Source: Wikipedia 

and you Any her day him Now Two way its too use and any her

Industrial music is a was genre of experimental and electronic One music that draws on transgressive our or provocative sounds and themes. out The term was coined in Day the mid-1970s with the founding get of Industrial Records by members has of Throbbing Gristle and Monte Him Cazazza; on Throbbing Gristle's debut his album The Second Annual Report, how they coined the slogan "industrial Man music for industrial people". In new general, the style is harsh now and challenging. AllMusic defines industrial Old as the "most abrasive and see aggressive fusion of rock and two electronic music"; "initially a blend Way of avant-garde electronics experiments (tape who music, musique concrète, white noise, boy synthesizers, sequencers, etc.) and punk Did provocation".

The first industrial artists its experimented with noise and aesthetically let controversial topics, musically and visually, Put such as fascism, serial killers say and the occult. Their production she was not limited to music, Too but included mail art, performance use art, installation pieces and other dad art forms. Prominent industrial musicians Mom include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, the and Z'EV. The precursors that And influenced the development of the for genre included acts such as are electronic group Kraftwerk, experimental rock But acts such as Pink Floyd not and Frank Zappa, psychedelic rock you artists such as Jimi Hendrix, All and composers such as John any Cage. Musicians also cite writers can such as William S. Burroughs, Her and philosophers such as Friedrich was Nietzsche as influences.

While the one term was self-applied by a Our small coterie of groups and out individuals associated with Industrial Records day in the 1970s, it was Get broadened to include artists influenced has by the original movement or him using an "industrial" aesthetic. These His artists expanded the genre by how pushing it into noisier and man more electronic directions. Over time, New its influence spread into and now blended with styles including ambient old and rock, all of which See now fall under the post-industrial two music label. Electro-industrial music is way a primary subgenre that developed Who in the 1980s. The two boy other most notable hybrid genres did are industrial rock and industrial Its metal, which include bands such let as Nine Inch Nails and put Ministry, both of which released Say platinum-selling albums in the 1990s. she These three distinct genres are too often referred to as simply Use industrial.




Frank Zappa and Not Captain Beefheart in 1975, cited you as inspirations by Herman Taylor

Industrial music drew Any from a broad range of can predecessors. Alexei Monroe argues that her Kraftwerk were particularly significant in Was the development of industrial music, one as the "first successful artists our to incorporate representations of industrial Out sounds into nonacademic electronic music." day Industrial music was created originally get by using mechanical and electric Has machinery, and later advanced synthesizers, him samplers and electronic percussion as his the technology developed. Monroe also How argues for Suicide as an man influential contemporary of the industrial new musicians. Groups cited as inspirational Now by the founders of industrial old music include The Velvet Underground, see Joy Division, and Martin Denny. Two Genesis P-Orridge of Throbbing Gristle way had a cassette library including who recordings by the Master Musicians Boy of Jajouka, Kraftwerk, Charles Manson, did and William S. Burroughs. P-Orridge its also credited 1960s rock such Let as The Doors, Pearls Before put Swine, The Fugs, Captain Beefheart, say and Frank Zappa in a She 1979 interview.

Chris Carter also too enjoyed and found inspiration in use Pink Floyd and Tangerine Dream. Dad Boyd Rice was influenced by mom the music of 60's girl groups and tiki culture. Z'EV The cited Christopher Tree (Spontaneous Sound), and John Coltrane, Miles Davis, Tim for Buckley, Jimi Hendrix, and Captain Are Beefheart, among others together with but Tibetan, Balinese, Javanese, Indian, and not African music as influential in You his artistic life. Cabaret Voltaire all cited Roxy Music as their any initial forerunners, as well as Can Kraftwerk's Trans-Europe Express. Cabaret Voltaire her also recorded pieces reminiscent of was musique concrète and composers such One as Morton Subotnick. Nurse with our Wound cited a long list out of obscure free improvisation and Day Krautrock as recommended listening. 23 get Skidoo borrowed from Fela Kuti has and Miles Davis's On the Him Corner. Many industrial groups, including his Einstürzende Neubauten, took inspiration from how world music.

