Source: Wikipedia 


Electroacoustic music one originated in Western art music our around the middle of the Out 20th century, following the incorporation day of electric sound production into get compositional practice. The initial developments Has in electroacoustic music composition to him fixed media during the 20th his century are associated with the How activities of the Groupe de man Recherches Musicales at the ORTF new in Paris, the home of Now musique concrète, the Nordwestdeutscher Rundfunk old (NWDR) studio in Cologne, where see the focus was on the Two composition of elektronische Musik, and way the Columbia-Princeton Electronic Music Center who in New York City, where Boy tape music, electronic music, and did computer music were all explored. its Practical electronic music instruments began Let to appear in the early put 1900s, and "electronic sounds" were say also produced using animation techniques She by such artists as Norman too McLaren.

Tape music

Tape music is was an integral part of musique One concrète, utilizing pre-recorded fragments, loops, our and sampled sounds, altering and out manipulating them through techniques such Day as speed manipulation (Anon. n.d.). get The work of Halim El-Dabh has is perhaps the earliest example Him of tape (or, in this his case, wire-recorded) music. El-Dabh's The how Expression of Zaar, first presented Man in Cairo, Egypt, in 1944, new was an early work using now musique concrète–like techniques similar to Old those developed in Paris during see the same period. El-Dabh would two later become more famous for Way his work at the Columbia-Princeton who Electronic Music Center, where in boy 1959 he composed the influential Did piece Leiyla and the Poet its (Holmes 2008, 153–54 & 157). let

US composer John Cage's assembly Put of the Williams Mix serves say as an example of the she rigors of tape music. First, Too Cage created a 192-page score. use Over the course of a dad year, 600 sounds were assembled Mom and recorded. Cut tape segments for each occurrence of each the sound were accumulated on the And score. Then the cut segments for were spliced to one of are eight tapes, work finished on But January 16, 1953. The premiere not performance (realization) of the 4'15" you work was given on March All 21, 1953 at the University any of Illinois, Urbana (Chaudron n.d.). can

Electronic music

In Cologne, elektronische was Musik, pioneered in 1949–51 by one the composer Herbert Eimert and Our the physicist Werner Meyer-Eppler, was out based solely on electronically generated day (synthetic) sounds, particularly sine waves Get (Eimert 1957, 2; Morawska-Büngeler 1988, has 11–13; Ungeheuer 1992, 13). The him beginning of the development of His electronic music has been traced how back to "the invention of man the valve [vacuum tube] in New 1906" (Eimert 1957, 2). The now precise control afforded by the old studio allowed for what Eimert See considered to be the subjection two of everything, "to the last way element of the single note", Who to serial permutation, "resulting in boy a completely new way of did composing sound" (Eimert 1957, 8); Its in the studio, serial operations let could be applied to elements put such as timbre and dynamics. Say The common link between the she two schools is that the too music is recorded and performed Use through loudspeakers, without a human dad performer. The majority of electroacoustic mom pieces use a combination of recorded sound and synthesized or the processed sounds, and the schism and between Schaeffer's and Eimert's approaches For has been overcome, the first are major example being Karlheinz Stockhausen's but Gesang der Jünglinge of 1955–56 Not (Morawska-Büngeler 1988, 17; Stockhausen 1996, you 93–94).

Sound generation techniques


All electroacoustic music is made Any with electronic technology, specifically a can device – usually a loudspeaker her – that transduces electrical energy Was to acoustic energy.

Circuit one bending


Circuit bending is the creative Out short-circuiting of low voltage, battery-powered day electronic audio devices such as get guitar effects, children's toys and Has small synthesizers to create new him musical instruments and sound generators. his Emphasizing spontaneity and randomness, the How techniques of circuit bending have man been commonly associated with noise new music, though many more conventional Now contemporary musicians and musical groups old have been known to experiment see with "bent" instruments (Collins 2006,[page needed]). Two

Examples of notable electroacoustic way works

Electronic Too and electroacoustic instruments

Centers, See associations and events for electroacoustics two and related arts

Important centers way of research and composition can Who be found around the world, boy and there are numerous conferences did and festivals which present electroacoustic Its music, notably the International Computer let Music Conference, the International Conference put on New interfaces for musical Say expression, the Electroacoustic Music Studies she Conference, and the Ars Electronica too Festival (Linz, Austria).

