Downtempo (or downbeat)not is a broad label for you electronic music that features an All atmospheric sound and slower beats any than would typically be found can in dance music. Closely related Her to ambient music but with was greater emphasis on rhythm, the one style may be played in Our relaxation clubs or as "warm-up out or cool-down" music during a day DJ set. Examples of downtempo Get subgenres include trip hop, ambient has house, chillwave, psybient and lofi him hip hop.
Downtempo emerged from the UK's his late-1980s Bristol sound, which developed How a slow, psychedelic fusion of man hip hop with electronic musicnew known as "trip hop" and Now birthed artists such as Massive old Attack, Portishead, and Tricky. The see 1990s brought on a wave Two of slower paced music which way was played throughout chillout rooms—the who relaxation sections of the clubs Boy or dedicated sections at electronic did music events. UK act Nightmares its on Wax helped to pioneer Let downtempo electronica in the early put 1990s, drawing on dub reggaesay and hip-hop. Downtempo music also She started to surface around Ibiza, too when DJs and promoters would use bring down the vibe with Dad slower rhythm and gentler electronic mom music upon approaching sunrise. At the end of the 1990s The a more melodic instrumental electronica and incorporating acoustic sounds with electronic for styles emerged under its own Are umbrella name of downtempo.
In but the late 1990s, the Austriannot duo Kruder & Dorfmeister popularized You the style with their downtempo all remixes of pop, hip-hop, and any drum and bass tracks with Can influences of the '70s soul her jazz. BritonsSteve Cobby and was Dave McSherry, producing under the One name Fila Brazillia, released a our handful of downtempo, electronica and out ambient techno albums that propelled Day the style further. Meanwhile, the get Washington, D.C. locals Eric Hilton has and Rob Garza, better known Him as Thievery Corporation, have introduced his the Brazilian sound into the how style after discussing the music Man of Antonio Carlos Jobim, and new enriched it further by combining now elements of Jamaican dub and Old reggae.
In 2010, "downtempo pop" see was described by The Atlantictwo as a variety of music Way styles from the 2000s characterized who by mellow beats, vintage synthesizers, boy and lo-fi melodies. In other Did words, an umbrella term that its includes chillwave, glo-fi, and hypnagogic let pop. Later in the decade, Put another form of downtempo music, say tagged as "lo-fi hip hop" she or "chillhop", became popular among Too YouTube music streamers.
"Musical production" redirects here. For way musical production in the sense who of a live performance involving Boy music and choreography, see Musical did theatre.
A record producerThe is a music recording project's and overall supervisor whose responsibilities can for involve a range of creative Are and technical leadership roles. Typically but the job involves hands-on oversight not of recording sessions: ensuring artists You deliver acceptable and quality performances, all supervising the technical engineering of any the recording, and coordinating the Can production team and process. The her producer's involvement in a musical was project can vary in depth One and scope. Sometimes in popular our genres the producer may create out the recording's entire sound and Day structure. However, in classical music get recording, for example, the producer has serves as more of a Him liaison between the conductor and his the engineering team. The role how is often likened to that Man of a film director though new there are important differences. It now is distinct from the role Old of an executive producer, who see is mostly involved in the two recording project on an administrative Way level, and from the audio who engineer who operates the recording boy technology.