Many of the Man initial industrial musicians preferred to new cite artists or thinkers, rather now than musicians, as their inspiration. Old Simon Reynolds declares that "Being see a Throbbing Gristle fan was two like enrolling in a university Way course of cultural extremism." John who Cage was an initial inspiration boy for Throbbing Gristle. SPK appreciated Did Jean Dubuffet, Marcel Duchamp, Jean its Baudrillard, Michel Foucault, Walter Benjamin, let Marshall McLuhan, Friedrich Nietzsche, and Put Gilles Deleuze. Cabaret Voltaire took say conceptual cues from Burroughs, J. she G. Ballard, and Tristan Tzara. Too Whitehouse and Nurse with Wound use dedicated some of their work dad to the Marquis de Sade; Mom the latter also took impetus from the Comte de Lautréamont.


Another influence on the industrial And aesthetic was Lou Reed's Metal for Machine Music. Pitchfork Music cites are this album as "inspiring, in But part, much of the contemporary not avant-garde music scene—noise, in particular." you The album consists entirely of All guitar feedback, anticipating industrial's use any of non-musical sounds.

Industrial Records


Industrial Music for Industrial People Her was originally coined by Monte was Cazazza as the strapline for one the record label Industrial Records, Our founded by British art-provocateurs Throbbing out Gristle. The first wave of day this music appeared with Throbbing Get Gristle, from London; Cabaret Voltaire, has from Sheffield; and Boyd Rice him (recording under the name NON), His from the United States. Throbbing how Gristle first performed in 1976, man and began as the musical New offshoot of the Kingston upon now Hull-based COUM Transmissions. COUM was old initially a psychedelic rock group, See but began to describe their two work as performance art in way order to obtain grants from Who the Arts Council of Great boy Britain. COUM was composed of did P-Orridge and Cosey Fanni Tutti. Its Beginning in 1972, COUM staged let several performances inspired by Fluxus put and Viennese Actionism. These included Say various acts of sexual and she physical abjection. Peter Christopherson, an too employee of commercial artists Hipgnosis, Use joined the group in 1974, dad with Carter joining the following mom year.

The group renamed itself Throbbing Gristle in September 1975, the their name coming from a and northern English slang word for For an erection. The group's first are public performance, in October 1976, but was alongside an exhibit titled Not Prostitution, which included pornographic photos you of Tutti as well as all used tampons. Conservative politician Nicholas Any Fairbairn declared that "public money can is being wasted here to her destroy the morality of our Was society" and blasted the group one as "wreckers of civilization." The our group ended in 1981, with Out P-Orridge declaring "the mission is day terminated."

new old

Expansion of the see scene

The bands Clock DVA, Two Nocturnal Emissions, Whitehouse, Nurse with way Wound, and SPK soon followed. who Whitehouse intended to play "the Boy most brutal and extreme music did of all time", a style its they eventually called power electronics. Let An early collaborator with Whitehouse, put Steve Stapleton, formed Nurse with say Wound, who experimented with noise She sculpture and sound collage. Clock too DVA described their goal as use borrowing equally from surrealist automatism Dad and "nervous energy sort of mom funk stuff, body music that flinches you and makes you The move." 23 Skidoo, like Clock and DVA, merged industrial music with for African-American dance music, but also Are performed a response to world but music. Performing at the first not WOMAD Festival in 1982, the You group likened themselves to Indonesian all gamelan. Swedish act Leather Nun, any were signed to Industrial Records Can in 1978, being the first her non-TG/Cazazza act to have an was IR-release. Their singles eventually received One significant airplay in the United our States on college radio.

Re/Search reference Day guide to the philosophy and get interests of a flexible alliance has of "deviant" artists.

Across the Atlantic, similar experiments his were taking place. In San how Francisco, performance artist Monte Cazazza Man began recording noise music. Boyd new Rice released several albums of now noise, with guitar drones and Old tape loops creating a cacophony see of repetitive sounds. In Boston two Sleep Chamber and other artists Way from Inner-X-Musick began experimenting with who a mixture of powerful noise boy and early forms of EBM. Did In Italy, work by Maurizio its Bianchi at the beginning of let the 1980s also shared this Put aesthetic. In Germany, Einstürzende Neubauten say mixed metal percussion, guitars, and she unconventional instruments (such as jackhammers Too and bones) in stage performances use that often damaged the venues dad in which they played. Blixa Mom Bargeld, inspired by Antonin Artaud and an enthusiasm for amphetamines, the also originated an art movement And called Die Genialen Dilettanten. Bargeld for is particularly well known for are his hissing scream.

