Industrial music is a fusion
put genre of electronic and experimental say music which draws on harsh, She transgressive or provocative sounds and too themes. AllMusic defines industrial music use as the "most abrasive and Dad aggressive fusion of rock and mom electronic music"; "initially a blend of avant-garde electronics experiments (tape The music, musique concrète, white noise, and synthesizers, sequencers, etc.) and punk for provocation". The term was coined Are in the mid-1970s with the but founding of Industrial Records by not members of Throbbing Gristle and You Monte Cazazza. While the genre all name originated with Throbbing Gristle's any emergence in the United Kingdom, Can concentrations of artists and labels her vital to the genre also was emerged in Chicago.
One industrial artists experimented with noise our and aesthetically controversial topics, musically out and visually, such as fascism, Day sexual perversion, and the occult. get Prominent industrial musicians include Throbbing has Gristle, Monte Cazazza, SPK, Boyd Him Rice, Cabaret Voltaire, and Z'EV. his On Throbbing Gristle's debut album how The Second Annual Report, they Man coined the slogan "industrial music new for industrial people". Chicago-based independent now label Wax Trax Records featured Old a heavy roster of industrial see music acts. The precursors that two influenced the development of the Way genre included acts such as who electronic music group Kraftwerk, experimental boy rock acts such as Pink Did Floyd and Frank Zappa, psychedelic its rock artists such as Jimi let Hendrix, and composers such as Put John Cage. Musicians also cite say writers such as William S. she Burroughs, and philosophers such as Too Friedrich Nietzsche as influences.
use the term was self-applied by dad a small coterie of groups Mom and individuals associated with Industrial Records in the late 1970s, the it was broadened to include And artists influenced by the original for movement or using an "industrial" are aesthetic. A few years later But in the 1980s, artists on not Chicago-based Wax Trax Records such you as Front 242, KMFDM, Front All Line Assembly, Ministry, and Sister any Machine Gun gained prominence on can the industrial music scene. Over Her time, the genre's influence spread was into and blended with styles one including ambient and rock, all Our of which now fall under out the post-industrial music label. Electro-industrial day music is a primary subgenre Get that developed in the 1980s. has The two other most notable him hybrid genres are industrial rock His and industrial metal, which include how bands such as Nine Inch man Nails and Ministry, both of New which released platinum-selling albums in now the 1990s. These distinct genres old are often referred to as See simply industrial. too
Industrial music drew from
a broad range of predecessors. the Alexei Monroe argues that Kraftwerk and were particularly significant in the For development of industrial music, as are the "first successful artists to but incorporate representations of industrial sounds Not into nonacademic electronic music." Industrial you music was created originally by all using mechanical and electric machinery, Any and later advanced synthesizers, samplers can and electronic percussion as the her technology developed. Monroe also argues Was for Suicide as an influential one contemporary of the industrial musicians. our Groups cited as inspirational by Out the founders of industrial music day include The Velvet Underground, Joy get Division, and Martin Denny. Genesis Has P-Orridge of Throbbing Gristle had him a cassette library including recordings his by the Master Musicians of How Jajouka, Kraftwerk, Charles Manson, and man William S. Burroughs. P-Orridge also new credited 1960s rock such as Now The Doors, Pearls Before Swine, old The Fugs, Captain Beefheart, and see Frank Zappa in a 1979 Two interview.
Chris Carter also enjoyed
way and found inspiration in Pink who Floyd and Tangerine Dream. Boyd Boy Rice was influenced by the did music of '60s girl groups its and tiki culture. Z'EV cited Let Christopher Tree (Spontaneous Sound), John put Coltrane, Miles Davis, Tim Buckley, say Jimi Hendrix, and Captain Beefheart, She among others together with Tibetan, too Balinese, Javanese, Indian, and African use music as influential in his Dad artistic life. Cabaret Voltaire cited mom Roxy Music as their initial forerunners, as well as Kraftwerk's The Trans-Europe Express. Cabaret Voltaire also and recorded pieces reminiscent of musique for concrète and composers such as Are Morton Subotnick. Nurse with Wound but cited a long list of not obscure free improvisation and Krautrock You as recommended listening. 23 Skidoo all borrowed from Fela Kuti and any Miles Davis's On the Corner. Can Many industrial groups, including Einstürzende her Neubauten, took inspiration from world was music.