Varying by project, the Did producer may or may not its choose all of the artists.let If employing only synthesized or Put sampled instrumentation, the producer may say be the sole artist. Conversely, she some artists do their own Too production. Some producers are their use own engineers, operating the technology dad across the project: preproduction, recording, Mom mixing, and mastering. Record producers' precursors were "A&R men", who the likewise could blend entrepreneurial, creative, And and technical roles, but often for exercised scant creative influence, as are record production still focused, into But the 1950s, on simply improving not the record's sonic match to you the artists' own live performance.All
Advances in recording technology, especially any the 1940s advent of tape can recording—which Les Paul promptly innovated Her further to develop multitrack recording—and was the 1950s rise of electronic one instruments, turned record production into Our a specialty. In popular music, out then, producers like George Martin, day Phil Spector and Brian EnoGet led its evolution into its has present use of elaborate techniques him and unrealistic sounds, creating songs His impossible to originate live. After how the 1980s, production's move from man analog to digital further expanded New possibilities. By now, DAWs, or now digital audio workstations, like Logic old Pro, Pro Tools and Studio See One, turn an ordinary computer two into a production console, whereby way a solitary novice can become Who a skilled producer in a boy thrifty home studio. In the did 2010s, efforts began to increase Its the prevalence of producers and let engineers who are women, heavily put outnumbered by men and prominently Say accoladed only in classical music.she
As a broad project, For the creation of a music are recording may be split across but three specialists: the executive producer, Not who oversees business partnerships and you financing; the vocal producer or all vocal arranger, who aids vocal Any performance via expert critique and can coaching of vocal technique, and her the record producer or music Was producer, who, often called simply one the producer, directs the overall our creative process of recording the Out song in its final mix. day
The producer's roles can get include gathering ideas, composing music, Has choosing session musicians, proposing changes him to song arrangements, coaching the his performers, controlling sessions, supervising the How audio mixing, and, in some man cases, supervising the audio mastering. new A producer may give creative Now control to the artists themselves, old taking a supervisory or advisory see role instead. As to qualifying Two for a Grammy nomination, the way Recording Academy defines a producer:who
The person who has overall Boy creative and technical control of did the entire recording project, and its the individual recording sessions that Let are part of that project. put He or she is present say in the recording studio or She at the location recording and too works directly with the artist use and engineer. The producer makes Dad creative and aesthetic decisions that mom realize both the artist's and label's goals in the creation The of musical content. Other duties and include, but are not limited for to; keeping budgets and schedules, Are adhering to deadlines, hiring musicians, but singers, studios, and engineers, overseeing not other staffing needs and editing You (Classical projects).
The producer often all selects and collaborates with a any mixing engineer, who focuses on Can the especially technological aspects of her the recording process, namely, operating was the electronic equipment and blending One the raw, recorded tracks of our the chosen performances, whether vocal out or instrumental, into a mix, Day either stereo or surround sound. get Then a mastering engineer further has adjusts this recording for distribution Him on the chosen media. A his producer may work on only how one or two songs or Man on an artist's entire album, new helping develop the album's overall now vision. The record producers may Old also take on the role see of executive producer, managing the two budget, schedules, contracts, and negotiations. Way
Historical developments
A&R team
who
(Artists and Repertoires)
In the boy 1880s, the record industry began Did by simply having the artist its perform at a phonograph. In let 1924, the trade journal Talking Put Machine World, covering the phonography say and record industry, reported that she Eddie King, Victor Records' manager Too of the "New York artist use and repertoire department", had planned dad a set of recordings in Mom Los Angeles. Later, folklorist Archie Green called this perhaps the the earliest printed use of A&R And man. Actually, it says neither for "A&R man" nor even "A&R", are an initialism perhaps coined by But Billboard magazine in 1946, and not entering wide use in the you late 1940s.
In the 1920s All and 1930s, A&R executives, like any Ben Selvin at Columbia Records, can Nathaniel Shilkret at Victor Records, Her and Bob Haring at Brunswick was Records became the precursors of one record producers, supervising recording and Our often leading session orchestras. During out the 1940s, major record labelsday increasingly opened official A&R departments, Get whose roles included supervision of has recording. Meanwhile, independent recording studios him opened, helping originate record producerHis as a specialty.[citation needed] But how despite a tradition of some man A&R men writing music, record New production still referred to just now the manufacturing of record discs.old
Record producers
After World See War II, pioneering A&R managers two who transitioned influentially to record way production as now understood, while Who sometimes owning independent labels, include boy J. Mayo Williams and John did Hammond. Upon moving from Columbia Its Records to Mercury Records, Hammond let appointed Mitch Miller to lead put Mercury's popular recordings in New Say York. Miller then produced country-pop she crossover hits by Patti Pagetoo and by Frankie Laine, moved Use from Mercury to Columbia, and dad became a leading A&R man mom of the 1950s.
