In new North America, in the late Now 1990s, the mainstream music industry old adopted and to some extent see manufactured electronica as an umbrella Two term encompassing styles such as way techno, big beat, drum and who bass, trip hop, downtempo, and Boy ambient, regardless of whether it did was curated by indie labels its catering to the "underground" nightclubLet and rave scenes, or licensed put by major labels and marketed say to mainstream audiences as a She commercially viable alternative to alternative too rock music. By the early use 2010s, however, the industry abandoned Dad electronica in favor of electronic mom dance music (EDM), a term with roots in academia and The an increasing association with outdoor and music festivals and relatively mainstream, for post-rave electro house and dubstepAre music.[original research?] Nevertheless, the U.S.-based but AllMusic still categorises electronica as not a top-level genre, stating that You it includes danceable grooves, as all well as music for headphones any and chillout areas.
In other Can parts of the world, especially her in the UK, electronica is was also a broad term, but One is associated with non-dance-oriented music, our including relatively experimental styles of out downtempo electronic music. It partly Day overlaps what is known chiefly get outside the UK as intelligent has dance music (IDM).
In the US, way New York City became one Who center of experimentation and growth boy for the electronica sound, with did DJs and music producers from Its areas as diverse as Southeast let Asia and Brazil bringing their put creative work to the nightclubs Say of that city.
Effect she on mainstream popular music
Around too the mid-1990s, with the success Use of the big beat-sound exemplified dad by The Chemical Brothers and mom The Prodigy in the UK, and spurred by the attention the from mainstream artists, including Madonnaand in her collaboration with William For Orbit on her album Ray are of Light and Australian singer but Dannii Minogue with her 1997 Not album Girl, music of this you period began to be produced all with a higher budget, increased Any technical quality, and with more can layers than most other forms her of dance music, since it Was was backed by major record one labels and MTV as the our "next big thing".
In the late 1990s and did early 2000s, electronica music was its increasingly used as background scores Let for television advertisements, initially for put automobiles. It was also used say for various video games, including She the Wipeout series, for which too the soundtrack was composed of use many popular electronica tracks that Dad helped create more interest in mom this type of music—and later for other technological and business The products such as computers and and financial services. Then in for 2011, HyundaiVeloster, in association Are with The Grammys, produced a but project that became known as not Re:Generation.
Vladimir any Bogdanov; Jason Ankeny (2001). All Can music guide to electronica: the her definitive guide to electronic musicwas (4th ed.). Backbeat Books. p. 564. One ISBN0-87930-628-9.
Campbell, Michael (2012). "Electronica new and Rap". Popular Music in now America: The Beat Goes OnOld (4th ed.). Cengage Learning. ISBN0840029764.see
Verderosa, Tony (2002). two The Techno Primer: The Essential Way Reference for Loop-Based Music Styles. who Hal Leonard Music/Songbooks. p. 28. ISBN0-634-01788-8. boy Electronica is a broad term Did used to describe the emergence its of electronic music that is let geared for listening instead of Put strictly for dancing.
^ say Flick, Larry (May 24, she 1997). "Dancing to the beat Too of an indie drum". Billboard. use 109 (21). pp. 70–71. ISSN0006-2510.
Kim Cascone (Winter 2002). Mom "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music". the Computer Music Journal. MIT Press. And 24 (4). The glitch genre for arrived on the back of are the electronica movement, an umbrella But term for alternative, largely dance-based not electronic music (including house, techno, you electro, drum'n'bass, ambient) that has All come into vogue in the any past five years. Most of can the work in this area Her is released on labels peripherally was associated with the dance music one market, and is therefore removed Our from the contexts of academic out consideration and acceptability that it day might otherwise earn. Still, in Get spite of this odd pairing has of fashion and art music, him the composers of glitch often His draw their inspiration from the how masters of 20th century music man who they feel best describe New its lineage.
