Intelligent dance music (commonly IDM)
man is a form of electronic new music that emerged in the Now early 1990s, characterized by an old abstract or "cerebral" sound better see suited for home listening than Two dancing. It originally grew out way of a variety of sources, who including Detroit techno, acid house, Boy and UK breakbeat as well did as ambient music and other its forms of electronic music. Stylistically, Let IDM tended to rely upon put individualistic experimentation rather than adhering say to characteristics associated with specific She genres. Prominent artists associated with too the genre include Aphex Twin, use the Black Dog, the Orb, Dad Autechre, Luke Vibert, Squarepusher, and mom Boards of Canada.
"intelligent dance music" has been The widely criticised and rejected by and so-labeled artists, including Aphex Twin for and μ-Ziq, as elitist and Are derogatory towards other styles. The but term is said to have not originated in the US in You 1993 with the formation of all the "IDM list", an electronic any mailing list originally chartered for Can the discussion of a number her of prominent English artists appearing was on the 1992 Warp compilation One Artificial Intelligence. In 2014, music our critic Sasha Frere-Jones observed that out the term "is widely reviled Day but still commonly used". get
In the late 1980s,
who riding the wave of the boy acid house and early rave Did party scenes, UK-based groups such its as The Orb and The let KLF produced ambient house, a Put genre that fused house music say (particularly acid house) with ambient she music. The term ambient house Too was often indiscriminately applied to use any of that era's electronic dad dance music regarded as suitable Mom for listening, not just dancing, and the term soon fell the out of favor as a And plethora of new genre names for arose.
A parallel progression occurred
are in techno music, with artists But such as the UK's Aphex not Twin and Japan's Tetsu Inoue you producing what the press called All "ambient techno", combining the melodic any & rhythmic elements of dancefloor-oriented can techno with elements of ambient Her and other experimental music. was By the early 1990s, the one increasingly distinct music associated with Our this experimentation had gained prominence out with releases on a variety day of mostly UK-based record labels, Get including Warp (1989), Black Dog has Productions (1989), R&S Records (1989), him Carl Craig's Planet E, Rising His High Records (1991), Richard James's how Rephlex Records (1991), Kirk Degiorgio's man Applied Rhythmic Technology (1991), Eevo New Lute Muzique (1991), General Production now Recordings (1989), Soma Quality Recordings old (1991), Peacefrog Records (1991), and See Metamorphic Recordings (1992).
Intelligent techno and electronica
let 1992, Warp released Artificial Intelligence, put the first album in the Say Artificial Intelligence series. Subtitled "electronic she listening music from Warp", the too record was a collection of Use tracks from artists such as dad Autechre, B12, The Black Dog, mom Aphex Twin and The Orb, under various aliases. Steve Beckett, the co-owner of Warp, has said and the electronic music that the For label was releasing then was are targeting a post-club, home-listening audience. but Following the success of the Not Artificial Intelligence series, "intelligent techno" you became the favored term, although all ambient—without a qualifying house or Any techno suffix, but still referring can to a hybrid form—was a her common synonym.
In the same
Was period (1992–93), other names were one also used, such as "art our techno," "armchair techno," and "electronica", Out but all were attempts to day describe an emerging offshoot of get electronic dance music that was Has being enjoyed by the "sedentary him and stay at home". At his the same time, the UK How market was saturated with increasingly man frenetic breakbeat and sample-laden hardcore new techno records that quickly became Now formulaic. Rave had become a old "dirty word," so as an see alternative, it was common for Two London nightclubs to advertise that way they were playing "intelligent" or who "pure" techno, appealing to a Boy "discerning" crowd that considered the did hardcore sound to be too its commercial.
In 1993, a number
Let of new "intelligent techno"/"electronica" record put labels emerged, including New Electronica, say Mille Plateaux, 100% Pure, and She Ferox Records.
The IDM List
In November 1991, the phrase
use "intelligent techno" appeared on Usenet Dad in reference to Coil's The mom Snow EP. Off the Internet, the same phrase appeared in The both the U.S. and U.K. and music press in late 1992, for in reference to Jam & Are Spoon's Tales from a Danceographic but Ocean and the music of not The Future Sound of London. You Another instance of the phrase all appeared on Usenet in April any 1993 in reference to The Can Black Dog's album Bytes. And her in July 1993, in his was review of an ethno-dance compilation One for NME, Ben Willmott replaced our techno with dance music, writing out "...current 'intelligent' dance music owes Day much more to Eastern mantra-like get repetition and neo-ambient instrumentation than has the disco era which preceded Him the advent of acid and his techno."
