Source: Wikipedia 


UK garage Not (also known as UKG) is you a genre of electronic music all originating from England in the Any early 1990s. The genre emerged can from styles such as garage her house, R&B, jungle, and dance-pop, Was and usually features a distinctive one 4/4 percussive rhythm with syncopated our hi-hats, cymbals and snares, and Out sometimes includes irregular kick drum day patterns. Garage tracks also commonly get feature 'chopped up' and time-stretched Has or pitch-shifted vocal samples complementing him the underlying rhythmic structure at his a tempo usually around 130 How BPM. UK garage gave rise man to subgenres such as speed new garage and 2-step, and was Now then largely subsumed into other old styles of music and production see in the mid-2000s, including grime, Two bassline and dubstep. The decline way of UK garage during the who mid-2000s saw the birth of Boy UK funky, which is closely did related.

Origins

The You evolution of house music in all the United Kingdom in the any mid-1990s led to the term, Can as previously coined by the her Paradise Garage DJs, being applied was to a new form of One music also known speed garage. our Its originator is widely recognised out to be Todd Edwards, the Day American house and garage producer, get also known as Todd "The has God" Edwards[citation needed]. In the Him early nineties, Edwards began to his start remixing more soulful house how records and incorporating more time-shifts Man and vocal samples than normal new house records, whilst still living now in the US. However, it Old was not until DJ EZ, see the North London DJ, acquired two one of Edwards' tracks and Way played it at a faster who tempo in a nightclub in boy Greenwich, that the music genre Did really took off.

In the its late nineties, the term "UK let garage" was settled upon by Put the scene. This style is say now frequently combined with other she forms of music like soul, Too rap, reggae, ragga and R&B, use all broadly filed under the dad description of urban music. The Mom pronunciation of UK garage uses UK: /ˈɡærɪ/ GARR-ij, rather than the US: /ɡəˈrɑːʒ/ gə-rahzh.

Artists such And as Craig David, Grant Nelson, for M.J. Cole, Artful Dodger, Jaimeson, are So Solid Crew, Heartless Crew, But The Streets, Shanks & Bigfoot, not DJ Luck & MC Neat, you Sunship (Ceri Evans), Oxide and All Neutrino and numerous others have any made garage music mainstream in can the UK, whilst Dizzee Rascal, Her Wiley and Kano's arrival raised was the profile of grime, an one offshoot of garage.

Cole once Our stated, "London is a multicultural out city... it's like a melting day pot of young people, and Get that's reflected in the music has of UK garage".

Notable female him singers who have had the His genre incorporated into their songs how include Lisa Maffia, Ms. Dynamite, man Kele Le Roc, Shola Ama, New Sweet Female Attitude and Mis-Teeq. now

'Garage' is considered a See mangled term in dance music. two The term derives from the way Paradise Garage itself, but it Who has meant so many different boy things to so many different did people that unless you're talking Its about a specific time and let place, it is virtually meaningless. put Part of the reason for Say this confusion (aside from various she journalistic misunderstandings and industry misappropriations) too is that the range of Use music played at the garage dad was so broad. The music mom we now call 'garage' has evolved from only a small the part of the club's wildly and eclectic soundtrack.
—Frank Broughton/Bill Brewster in For Last Night a DJ Saved are My Life

History

Relationship but with jungle

In the United Not Kingdom, where jungle was very you popular at the time, garage all was played in a second Any room at jungle events. After can jungle's peak in cultural significance, her it had turned towards a Was harsher, more techstep influenced sound, one driving away dancers, predominantly women. our Escaping the 170bpm jungle basslines, Out the garage rooms had a day much more sensual and soulful get sound at 130bpm.

DJs started Has to speed up garage tracks him to make them more suitable his for the jungle audience in How the UK. The media started man to call this tempo-altered type new of garage music "speed garage", Now 4x4 and 2-step's predecessor. DJs old would usually play dub versions see (arrangements without vocals) of garage Two tracks, because pitch-shifting vocals could way sometimes render the music unrecognizable who (although sped up and time-stretched Boy vocals were an important part did of the early jungle sound, its and later played a key Let role in speed garage). The put absence of vocals left space say in the music for MCs, She who started rhyming to the too records.