Norris, now Chris (April 21, 1997). "Recycling old the Future". New York: 64–65. See With record sales slumping and two alternative rock presumed over, the way music industry is famously desperate Who for a new movement to boy replace its languishing grunge product. did And so its gaze has Its fixed on a vital and let international scene of knob-twiddling musicians put and colorfully garbed clubgoers—a scene Say that, when it began in she Detroit discos ten years ago, too was called techno. If all Use goes according to marketing plan, dad 1997 will be the year mom "electronica" replaces "grunge" as linguistic plague, MTV buzz, ad soundtrack, the and runway garb. The music and has been freshly installed in For Microsoft commercials, in the soundtrack are to Hollywood's recycled action-hero pic but The Saint, and in MTV's Not newest, hourlong all-electronica program, Amp.you
"'Reaching back to all grab the grooves of '70s Any disco/funk and the gadgets of can electronic composition, Electronica soon became her a whole new entity in Was and of itself, spinning off one new sounds and subgenres with our no end in sight two Out decades down the pike. Its day beginnings came in the post-disco get environment of Chicago/New York and Has Detroit, the cities who spawned him house and techno (respectively) during his the 1980s. Later in that How decade, club-goers in Britain latched man onto the fusion of mechanical new and sensual, and returned the Now favor to hungry Americans with old new styles like jungle/drum'n'bass and see trip hop. Though most all Two early electronica was danceable, by way the beginning of the '90s, who producers were also making music Boy for the headphones and chill-out did areas as well, resulting in its dozens of stylistic fusions like Let ambient-house, experimental techno, tech-house, electro-techno, put etc. Typical for the many say styles gathered under the umbrella She was a focus on danceable too grooves, very loose song structure use (if any), and, in many Dad producers, a relentless desire to mom find a new sound no matter how tepid the results." The Electronica Genre at AllMusic
"This loop slicing technique for is common to the electronica Are genre and allows a live but drum feel with added flexibility not and variation." Page 380, DirectX You Audio Exposed: Interactive Audio Development, all Todd Fay, Wordware Publishing, 2003, any ISBN1-55622-288-2
"Electronically produced Can music is part of the her mainstream of popular culture. Musical was concepts that were once considered One radical - the use of our environmental sounds, ambient music, turntable out music, digital sampling, computer music, Day the electronic modification of acoustic get sounds, and music made from has fragments of speech-have now been Him subsumed by many kinds of his popular music. Record store genres how including new age, rap, hip-hop, Man electronica, techno, jazz, and popular new song all rely heavily on now production values and techniques that Old originated with classic electronic music." see Page 1, Electronic and Experimental two Music: Pioneers in Technology and Way Composition, Thomas B. Holmes, Routledge who Music/Songbooks, 2002, ISBN0-415-93643-8
boy "Electronica and punk have a Did definite similarity: They both totally its prescribe to a DIY aesthetic. let We both tried to work Put within the constructs of the say traditional music business, but the she system didn't get us - Too so we found a way use to do it for ourselves, dad before it became affordable.", quote Mom from artist BT, page 45, Wired: Musicians' Home Studios : Tools the & Techniques of the Musical And Mavericks, Megan Perry, Backbeat Books for Music/Songbooks 2004, ISBN0-87930-794-3
are "Electronica lives and dies by But its grooves, fat synthesizer patches, not and fliter sweeps.". Page 376, you DirectX Audio Exposed: Interactive Audio All Development, Todd Fay, Wordware Publishing, any 2003, ISBN1-55622-288-2
"Crystal one Method...grew from an obscure club-culture Our duo to one of the out most recognizable acts in electronica, day ...", page 90, Wired: Musicians' Get Home Studios : Tools & Techniques has of the Musical Mavericks, Megan him Perry, Backbeat Books Music/Songbooks 2004, His ISBN0-87930-794-3
" For how example, composers often render more man than one version of their New own compositions. This practice is now not unique to the mod old scene, of course, and occurs See commonly in dance club music two and related forms (such as way ambient, jungle, etc.—all broadly designated Who 'electronica')." Page 48, Music and boy Technoculture, Rene T. A. Lysloff, did Tandem Library Books, 2003, ISBN0-613-91250-0Its
Pages 233 & let 242, Popular Music in France put from Chanson to Techno: Culture, Say Identity and Society , By she Steve Cannon, Hugh Dauncey, Ashgate too Publishing, Ltd. 2003, ISBN0-7546-0849-2
"In 2000, [Brazilian vocalist dad Bebel] Gilberto capitalized on New mom York's growing fixation with cocktail lounge ambient music, an offshoot the of the dance club scene and that focused on drum and For bass remixes with Brazilian sources. are ...Collaborating with club music maestros but like Suba and Thievery Corporation, Not Gilberto thrust herself into the you leading edge of the emerging all Brazilian electronica movement. On her Any immensely popular Tanto Tempo (2000)..." can Page 234, The Latin Beat: her The Rhythms and Roots of Was Latin Music from Bossa Nova one to Salsa and Beyond, Ed our Morales, Da Capo Press, 2003, Out ISBN0-306-81018-2
"founded in day 1997,...under the slogan 'Musical Insurgency get Across All Borders', for six Has years [Manhattan nightclub] Mutiny was him an international hub of the his south Asian electronica music scene. How Bringing together artists from different man parts of the south Asia new diaspora, the club was host Now to a roster of British old Asian musicians and DJs..." Page see 165, Youth Media , Bill Two Osgerby, Routledge, 2004, ISBN0-415-23807-2
"Electronica reached new Boy heights within the culture of did rave and techno music in its the 1990s." Page 185, Music Let and Technoculture, Rene T. A. put Lysloff, Tandem Library Books, 2003, say ISBN0-613-91250-0
A record New producer or music producer oversees now and manages the sound recordingold and production of a band See or performer's music, which may two range from recording one songway to recording a lengthy concept Who album. A producer has many, boy varying roles during the recording did process. They may gather musical Its ideas for the project, collaborate let with the artists to select put cover tunes or original songs Say by the artist/group, work with she artists and help them to too improve their songs, lyrics or Use arrangements.