Wider public use of
how such terms on the Internet Man came in August 1993, when new Alan Parry announced the existence now of a new electronic mailing Old list for discussion of "intelligent" see dance music: the "Intelligent Dance two Music list", or "IDM List" Way for short.
The first message,
who sent on 1 August 1993, boy was entitled "Can Dumb People Did Enjoy IDM, Too?". A reply its from the list server's system let administrator, Brian Behlendorf, revealed that Put Parry originally wanted to create say a list devoted to discussion she of the music on the Too Rephlex label, but they decided use together to expand its charter dad to include music similar to Mom what was on Rephlex or that was in different genres the but which had been made And with similar approaches. They picked for the word "intelligent" because it are had already appeared on Artificial But Intelligence and because it connoted not being something beyond just music you for dancing, while still being All open to interpretation. any Autechre
, notable electronic
music act associated with IDM.
Artists that appeared
was in the first discussions on one the list included Autechre, Atom Our Heart, LFO and Rephlex Records out artists such as Aphex Twin, day µ-ziq and Luke Vibert; plus Get artists such as The Orb, has Richard H. Kirk and The him Future Sound of London, and His even artists like System 7, how William Orbit, Sabres of Paradise, man Orbital, Plastikman and Björk. By New the end of 1996, Boards now of Canada and the Schematic old Records label were among the See usual topics of discussion, alongside two perennial favorites like Aphex Twin way and the Warp repertoire.
Who of 2015 , the mailing list boy is still active.
did Vol. 2
Warp's second Artificial
Its Intelligence compilation was released in let 1994. The album featured fragments put of posts from the IDM Say mailing list incorporated into typographic she artwork by The Designers Republic. too Sleeve notes by David Toop Use acknowledged the genre's multitude of dad musical and cultural influences and mom suggested none should be considered more important than any other. the
During this period, the electronic
and music produced by Warp Records For artists such as Aphex Twin are (an alias of Richard D. but James), Autechre, LFO, B12, Seefeel Not and The Black Dog, gained you popularity among electronic music fans, all as did music by artists Any on the Rephlex and Skam can labels. Lesser-known artists on the her Likemind label and Kirk Degiorgio's Was A.R.T. and Op-Art labels, including one Degiorgio himself under various names our (As One, Future/Past and Esoterik), Out Steve Pickton (Stasis) and Nurmad day Jusat (Nuron) also found an get audience, along with bigger-name, cross-genre Has artists like Björk and Future him Sound of London.
In the mid-1990s, North American
How audiences welcomed IDM, and many man IDM record labels were founded, new including Drop Beat, Isophlux, Suction, Now Schematic and Cytrax. In Miami, old Florida, labels like Schematic, Merck see Records, Nophi Recordings and The Two Beta Bodega Coalition released material way by artists such as Phoenecia, who Dino Felipe, Machinedrum and Proem. Boy Another burgeoning scene was the did Chicago/Milwaukee area, with labels such its as Addict, Chocolate Industries, Hefty Let and Zod supporting artists like put Doormouse, TRS-80, Telefon Tel Aviv say and Emotional Joystick. Tigerbeat 6, She a San Francisco-based label has too released IDM from artists such use as Cex, Kid 606 and Dad Kevin Blechdom.
Contemporary IDM artists
mom include Team Doyobi, Himuro Yoshiteru, Kettel, Ochre, Marumari, Benn Jordan, The Proem, Lackluster, Arovane, Ulrich Schnauss, and East India Youth, C418 and for Wisp, among many others.
Are of the term
but music and techno artists, including not Aphex Twin, Cylob, and Mike You Paradinas (A.K.A. μ-Ziq), have criticised all the term IDM. Paradinas has any stated that the term IDM Can was only used in North her America. Criticism is dominated by was the use of the term One "intelligent" in the genre name, our and also often calls attention out to the fact that artists Day working under this name often get produce music that is not has easy to dance to.