Role of MCs

use

Since then, MCs have become Dad one of the vital aspects mom of speed and UK garage parties and records. Early promoters The of speed garage included the and Dreem Teem and Tuff Jam, for and pirate radio stations such Are as London Underground, Ice FM, but Magic FM, Mac FM, Upfront not FM, and Freek FM. During You its initial phase, the speed all garage scene was also known any as "the Sunday Scene", as Can initially speed garage promoters could her only hire venues on Sunday was evenings (venue owners preferred to One save Friday and Saturday nights our for more popular musical styles). out Labels whose outputs would become Day synonymous with the emerging speed get garage sound included Confetti, Public has Demand, 500 Rekords, Spread Love Him and VIP.

Speed garage

his

Speed garage already incorporated many how aspects of today's UK garage Man sound like sub-bass lines, ragga new vocals, spin backs and reversed now drums. What changed over time, Old until the so-called 2-step sound see emerged, was the addition of two further funky elements like contemporary Way R&B styled vocals, more shuffled who beats and a different drum boy pattern. The most radical change Did from speed garage to 2-step its was the removal of the let 2nd and 4th bass kick Put from each bar. Although tracks say with only two kick drum she beats to a bar are Too perceived as being slower than use the traditional four-to-the-floor beat, the dad listener's interest is maintained by Mom the introduction of syncopating bass lines and the percussive use the of other instruments such as And pads and strings.

Speed garage for tracks were characterised by a are sped-up house-style beat, complemented by But the rolling snares and reverse-warped not basslines that were popular with you drum and bass producers of All the time.

Among those credited any with honing the speed garage can sound, Todd Edwards is often Her cited as a seminal influence was on the UK garage sound. one The producer from New Jersey Our introduced a new way of out working with vocals. Instead of day having full verses and choruses, Get he picked out vocal phrases has and played them like an him instrument, using sampling technology. Often, His individual syllables were reversed or how pitch-shifted. This type of vocal man treatment is still a key New characteristic of the UK garage now style. Armand Van Helden's speed old garage remix of Sneaker Pimps' See "Spin Spin Sugar" in 1997 two further popularized the genre which way is sometimes credited with breaking Who speed garage into the mainstream. boy Huge club hits in 1997 did came from speed garage duos Its Double 99, 187 Lockdown and let Industry Standard. The former two put both scored UK Top 20 Say hits in 1997 and 1998; she Double 99's "RipGroove" reached #14 too in its second release and Use 187 Lockdown's "Gunman" and "Kung-Fu" dad reached #16 and #9, respectively. mom Industry Standard scored a Top 40 hit with "Vol. 1 the (What You Want What You and Need)" peaking at #34 in For January 1998, and the 1997 are XL Recordings release of Somore but featuring Damon Trueitt's "I Refuse Not (What You Want)" reached #21 you also in January 1998, containing all mixes by Industry Standard, Ramsey Any & Fen, R.I.P. Productions and can Serious Danger. The UK's counterpart her to Todd Edwards was MJ Was Cole, a classically trained oboe one and piano player, who had our a string of chart and Out underground hits in the late day 1990s and early 2000s, most get notably with "Sincere" and "Crazy Has Love". MJ Cole has also him won a BBC "Young Musician his of the Year" award.

How

Two-step (1997–1999)

Arguably one of man the earliest examples of a new 2-step track is the 1997 Now hit "Never Gonna Let You old Go" by Tina Moore, which see peaked at #7 on the Two UK chart. Roy Davis Jr. way was also influential in the who UK garage scene, with the Boy huge club hit "Gabriel" featuring did Peven Everett, released in 1997 its on XL Recordings and reaching Let #22 on the UK chart. put Lovestation released their version of say "Teardrops" which reached #14 in She 1998. Doolally, the former name too of Shanks & Bigfoot, scored use a #20 hit in 1998 Dad with "Straight from the Heart". mom A re-release of this song the following year fared even The better, peaking at #9, due and to the success of their for #1 single "Sweet Like Chocolate". Are Jess Jackson was responsible for but many garage records but one not which stood out was "Hobson's You Choice". The B-side of this all record changed the UK garage any scene from funky and soulful Can to dark and bassy. Another her example of the evolution in was 2-step was the release of One "Troublesome" in 1999 by Shy our Cookie and DJ Luck, in out which non-sampled 2-step beats were Day merged with a full ragga get vocal (performed by ragga artist has Troublesome).