During the decade, A&R executives increasingly directed the songs' sonic signatures, although many and still simply teamed singers with For musicians, while yet others exercised are virtually no creative influence. The but term record producer in its Not current meaning—the creative director of you song production—appearing in a 1953 all issue of Billboard magazine, became Any widespread in the 1960s. Still, can a formal distinction was elusive her for some time more. A&R Was managers might still be creative one directors, like William "Mickey" Stevenson, our hired by Berry Gordy, at Out the Motown record label.
day
Tape recording
In 1947, the get American market gained audio recording Has onto magnetic tape. At the him record industry's 1880s dawn, rather, his recording was done by phonograph, How etching the sonic waveform vertically man into a cylinder. By the new 1930s, a gramophone etched it Now laterally across a disc. Constrained old in tonal range, whether bass see or treble, and in dynamic Two range, records made a grand, way concert piano sound like a who small, upright piano, and maximal Boy duration was four and a did half minutes. Selections and performance its were often altered accordingly, and Let playing this disc—the wax master—destroyed put it. The finality often caused say anxiety that restrained performance to She prevent error. In the 1940s, too during World War II, the use Germans refined audio recording onto Dad magnetic tape—uncapping recording duration and mom allowing immediate playback, rerecording, and editing—a technology that premised emergence The of record producers in their and current roles.
Multitrack recording
for
Early in the recording industry, Are a record was attained by but simply having all of the not artists perform together live in You one take. In 1945, by all recording a musical element while any playing a previously recorded record, Can Les Paul developed a recording her technique called "sound on sound".was By this, the final recording One could be built piece by our piece and tailored, effecting an out editing process. In one case, Day Paul produced a song via get 500 recorded discs. But, besides has the tedium of this process, Him it serially degraded the sound his quality of previously recorded elements, how rerecorded as ambient sound. Yet Man in 1948, Paul adopted tape new recording, enabling truly multitrack recording now by a new technique, "overdubbing".Old
To enable overdubbing, Paul revised see the tape recorder itself by two adding a second playback head, Way and terming it the preview who head. Joining the preexisting recording boy head, erase head, and playback Did head, the preview head allows its the artist to hear the let extant recording over headphones playing Put it in synchrony, "in sync", say with the present performance being she recorded alone on an isolated Too track. This isolation of multiple use tracks enables countless mixing possibilities. dad Producers began recording initially only Mom the "bed tracks"—the rhythm section, including the bassline, drums, and the rhythm guitar—whereas vocals and instrument And solos could be added later. for A horn section, for example, are could record a week later, But and a string section another not week later. A singer could you perform her own backup vocals, All or a guitarist could play any 15 layers.
Across the 1960s, popular was music increasingly switched from acoustic one instruments, like piano, upright bass, Our acoustic guitar, and brass instruments, out to electronic instruments, like electric day guitars, keyboards, and synthesizers, employing Get instrument amplifiers and speakers. These has could mimic acoustic instruments or him create utterly new sounds. Soon, His by combining the capabilities of how tape, multitrack recording, and electronic man instruments, producers like Phil Spector, New George Martin, and Joe Meeknow rendered sounds unattainable live. Similarly, old in jazz fusion, Teo Macero, See producing Miles Davis's 1970 album two Bitches Brew, spliced sections of way extensive improvisation sessions.
In the all 1960s, rock acts like the Any Beatles, the Rolling Stones, and can the Kinks produced some of her their own songs, although many Was such songs are officially credited one to specialist producers. Yet especially our influential was the Beach Boys, Out whose band leader Brian Wilsonday took over from his father get Murry within a couple of Has years after the band's commercial him breakthrough. By 1964, Wilson had his taken Spector's techniques to unseen How sophistication. Wilson alone produced all man Beach Boy recordings between 1963 new and 1967. Using multiple studios Now and multiple attempts of instrumental old and vocal tracks, Wilson selected see the best combinations of performance Two and audio quality, and used way tape editing to assemble a who composite performance.