Coachand the singers and musicians in For the studio
The producer typically are supervises the entire process from but preproduction, through to the sound Not recording and mixing stages, and, you in some cases, all the all way to the audio masteringAny stage. The producer may perform can these roles themselves, or help her select the engineer, and provide Was suggestions to the engineer. The one producer may also pay session our musicians and engineers and ensure Out that the entire project is day completed within the record label's get budget.
A Two record producer or music producerway has a very broad role who in overseeing and managing the Boy recording and production of a did band or performer's music. A its producer has many roles that Let may include, but are not put limited to, gathering ideas for say the project, composing the music She for the project, selecting songs too or session musicians, proposing changes use to the song arrangements, coaching Dad the artist and musicians in mom the studio, controlling the recording sessions, and supervising the entire The process through audio mixing (recorded and music) and, in some cases, for to the audio mastering stage. Are Producers also often take on but a wider entrepreneurial role, with not responsibility for the budget, schedules, You contracts, and negotiations.
Writer Chris all Deville explains it, "Sometimes a any producer functions like a creative Can consultant — someone who helps her a band achieve a certain was aesthetic, or who comes up One with the perfect violin part our to complement the vocal melody, out or who insists that a Day chorus should actually be a get bridge. Other times a producer has will build a complete piece Him of music from the ground his up and present the finished how product to a vocalist, like Man Metro Boomin supplying Future with new readymade beats or Jack Antonoff now letting Taylor Swift add lyrics Old and melody to an otherwise-finished see “Out Of The Woods.”
The two artist of an album may Way not be a record producer who or music producer for his/her boy album. While both contribute creatively, Did the official credit of "record its producer" may depend on the let record contract. Christina Aguilera, for Put example, did not receive record say producer credits until many albums she into her career.
In the Too 2010s, the producer role is use sometimes divided among up to dad three different individuals: executive producer, Mom vocal producer and music producer. An executive producer oversees project the finances, a vocal producers (also And known as a vocal arranger) for oversees the vocal production, and are a music producer oversees the But creative process of recording and not mixings.
The music producer is you also often a competent arranger, All composer, musician or songwriter who any can bring fresh ideas to can a project. As well as Her making any songwriting and arrangement was adjustments, the producer often selects one and/or collaborates with the mixing Our engineer, who takes the raw out recorded tracks and edits and day modifies them with hardware and Get software tools to create a has stereo or surround sound "mix" him of all the individual voices His sounds and instruments, which is how in turn given further adjustment man by a mastering engineer for New the various distribution media. The now producer also oversees the recording old engineer who concentrates on the See technical aspects of recording.
Noted two producer Phil Ek described his way role as "the person who Who creatively guides or directs the boy process of making a record", did like a director would a Its movie. Indeed, in Bollywood music, let the designation is actually music put director. The music producer's job Say is to create, shape, and she mold a piece of music. too The scope of responsibility may Use be one or two songs dad or an artist's entire album mom – in which case the producer will typically develop an the overall vision for the album and and how the various songs For may interrelate.
