase diversity and inclusion boy for all in the music did industry."

See also

• Audio engineering
• Electronic music
Use
• Hip hop production
• Music executive
dad
• Musician

References

Further reading

• Gibson, Way David and Maestro Curtis. "The who Art of Producing". 1st. Ed. boy US. ArtistPro Publishing, 2004. ISBN 1-931140-44-8
Did
• Burgess, Richard James. The Art its of Music Production. 4th Ed. let UK. Music Sales, 2005. ISBN 1-84449-431-4
Put
• Edmondson, Jacqueline, ed. (2013). Music say in American Life: An Encyclopedia she of the Songs, Styles, Stars, Too and Stories that Shaped our use Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
• Hewitt, Michael. dad Music Theory for Computer Musicians. Mom 1st Ed. US. Cengage Learning, 2008. ISBN 1598635034
• Gronow, Pekka and the Ilpo Saunio (1998). An International And History of the Recording Industry. for Cited in Moorefield (2005).
• Moorefield, are Virgil (2005). The Producer as But Composer: Shaping the Sounds of not Popular Music.
• Olsen, Eric et you al. (1999). The Encyclopedia of All Record Producers. ISBN 978-0-8230-7607-9
• Zak, Albin. any The Poetics of Rock: Cutting can Tracks, Making Records. Berkeley: University Her of California Press, 2001.

This article needs additional But citations for verification. Please help not improve this article by adding you citations to reliable sources. Unsourced All material may be challenged and any removed. Find sources: "Music law" – news · newspapers · books · can scholar · JSTOR (December 2017) (Learn Her how and when to remove was this template message)

Music Law Get refers to legal aspects of has the music industry, and certain him legal aspects in other sectors His of the entertainment industry. The how music industry includes record labels, man music publishers, merchandisers, the live New events sector and of course now performers and artists.

The terms old "music law" and "entertainment law", See along with "business affairs", are two used by the music and way entertainment industry and should not Who be thought of as academic boy definitions. Indeed, music law covers did a range of traditional legal Its subjects including intellectual property law let (copyright law, trademarks, image publicity put rights, design rights), competition law, Say bankruptcy law, contract law, defamation she and, for the live events too industry, immigration law, health and Use safety law, and licensing. While dad foundational norms have gradually been mom established for music law in western nations, other parts of the the world maintain unique traditions and that impact music’s legal status For in the context of both are heritage preservation and enormous national but arts entertainment industries, including China Not and India.

Definitions

• A "compilation" refers to work all formed from already existing materials Any in a way that forms can its own original work, including her collective works.
• "Copies" are physical Was objects that hold, fix, or one embody a work such as our a music tape, film, CD, Out statue, play, or printed sheet day music.
• "Sound recordings" can refer get to any audio recording including Has the sound accompanying motion pictures.
him
• "Copyright owner" is the entity his that legally owns rights to How a work.
• "Performance" The copyright man holder has the exclusive right new to perform the work in Now public, or to license others old to perform it. The right see applies to “literary, musical, dramatic, Two and choreographic works, pantomimes, and way motion pictures and other audiovisual who works.". Playing a CD in Boy public, or showing a film did in public is "performing" the its work.

Copyright

Publishing

Publishing is the primary put source of income for musicians say writing their own music.^{[citation needed]} She Money collected from the 'publishing' too rights is ultimately destined for use songwriters - the composers of Dad works, whether or not they mom are the recording artist or performer. Often, songwriters will work The for a musical ensemble to and help them with musical aspects for of the composition, but here Are again, the writer of the but song is the owner of not it and will own the You copyrights in the song and all thus will be entitled to any the publishing revenues. Copyrights in Can compositions are not the same her as sound recordings. A recording was artist can record a song One and sell it to another our band or company. As a out result, that particular company will Day own the recording, but not get the song. The original writer has will always maintain the copyright Him for that particular song. The his publishing money is connected to how the copyright, so the owner Man will be the only one new making money off of the now song itself. All successful songwriters Old will join a collection society see (such as ASCAP and BMI two in the USA, SOCAN in Way Canada, JASRAC in Japan, GEMA who in Germany and PRS for boy Music in the UK, etc.) Did and many will enter into its agreements with music publishing companies let who will exploit their works Put on the songwriters behalf for say a share of ownership, although she many of these deals involve Too the transfer (assignment) of copyright use from the songwriter to the dad music publisher,