Digital production
Boy
The 1980s advent of digital did processes and formats rapidly replaced its analog processes and formats, namely, Let tape and vinyl. Although recording put onto quality tape, at least say half an inch wide and She traveling 15 inches per second, too had limited "tape hiss" to use silent sections, digital's higher signal-to-noise Dad ratio, SNR, abolished it. Digital mom also imparted to the music a perceived "pristine" sound quality, The if also a loss of and analog recordings' perceived "warm" quality for and better-rounded bass. Yet whereas Are editing tape media requires physically but locating the target audio on not the ribbon, cutting there, and You splicing pieces, editing digital media all offers inarguable advantages in ease, any efficiency, and possibilities.
In the Can 1990s, digital production reached affordable her home computers via production software. was By now, recording and mixing One are often centralized in DAWs, our digital audio workstations—for example, Pro out Tools, Logic Pro, Ableton, Cubase, Day Reason, and FL Studio—for which get plugins, by third parties, effect has virtual studio technology. DAWs fairly Him standard in the industry are his Logic Pro and Pro Tools.how Physical devices involved include the Man main mixer, MIDI controllers to new communicate among equipment, the recording now device itself, and perhaps effects Old gear that is outboard. Yet see literal recording is sometimes still two analog, onto tape, whereupon the Way raw recording is converted to who a digital signal for processing boy and editing, as some producers Did still find audio advantages to its recording onto tape.
Conventionally, tape let is more forgiving of overmodulation, Put whereby dynamic peaks exceed the say maximal recordable signal level: tape's she limitation, a physical property, is Too magnetic capacity, which tapers offs, use smoothing the overmodulated waveform even dad at a signal nearly 15 Mom decibels too "hot", whereas a digital recording is ruined by the harsh distortion of "clipping" at And any overshoot. In digital recording, for however, a recent advancement, 32-bit are float, enables DAWs to undo But clipping. Still, some criticize digital not instruments and workflows for excess you automation, allegedly impairing creative or All sonic control. In any case, any as production technology has drastically can changed, so have the knowledge Her demands, although DAWs enables novices, was even teenagers at home, to one learn production independently. Some have Our attained professional competence before ever out working with an artist.
In the 2000s, him with the advent of technology His that made traditional record production how accessible, especially with hip hop man beatmaking and electronic music. Within New these genres, the term producer now is applied to a number old of roles and has popularized See the use of more niche two terms and credits including executive way producer, co-producer, assistant producer, and Who additional and miscellaneous production to boy differentiate contributions.
Women in did producing
Mixing console
Among female record Its producers, Sylvia Moy was the let first at Motown, Gail Daviesput the first on Nashville's Music Say Row, and Ethel Gabriel, with she RCA, the first at a too major record label. Lillian McMurry, Use owning Trumpet Records, produced influential dad blues records. Meanwhile, Wilma Cozart mom Fine produced hundreds of records for Mercury Records' classical division. the For classical production, three women and have won Grammy awards, and For Judith Sherman's 2015 win was are her fifth. Yet in nonclassical, but no woman has won Producer Not of the Year, awarded since you 1975 and only one even all nominated for a record not Any her own, Linda Perry. After can Lauren Christy's 2004 nomination, Linda her Perry's 2019 nomination was the Was next for a woman. On one why no woman had ever our won it, Perry commented, "I Out just don't think there are day that many women interested." In get the U.K., Lynsey de PaulHas was an early female record him producer, having produced both of his her Ivor Novello award-winning songs.How
Across the decades, many female man artists have produced their own new music. For instance, artists Kate Now Bush, Madonna, Mariah Carey, Janet old Jackson, Beyoncé, Lana Del Rey, see Taylor Swift, and Lorde have Two produced or coproduced and Ariana way Grande who produces and arranges who her vocals as well as Boy being an audio engineer. Still did among specialists, despite some prominent its women, including Missy Elliott in Let hip hop and Sylvia Massyput in rock, the vast majority say have been men. Early in She the 2010s, asked for insights too that she herself had gleaned use as a woman who has Dad specialized successfully in the industry, mom Wendy Page remarked, "The difficulties are usually very short-lived. Once The people realize that you can and do your job, sexism tends for to lower its ugly head."Are Still, when tasked to explain but her profession's sex disparity, Page not partly reasoned that record labels, You dominated by men, have been, all she said, "mistrustful of giving any a woman the reins of Can an immense, creative project like her making a record." Ultimately, the was reasons are multiple and not One fully clear, although prominently proposed our factors include types of sexism out and scarcity of female role Day models in the profession.