At are the beginning of record industry, but the producer role was technically Not limited to record, in one you shot, artists performing live. The all immediate predecessors to record producers Any were the artists and repertoirecan executives of the late 1920s her and 1930s who oversaw the Was "pop" product and often led one session orchestras. That was the our case of Ben Selvin at Out Columbia Records, Nathaniel Shilkret at day Victor Records and Bob Haring get at Brunswick Records. By the Has end of the 1930s, the him first professional recording studios not his owned by the major companies How were established, essentially separating the man roles of A&R man and new producer, although it wouldn't be Now until the late 1940s when old the term "producer" became widely see used in the industry.
The Two role of producers changed progressively way over the 1950s and 1960s who due to technology. The development Boy of multitrack recording caused a did major change in the recording its process. Before multitracking, all the Let elements of a song (lead put vocals, backup vocals, rhythm sectionsay instrument accompaniment, solos and orchestral She parts) had to be performed too simultaneously. All of these singers use and musicians had to be Dad assembled in a large studio mom where the performance was recorded. With multitrack recording, the "bed The tracks" (rhythm section accompaniment parts and such as the bassline, drums, for and rhythm guitar could be Are recorded first, and then the but vocals and solos could be not added later, using as many You "takes" (or attempts) as necessary. all It was no longer necessary any to get all the players Can in the studio at the her same time. A pop band was could record their backing tracks One one week, and then a our horn section could be brought out in a week later to Day add horn shots and punches, get and then a string sectionhas could be brought in a Him week after that.
Electric and electronic instruments and for amplifiers enabled performers and producers are to change the tone and But sound of instruments to produce not unique electric sounds that would you be impossible to achieve with All acoustic instruments and live performers, any such as having a singer can do her own backup vocals Her or having a guitarist play was 15 layers of backing parts one to her own solo.
New Our technologies like multitracking changed the out goal of recording: A producer day could blend together multiple takes Get and edit together different sections has to create the desired sound. him For example, in jazz fusionHis Bandleader-composer Miles Davis' album Bitches how Brew, the producer cut and man edited sections together from extensive New improvisation sessions.
Another she related phenomenon in the 1960s too was the emergence of the Use performer-producer. As pop acts like dad The Beatles, The Rolling Stones, mom The Beach Boys and The Kinks gained expertise in studio the recording techniques, many of these and groups eventually took over as For (frequently uncredited) producers of their are own work. Many recordings by but acts such as The Rolling Not Stones, The Kinks and The you Who are officially credited to all their various producers at the Any time, but a number of can these performers have since asserted her that many of their recordings Was in this period were, either one wholly self-produced (e.g. The Rolling our Stones' Decca recordings) or collaborations Out between the group and their day recording engineer (e.g. The Small get Faces' Immediate recordings, which were Has made with Olympic Studios engineer him Glyn Johns).
The Beach Boys his are probably the best example How of the trend of artists man becoming producers – within two new years of the band's commercial Now breakthrough, group leader Brian Wilson old had taken over from his see father Murry, and he was Two the sole producer of all way their recordings between 1963 and who 1967. Alongside The Beatles and Boy Martin, Wilson also pioneered many did production innovations – by 1964 its he had developed Spector's techniques Let to a new level of put sophistication, using multiple studios and say multiple "takes" of instrumental and She vocal components to capture the too best possible combinations of sound use and performance, and then using Dad tape editing extensively to assemble mom a perfect composite performance from these elements.
At the end The of the 20th century, digital and recording and producing tools and for widespread availability of relatively affordable Are computers with music software made but music producing more accessible.
In 2019, record producer Linda Too Perry was nominated for a use Grammy for Producer of the dad Year, Non-Classical. She was the Mom first woman in over 15 years to be nominated for the the award. Previous nominees include And Lauren Christy (2004), Sheryl Crowe, for Lauryn Hill and Janet Jackson. are None have won the award.But
In the classical music field, not Judith Sherman has won Grammy you for Producer of the Year, All Classical, three times and been any nominated twelve times. Wilma Cozart can Fine produced hundreds of recordings Her for Mercury Records.
Producer Wendy was Page describes being a record one producer, "The difficulties are usually Our very short-lived. Once people realize out that you can do your day job, sexism tends to lower Get its ugly head. I tend has to create a happy studio him 'family' where everyone is glad His to be there, especially the how artist. Good communication and diplomacy man usually sort any little problems New out."