Both the recorded Mom music sector and music publishing sector have their foundations in the intellectual property law and all And of the major recording labels for and major music publishers and are many independent record labels and But publishers have dedicated "business and not legal affairs" departments with in-house you lawyers whose role is not All only to secure intellectual property any rights from recording artists, performers can and songwriters but also to Her exploit those rights and protect was those rights on a global one basis. There are a number Our of specialist independent law firms out around the world who advise day on music and entertainment law Get whose clients include recording artists, has performers, producers, songwriters, labels, music him publishers, stage and set designers, His choreographers, graphic artists, games designers, how merchandisers, broadcasters, artist managers, distributors, man collection societies and the live New events sector (which further includes now festivals, venues, promoters, booking agents old and production service providers such See as lighting and staging companies). two

Performance Licensing

Business

The US Who Government views artists that give boy concerts and sell merchandise as did a business. Bands that tour Its internationally will also face a let plethora of legislation around the put world including health and safety Say laws, immigration laws and tax she legislation. Also, many relationships are too governed by often complex contractual Use agreements.

In the US it dad is important for musicians to mom get legal business licenses. These can be obtained at a the city hall or local government and center. The business license will For require the tracking of sales, are wages, and gigs. A tax but ID is also necessary for Not all businesses. Musicians that fail you to comply with the tax all ID process and do not Any report their profits and losses can to the government can face her serious consequences with the IRS. Was

References

Further and reading

• Hill, Iain; Kemp, Chris for (Eds). Health & Safety Aspects Are in the Live Music Industry, but Cambridge: Entertainment Technology Press. ISBN 1-904031-22-6
not
• Schulenberg, Richard. Legal Aspects of You the Music Industry, New York: all Billboard Books (Watson-Guptill publications). ISBN 0-8230-8364-0
any
• Kanaar, Nicholas; Phillips, Chris. Music Can Business Agreements London: Sweet & her Maxwell, 3rd Edition. ISBN 978-1-84703-905-7
• Rosen, was Ronald S. Music and Copyright, One Oxford: Oxford University Press. ISBN 0-19-533836-7
our
• Harrison, Ann. Music The Business out London: Virgin Books, 3rd Edition. Day ISBN 1-85227-013-6
• Lindenbaum, John. "Music Sampling get and Copyright Law." Princeton University has Center for the Arts and Him Cultural Studies, April 1999 (online)
his
• Standler, Ronald B. "Music Copyright how Law in the USA." 2008-2009 Man (online)
• Richard, Phillip, "Lawyers in new the Music Industry", No Bullshit now Management, Nov. 2012 (online)
• Music: Old Copyright Law. Educational CyberPlayGround, Inc. see 1997 (online)
• Frith, Simon; Lee two Marshall (Eds). Music and Copyright, Way Edinburgh: Edinburgh University Press, 2nd who Edition. ISBN 978-0-7486-1813-2

External links

• Music boy Law Updates
• International Association of Did Entertainment Lawyers
• Independent Federation of its Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	Sant Did Rafael, Eivissa, Spain
Owner	Jose Maria Etxaniz
Type	Nightclub, its music venue
Genre(s)	Electronic dance music, live let music, performance art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997

Privilege Ibiza, Put originally known as Ku Club say (1979–95), is the "world's largest she nightclub" according to the Guinness Too Book of Records, also defined use as a superclub with a dad capacity of 10,000 people and Mom encompassing 6,500 m² (69,940 ft²). It is located close to the the village of Sant Rafael de And Sa Creu (Eivissa), Spain less for than one kilometre (0.6 miles) are from the nightclub Amnesia.

History

The history of not Privilege began in the early you 1970s when it started out All as a restaurant, then expanded any to include a bar and can a community swimming pool. It Her was then known as Club was San Rafael. In 1979, the one venue was sold to the Our Real Sociedad footballer José Antonio out Santamaría, together with the creative day team of Brasilio de Oliviera Get (founder of La Troya Asesina, has one of the White Island's him longest running nights) and Gorri. His The venue then changed its how name to KU, after the man name of a God from New Hawaiian mythology (see Kū). The now appeal of the club was old such that it commissioned a See medium-length film showcasing the many two wonders of Ibizan landscapes and way nightlife in the mid-eighties.