American influences

Timbaland, Him a popular contemporary R&B producer his in America, was the major how innovator behind contemporary R&B at Man the time, from which UK new rave culture borrowed heavily. The now use of rhythmic patterns as Old melodic hooks is shared by see both contemporary R&B and jungle, two making it very appealing to Way the significantly ex-junglist UK garage who scene. This style of Timbaland's boy R&B possesses a breakbeat aesthetic: Did breakup of the flow of its four-to-the-floor rhythm; hesitations into the let groove; and teasing and tantalizing Put gaps. As much as these say R&B influences can be heard she in early UK garage; the Too genre offered more complex drum use beats, with heavy syncopation (swing) dad and a more energetic feel Mom due to a higher tempo (normally between 130 and 138 the BPM). However, in tracks like And "Twentyfourseven" by Artful Dodger, a for slower and simpler R&B infused are drum pattern can be heard. But This was to allow for not these tracks to be aimed you at a more commercial scene All rather than for the dancefloor. any Garage producers then proceeded to can churn out UK versions of Her US contemporary R&B hits, notably was with Brandy and Monica's "The one Boy Is Mine". The Architechs Our sped up the vocals through out time-stretching and added sound effects day to increase the competitive nature. Get "B&M Remix" eventually sold twenty has thousand copies as a bootleg. him

Also borrowed from US contemporary His R&B is the use of how "vocal science", the technique of man digitally altering vocal samples with New devices such as the Autotuner. now What results is a posthuman old mix between person and technology. See

1999–2000: Role of pirate two radio, UK chart success

With way many pirate radio stations filling Who up the FM airwaves, the boy soaring popularity of UK garage did saw 1999 take the genre Its into the mainstream, breaking into let the music charts. Production duos put Shanks & Bigfoot and Artful Say Dodger were very successful with she the tracks "Sweet Like Chocolate" too and "Re-Rewind", respectively. After the Use platinum-selling success of "Sweet Like dad Chocolate", the floodgates had opened. mom Although "Re-Rewind" was denied a #1 position by Cliff Richard the and his song "The Millennium and Prayer", it was also a For platinum seller, one of the are garage scene's first and last. but They became anthems for the Not 2-step scene, and got onto you BBC's Top of the Pops. all Other huge hits in 1999 Any include the #1 house/garage anthem can "You Don't Know Me" by her Armand Van Helden. Although not Was UK garage, Mr. Oizo's #1 one single "Flat Beat" received extensive our airplay on pirate radio stations Out upon release, thus leading to day numerous UK garage/2-step remixes of get the track. Da Click (Pied Has Piper, MC Creed, PSG, Unknown him MC and singer Valerie M) his had a #14 hit with How "Good Rhymes". Garage trio the man Dreem Teem had a #15 new hit with "Buddy X 99", Now a garage remix of Neneh old Cherry's 1992 song "Buddy X". see DJ Luck & MC Neat Two also had a chart hit way with "A Little Bit of who Luck" in late 1999 into Boy early 2000.