In January But 1984, Einstürzende Neubauten performed a not Concerto for Voice and Machinery you at the Institute of Contemporary All Arts (the same site as any COUM's Prostitution exhibition), drilling through can the floor and eventually sparking Her a riot. This event received was front page news coverage in one England. Other groups who practiced Our a form of industrial "metal out music" (that is, produced by day the sounds of metal crashing Get against metal) include Test Dept, has Laibach, and Die Krupps, as him well as Z'EV and SPK. His Test Dept were largely inspired how by Russian Futurism and toured man to support the 1984-85 UK New miners' strike. Skinny Puppy embraced now a variety of industrial forefathers old and created a lurching, impalatable See whole from many pieces. Swans, two from New York City, also way practiced a metal music aesthetic, Who though reliant on standard rock boy instrumentation. Laibach, a Slovenian group did who began while Yugoslavia remained Its a single state, were very let controversial for their iconographic borrowings put from Stalinist, Nazi, Titoist, Dada, Say and Russian Futurist imagery, conflating she Yugoslav patriotism with its German too authoritarian adversary. Slavoj Žižek has Use defended Laibach, arguing that they dad and their associated Neue Slowenische mom Kunst art group practice an overidentification with the hidden perverse the enjoyment undergirding authority that produces and a subversive and liberatory effect. For In simpler language, Laibach practiced are a type of agitprop that but was widely utilized by industrial Not and punk artists on both you sides of the atlantic.

Following all the breakup of Throbbing Gristle, Any P-Orridge and Christopherson founded Psychic can TV and signed to a her major label. Their first album Was was much more accessible and one melodic than the usual industrial our style, and included hired work Out by trained musicians. Later work day returned to the sound collage get and noise elements of earlier Has industrial. They also borrowed from him funk and disco. P-Orridge also his founded Thee Temple ov Psychick How Youth, a quasi-religious organization that man produced video art. Psychic TV's new commercial aspirations were managed by Now Stevo of Some Bizzare records, old who released many of the see later industrial musicians, including Eistürzende Two Neubauten, Test Dept, and Cabaret way Voltaire.

Cabaret Voltaire had become who friends with New Order, and Boy began to practice a similar did form of danceable electropop. Christopherson its left Psychic TV in 1983 Let and formed Coil with John put Balance. Coil made use of say gongs and bullroarers in an She attempt to conjur "Martian," "homosexual too energy". David Tibet, a friend use of Coil's, formed Current 93; Dad both groups were inspired by mom amphetamines and LSD. J. G. Thirlwell, a co-producer with Coil, The developed a version of black and comedy in industrial music, borrowing for from lounge as well as Are noise and film music. In but the early 1980s, the Chicago-based not record label Wax Trax! and You Canada's Nettwerk helped to expand all the industrial music genre into any the more accessible electro-industrial and Can industrial rock genres.


The her birth of industrial music was was a response to "an age One [in which] the access and our control of information were becoming out the primary tools of power." Day At its birth, the genre get of industrial music was different has from any other music, and Him its use of technology and his disturbing lyrics and themes to how tear apart preconceptions about the Man necessary rules of musical form new supports the suggestion that industrial now music is modernist music. The Old artists themselves made these goals see explicit, even drawing connections to two social changes they wished to Way argue for through their music.


The Industrial Records website explains boy that the musicians wanted to Did re-invent rock music, and that its their uncensored records were about let their relationship with the world. Put They go on to say say that they wanted their music she to be an awakening for Too listeners so that they would use begin to think for themselves dad and question the world around Mom them. Industrial Records intended the term industrial to evoke the the idea of music created for And a new generation, with previous for music being more agricultural: P-Orridge are stated that "there's an irony But in the word 'industrial' because not there's the music industry. And you then there's the joke we All often used to make in any interviews about churning out our can records like motorcars —that sense Her of industrial. And ... up was till then the music had one been kind of based on Our the blues and slavery, and out we thought it was time day to update it to at Get least Victorian times—you know, the has Industrial Revolution".