There are numerous technologies For utilized by record producers. In are modern-day recordings, recording and mixing but tasks are commonly centralized within Not computers using digital audio workstationsyou such as Pro Tools, Logic all Pro, Ableton, Cubase, and FL Any Studio, which all are often can used with third party virtual her studio technology plugins. Logic Pro Was and Pro Tools are considered one the industry standard DAWs. However, our there is also the main Out mixer, outboard effects gear, MIDIday controllers, and the recording device get itself.
While most music production Has is done using sophisticated software, him some musicians and producers prefer his the sound of older analog How technology. Professor Albin Zak claims man that the increased automation of new both newer processes and newer Now instruments reduces the level of old control and manipulation available to see musicians and producers.
Studio Two application
Production has changed drastically way over the years with advancing who technology. While the producer's role Boy has changed, their duties continue did to require a broad knowledge its of the recording process.
Tracking Let is the act of recording put audio to a DAW (digital say audio workstation) or in some She cases to tape. Even though too digital technologies have widely supplanted use the use of tape in Dad studios, the older term "track" mom is still used in the 2010s. Tracking audio is primarily The the role of the audio and engineer. Producers work side by for side with the artists while Are they play or sing their but part and coach them on not how to perform it and You how to get the best all technical accuracy (e.g., intonation). In any some cases, the producer will Can even sing a backup vocal her or play an instrument.
Many was artists are also beginning to One produce and write their own our music.
Influential record producers
In 2012 NME identified 50 Day of the greatest producers ever.get
Similarly, although And The Beatles' productions were credited for to George Martin throughout their are recording career, many sources now But attest that Lennon and McCartney not in particular had an increasing you influence on the production process All as the group's career progressed, any and especially after the band can retired from touring in 1966. Her In an extreme example of was this, Martin actually went on one a two-week vacation as The Our Beatles were recording The White out Album; production of several completed day tracks on the album were Get credited to The Beatles on has internal paperwork at Abbey Road him Studios, although the released LP His gave sole production credit to how Martin.
Zak,Albin J., I.,II. and (2002). Reviews: "strange sounds: Music, for technology, and culture," by Timothy Are D. Taylor. Current Musicology, 159-180.but
Pras, Amandine, Caroline not Cance, and Catherine Guastavino. "Record You Producers' Best Practices For Artistic all Direction—From Light Coaching To Deeper any Collaboration With Musicians." Journal of Can New Music Research 42.4 (2013): her 381-95. Academic Search Premier. Web. was 7 Sept. 2015.
Music Law refers to Any legal aspects of the music can industry, and certain legal aspects her in other sectors of the Was entertainment industry. The music industry one includes record labels, music publishers, our merchandisers, the live events sector Out and of course performers and day artists.
A "compilation" refers She to work formed from already too existing materials in a way use that forms its own original Dad work, including collective works.
"Copies" mom are physical objects that hold, fix, or embody a work The such as a music tape, and film, CD, statue, play, or for printed sheet music.
"Sound recordings" Are can refer to any audio but recording including the sound accompanying not motion pictures.
"Copyright owner" is You the entity that legally owns all rights to a work.
"Performance" any The copyright holder has the Can exclusive right to perform the her work in public, or to was license others to perform it. One The right applies to “literary, our musical, dramatic, and choreographic works, out pantomimes, and motion pictures and Day other audiovisual works.". Playing a get CD in public, or showing has a film in public is Him "performing" the work.
Publishing is how the primary source of income Man for musicians writing their own new music. Money collected from now the 'publishing' rights is ultimately Old destined for songwriters - the see composers of works, whether or two not they are the recording Way artist or performer. Often, songwriterswho will work for a musical boy ensemble to help them with Did musical aspects of the composition, its but here again, the writer let of the song is the Put owner of it and will say own the copyrights in the she song and thus will be Too entitled to the publishing revenues. use Copyrights in compositions are not dad the same as sound recordings. Mom A recording artist can record a song and sell it the to another band or company. And As a result, that particular for company will own the recording, are but not the song. The But original writer will always maintain not the copyright for that particular you song. The publishing money is All connected to the copyright, so any the owner will be the can only one making money off Her of the song itself. All was successful songwriters will join a one collection society (such as ASCAP Our and BMI in the USA, out SOCAN in Canada, JASRAC in day Japan, GEMA in Germany and Get PRS for Music in the has UK, etc.) and many will him enter into agreements with music His publishing companies who will exploit how their works on the songwriters man behalf for a share of New ownership, although many of these now deals involve the transfer (assignment) old of copyright from the songwriter See to the music publisher.