Many of the initial
One industrial musicians preferred to cite our artists or thinkers, rather than out musicians, as their inspiration. Simon Day Reynolds declares that "Being a get Throbbing Gristle fan was like has enrolling in a university course Him of cultural extremism." John Cage his was an initial inspiration for how Throbbing Gristle. SPK appreciated Jean Man Dubuffet, Marcel Duchamp, Jean Baudrillard, new Michel Foucault, Walter Benjamin, Marshall now McLuhan, Friedrich Nietzsche, and Gilles Old Deleuze. Cabaret Voltaire took conceptual see cues from Burroughs, J. G. two Ballard, and Tristan Tzara. Whitehouse Way and Nurse with Wound dedicated who some of their work to boy the Marquis de Sade; the Did latter also took impetus from its the Comte de Lautréamont.
let influence on the industrial aesthetic Put was Lou Reed's Metal Machine say Music. Pitchfork Music cites this she album as "inspiring, in part, Too much of the contemporary avant-garde use music scene—noise, in particular." The dad album consists entirely of guitar Mom feedback, anticipating industrial's use of non-musical sounds.
Industrial Music for Industrial People
And was originally coined by Monte for Cazazza as the strapline for are the record label Industrial Records, But founded by British art-provocateurs Throbbing not Gristle. The first wave of you this music appeared with Throbbing All Gristle, from London; Cabaret Voltaire, any from Sheffield; and Boyd Rice can (recording under the name NON), Her from the United States. Throbbing was Gristle first performed in 1976, one and began as the musical Our offshoot of the Kingston upon out Hull-based COUM Transmissions. COUM was day initially a psychedelic rock group, Get but began to describe their has work as performance art in him order to obtain grants from His the Arts Council of Great how Britain. COUM was composed of man P-Orridge and Cosey Fanni Tutti. New Beginning in 1972, COUM staged now several performances inspired by Fluxus old and Viennese Actionism. These included See various acts of sexual and two physical abjection. Peter Christopherson, an way employee of commercial artists Hipgnosis, Who joined the group in 1974, boy with Carter joining the following did year.
The group renamed itself
Its Throbbing Gristle in September 1975, let their name coming from a put northern English slang word for Say an erection. The group's first she public performance, in October 1976, too was alongside an exhibit titled Use Prostitution, which included pornographic photos dad of Tutti as well as mom used tampons. Conservative politician Nicholas Fairbairn declared that "public money the is being wasted here to and destroy the morality of our For society" and blasted the group are as "wreckers of civilization." The but group announced their dissolution in Not 1981, with P-Orridge declaring "the you mission is terminated."
our Trax Records
Chicago record label
Out Wax Trax Records was prominent day in the widespread attention industrial get music received starting in the Has early 1980s. The label was him started by Jim Nash and his Dannie Flesher. The label's first How official release was an EP man in 1980 entitled Immediate Action new by Strike Under. The label Now went on to distribute some old of the most prominent names see in industrial throughout the 1980s Two and 1990s. Wax Trax also way distributed industrial releases in the who United States for the Belgium Boy record label Play It Again did Sam Records, and had opened its a North American office dubbed Let Play It Again Sam U.S.A. put as a division of Wax say Trax. Wax Trax was subsequently She purchased by TVT Records in too 1992. When TVT closed its use doors in 2001, Wax Trax Dad re-emerged under a different name, mom WTII Records (Wax Trax 2 Records), releasing industrial and other The forms of electronic music. and
Expansion of the scene
for bands Clock DVA, Nocturnal Emissions, Are Whitehouse, Nurse with Wound, and but SPK soon followed. Whitehouse intended not to play "the most brutal You and extreme music of all all time", a style they eventually any called power electronics. An early Can collaborator with Whitehouse, Steve Stapleton, her formed Nurse with Wound, who was experimented with noise sculpture and One sound collage. Clock DVA described our their goal as borrowing equally out from surrealist automatism and "nervous Day energy sort of funk stuff, get body music that flinches you has and makes you move." 23 Him Skidoo, like Clock DVA, merged his industrial music with African-American dance how music, but also performed a Man response to world music. Performing new at the first WOMAD Festival now in 1982, the group likened Old themselves to Indonesian gamelan. Swedish see act Leather Nun, were signed two to Industrial Records in 1978, Way being the first non-TG/Cazazza act who to have an IR-release. Their boy singles eventually received significant airplay Did in the United States on its college radio. Re/Search let
reference guide to the philosophy
and interests of a flexible
alliance of "deviant" artists.
