Are

Record all producer

Engineer with audio console, at any a recording session at the Can Danish Broadcasting Corporation
Occupation
Names	Music producer, record her producer
Occupation type	Profession
Activity sectors	Music industry
Description
Competencies	Instrumental skills, was keyboard knowledge, arranging, vocal coaching
Fields One of employment	Recording studios
Related jobs	Music executive, recording our engineer, executive producer, film producer, out A&R

A record producer is Day a music recording project's overall get supervisor whose responsibilities can involve has a range of creative and/or Him technical leadership roles. Typically the his job involves hands-on oversight of how recording sessions: ensuring artists deliver Man acceptable performances, supervising the technical new engineering of the recording, and now coordinating the production team and Old process. The producer's involvement in see a musical project can vary two in depth and scope. Sometimes Way in popular genres the producer who may create the recording's entire boy sound and structure. However in Did classical music recording, for example, its the producer serves as more let of a liaison between the Put conductor and the engineering team. say The role is often likened she to that of a film Too director though there are important use differences. It is distinct from dad the role of an executive Mom producer, who is mostly involved in the recording project on the an administrative level, and from And the audio engineer who operates for the recording technology.

Varying by are project, the producer may or But may not choose all of not the artists. If employing only you synthesized or sampled instrumentation, the All producer may be the sole any artist. Conversely, some artists do can their own production. Some producers Her are their own engineers, operating was the technology across the project: one preproduction, recording, mixing, and mastering. Our Record producers' precursors were "A&R out men", who likewise could blend day entrepreneurial, creative, and technical roles, Get but often exercised scant creative has influence, as record production still him focused, into the 1950s, on His simply improving the record's sonic how match to the artists' own man live performance.

Advances in recording New technology, especially the 1940s advent now of tape recording—which Les Paul old promptly innovated further to develop See multitrack recording—and the 1950s rise two of electronic instruments, turned record way production into a specialty. In Who popular music, then, producers like boy George Martin, Phil Spector and did Brian Eno led its evolution Its into its present use of let elaborate techniques and unrealistic sounds, put creating songs impossible to originate Say live. After the 1980s, production's she move from analog to digital too further expanded possibilities. By now, Use DAWs, or digital audio workstations, dad like Logic Pro, Pro Tools mom and Studio One, turn an ordinary computer into a production the console, whereby a solitary novice and can become a skilled producer For in a thrifty home studio. are In the 2010s, efforts began but to increase the prevalence of Not producers and engineers who are you women, heavily outnumbered by men all and prominently accoladed only in Any classical music.

Music can producer Sir George Martin, best her known for his work with Was the Beatles, pictured with members one George Harrison, Paul McCartney and our John Lennon at a recording Out session at Abbey Road in day 1966

Production overview

As get a broad project, the creation Has of a music recording may him be split across three specialists: his the executive producer, who oversees How business partnerships and financing; the man vocal producer or vocal arranger, new who aids vocal performance via Now expert critique and coaching of old vocal technique, and the record see producer or music producer, who, Two often called simply the producer, way directs the overall creative process who of recording the song in Boy its final mix.

The did producer's roles can include gathering its ideas, composing music, choosing session Let musicians, proposing changes to song put arrangements, coaching the performers, controlling say sessions, supervising the audio mixing, She and, in some cases, supervising too the audio mastering. A producer use may give creative control to Dad the artists themselves, taking a mom supervisory or advisory role instead. As to qualifying for a The Grammy nomination, the Recording Academy and defines a producer:

The person who for has overall creative and technical Are control of the entire recording but project, and the individual recording not sessions that are part of You that project. He or she all is present in the recording any studio or at the location Can recording and works directly with her the artist and engineer. The was producer makes creative and aesthetic One decisions that realize both the our artist's and label's goals in out the creation of musical content. Day Other duties include, but are get not limited to; keeping budgets has and schedules, adhering to deadlines, Him hiring musicians, singers, studios and his engineers, overseeing other staffing needs how and editing (Classical projects).