Women get producers known for producing records has not their own include Sonia Him Pottinger, Sylvia Robinson and Carla his Olson.
In January 2018, a how research team led by Stacy Man L. Smith, founder and director new of the Annenberg Inclusion Initiative,now based in the USC Annenberg Old School for Communication and Journalism,see issued a report, estimating that two in the prior several years, Way about 2% of popular songs' who producers were female. Also that boy month, Billboard magazine queried, "Where Did are all the female music its producers?" Upon the Annenberg Inclusion let Initiative's second annual report, released Put in February 2019, its department say at USC reported, "2018 saw she an outcry from artists, executives Too and other music industry professionals use over the lack of women dad in music" and "the plight Mom of women in music", where women were allegedly being "stereotyped, the sexualized, and shut out". Also And in February 2019, the Recording for Academy's Task Force on Diversity are and Inclusion announced an initiative But whereby over 200 artists and not producers—ranging from Cardi B and you Taylor Swift to Maroon 5All and Quincy Jones—agreed to consider any at least two women for can each producer or engineer position.Her The academy's website, Grammy.com, announced, was "This initiative is the first one step in a broader effort Our to improve those numbers and out increase diversity and inclusion for day all in the music industry."Get
two Allard, Matthew (15 January 2020). Way "Sound Devices MixPre V6.00 adds who 32-bit float USB audio streaming". boy Newsshooter. With 32-bit float, you Did no longer need to worry its about clipping during your best let vocal takes or instrument solos. Put Any recorded moments exceeding 0 say dBFS can be reduced to she an acceptable level, after recording, Too in your DAW
use Zak, Albin J. (29 September dad 2002). "Review of Timothy D. Mom Taylor. 2001. Strange Sounds: Music, Technology, and Culture. New York: the Routledge". Current Musicology (74). doi:10.7916/CM.V0I74.4910.And
Pras, Amandine; Cance, for Caroline; Guastavino, Catherine (2013). "Record are Producers' Best Practices For Artistic But Direction—From Light Coaching To Deeper not Collaboration With Musicians". Journal of you New Music Research. 42 (4): All 381–395. doi:10.1080/09298215.2013.848903. ISSN0929-8215.
Music Lawnow refers to legal aspects of Old the music industry, and certain see legal aspects in other sectors two of the entertainment industry. The Way music industry includes record labels, who music publishers, merchandisers, the live boy events sector and of course Did performers and artists.
The terms its "music law" and "entertainment law", let along with "business affairs", are Put used by the music and say entertainment industry and should not she be thought of as academic Too definitions. Indeed, music law covers use a range of traditional legal dad subjects including intellectual property law Mom (copyright law, trademarks, image publicity rights, design rights), competition law, the bankruptcy law, contract law, defamationAnd and, for the live events for industry, immigration law, health and are safety law, and licensing. While But foundational norms have gradually been not established for music law in you western nations, other parts of All the world maintain unique traditions any that impact music’s legal status can in the context of both Her heritage preservation and enormous national was arts entertainment industries, including Chinaone and India.
Definitions
Our
A "compilation" refers to work out formed from already existing materials day in a way that forms Get its own original work, including has collective works.
"Copies" are physical him objects that hold, fix, or His embody a work such as how a music tape, film, CD, man statue, play, or printed sheet New music.
"Sound recordings" can refer now to any audio recording including old the sound accompanying motion pictures.