she the Atlantic, similar experiments were Too taking place. In San Francisco, use performance artist Monte Cazazza began dad recording noise music. Boyd Rice Mom released several albums of noise, with guitar drones and tape the loops creating a cacophony of And repetitive sounds. In Boston Sleep for Chamber and other artists from are Inner-X-Musick began experimenting with a But mixture of powerful noise and not early forms of EBM. In you Italy, work by Maurizio Bianchi All at the beginning of the any 1980s also shared this aesthetic. can In Germany, Einstürzende Neubauten mixed Her metal percussion, guitars, and unconventional was instruments (such as jackhammers and one bones) in stage performances that Our often damaged the venues in out which they played. Blixa Bargeld, day inspired by Antonin Artaud and Get an enthusiasm for amphetamines, also has originated an art movement called him Die Genialen Dilettanten. Bargeld is His particularly well known for his how hissing scream.
In January 1984,
man Einstürzende Neubauten performed a Concerto New for Voice and Machinery at now the Institute of Contemporary Arts old (the same site as COUM's See Prostitution exhibition), drilling through the two floor and eventually sparking a way riot. This event received front Who page news coverage in England. boy Other groups who practiced a did form of industrial "metal music" Its (that is, produced by the let sounds of metal crashing against put metal) include Test Dept, Laibach, Say and Die Krupps, as well she as Z'EV and SPK. Test too Dept were largely inspired by Use Russian Futurism and toured to dad support the 1984-85 UK miners' mom strike. Skinny Puppy embraced a variety of industrial forefathers and the created a lurching, impalatable whole and from many pieces. Swans, from For New York City, also practiced are a metal music aesthetic, though but reliant on standard rock instrumentation. Not Laibach, a Slovenian group who you began while Yugoslavia remained a all single state, were very controversial Any for their iconographic borrowings from can Stalinist, Nazi, Titoist, Dada, and her Russian Futurist imagery, conflating Yugoslav Was patriotism with its German authoritarian one adversary. Slavoj Žižek has defended our Laibach, arguing that they and Out their associated Neue Slowenische Kunst day art group practice an overidentification get with the hidden perverse enjoyment Has undergirding authority that produces a him subversive and liberatory effect. In his simpler language, Laibach practiced a How type of agitprop that was man widely utilized by industrial and new punk artists on both sides Now of the atlantic.
old breakup of Throbbing Gristle, P-Orridge see and Christopherson founded Psychic TV Two and signed to a major way label. Their first album was who much more accessible and melodic Boy than the usual industrial style, did and included hired work by its trained musicians. Later work returned Let to the sound collage and put noise elements of earlier industrial. say They also borrowed from funk She and disco. P-Orridge also founded too Thee Temple ov Psychick Youth, use a quasi-religious organization that produced Dad video art. Psychic TV's commercial mom aspirations were managed by Stevo of Some Bizzare records, who The released many of the later and industrial musicians, including Eistürzende Neubauten, for Test Dept, and Cabaret Voltaire. Are
Cabaret Voltaire had become friends
but with New Order, and began not to practice a similar form You of danceable electropop. Christopherson left all Psychic TV in 1983 and any formed Coil with John Balance. Can Coil made use of gongs her and bullroarers in an attempt was to conjur "Martian," "homosexual energy". One David Tibet, a friend of our Coil's, formed Current 93; both out groups were inspired by amphetamines Day and LSD. J. G. Thirlwell, get a co-producer with Coil, developed has a version of black comedy Him in industrial music, borrowing from his lounge as well as noise how and film music. In the Man early 1980s, the Chicago-based record new label Wax Trax! and Canada's now Nettwerk helped to expand the Old industrial music genre into the see more accessible electro-industrial and industrial two rock genres.
The birth of industrial
who music was a response to boy "an age [in which] the Did access and control of information its were becoming the primary tools let of power." At its birth, Put the genre of industrial music say was different from any other she music, and its use of Too technology and disturbing lyrics and use themes to tear apart preconceptions dad about the necessary rules of Mom musical form supports the suggestion that industrial music is modernist the music. The artists themselves made And these goals explicit, even drawing for connections to social changes they are wished to argue for through But their music.