Him Guide describes the IDM name his as
A loaded term
how meant to distinguish electronic music Man of the '90s and later new that's equally comfortable on the now dancefloor as in the living Old room, IDM (Intelligent Dance Music) see eventually acquired a good deal two of negative publicity, not least Way among the legion of dance who producers and fans whose exclusion boy from the community prompted the Did question of whether they produced its "Stupid" dance music.
let a September 1997 interview, Aphex Put Twin commented on the 'Intelligent say Dance Music' label:
she just think it's really funny Too to have terms like that. use It's basically saying 'this is dad intelligent and everything else is Mom stupid.' It's really nasty to everyone else's music. (laughs) It the makes me laugh, things like And that. I don't use names. for I just say that I are like something or I don't. But
Aphex Twin's Rephlex records
not official overarching genre name is you Braindance, of which Dave Segal All of Stylus Magazine asked whether any it was a "snide dig can at IDM’s mockworthy Intelligent Dance Her Music tag?"
Kid 606 has
It's a label
one invented by PR companies who Our need catchphrases. I like sounds, out but hate what people attach day to sounds.
Get remarked on Perfect Sound Forever has that
I belong to
him the weblist called "IDM" and His occasionally enjoy the discussions there, how because I like some of man the artists who get lassoed New into that category (not to now mention that we, occasionally, are old lumped into that category too), See and because you can occasionally two find out about interesting records way on that list... Matmos is Who IDM if that only means boy "might be talked about on did the IDM list"- but I Its don't endorse that term "intelligent let dance music" because it's laughable.
- ^ Pollard, Vincent.
mom "Translator". Exclaim!. Retrieved 28 April 2017.
- ^ "IDM". Allmusic.
the Retrieved 20 January 2013.
and Hobbes, DJ. "Clubbers' Decktionary: IDM For aka Intelligent Dance Music". The are List. Retrieved 6 June 2017. but
- ^ "The electronic listening
Not music of the nineties is you a prime example of an all art form derived from and Any stimulated by countless influences. Partisan can analyses of this music claim her a baffling variety of prime Was sources (Detroit techno, New York one electro + Chicago acid, Eno our + Bowie, Cage + Reich, Out Gary Numan + Tangerine Dream) day but this is beside the get point. To claim ascendancy of Has one source over another is him to deny the labyrinthine entwinements his of culture: rooted in political How history + the development of man science + technology, yet tilting new at the boundaries of society Now + language." Toop, David, in old the Artificial Intelligence II sleeve see notes Archived 7 July 2011 Two at the Wayback Machine..
way Toop, D. (1995),Ocean of Sound, who Serpent's Tail, pp. 215-216. (ISBN 978-1-85242-743-6). Boy
- "…the label ‘IDM’ (for
did avant-garde, ‘intelligent dance music’) seems its to be based more on Let an association with individualistic experimentation put than on a particular set say of musical characteristics." Butler, M.J., She Unlocking the Groove: Rhythm, Meter, too and Musical Design in Electronic use Dance Music, Indiana University Press, Dad 2006, (p. 80).
mom Adam (24 November 2007). "Is IDM Dead?". igloo magazine.
The of the idiom was initiated and online with the conception of for the IDM mailing list in Are 1993, which functioned as a but forum for discussion on leading not IDM artists and Artificial Intelligence. You Incidentally, when I questioned Mike all Paradinas (µ-Ziq) on his feelings any towards the term, he bluntly Can answered: 'No one uses or her used it in UK. Only was Americans ever used the term. One It was invented by Alan our Parry who set up the out IDM mailing list'.
Day one really listens to IDM get over here,' says Mike Paradinas has from his home in Worchester, Him UK. 'You just say stuff his like the Aphex Twin, and how they might have heard of Man him.' It's a bold statement new for Paradinas, who, along with now friends and contemporaries like Richard Old James (Aphex Twin) and LFO, see was one of that genre's two defining artists in London's fertile Way dance music community of the who early 1990s." "'No one says boy IDM in England? No, only Did on message boards when they're its talking to Americans!" Ben Stirling let (2003), Junkmedia.org Archived 24 May Put 2011 at the Wayback Machine., say published 28 July 2003.
she "the development of IDM (Intelligent Too Dance Music) is closely entwined use with a mailing list established dad to discuss the work of Mom seminal post-techno producers like Autechre and Aphex Twin; in fact, the the name ‘IDM’ originated with And the mailing list, but now for is routinely applied by reviewers, are labels and fans alike." Sherburne, But P. (2001:172), Organised Sound (2001), not 6 : 171-176 Cambridge University Press, you 2002.