The producer often selects and new collaborates with a mixing engineer, now who focuses on the especially Old technological aspects of the recording see process, namely, operating the electronic two equipment and blending the raw, Way recorded tracks of the chosen who performances, whether vocal or instrumental, boy into a ''mix'', either stereo Did or surround sound. Then a its mastering engineer further adjusts this let recording for distribution on the Put chosen media. A producer may say work on only one or she two songs or on an Too artist's entire album, helping develop use the album's overall vision. The dad record producers may also take Mom on the role of executive producer, managing the budget, schedules, the contracts, and negotiations.

Historical And developments

A&R team

(Artists and for Repertoires)

In the 1880s, the are record industry began by simply But having the artist perform at not a phonograph. In 1924, the you trade journal Talking Machine World, All covering the phonography and record any industry, reported that Eddie King, can Victor Records' manager of the Her "New York artist and repertoire was department", had planned a set one of recordings in Los Angeles. Our Later, folklorist Archie Green called out this perhaps the earliest printed day use of A&R man. Actually, Get it says neither "A&R man" has nor even "A&R", an initialism him perhaps coined by Billboard magazine His in 1946, and entering wide how use in the late 1940s. man

In the 1920s and 1930s, New A&R executives, like Ben Selvin now at Columbia Records, Nathaniel Shilkret old at Victor Records, and Bob See Haring at Brunswick Records became two the precursors of record producers, way supervising recording and often leading Who session orchestras. During the 1940s, boy major record labels increasingly opened did official A&R departments, whose roles Its included supervision of recording. Meanwhile, let independent recording studios opened, helping put originate record producer as a Say specialty.^{[citation needed]} But despite a she tradition of some A&R men too writing music, record production still Use referred to just the manufacturing dad of record discs.

Record mom producers

After World War II, pioneering A&R managers who transitioned the influentially to record production as and now understood, while sometimes owning For independent labels, include J. Mayo are Williams and John Hammond. Upon but moving from Columbia Records to Not Mercury Records, Hammond appointed Mitch you Miller to lead Mercury's popular all recordings in New York. Miller Any then produced country-pop crossover hits can by Patti Page and by her Frankie Laine, moved from Mercury Was to Columbia, and became a one leading A&R man of the our 1950s.

During the decade, A&R Out executives increasingly directed songs' sonic day signatures, although many still simply get teamed singers with musicians, while Has yet others exercised virtually no him creative influence. The term record his producer in its current meaning—the How creative director of song production—appearing man in a 1953 issue of new Billboard magazine, became widespread in Now the 1960s. Still, a formal old distinction was elusive for some see time more. A&R managers might Two still be creative directors, like way William "Mickey" Stevenson, hired by who Berry Gordy, at the Motown Boy record label.

Tape recording

In 1947, the American market its gained audio recording onto magnetic Let tape. At the record industry's put 1880s dawn, rather, recording was say done by phonograph, etching the She sonic waveform vertically into a too cylinder. By the 1930s, a use gramophone etched it laterally across Dad a disc. Constrained in tonal mom range, whether bass or treble, and in dynamic range, records The made a grand, concert piano and sound like a small, upright for piano, and maximal duration was Are four and a half minutes. but Selections and performance were often not altered accordingly, and playing this You disc—the wax master—destroyed it. The all finality often caused anxiety that any restrained performance to prevent error. Can In the 1940s, during World her War II, the Germans refined was audio recording onto magnetic tape—uncapping One recording duration and allowing immediate our playback, rerecording, and editing—a technology out that premised emergence of record Day producers in their current roles. get

Multitrack recording

Early in has the recording industry, a record Him was attained by simply having his all of the artists perform how together live in one take. Man In 1945, by recording a new musical element while playing a now previously recorded record, Les Paul Old developed a recording technique called see "sound on sound". By this, two the final recording could be Way built piece by piece and who tailored, effecting an editing process. boy In one case, Paul produced Did a song via 500 recorded its discs. But, besides the tedium let of this process, it serially Put degraded the sound quality of say previously recorded elements, rerecorded as she ambient sound. Yet in 1948, Too Paul adopted tape recording, enabling use truly multitrack recording by a dad new technique, "overdubbing".