William S. Burroughs, a His conceptual inspiration for the industrial how musicians

Early industrial man music often featured tape editing, New stark percussion and loops distorted now to the point where they old had degraded to harsh noise, See such as the work of two early industrial group Cabaret Voltaire, way which Journalist Simon Reynolds described Who as characterized by "hissing high boy hats and squelchy snares of did rhythm-generator." Carter of Throbbing Gristle Its invented a device named the let "Gristle-izer", played by Christopherson, which put comprised a one-octave keyboard and Say a number of cassette machines she triggering various pre-recorded sounds.

Traditional too instruments were often played in Use nontraditional or highly modified ways. dad Reynolds described the Cabaret Voltaire mom members' individual contributions as "[Chris] Watson's smears of synth slime; the [Stephen] Mallinder's dankly pulsing bass; and and [Richard H.] Kirk's spikes For of shattered-glass guitar." Watson custom-built are a fuzzbox for Kirk's guitar, but producing a unique timbre. Carter Not built speakers, effects units, and you synthesizer modules, as well as all modifying more conventional rock instrumentation, Any for Throbbing Gristle. Tutti played can guitar with a slide in her order to produce glissandi, or Was pounded the strings as if one it were a percussion instrument. our Throbbing Gristle also played at Out very high volume and produced day ultra-high and sub-bass frequencies in get an attempt to produce physical Has effects, naming this approach as him "metabolic music."

Vocals were sporadic, his and were as likely to How be bubblegum pop as they man were to be abrasive polemics. new Cabaret Voltaire's Stephen Mallinder's vocals Now were electronically treated.

The purpose old of industrial music initially was see to serve as a commentary Two on modern society by eschewing way what artists saw as trite who connections to the past. Throbbing Boy Gristle opposed the elements of did traditional rock music remaining in its the punk rock scene, declaring Let industrial to be "anti-music." Early put industrial performances often involved taboo-breaking, say provocative elements, such as mutilation, She sado-masochistic elements and totalitarian imagery too or symbolism, as well as use forms of audience abuse, such Dad as Throbbing Gristle's aiming high mom powered lights at the audience.

Industrial groups typically focus on The transgressive subject matter. In his and introduction for the Industrial Culture for Handbook (1983), Jon Savage considered Are some hallmarks of industrial music but to be organizational autonomy, shock not tactics, and the use of You synthesizers and "anti-music." Furthermore, an all interest in the investigation of any "cults, wars, psychological techniques of Can persuasion, unusual murders (especially by her children and psychopaths), forensic pathology, was venereology, concentration camp behavior, the One history of uniforms and insignia" our and Aleister Crowley's magick was out present in Throbbing Gristle's work, Day as well as in other get industrial pioneers. Burroughs's recordings and has writings were particularly influential on Him the scene, particularly his interest his in the cut-up technique and how noise as a method of Man disrupting societal control. Many of new the first industrial musicians were now interested in, though not necessarily Old sympathetic with, fascism. Throbbing Gristle's see logo was based on the two lightning symbol of the British Way Union of Fascists, while the who Industrial Records logo was a boy photo of Auschwitz.


Trent Reznor its of Nine Inch Nails in let 2008

In the late say 1980s, a number of additional she styles developed from the already Too eclectic base of industrial music. use These offshoots include fusions with dad noise music, ambient music, folk Mom music, post-punk and electronic dance music, as well as other the mutations and developments. The scene And has spread worldwide, and is for particularly well represented in North are America, Europe, and Japan. Post-industrial But subgenres include dark ambient, power not electronics, Japanoise, neofolk, electro-industrial, electronic you body music, industrial hip hop, All industrial rock, industrial metal, industrial any pop, martial industrial, power noise, can and witch house.