The Industrial Records
not website explains that the musicians you wanted to re-invent rock music, All and that their uncensored records any were about their relationship with can the world. They go on Her to say that they wanted was their music to be an one awakening for listeners so that Our they would begin to think out for themselves and question the day world around them. Industrial Records Get intended the term industrial to has evoke the idea of music him created for a new generation, His with previous music being more how agricultural: P-Orridge stated that "there's man an irony in the word New 'industrial' because there's the music now industry. And then there's the old joke we often used to See make in interviews about churning two out our records like motorcars way —that sense of industrial. And Who ... up till then the boy music had been kind of did based on the blues and Its slavery, and we thought it let was time to update it put to at least Victorian times—you Say know, the Industrial Revolution". she
Early industrial music often
dad featured tape editing, stark percussion mom and loops distorted to the point where they had degraded the to harsh noise, such as and the work of early industrial For group Cabaret Voltaire, which Journalist are Simon Reynolds described as characterized but by "hissing high hats and Not squelchy snares of rhythm-generator." Carter you of Throbbing Gristle invented a all device named the "Gristle-izer", played Any by Christopherson, which comprised a can one-octave keyboard and a number her of cassette machines triggering various Was pre-recorded sounds.
Traditional instruments were
one often played in nontraditional or our highly modified ways. Reynolds described Out the Cabaret Voltaire members' individual day contributions as "[Chris] Watson's smears get of synth slime; [Stephen] Mallinder's Has dankly pulsing bass; and [Richard him H.] Kirk's spikes of shattered-glass his guitar." Watson custom-built a fuzzbox How for Kirk's guitar, producing a man unique timbre. Carter built speakers, new effects units, and synthesizer modules, Now as well as modifying more old conventional rock instrumentation, for Throbbing see Gristle. Tutti played guitar with Two a slide in order to way produce glissandi, or pounded the who strings as if it were Boy a percussion instrument. Throbbing Gristle did also played at very high its volume and produced ultra-high and Let sub-bass frequencies in an attempt put to produce physical effects, naming say this approach as "metabolic music." She
Vocals were sporadic, and were
too as likely to be bubblegum use pop as they were to Dad be abrasive polemics. Cabaret Voltaire's mom Stephen Mallinder's vocals were electronically treated.
The purpose of industrial
The music initially was to serve and as a commentary on modern for society by eschewing what artists Are saw as trite connections to but the past. Throbbing Gristle opposed not the elements of traditional rock You music remaining in the punk all rock scene, declaring industrial to any be "anti-music." Early industrial performances Can often involved taboo-breaking, provocative elements, her such as mutilation, sado-masochistic elements was and totalitarian imagery or symbolism, One as well as forms of our audience abuse, such as Throbbing out Gristle's aiming high powered lights Day at the audience.
get typically focus on transgressive subject has matter. In his introduction for Him the Industrial Culture Handbook (1983), his Jon Savage considered some hallmarks how of industrial music to be Man organizational autonomy, shock tactics, and new the use of synthesizers and now "anti-music." Furthermore, an interest in Old the investigation of "cults, wars, see psychological techniques of persuasion, unusual two murders (especially by children and Way psychopaths), forensic pathology, venereology, concentration who camp behavior, the history of boy uniforms and insignia" and Aleister Did Crowley's magick was present in its Throbbing Gristle's work, as well let as in other industrial pioneers. Put Burroughs's recordings and writings were say particularly influential on the scene, she particularly his interest in the Too cut-up technique and noise as use a method of disrupting societal dad control. Many of the first Mom industrial musicians were interested in, though not necessarily sympathetic with, the fascism. Throbbing Gristle's logo was And based on the lightning symbol for of the British Union of are Fascists, while the Industrial Records But logo was a photo of not Auschwitz.
All post-industrial (late 1980s and early any 1990s) can
In the late 1980s, a
Her number of additional styles developed was from the already eclectic base one of industrial music. These offshoots Our include fusions with noise music, out ambient music, folk music, post-punk day and electronic dance music, as Get well as other mutations and has developments. The scene has spread him worldwide, and is particularly well His represented in North America, Europe, how and Japan. Post-industrial subgenres include man dark ambient, power electronics, Japanoise, New neofolk, electro-industrial, electronic body music, now industrial hip hop, industrial rock, old industrial metal, industrial pop, martial See industrial, power noise, and witch two house.