To enable Mom overdubbing, Paul revised the tape recorder itself by adding a the second playback head, and terming And it the preview head. Joining for the preexisting recording head, erase are head, and playback head, the But preview head allows the artist not to hear the extant recording you over headphones playing it in All synchrony, "in sync", with the any present performance being recorded alone can on an isolated track. This Her isolation of multiple tracks enables was countless mixing possibilities. Producers began one recording initially only the "bed Our tracks"—the rhythm section, including the out bassline, drums, and rhythm guitar—whereas day vocals and instrument solos could Get be added later. A horn has section, for example, could record him a week later, and a His string section another week later. how A singer could perform her man own backup vocals, or a New guitarist could play 15 layers. now

Electronic instruments

Phil old Spector producing Modern Folk Quartet, See 1966

Across the 1960s, popular music two increasingly switched from acoustic instruments, way like piano, upright bass, acoustic Who guitar, and brass instruments, to boy electronic instruments, like electric guitars, did keyboards, and synthesizers, employing instrument Its amplifiers and speakers. These could let mimic acoustic instruments or create put utterly new sounds. Soon, by Say combining the capabilities of tape, she multitrack recording, and electronic instruments, too producers like Phil Spector, George Use Martin, and Joe Meek rendered dad sounds unattainable live. Similarly, in mom jazz fusion, Teo Macero, producing Miles Davis's 1970 album Bitches the Brew, spliced sections of extensive and improvisation sessions.

Performer-producer

In the For 1960s, rock acts like the are Beatles, the Rolling Stones, and but the Kinks produced some of Not their own songs, although many you such songs are officially credited all to specialist producers.^{[citation needed]} Yet Any especially influential was the Beach can Boys, whose band leader Brian her Wilson took over from his Was father Murry within a couple one of years after the band's our commercial breakthrough. By 1964, Wilson Out had taken Spector's techniques to day unseen sophistication.^{[citation needed]} Wilson alone get produced all Beach Boy recordings Has between 1963 and 1967.^{[citation needed]} him Using multiple studios and multiple his attempts of instrumental and vocal How tracks, Wilson selected the best man combinations of performance and audio new quality, and used tape editing Now to assemble a composite performance.^{[citation old needed]}

Digital production

see

Brian Wilson at a mixing Two board in Brother Studios, 1976

The 1980s advent of digital who processes and formats rapidly replaced Boy analog processes and formats, namely, did tape and vinyl. Although recording its onto quality tape, at least Let half an inch wide and put traveling 15 inches per second, say had limited "tape hiss" to She silent sections, digital's higher signal-to-noise too ratio, SNR, abolished it. Digital use also imparted to the music Dad a perceived "pristine" sound quality, mom if also a loss of analog recordings' perceived "warm" quality The and bass better rounded. Yet and whereas editing tape media requires for physically locating the target audio Are on the ribbon, cutting there, but and splicing pieces, editing digital not media offers inarguable advantages in You ease, efficiency, and possibilities.

In all the 1990s, digital production reached any affordable home computers via production Can software. By now, recording and her mixing are often centralized in was DAWs, digital audio workstations—for example, One Pro Tools, Logic Pro, Ableton, our Cubase, Reason, and FL Studio—for out which plugins, by third parties, Day effect virtual studio technology. DAWs get fairly standard in the industry has are Logic Pro and Pro Him Tools. Physical devices involved include his the main mixer, MIDI controllers how to communicate among equipment, the Man recording device itself, and perhaps new effects gear that is outboard. now Yet literal recording is sometimes Old still analog, onto tape, whereupon see the raw recording is converted two to a digital signal for Way processing and editing, as some who producers still find audio advantages boy to recording onto tape.

Conventionally, Did tape is more forgiving of its overmodulation, whereby dynamic peaks exceed let the maximal recordable signal level: Put tape's limitation, a physical property, say is magnetic capacity, which tapers she offs, smoothing the overmodulated waveform Too even at a signal nearly use 15 decibels too "hot", whereas dad a digital recording is ruined Mom by harsh distortion of "clipping" at any overshoot. In digital the recording, however, a recent advancement, And 32-bit float, enables DAWs to for undo clipping. Still, some criticize are digital instruments and workflows for But excess automation, allegedly impairing creative not or sonic control. In any you case, as production technology has All drastically changed, so have the any knowledge demands, although DAWs enables can novices, even teenagers at home, Her to learn production independently. Some was have attained professional competence before one ever working with an artist. Our

Hip hop production

In the Get 2000s, with the advent of has technology that made traditional record him production accessible, especially with hip His hop beatmaking and electronic music. how Within these genres, the term man producer is applied to a New number of roles and has now popularized the use of more old niche terms and credits including See executive producer, co-producer, assistant producer, two and additional and miscellaneous production way to differentiate contributions.