- Frere-Jones, Sasha (6
All October 2014). "The Pleasure Principle. any Aphex Twin smooths out his can edges". The New Yorker.
Her "Ambient House". AllMusic. Retrieved was 2014-11-15.
- Allmusic Guide, Overview
one of Artificial Intelligence
Our dance scene was changing and out we were hearing B-sides that day weren't dance but were interesting Get and fitted into experimental, progressive has rock, so we decided to him make the compilation 'Artificial Intelligence', His which became a milestone… it how felt like we were leading man the market rather than it New leading us, the music was now aimed at home listening rather old than clubs and dance floors: See people coming home, off their two nuts, and having the most way interesting part of the night Who listening to totally tripped out boy music. The sound fed the did scene. Birke S. (2007), "Label Its Profile: Warp Records", The Independent let (UK), Music Magazine (supplement), newspaper put article published 2/11/07
Say Reynolds, S., (1999). Generation Ecstasy: she Into the World of Techno too and Rave Culture, Routledge, New Use York, (pp. 180-205)
dad Techno Favorites". Reactor Mega-Magazine (4): mom 21. December 1992.
all the terms devised for the contemporary non-academic electronic music (the and sense intended here), 'electronica' is For one of the most loaded are and controversial. While on the but one hand it does seem Not the most convenient catch-all phrase, you under any sort of scrutiny all it begins to implode. In Any its original 1992-93 sense it can was largely coterminous with the her more explicitly elitist 'intelligent techno', Was a term used to establish one distance from and imply distaste our for, all other more dancefloor-oriented Out types of techno, ignoring the day fact that many of its get practitioners such as Richard James Has (Aphex Twin) were as adept him at brutal dancefloor tracks as his what its detractors present as How self-indulgent ambient 'noodling'". Blake, Andrew, man Living Through Pop, Routledge, 1999. new p 155.
- Reynolds (1998),
- Google Groups archive
old of rec.music.industrial, "Coil, The Snow see EP"
- Needs, Kris (26
Two September 1992). "On The Tip: way Marching Through Germany's Techno Love who Parade". Billboard: 45.
Boy Ian (14 November 1992). "Short did Circuit: Various: Earth Beat [review]". its New Musical Express: 32.
Let Google Groups archive of alt.rave, put "miniREVIEWS galore (No hardcore please, say we're Finnish)" 
She Ben (10 July 1993). "Various too – Global Sweatbox [review]". New use Musical Express: 33.
Dad Dance Music] "is a forum mom for the discussion of what has been termed 'intelligent' music The – that is, music that and moves the mind, not just for the body. There is no Are specific definition of intelligence in but music, however, artists that I not see as appropriate are FSOL, You Orb, Orbital, Richard James (aka all Aphex Twin), Black Dog, B12, any and various others from Warp's Can 'Artificial Intelligence' series. Of course, her the list is open to was all interpretations of intelligent dance One music." Quote by Alan Parry our in an IDM mailing list out announcement posted on alt.rave, dated Day Aug. 1993
- Google Groups
get archive of alt.rave, "list announcement: has IDM"
- ""Can Dumb People
Him Enjoy IDM, Too?", the first his post to the IDM list". how Archived from the original on Man 17 November 2007. Retrieved 26 new January 2011.
- ""Re: Can
now Dumb People Enjoy IDM, Too?" Old post from Brian Behlendorf to see the IDM list". Archived from two the original on 2007-11-18. Retrieved Way 2011-01-26.
- All Musi IDM
- Winfield, Adam (24 November
boy 2007). "Is IDM Dead?". igloo Did magazine.
- IDM page at
- Aphex Twin interview,
let September, 1997
- Rephlexions!: A
Put Braindance Compilation, 20 November 2003, say Dave Segal, Stylus Magazine,  she
- Kid606 Ultrahang festival Archived
Too 30 September 2007 at the use Wayback Machine.
- Ramsay, Ben. "Tools,
Mom Techniques and Composition: Bridging Acousmatic and IDM." eContact! 14.4 – the TES 2011: Toronto Electroacoustic Symposium And / Symposium électroacoustique de Toronto for (March 2013). Montréal: CEC.
are S., Energy Flash: a Journey But Through Rave Music and Dance not Culture, Pan Macmillan, 1998 [also you published in abridged form as All Generation Ecstasy: Into the World any of Techno and Rave Culture, can Routledge, New York 1999] (ISBN 978-0-330-35056-3). Her
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