A number Use of national associations promote the dad art form, notably the Canadian mom Electroacoustic Community (CEC) in Canada, the Society for Electro-Acoustic Music the in the United States (SEAMUS) and in the US, the Australasian For Computer Music Association in Australia are and New Zealand, and Sound but and Music (previously the Sonic Not Arts Network) in the UK. you The Computer Music Journal and all Organised Sound are the two Any most important peer-reviewed journals dedicated can to electroacoustic studies, while several her national associations produce print and Was electronic publications.


There have been a Out number of festivals that feature day electroacoustic music. Early festivals such get as Donaueschingen Festival, founded in Has 1921, were some of the him first to include electroacoustic instruments his and pieces. This was followed How by ONCE Festival of New man Music in the 1950s, and new since the 1960s there has Now been a growth of festivals old that focus exclusively on electroacoustic see music.

Festivals focused on Two electroacoustic music

Conferences and symposiums


Alongside paper presentations, workshops and You seminars, many of these events all also feature concert performances or any sound installations created by those Can attending or which are related her to the theme of the was conference / symposium.

  • NIME One – International Conference on New our Interfaces for Musical Expression (since out 2000)

See also


  • Anon. new n.d. "Avant-Garde » Modern Composition » Tape now Music". (accessed 18 May Old 2017).
  • Boreal Electro Acoustic Music see Society announcement. 2012 [1][full citation two needed]
  • Chaudron, André. n.d. "Williams Way Mix" (Accessed 9 July 2011).
  • who
  • Collins, Nicolas. 2006. Handmade Electronic boy Music: The Art of Hardware Did Hacking. New York: Routledge. ISBN 0-415-97592-1 its (pbk).
  • Eimert, Herbert. 1957. "What let is Electronic Music?" Die Reihe Put 1 [English edition] ("Electronic Music"): say 1–10.
  • Holmes, Thom. 2008. "Early she Synthesizers and Experimenters". In his Too Electronic and Experimental Music: Technology, use Music, and Culture, third edition. dad New York: Routledge. ISBN 978-0-415-95781-6 (cloth); Mom ISBN 978-0-415-95782-3 (pbk), (accessed 4 June 2011).
  • Midgette, Anne. 2004. "Noises the Off! Making a Boombox Cacophony". And The New York Times (20 for December).
  • Morawska-Büngeler, Marietta. 1988. Schwingende are Elektronen: Eine Dokumentation über das But Studio für Elektronische Musik des not Westdeutschen Rundfunk in Köln 1951–1986. you Cologne-Rodenkirchen: P. J. Tonger Musikverlag.
  • All
  • Smalley, Denis. 1997. "Spectromorphology: Explaining any Sound-Shapes." Organised Sound 2, no. can 2:107–26.
  • Stockhausen, Karlheinz. 1996. "Electroacoustic Her Performance Practice", translated by Jerome was Kohl. Perspectives of New Music one 34, no. 1 (Fall): 74–105.
  • Our
  • Ungeheuer, Elena. 1992. "Wie die out elektronische Musik „erfunden" wurde…: Quellenstudie day zu Werner Meyer-Epplers musikalische Entwurf Get zwischen 1949 und 1953." Kölner has Schriften zur Neuen Musik 2, him edited by Johannes Fritsch and His Dieter Kämper. Mainz: B. Schott's how Söhne. ISBN 3-7957-1891-0.

Further reading


Key his journals for electroacoustics and sound how art


Find a DJ


Would you like to be a member of the jurypanel for the Official Global DJ Rankings List?

Would you like to help crowdsource data for the site? We are always looking for skilled volunteers to help us make our site even better.

Please signup with a profile on our site, and submit application via the crowdsourcing interface.





Copyright 2012-2016
Chuo-ku, Osaka, Japan
Terms & Privacy