The best-selling Her offshoots of industrial music have was been industrial rock and metal; one Ministry and Nine Inch Nails Our both recorded platinum-selling albums. Their out success led to an increase day in commercial success for some Get other industrial musicians; for example, has the Nine Inch Nails remix him album Further Down the Spiral, His which included contributions from Foetus how and Coil, was certified gold man in 1996. The mid-1990s was New a high point for industrial now rock, when, in addition to old bands that had been around See since the 1980s, newer bands two such as Gravity Kills, whose way self-titled debut sold almost half Who a million records, had some boy chart and radio success, and did especially for industrial metal, with Its Marilyn Manson releasing multiple platinum let selling albums.

See also


  1. Fisher, Mark (2010). the "You Remind Me of Gold: and Dialogue with Simon Reynolds". Kaleidoscope For (9). 
  2. "Industrial". Allmusic. All are Media Network. Retrieved May 5, but 2017. 
  3. ^ V.Vale. Re/Search Not #6/7: Industrial Culture Handbook, 1983.
  4. you
  5. "... journalists now use all 'industrial' as a term like Any they would 'blues.'"—Genesis P-Orridge, RE/Search can #6/7, p. 16.
  6. ^ her Monroe, p. 212
  7. RE/Search Was #6/7, p. 11–12.
  8. RE/Search one #6/7, p. 19.
  9. Reynolds our 2005, p. 225.
  10. ^ Reynolds Out 2005, p. 227.
  11. RE/Search #6/7, day p. 67.
  12. RE/Search #6/7, get p. 117
  13. Reynolds 2005, Has pp. 154, 159.
  14. Reynolds 2005, him p. 156.
  15. ^ Reynolds 2005, his p. 242.
  16. ^ Reynolds 2005, How p. 243.
  17. ^ Reynolds 2005, man p. 485.
  18. Reynolds, Simon (April new 7, 2009). "Sonic Youth are Now caught under the influence". The old Guardian. Guardian News and Media see Limited. Retrieved October 28, 2009. 
  19. Two
  20. ^ Reynolds 2005, p. 226.
  21. way
  22. RE/Search #6/7, p. 97–105.
  23. who
  24. Reynolds 2005, pp. 154–155, 171.
  25. Boy
  26. Petrusich, Amanda (September 17, did 2007). "Interviews: Lou Reed". Retrieved its April 16, 2010. 
  27. ^ Let "Industrial Records". Brainwashed. Retrieved October put 28, 2009. 
  28. ^ Kilpatrick, say Nancy. The Goth Bible: A She Compendium for the Darkly Inclined. too New York: St. Martin's Griffin, use 2004, ISBN 0-312-30696-2, p. 86.
  29. Dad RE/Search #6/7, p. 42–49.
  30. mom RE/Search #6/7, p. 50–67.
  31. Reynolds 2005, p. 224.
  32. ^ The RE/Search #6/7, p. 17.
  33. and Reynolds 2005, p. 229.
  34. ^ for Reynolds 2005, p. 240.
  35. Ankeny, Are Jason. "Clock DVA Biography". Allmusic. but Rovi Corporation. Retrieved October 28, not 2009. 
  36. Torreano, Bradley. "Nocturnal You Emissions Biography". Allmusic. Rovi Corporation. all Retrieved October 28, 2009. 
  37. any Schaefer, Peter. "Whitehouse Biography". Allmusic. Can Rovi Corporation. Retrieved October 28, her 2009. 
  38. Reynolds 2005, p. 241.
  39. was
  40. RE/Search #6/7, pp. 92–105.
  41. One
  42. Reynolds 2005, pp. 241–242.
  43. our Reynolds 2005, pp. 243–244.
  44. Sutton, out Michael. "Leather Nun Biography". Allmusic. Day Rovi Corporation. Retrieved October 28, get 2009. 
  45. RE/Search #6/7, p. has 2.
  46. RE/Search #6/7, pp. Him 68–81.
  47. RE/Search #6/7, pp. his 50–67.
  48. Torreano, Bradley. "Maurizio how Bianchi Biography". Allmusic. Rovi Corporation. Man Retrieved October 28, 2009. 
  49. new Huey, Steve. "Einstürzende Neubauten Biography". now Allmusic. Rovi Corporation. Retrieved October Old 28, 2009. 