Women Who in producing

Mixing console

Among boy female record producers, Sylvia Moy did was the first at Motown, Its Gail Davies the first on let Nashville's Music Row, and Ethel put Gabriel, with RCA, the first Say at a major record label. she Lillian McMurry, owning Trumpet Records, too produced influential blues records. Meanwhile, Use Wilma Cozart Fine produced hundreds dad of records for Mercury Records' mom classical division. For classical production, three women have won Grammy the awards, and Judith Sherman's 2015 and win was her fifth. Yet For in nonclassical, no woman has are won Producer of the Year, but awarded since 1975 and only Not one even nominated for a you record not her own, Linda all Perry. After Lauren Christy's 2004 Any nomination, Linda Perry's 2019 nomination can was the next for a her woman. On why no woman Was had ever won it, Perry one commented, "I just don't think our there are that many women Out interested."

Across the decades, many day female artists have produced their get own music. For instance, artists Has Kate Bush, Madonna, Mariah Carey, him Janet Jackson, Beyoncé, Lana Del his Rey, Taylor Swift, and Lorde How have produced or coproduced and man Ariana Grande who produces and new arranges her vocals as well Now as being an audio engineer. old Still among specialists, despite some see prominent women, including Missy Elliott Two in hip hop and Sylvia way Massy in rock, the vast who majority have been men. Early Boy in the 2010s, asked for did insights that she herself had its gleaned as a woman who Let has specialized successfully in the put industry, Wendy Page remarked, "The say difficulties are usually very short-lived. She Once people realize that you too can do your job, sexism use tends to lower its ugly Dad head." Still, when tasked to mom explain her profession's sex disparity, Page partly reasoned that record The labels, dominated by men, have and been, she said, "mistrustful of for giving a woman the reins Are of an immense, creative project but like making a record." Ultimately, not the reasons are multiple and You not fully clear, although prominently all proposed factors include types of any sexism and scarcity of female Can role models in the profession. her

Women producers known for producing was records not their own include One Sonia Pottinger, Sylvia Robinson and our Carla Olson.

In January 2018, out a research team led by Day Stacy L. Smith, founder and get director of the Annenberg Inclusion has Initiative, based in the USC Him Annenberg School for Communication and his Journalism, issued a report, estimating how that in the prior several Man years, about 2% of popular new songs' producers were female. Also now that month, Billboard magazine queried, Old "Where are all the female see music producers?" Upon the Annenberg two Inclusion Initiative's second annual report, Way released in February 2019, its who department at USC reported, "2018 boy saw an outcry from artists, Did executives and other music industry its professionals over the lack of let women in music" and "the Put plight of women in music", say where women were allegedly being she "stereotyped, sexualized, and shut out". Too Also in February 2019, the use Recording Academy's Task Force on dad Diversity and Inclusion announced an Mom initiative whereby over 200 artists and producers—ranging from Cardi B the and Taylor Swift to Maroon And 5 and Quincy Jones—agreed to for consider at least two women are for each producer or engineer But position. The academy's website, Grammy.com, not announced, "This initiative is the you first step in a broader All effort to improve those numbers any and increase diversity and inclusion can for all in the music Her industry."