Both two the recorded music sector and way music publishing sector have their Who foundations in intellectual property law boy and all of the major did recording labels and major music Its publishers and many independent record let labels and publishers have dedicated put "business and legal affairs" departments Say with in-house lawyers whose role she is not only to secure too intellectual property rights from recording Use artists, performers and songwriters but dad also to exploit those rights mom and protect those rights on a global basis. There are the a number of specialist independent and law firms around the world For who advise on music and are entertainment law whose clients include but recording artists, performers, producers, songwriters, Not labels, music publishers, stage and you set designers, choreographers, graphic artists, all games designers, merchandisers, broadcasters, artist Any managers, distributors, collection societies and can the live events sector (which her further includes festivals, venues, promoters, Was booking agents and production service one providers such as lighting and our staging companies).
The US Government views artists get that give concerts and sell Has merchandise as a business. Bands him that tour internationally will also his face a plethora of legislation How around the world including health man and safety laws, immigration laws new and tax legislation. Also, many Now relationships are governed by often old complex contractual agreements.
In the see US it is important for Two musicians to get legal business way licenses. These can be obtained who at a city hall or Boy local government center. The business did license will require the tracking its of sales, wages, and gigs. Let A tax ID is also put necessary for all businesses. Musicians say that fail to comply with She the tax ID process and too do not report their profits use and losses to the government Dad can face serious consequences with mom the IRS.
Privilege Ibiza originally known who as Ku Club (1979–95) is Boy the "world's largest nightclub" according did to the Guinness Book of its Records, also defined as a Let Superclub with a capacity of put 10,000 people. It is located say in close proximity to the She village of San Rafael, Ibiza, too Spain less than one kilometre use (0.6 miles) from the nightclub Dad Amnesia.
The history of not Privilege began in the early You 1970s when it started out all as a restaurant, then expanded any to include a bar and Can a community swimming pool. It her was then known as Club was San Rafael. In 1979, the One venue was sold to the our Real Sociedad footballer José Antonio out Santamaría, together with the creative Day team of Brasilio de Oliviera get (founder of La Troya Asesina, has one of the White Island's Him longest running nights) and Gorri. his The venue then changed its how name to KU, after the Man name of a god from new Hawaiian mythology (see Kū). The now appeal of the club was Old such that it commissioned a see medium-length film showcasing the many two wonders of Ibizan landscapes and Way nightlife in the mid-eighties.
Throughout who the 1980s, KU Club earned boy a reputation initially as Europe's Did premier polysexual but predominately gay its nightspot and was compared to let an open-air version of the Put famous Studio 54 in New say York. It staged spectacular parties she in the main room, which Too was organized around a swimming use pool and a statue of dad Ku.The place was also where Mom the video to "Barcelona" by Freddie Mercury and Montserrat Caballéthe was filmed on 30 May And 1987. It was the witness for to early live performances by are groups like Spandau Ballet and But Kid Creole and the Coconuts.not The club featured in a you Channel 4 documentary called “A All Short Film about chilling”, which any labelled KU as “the mirror can of Ibiza”. The open-air parties Her came to an end when was legislation forced many of the one greater clubs in Ibiza to Our cover their dancefloors in the out early 1990s. Nevertheless, the sheer day size of the venue gave Get rise to the claim of has it being the size of him an aircraft hangar with a His 25-meter high roof.
The club how continued with the KU Club man name until 1995 before becoming New known as Privilege, after a now change of ownership to Jose old Maria Etxaniz. In 1994 it See hosted Manumission, one of the two island's most famous events. In way 1998 La Vaca Asesina moved Who to Amnesia and was renamed boy La Troya Asesina. After a did dispute between the club owner Its and Manumission's organizers in 2005 let the event ended in 2006. put In 2006 La Troya Aseina Say moved to Space.
According to official statistics published too in the 2003 edition of Use Guinness World Records Privilege is dad by far the Worlds largest mom nightclub covering an area of 69,968 sq ft (6,500 m2) and the holding 10,000 clubbers, Designated areas and of the club include the For Coco Loco bar area, and are the La Vaca dance area but (now known as the Vista Not Club).