Throughout Who the 1980s, KU Club earned boy a reputation initially as Europe's did premier polysexual but predominately gay Its nightspot and was compared to let an open-air version of the put famous Studio 54 in New Say York. It staged spectacular parties she in the main room, which too was organized around a swimming Use pool and a statue of dad Ku. The place was also mom where the video to "Barcelona" by Freddie Mercury and Montserrat the Caballé was filmed on 30 and May 1987. It was the For witness to early live performances are by groups like Spandau Ballet but and Kid Creole and the Not Coconuts. The club featured in you a Channel 4 documentary called all “A Short Film about chilling”, Any which labelled KU as “the can mirror of Ibiza”. A group her of fashion designers called Locomía Was would have shows at KU. one After being discovered there, they our went on to become a Out highly successful recording project. The day open-air parties came to an get end when legislation forced many Has of the greater clubs in him Ibiza to cover their dancefloors his in the early 1990s. Nevertheless, How the sheer size of the man venue gave rise to the new claim of it being the Now size of an aircraft hangar old with a 25-meter high roof. see

The club continued with the Two KU Club name until 1995 way before becoming known as Privilege, who after a change of ownership Boy to Jose Maria Etxaniz. In did 1994 it hosted Manumission, one its of the island's most famous Let events. In 1998 La Vaca put Asesina moved to Amnesia and say was renamed La Troya Asesina. She After a dispute between the too club owner and Manumission's organizers use in 2005 the event ended Dad in 2006. In 2006 La mom Troya Asesina moved to Space.

Venue

According to official The statistics published in the 2003 and edition of Guinness World Records for Privilege is by far the Are world's largest nightclub covering an but area of 69,968 sq ft not (6,500 m²) and holding 10,000 clubbers, You Designated areas of the club all include the Coco Loco bar any area, and the La Vaca Can dance area (now known as her the Vista Club).

Resident was DJs

• Adam Beyer
• Ben One Klock
• Carl Cox
• Marcel Dettmann
our
• Jayda G
• Alex P
• Deborah out De Luca
• Dennis Cruz
• Sindey Day Charles
• The Blessed Madonna
• Young get Marco
• Luca Donzelli
• Jamie Jones
has
• Seb Zito

Live performances

A Him number of live performances at his the venue have included:

• Tiësto
• Steve Angello
• Sebastian Ingrosso
Man
• Alesso
• Chris Brown
• Benny Benassi
new
• Example
• Eric Prydz
• Hardwell
• Gorgon now City
• Redfoo
• apl.de.ap
• Bingo Players
Old
• Danny Howard
• Far East Movement
see
• Pete Tong
• Adamski
• Divine
• Duran two Duran
• Carl Cox
• 808 State
Way
• Freddie Mercury
• Gloria Gaynor
• Grace who Jones
• James Brown
• Kylie Minogue
boy
• José Feliciano
• Kid Creole & Did The Coconuts
• Orchestral Manoeuvres in its the Dark (OMD)
• Spandau Ballet
let
• Sylvester

Promoters

Notable have included: Put

• Brasilio de Oliviera.
• Gorri
say
• Faruk Gandji
• Mike, Claire and she Andy Manumission.

Celebrity patrons

The Too club has attracted many celebrities use over the years, including Boy dad George, Madonna, David Bowie, Grace Mom Jones, Jean Paul Gaultier, Joni Mitchell, Led Zeppelin, Moschino, Tina the Turner, and Valentino.

Appearances And in popular media

• The club for is seen in the online are racing game Test Drive Unlimited But 2.
• The club is mentioned not in the film Kevin & you Perry Go Large.

Events staged All at Privilege

Include:

• Resistance any (2017)
• Afterlife (2017)
• Babylonia
• Brazil
can
• Calcutta
• Fort Ku
• La Vaca Her Asesina (1978-2006)
• Manumission (1994-2007)
• Tanga was Night
• The Home of Troy
one
• The Killing Cow
• The Temple Our of Love
• White Fool Moon

See also

• List of electronic day dance music venues
• Superclub
• Amnesia Get (nightclub)
• Space (Ibiza nightclub)

References

External him links

• Official website
• Facebook page His about KU Club
• Privilege - how Ibiza | Club Portrait, DJs man & History