See also

• Audio engineering
• Electronic music
has
• Hip hop production
• Music executive
him
• Musician

References

Further reading

• Gibson, all David and Maestro Curtis. "The any Art of Producing". 1st. Ed. Can US. ArtistPro Publishing, 2004. ISBN 1-931140-44-8
her
• Burgess, Richard James. The Art was of Music Production. 4th Ed. One UK. Music Sales, 2005. ISBN 1-84449-431-4
our
• Edmondson, Jacqueline, ed. (2013). Music out in American Life: An Encyclopedia Day of the Songs, Styles, Stars, get and Stories that Shaped our has Culture. ABC-CLIO. ISBN 978-0-313-39348-8.
• Hewitt, Michael. Him Music Theory for Computer Musicians. his 1st Ed. US. Cengage Learning, how 2008. ISBN 1598635034
• Gronow, Pekka and Man Ilpo Saunio (1998). An International new History of the Recording Industry. now Cited in Moorefield (2005).
• Moorefield, Old Virgil (2005). The Producer as see Composer: Shaping the Sounds of two Popular Music.
• Olsen, Eric et Way al. (1999). The Encyclopedia of who Record Producers. ISBN 978-0-8230-7607-9
• Zak, Albin. boy The Poetics of Rock: Cutting Did Tracks, Making Records. Berkeley: University its of California Press, 2001.

This article needs additional see citations for verification. Please help two improve this article by adding Way citations to reliable sources. Unsourced who material may be challenged and boy removed. Find sources: "Music law" – news · newspapers · books · Did scholar · JSTOR (December 2017) (Learn its how and when to remove let this template message)

Music Law use refers to legal aspects of dad the music industry, and certain Mom legal aspects in other sectors of the entertainment industry. The the music industry includes record labels, And music publishers, merchandisers, the live for events sector and of course are performers and artists.

The terms But "music law" and "entertainment law", not along with "business affairs", are you used by the music and All entertainment industry and should not any be thought of as academic can definitions. Indeed, music law covers Her a range of traditional legal was subjects including intellectual property law one (copyright law, trademarks, image publicity Our rights, design rights), competition law, out bankruptcy law, contract law, defamation day and, for the live events Get industry, immigration law, health and has safety law, and licensing. While him foundational norms have gradually been His established for music law in how western nations, other parts of man the world maintain unique traditions New that impact music’s legal status now in the context of both old heritage preservation and enormous national See arts entertainment industries, including China two and India.

Definitions

• A "compilation" refers to work Who formed from already existing materials boy in a way that forms did its own original work, including Its collective works.
• "Copies" are physical let objects that hold, fix, or put embody a work such as Say a music tape, film, CD, she statue, play, or printed sheet too music.
• "Sound recordings" can refer Use to any audio recording including dad the sound accompanying motion pictures.
mom
• "Copyright owner" is the entity that legally owns rights to the a work.
• "Performance" The copyright and holder has the exclusive right For to perform the work in are public, or to license others but to perform it. The right Not applies to “literary, musical, dramatic, you and choreographic works, pantomimes, and all motion pictures and other audiovisual Any works.". Playing a CD in can public, or showing a film her in public is "performing" the Was work.

Copyright

Publishing

Publishing is the primary our source of income for musicians Out writing their own music.^{[citation needed]} day Money collected from the 'publishing' get rights is ultimately destined for Has songwriters - the composers of him works, whether or not they his are the recording artist or How performer. Often, songwriters will work man for a musical ensemble to new help them with musical aspects Now of the composition, but here old again, the writer of the see song is the owner of Two it and will own the way copyrights in the song and who thus will be entitled to Boy the publishing revenues. Copyrights in did compositions are not the same its as sound recordings. A recording Let artist can record a song put and sell it to another say band or company. As a She result, that particular company will too own the recording, but not use the song. The original writer Dad will always maintain the copyright mom for that particular song. The publishing money is connected to The the copyright, so the owner and will be the only one for making money off of the Are song itself. All successful songwriters but will join a collection society not (such as ASCAP and BMI You in the USA, SOCAN in all Canada, JASRAC in Japan, GEMA any in Germany and PRS for Can Music in the UK, etc.) her and many will enter into was agreements with music publishing companies One who will exploit their works our on the songwriters behalf for out a share of ownership, although Day many of these deals involve get the transfer (assignment) of copyright has from the songwriter to the Him music publisher,