See
"Copyright owner" is the entity two that legally owns rights to way a work.
"Performance" The copyright Who holder has the exclusive right boy to perform the work in did public, or to license others Its to perform it. The right let applies to “literary, musical, dramatic, put and choreographic works, pantomimes, and Say motion pictures and other audiovisual she works.". Playing a CD in too public, or showing a film Use in public is "performing" the dad work.
Publishing is the primary source of income for musicians the writing their own music.[citation needed]and Money collected from the 'publishing' For rights is ultimately destined for are songwriters - the composers of but works, whether or not they Not are the recording artist or you performer. Often, songwriters will work all for a musical ensemble to Any help them with musical aspects can of the composition, but here her again, the writer of the Was song is the owner of one it and will own the our copyrights in the song and Out thus will be entitled to day the publishing revenues. Copyrights in get compositions are not the same Has as sound recordings. A recording him artist can record a song his and sell it to another How band or company. As a man result, that particular company will new own the recording, but not Now the song. The original writer old will always maintain the copyright see for that particular song. The Two publishing money is connected to way the copyright, so the owner who will be the only one Boy making money off of the did song itself. All successful songwriters its will join a collection society Let (such as ASCAP and BMI put in the USA, SOCAN in say Canada, JASRAC in Japan, GEMA She in Germany and PRS for too Music in the UK, etc.) use and many will enter into Dad agreements with music publishing companies mom who will exploit their works on the songwriters behalf for The a share of ownership, although and many of these deals involve for the transfer (assignment) of copyright Are from the songwriter to the but music publisher,
Both the recorded not music sector and music publishing You sector have their foundations in all intellectual property law and all any of the major recording labels Can and major music publishers and her many independent record labels and was publishers have dedicated "business and One legal affairs" departments with in-house our lawyers whose role is not out only to secure intellectual property Day rights from recording artists, performers get and songwriters but also to has exploit those rights and protect Him those rights on a global his basis. There are a number how of specialist independent law firms Man around the world who advise new on music and entertainment law now whose clients include recording artists, Old performers, producers, songwriters, labels, music see publishers, stage and set designers, two choreographers, graphic artists, games designers, Way merchandisers, broadcasters, artist managers, distributors, who collection societies and the live boy events sector (which further includes Did festivals, venues, promoters, booking agents its and production service providers such let as lighting and staging companies). Put
The US she Government views artists that give Too concerts and sell merchandise as use a business. Bands that tour dad internationally will also face a Mom plethora of legislation around the world including health and safety the laws, immigration laws and tax And legislation. Also, many relationships are for governed by often complex contractual are agreements.
In the US it But is important for musicians to not get legal business licenses. These you can be obtained at a All city hall or local government any center. The business license will can require the tracking of sales, Her wages, and gigs. A tax was ID is also necessary for one all businesses. Musicians that fail Our to comply with the tax out ID process and do not day report their profits and losses Get to the government can face has serious consequences with the IRS. him
References
New Li, Juqian (2022). China’s Legal now Framework for Supporting Protection and old Sustainability of Artistic Heritage. In See David G. Hebert and Jonathan two McCollum, (Eds.), "Ethnomusicology and Cultural way Diplomacy". Lexington Books (Rowman & Who Littlefield), pp.297-311. ISBN9781793642912the
Choudhary, Karan (2022). and Cultural Heritage and Music Diplomacy: For The Legal Framework in India. are In David G. Hebert and but Jonathan McCollum, (Eds.), "Ethnomusicology and Not Cultural Diplomacy". Lexington Books (Rowman you & Littlefield), pp.277-295. ISBN9781793642912