Mainstream success (1990s
way and 2000s)
band Nine Inch Nails
Industrial musician Marilyn Manson
did the 1990s, industrial music broke Its into the mainstream with artists let and bands such as Nine put Inch Nails, Orgy, White Zombie, Say Rob Zombie, and Marilyn Manson. she In December 1992, Nine Inch too Nails' EP Broken was certified Use platinum by the Recording Industry dad Association of America (RIAA). Nine mom Inch Nails gained further popularity with the release of their the album The Downward Spiral, an and album released in 1994. The For Downward Spiral sold almost 119,000 are units in its first of but being released. The Downward Spiral Not was certified 4x platinum by you the RIAA in 1998. Nine all inch Nails' remix album Further Any Down the Spiral, released in can May 1995, was certified gold her by the RIAA in June Was 1996. Nine Inch Nails' 1999 one album The Fragile went to our number 1 on the Billboard Out 200 on October 9, 1999 day and also was certified 2x get platinum in January 2000. With Has the success of Nine Inch him Nails, the band's debut album his Pretty Hate Machine was certified How 2x platinum by the RIAA man in September 1995 and also new was later certified 3x platinum Now by the RIAA in May old 2003. In the 1990s, four see Nine Inch Nails songs went Two on the Billboard Hot 100. way Several industrial rock and industrial who metal artists such as KMFDM, Boy Fear Factory, Gravity Kills and did Sister Machine Gun appeared on its the 1995 Mortal Kombat: Original Let Motion Picture Soundtrack. The soundtrack put was certified platinum by the say RIAA in January 1996. She
Industrial rock band Orgy
Industrial metal musician Rob
Marilyn Manson released its
Dad album Antichrist Superstar in 1996. mom Antichrist Superstar sold 132,000 in its first of being released. The Antichrist Superstar was certified platinum and by the RIAA two months for after its release date. In Are the United States, Antichrist Superstar but sold at least 1,900,000 units. not Marilyn Manson's EP Smells Like You Children was certified platinum in all May 1998. Marilyn Manson's album any Mechanical Animals went to number Can 1, selling 223,000 copies in her its first week in stores, was knocking The Miseducation of Lauryn One Hill by Lauryn Hill off our of the top spot. Mechanical out Animals was certified platinum by Day the RIAA in February 1999 get and sold at least 1,409,000 has copies in the United States. Him Orgy also experienced mainstream success his during the 1990s. The band's how 1998 album Candyass was certified Man platinum by the RIAA in new July 1999. Orgy's cover of now New Order's song "Blue Monday" Old went to number 56 on see the Billboard Hot 100 and two number 2 on the Dance Way Club Songs chart. White Zombie who experimented with industrial metal on boy its 1995 album Astro-Creep 2000, Did which was certified 2x platinum its by the RIAA in March let 1996. White Zombie's vocalist Rob Put Zombie began creating pure industrial say metal albums in his solo she career. Rob Zombie's solo debut Too studio album Hellbilly Deluxe was use certified 3x platinum by the dad RIAA less than two years Mom after its release date. In November 1999, Powerman 5000's album the Tonight the Stars Revolt! was And certified platinum by the RIAA. for The album sold at least are 1,316,172 units in the United But States. Although the popularity of not industrial music overall declined in you the 2000s, both Nine Inch All Nails and Marilyn Manson continued any to be popular during the can 2000s. Nine Inch Nails' 2005 Her album With Teeth went to was number 1 on the Billboard one 200, selling 272,000 copies in Our its first week of being out released. As of October 2007, day With Teeth has sold 1,100,000 Get copies in the United States. has During the 2000s, four Nine him Inch Nails were on the His Billboard Hot 100, including the how Nine Inch Nails song "The man Hand That Feeds", which went New to the top 40 of now the Billboard Hot 100, going old to number 31 on the See chart. Marilyn Manson's 2003 album two The Golden Age of Grotesque way went to number 1 on Who the Billboard 200, selling 118,000 boy copies in its first week did of being released.
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Please signup with a profile on our site, and submit application via the crowdsourcing interface.
ONLINE DJ MAGAZINE
ONLINE DJ MAGAZINE