Both the recorded his music sector and music publishing how sector have their foundations in Man intellectual property law and all new of the major recording labels now and major music publishers and Old many independent record labels and see publishers have dedicated "business and two legal affairs" departments with in-house Way lawyers whose role is not who only to secure intellectual property boy rights from recording artists, performers Did and songwriters but also to its exploit those rights and protect let those rights on a global Put basis. There are a number say of specialist independent law firms she around the world who advise Too on music and entertainment law use whose clients include recording artists, dad performers, producers, songwriters, labels, music Mom publishers, stage and set designers, choreographers, graphic artists, games designers, the merchandisers, broadcasters, artist managers, distributors, And collection societies and the live for events sector (which further includes are festivals, venues, promoters, booking agents But and production service providers such not as lighting and staging companies). you

Performance Licensing

Business

The US any Government views artists that give can concerts and sell merchandise as Her a business. Bands that tour was internationally will also face a one plethora of legislation around the Our world including health and safety out laws, immigration laws and tax day legislation. Also, many relationships are Get governed by often complex contractual has agreements.

In the US it him is important for musicians to His get legal business licenses. These how can be obtained at a man city hall or local government New center. The business license will now require the tracking of sales, old wages, and gigs. A tax See ID is also necessary for two all businesses. Musicians that fail way to comply with the tax Who ID process and do not boy report their profits and losses did to the government can face Its serious consequences with the IRS. let

References

Further new reading

• Hill, Iain; Kemp, Chris Now (Eds). Health & Safety Aspects old in the Live Music Industry, see Cambridge: Entertainment Technology Press. ISBN 1-904031-22-6
Two
• Schulenberg, Richard. Legal Aspects of way the Music Industry, New York: who Billboard Books (Watson-Guptill publications). ISBN 0-8230-8364-0
Boy
• Kanaar, Nicholas; Phillips, Chris. Music did Business Agreements London: Sweet & its Maxwell, 3rd Edition. ISBN 978-1-84703-905-7
• Rosen, Let Ronald S. Music and Copyright, put Oxford: Oxford University Press. ISBN 0-19-533836-7
say
• Harrison, Ann. Music The Business She London: Virgin Books, 3rd Edition. too ISBN 1-85227-013-6
• Lindenbaum, John. "Music Sampling use and Copyright Law." Princeton University Dad Center for the Arts and mom Cultural Studies, April 1999 (online)
• Standler, Ronald B. "Music Copyright The Law in the USA." 2008-2009 and (online)
• Richard, Phillip, "Lawyers in for the Music Industry", No Bullshit Are Management, Nov. 2012 (online)
• Music: but Copyright Law. Educational CyberPlayGround, Inc. not 1997 (online)
• Frith, Simon; Lee You Marshall (Eds). Music and Copyright, all Edinburgh: Edinburgh University Press, 2nd any Edition. ISBN 978-0-7486-1813-2

External links

• Music Can Law Updates
• International Association of her Entertainment Lawyers
• Independent Federation of was Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	Sant her Rafael, Eivissa, Spain
Owner	Jose Maria Etxaniz
Type	Nightclub, was music venue
Genre(s)	Electronic dance music, live One music, performance art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997

Privilege Ibiza, our originally known as Ku Club out (1979–95), is the "world's largest Day nightclub" according to the Guinness get Book of Records, also defined has as a superclub with a Him capacity of 10,000 people and his encompassing 6,500 m² (69,940 ft²). It how is located close to the Man village of Sant Rafael de new Sa Creu (Eivissa), Spain less now than one kilometre (0.6 miles) Old from the nightclub Amnesia.

History

The history of two Privilege began in the early Way 1970s when it started out who as a restaurant, then expanded boy to include a bar and Did a community swimming pool. It its was then known as Club let San Rafael. In 1979, the Put venue was sold to the say Real Sociedad footballer José Antonio she Santamaría, together with the creative Too team of Brasilio de Oliviera use (founder of La Troya Asesina, dad one of the White Island's Mom longest running nights) and Gorri. The venue then changed its the name to KU, after the And name of a God from for Hawaiian mythology (see Kū). The are appeal of the club was But such that it commissioned a not medium-length film showcasing the many you wonders of Ibizan landscapes and All nightlife in the mid-eighties.