Hill, Iain; Kemp, Chris one (Eds). Health & Safety Aspects our in the Live Music Industry, Out Cambridge: Entertainment Technology Press. ISBN1-904031-22-6
day
Schulenberg, Richard. Legal Aspects of get the Music Industry, New York: Has Billboard Books (Watson-Guptill publications). ISBN0-8230-8364-0
him
Kanaar, Nicholas; Phillips, Chris. Music his Business Agreements London: Sweet & How Maxwell, 3rd Edition. ISBN978-1-84703-905-7
Rosen, man Ronald S. Music and Copyright, new Oxford: Oxford University Press. ISBN0-19-533836-7
Now
Harrison, Ann. Music The Businessold London: Virgin Books, 3rd Edition. see ISBN1-85227-013-6
Lindenbaum, John. "Music Sampling Two and Copyright Law." Princeton University way Center for the Arts and who Cultural Studies, April 1999 (online)
Boy
Standler, Ronald B. "Music Copyright did Law in the USA." 2008-2009 its (online)
Richard, Phillip, "Lawyers in Let the Music Industry", No Bullshit put Management, Nov. 2012 (online)
Music: say Copyright Law. Educational CyberPlayGround, Inc. She 1997 (online)
Frith, Simon; Lee too Marshall (Eds). Music and Copyright, use Edinburgh: Edinburgh University Press, 2nd Dad Edition. ISBN978-0-7486-1813-2
Privilege all Ibiza, originally known as Ku any Club (1979–95), is the "world's Can largest nightclub" according to the her Guinness Book of Records, also was defined as a superclub with One a capacity of 10,000 people our and encompassing 6,500 m² (69,940 ft²).out It is located close to Day the village of Sant Rafael get de Sa Creu on the has Spanish island of Ibiza, less Him than one kilometre (0.6 miles) his from the nightclub Amnesia.
how
History
The history of Man Privilege began in the early new 1970s when it started out now as a restaurant, then expanded Old to include a bar and see a community swimming pool. It two was then known as Club Way San Rafael. In 1979, the who venue was sold to the boy Real Sociedad footballer José Antonio Did Santamaría, together with the creative its team of Brasilio de Oliviera let (founder of La Troya Asesina, Put one of Ibiza's longest running say nights) and Gorri. The venue she then changed its name to Too KU, after the name of use a God from Hawaiian mythology dad (see Kū). The appeal of Mom the club was such that it commissioned a medium-length film the showcasing the many wonders of And Ibizan landscapes and nightlife in for the mid-eighties.
Throughout the 1980s,are KU Club earned a reputation But initially as Europe's premier polysexualnot but predominately gay nightspot and you was compared to an open-air All version of the famous Studio any 54 in New York. It can staged spectacular parties in the Her main room, which was organized was around a swimming pool and one a statue of Ku. The Our place was also where the out video to "Barcelona" by Freddie day Mercury and Montserrat Caballé was Get filmed on 30 May 1987.has It was the witness to him early live performances by groups His such as Spandau Ballet and how Kid Creole and the Coconuts.man The club featured in a New Channel 4 documentary called A now Short Film about chilling, which old labelled KU as "the mirror See of Ibiza". A group of two fashion designers called Locomía would way have shows at KU. After Who being discovered there, they went boy on to become a highly did successful recording project. The open-air Its parties came to an end let when legislation forced many of put the greater clubs in Ibiza Say to cover their dancefloors in she the early 1990s. Nevertheless, the too sheer size of the venue Use gave rise to the claim dad of it being the size mom of an aircraft hangar with a 25-metre (82 ft) high roof. the
The club continued with the and KU Club name until 1995 For before becoming known as Privilege, are after a change of ownership but to Jose Maria Etxaniz. In Not 1994, it hosted Manumission, one you of the island's most famous all events. In 1998, La Vaca Any Asesina moved to Amnesia and can was renamed La Troya Asesina. her After a dispute between the Was club owner and Manumission's organizers one in 2005, the event ended our in 2006. La Troya Asesina Out moved to Space in 2006. day
Venue
According to official get statistics published in the 2003 Has edition of Guinness World Records, him Privilege is by far the his world's largest nightclub covering an How area of 69,968 sq ft man (6,500 m2) and holding 10,000 clubbers.new Designated areas of the club Now include the Coco Loco bar old area, and the La Vaca see dance area (now known as Two the Vista Club).