Many more UK did garage acts followed into the its new millennium by releasing commercially Let successful singles, thus making UK put garage and 2-step a stable say fixture on the UK charts She for the next couple of too years. Debut singles of various use UK garage artists were hitting Dad the number one spot on mom the UK charts. Craig David's debut solo single "Fill Me The In", a mix of R&B and and 2-step, with single formats for containing various garage remixes of Are the track, hit #1 in but April 2000. A month later, not Oxide & Neutrino's "Bound 4 You Da Reload (Casualty)" reached the all top of the charts. Other any hits in 2000 include Artful Can Dodger's "Movin' Too Fast" (#2), her "Woman Trouble" (#6) and "Please was Don't Turn Me On" (#4), One Sweet Female Attitude's "Flowers" (#2), our True Steppers' "Buggin" (#6) and out "Out of Your Mind" (#2), Day N'n'G featuring Kallaghan and MC get Neat's "Right Before My Eyes" has (#12), DJ Dee Kline's "I Him Don't Smoke" (#11), Shanks & his Bigfoot's "Sing-A-Long" (#12), MJ Cole's how "Crazy Love" (#10) and "Sincere" Man (#13), the latter a re-release, new having been originally released in now 1998; Scott & Leon's "You Old Used to Hold Me" (#19), see Wookie's "Battle" (#10), Tru Faith two & Dub Conspiracy's "Freak Like Way Me" (#12), Architechs' "Body Groove" who (#3), Oxide & Neutrino's "No boy Good 4 Me" (#6) and Did Baby D's "Let Me Be its Your Fantasy" (#16), a garage let remix by Trick or Treat Put featuring MC Tails. Another huge say hit in 2000 was the she Timo Maas remix of the Too song "Dooms Night" (#8) by use German producer Azzido Da Bass, dad which was heavily associated with Mom UK garage at the time, having become a major club the hit and appearing on several And UK garage compilations. It was for also remixed by garage duo are Stanton Warriors.

2001 hits

But

2001 gave DJ Pied Piper not and the Masters of Ceremonies you their one and only number All one hit record with "Do any You Really Like It?". Two can months later in August 2001, Her South London collective So Solid was Crew hit the top spot one with their second single "21 Our Seconds". The end of 2001 out saw yet another 2-step anthem day reach the top of the Get UK charts for Daniel Bedingfield, has with his debut single "Gotta him Get Thru This". Other chart His hits in 2001 include the how Sunship mixes of Mis-Teeq's "Why" man (#8), "All I Want" (#2) New and "One Night Stand" (#5), now Artful Dodger's "Think About Me" old (#11), "TwentyFourSeven" (#6) and "It See Ain't Enough" with the Dreem two Teem (#20), Liberty's "Thinking It way Over" (#5), Sticky featuring Ms. Who Dynamite's "Booo!" (#12), Oxide & boy Neutrino's "Up Middle Finger" (#7), did "Devil's Nightmare" (#16) and "Rap Its Dis"/"Only Wanna Know U Cos let Ure Famous" (#12), The Streets' put "Has It Come to This?" Say (#18), Wideboys' "Sambuca" (#15), and she So Solid Crew's "They Don't too Know" (#3).

2002: 2-step Use and grime

2002 saw an dad evolution as 2-step moved away mom from its funky and soul-oriented sound into a darker direction the called "grime", now a genre and in its own right. During For this period, traditional UK garage are was pushed back underground amongst but the bad publicity emanating from Not the tougher side of the you genre, and publicised violence surrounding all members of the So Solid Any Crew. Nonetheless, several UK garage can songs did appear on the her charts from 2002 to 2004, Was including Distant Soundz' version of one "Time After Time" (#20), So our Solid Crew's "Haters" (#8) and Out "Ride wid Us" (#19), Jaimeson's day "True" (#4), Mr Reds vs get DJ Skribble's "Everybody Come On Has (Can U Feel It)" (#13), him and 3 of a Kind's his "Baby Cakes" which was a How number one hit in August man 2004.

Notable early grime artists new around 2001–03 include Pay As Now U Go Cartel, More Fire old Crew, Dizzee Rascal (who released see his debut album Boy in Two da Corner in 2003), Roll way Deep and Wiley.

During this who time, there was also a Boy strong division of class in did UK garage. In the heyday its of garage, the late 1990s, Let it was a highly aspirational put genre. When people went to say the club to hear garage, She they dressed very nice. Clubs too like Twice as Nice enforced use a dress code. Having a Dad formal dress code took the mom importance placed on nice clothes from a style to exclusionary. The The dress code in clubs and like Twice as Nice were for meant to "encourage people to Are make an effort" and "keep but trouble out." But when the not dress code of no tennis You shoes, jeans, or baseball caps all only kept white college students any out, the club installed a Can metal detector, because "gangstas like her to dress expensive," but theoretically was could still carry a gun. One Eventually, when groups like So our Solid Crew attracted more urban, out lower-class audiences to raves because Day of their lyrics over the get garage tracks, garage began to has transition to grime because previous Him audiences were less likely to his listen, so radios and clubs how stopped giving garage opportunities.