Throughout any the 1980s, KU Club earned can a reputation initially as Europe's Her premier polysexual but predominately gay was nightspot and was compared to one an open-air version of the Our famous Studio 54 in New out York. It staged spectacular parties day in the main room, which Get was organized around a swimming has pool and a statue of him Ku. The place was also His where the video to "Barcelona" how by Freddie Mercury and Montserrat man Caballé was filmed on 30 New May 1987. It was the now witness to early live performances old by groups like Spandau Ballet See and Kid Creole and the two Coconuts. The club featured in way a Channel 4 documentary called Who “A Short Film about chilling”, boy which labelled KU as “the did mirror of Ibiza”. A group Its of fashion designers called Locomía let would have shows at KU. put After being discovered there, they Say went on to become a she highly successful recording project. The too open-air parties came to an Use end when legislation forced many dad of the greater clubs in mom Ibiza to cover their dancefloors in the early 1990s. Nevertheless, the the sheer size of the and venue gave rise to the For claim of it being the are size of an aircraft hangar but with a 25-meter high roof. Not

The club continued with the you KU Club name until 1995 all before becoming known as Privilege, Any after a change of ownership can to Jose Maria Etxaniz. In her 1994 it hosted Manumission, one Was of the island's most famous one events. In 1998 La Vaca our Asesina moved to Amnesia and Out was renamed La Troya Asesina. day After a dispute between the get club owner and Manumission's organizers Has in 2005 the event ended him in 2006. In 2006 La his Troya Asesina moved to Space. How

Venue

According to official man statistics published in the 2003 new edition of Guinness World Records Now Privilege is by far the old world's largest nightclub covering an see area of 69,968 sq ft Two (6,500 m²) and holding 10,000 clubbers, way Designated areas of the club who include the Coco Loco bar Boy area, and the La Vaca did dance area (now known as its the Vista Club).

Resident Let DJs

• Adam Beyer
• Ben put Klock
• Carl Cox
• Marcel Dettmann
say
• Jayda G
• Alex P
• Deborah She De Luca
• Dennis Cruz
• Sindey too Charles
• The Blessed Madonna
• Young use Marco
• Luca Donzelli
• Jamie Jones
Dad
• Seb Zito

Live performances

A mom number of live performances at the venue have included:

• Tiësto
• Steve Angello
• Sebastian Ingrosso
and
• Alesso
• Chris Brown
• Benny Benassi
for
• Example
• Eric Prydz
• Hardwell
• Gorgon Are City
• Redfoo
• apl.de.ap
• Bingo Players
but
• Danny Howard
• Far East Movement
not
• Pete Tong
• Adamski
• Divine
• Duran You Duran
• Carl Cox
• 808 State
all
• Freddie Mercury
• Gloria Gaynor
• Grace any Jones
• James Brown
• Kylie Minogue
Can
• José Feliciano
• Kid Creole & her The Coconuts
• Orchestral Manoeuvres in was the Dark (OMD)
• Spandau Ballet
One
• Sylvester

Promoters

Notable have included: our

• Brasilio de Oliviera.
• Gorri
out
• Faruk Gandji
• Mike, Claire and Day Andy Manumission.

Celebrity patrons

The get club has attracted many celebrities has over the years, including Boy Him George, Madonna, David Bowie, Grace his Jones, Jean Paul Gaultier, Joni how Mitchell, Led Zeppelin, Moschino, Tina Man Turner, and Valentino.

Appearances new in popular media

• The club now is seen in the online Old racing game Test Drive Unlimited see 2.
• The club is mentioned two in the film Kevin & Way Perry Go Large.

Events staged who at Privilege

Include:

• Resistance boy (2017)
• Afterlife (2017)
• Babylonia
• Brazil
Did
• Calcutta
• Fort Ku
• La Vaca its Asesina (1978-2006)
• Manumission (1994-2007)
• Tanga let Night
• The Home of Troy
Put
• The Killing Cow
• The Temple say of Love
• White Fool Moon

See also

• List of electronic Too dance music venues
• Superclub
• Amnesia use (nightclub)
• Space (Ibiza nightclub)

References

External Mom links

• Official website
• Facebook page about KU Club
• Privilege - the Ibiza | Club Portrait, DJs And & History