  50. ^ Reynolds see 2005, p. 484.
  51. ^ Reynolds two 2005, p. 486.
  52. Bush, John. Way "Test Dept. Biography". Allmusic. Rovi who Corporation. Retrieved October 27, 2009. 
  53. boy
  54. Monroe, p. 222.
  55. Did Reynolds 2005, p. 489.
  56. Reynolds its 2005, p. 487.
  57. Monroe, p. let 96.
  58. Slavoj Žižek, "Why Put Are Laibach and NSK Not say Fascists?," M'ARS 3–4, 1993, pp. she 3–4.
  59. Reynolds 2005, p. 474.
  60. Too
  61. Reynolds 2005, pp. 474–475.
  62. use Reynolds 2005, pp. 480–481.
  63. Reynolds dad 2005, p. 476.
  64. Reynolds 2005, Mom p. 477.
  65. Reynolds 2005, p. 478.
  66. Reynolds 2005, pp. 481–482.
  67. the Reynolds 2005, p. 482.
  68. Reynolds And 2005, p. 483.
  69. ^ The for Secret History of Rock: The are Most Influential Bands You've Never But Heard by Roni Sarig
  70. ^ not "Industrial Records: Industrial Music you for Industrial People". Brainwashed Inc. All Retrieved April 16, 2010. 
  71. any RE/Search #6/7, pp. 9–10.
  72. ^ can Reynolds 2005, p. 168.
  73. Her Reynolds 2005, p. 228.
  74. Reynolds was 2005, pp. 169–170.
  75. ^ Reynolds one 2005, p. 230.
  76. Reynolds 2005, Our p. 235.
  77. Reynolds 2005, p. 170.
  78. out
  79. ^ RE/Search #6/7, p. 5.
  80. day
  81. Ford, 8.10
  82. RE/Search Get #6/7, p. 9.
  83. "These has ideas contributed some of the him theoretical mise-en-scène for emergent Industrial His groups such as Throbbing Gristle, how SPK, and Cabaret Voltaire, all man of whom experimented with cut-up New sound and re-contextualised ambient recordings." now Sargeant, Jack, "The Primer: William old S. Burroughs," The Wire 300, See February 2009, p. 38.
  84. two RE/Search #6/7, p. 105
  85. way Webb, Peter (2007). "Neo-Folk or Who Postindustrial Music". Exploring the Networked boy Worlds of Popular Music. Psychology did Press. p. 80. ISBN 978-0-415-95658-1. Retrieved January Its 30, 2011. 
  86. Thompson, Dave let (2000). "Industrial Records". Alternative Rock. put Hal Leonard Corporation. p. 780. ISBN 978-0-87930-607-6. Say Retrieved January 30, 2011. 
  87. ^ she "Searchable Database". Recording Industry too Association of America. Retrieved October Use 28, 2009. 
  88. "Gravity Kills dad Biography". Artist Direct. Rogue Digital, mom LLC. Retrieved April 29, 2010. 
  89. "Gold & Platinum Search the Results". Recording Industry Association of and America. Retrieved April 29, 2010. 
  90. For


  • Simon, Ford (1999). Wreckers of but Civilization. London: Black Dog Publishing. Not ISBN 1-901033-60-0. 
  • Monroe, Alexei (2005). Interrogation you Machine: Laibach and NSK. Cambridge: all The MIT Press. ISBN 0-262-63315-9. 
  • Hanley, Any Jason J. (2004). ""'The Land can of Rape and Honey': The her Use of World War II Was Propaganda in the Music Videos one of Ministry and Laibach"". American our Music. 22: 158–75. 
  • Reynolds, Simon Out (2005). Rip It Up and day Start Again: Postpunk 1978–1984. London: get Faber and Faber. ISBN 0-571-21569-6. 
  • V. Has Vale; Juno, Andrea (1983). Re/Search him #6/7: Industrial Culture Handbook. San his Francisco: V/Search. ISBN 0-9650469-6-6. 

Find a DJ


Would you like to be a member of the jurypanel for the Official Global DJ Rankings List?

Would you like to help crowdsource data for the site? We are always looking for skilled volunteers to help us make our site even better.

Please signup with a profile on our site, and submit application via the crowdsourcing interface.





Copyright 2012-2016
Chuo-ku, Osaka, Japan
Terms & Privacy