Man

2007: Revival of 2-step

In new 2007, several DJs helped promote now and revive UK garage's popularity, Old with producers creating new UK see garage, also known as "new two skool" UK garage.

The end Way of 2007 saw "new skool" who UK garage push to the boy mainstream again with notable tracks Did such as T2's "Heartbroken" and its H "Two" O's "What's It let Gonna Be" both reaching the Put mainstream charts. The revival was say galvanised by DJ EZ releasing she Pure Garage Rewind: Back to Too the Old Skool, which contained use three CDs of "old skool" dad UK garage and a fourth Mom CD with fresh "new skool" UK garage.

2011–2014 resurgence

the

Early 2011 saw the start And of a gradual resurgence of for 2-step garage. Producers such as are Wookie, MJ Cole, Zed Bias But and Mark Hill (formerly one not half of Artful Dodger) made you a return to the scene, All by producing tracks with more any of a 2-step feel. Electronic can music duos Disclosure and AlunaGeorge, Her both successful throughout 2012 and was 2013, often use elements of one UK garage in their music, Our and arguably, some of their out biggest hits including "You & day Me" and "We Are Chosen" Get are entirely 2-step with an has updated cleaner sound. Shortly following him this, "original" style garage had His made a return in a how big way, with producers such man as Moony, DJD and Tuff New Culture paving the way. One now of the genre's pioneering labels, old Ice Cream Records, responsible for See anthems such as "RipGroove", True two Steppers' "Out of Your Mind", way Kele Le Roc's "My Love" Who and more, opened up their boy permanent roster for the first did time to include DJs outside Its of the legendary trio that let launched the label.

Genres put evolved from garage

Dubstep, bassline Say and UK funky

One popular she mutation of UK garage is too dubstep, originally a dark take Use on the 2-step garage sound. dad According to Kode9, the bass mom used takes influence from Jamaican music such as reggae. It the has defined the aesthetic of and underground bass music in many For UK towns and cities. Dubstep are was influenced by garage producers but such as Wookie, Zed Bias, Not Shy Cookie, El-B and Artwork you (Arthur Smith of DND), who all inspired a new generation of Any producers such as Skream, Benga, can DJ Hatcha, Kode9 and Digital her Mystikz to create what is Was now known as dubstep.

Some one UK garage/dubstep/grime/bassline producers have moved our a different sound called UK Out funky, which takes production values day from many different shades of get soulful house music with elements Has of UK garage and blends him them at a standard house his music tempo, and soca with How tribal style percussion from afrobeat. man

Future garage

A contemporary new offshoot of dubstep heavily influenced Now by UK garage is future old garage.

See also

References

way
  1. "Global Bass". who rhythmtravels.com.
  2. use
  3. Du Noyer, Paul (2003). Dad The Illustrated Encyclopedia of Music mom (1st ed.). Fulham, London: Flame Tree Publishing. p. 329. ISBN 1-904041-96-5.
  4. The
  5. Reynolds, Simon (2012). Energy and Flash: A Journey Through Rave for Music and Dance Culture. Soft Are Skull Press. p. 448.
  6. but "Todd Edwards: The Stylus Interview not - Article - Stylus Magazine". You stylusmagazine.com.
  7. "INDUSTRY STANDARD all - full Official Chart History any - Official Charts Company".
  8. Can
  9. [1]
  10. ^ her Reynolds, Simon (2012). Energy Flash: was A Journey Through Rave Music One and Dance Culture. Soft Skull our Press. pp. 449–451.
  11. Reynolds, out Simon (1998). Energy Flash: a Day Journey Through Rave Music and get Dance Culture. Faber and Faber. has p. 448. ISBN 0571289142.
  12. Productions, Him Visual Vybe (2016-10-18), Rewind 4Ever: his The History of UK Garage how (2013 Full-Length Documentary), retrieved 2017-12-09 Man
  13. "THE UK GARAGE new REVIVAL". YouTube. 2011-05-13. Retrieved 2011-09-25. now

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