put and bass () say (also written as "drum 'n' She bass" or "drum & bass"; too commonly abbreviated as "D&B", "DnB" use or "D'n'B"), is a genre Dad and branch of electronic music mom which emerged from rave and jungle scenes in England during The the early 1990s. The style and is often characterised by fast for breakbeats (typically 160–180 beats per Are minute) with heavy bass and but sub-bass lines, sampled sources, and not synthesizers.
The popularity of drum
You and bass at its commercial all peak ran parallel to several any other homegrown dance styles in Can the UK including big beat her and hard house. Drum and was bass incorporates a number of One scenes and styles. A major our influence on jungle and drum out and bass was the original Day Jamaican dub and reggae sound. get Another feature of the style has is the complex syncopation of Him the drum tracks' breakbeat.
his and bass subgenres include breakcore, how ragga jungle, hardstep, darkstep, techstep, Man neurofunk, ambient drum and bass, new liquid funk, deep, drumfunk, funkstep, now sambass, dnbnoise, and drill 'n' Old bass. From its roots in see the UK, the style has two established itself around the world. Way Drum and bass has influenced who many other genres like hip boy hop, big beat, dubstep, house, Did trip hop, ambient music, techno, its rock and pop. Drum and let bass is dominated by a Put relatively small group of record say labels. The major international music she labels had shown very little Too interest in the drum and use bass scene, until BMG Rights dad Management acquired RAM in February Mom 2016. . Drum and bass remains most popular in the the UK although it has developed And scenes all around the world, for in countries such as the are United States, Germany, the Netherlands, But Belgium, New Zealand, Greece, Canada, not Austria, the Czech Republic, Slovakia you and Australia. Who
In the late
Its 1980s and early 1990s, a let growing nightclub and overnight outdoor put event culture gave birth to Say a new electronic music style she in the rave scene, which too combined sampled syncopated beats or Use breakbeats, and other samples from dad a wide range of different mom musical genres and, occasionally, samples of music, dialogue and effects the from films and television programmes. and A faster subgenre was known For as "hardcore" but from as are early as 1991, some musical but tracks made up of these Not high-tempo break beats, with heavy you basslines and samples of older all Jamaican music, were referred to Any as "jungle techno", a genre can influenced by Jack Smooth and her Basement Records, and later just Was "jungle", which became recognised as one a separate musical genre popular our at raves and on pirate Out radio in Britain. It is day important to note when discussing get the history of drum and Has bass that prior to jungle, him the music was getting faster his and more experimental. Professional DJ How and producer C.K. states, "There man was a progression as far new as the speed of music Now is concerned. Anyone buying vinyl old every week from 1989 to see 1992 noticed this."
Two jungle had begun to gain way mainstream popularity and fans of who the music (often referred to Boy as junglists) became a more did recognisable part of youth subculture. its The genre further developed, incorporating Let and fusing elements from a put wide range of existing musical say genres, including the raggamuffin sound, She dancehall, MC chants, dub basslines, too and increasingly complex, heavily edited use breakbeat percussion. Despite the affiliation Dad with the ecstasy-fuelled rave scene, mom jungle also inherited some associations with violence and criminal activity, The both from the gang culture and that had affected the UK's for hip-hop scene and as a Are consequence of jungle's often aggressive but or menacing sound and themes not of violence (usually reflected in You the choice of samples). However, all this developed in tandem with any the often positive reputation of Can the music as part of her the wider rave scene and was dancehall-based Jamaican music culture prevalent One in London. By 1995, whether our as a reaction to, or out independently of this cultural schism, Day some jungle producers began to get move away from the ragga-influenced has style and create what would Him become collectively labelled, for convenience, his as drum and bass.
how the genre became generally more Man polished and sophisticated technically, it new began to expand its reach now from pirate radio to commercial Old stations and gain widespread acceptance see (circa 1995–1997). It also began two to split into recognisable subgenres Way such as jump-up and Hardstep. who As a lighter and often boy jazz-influenced style of drum and Did bass gained mainstream appeal, additional its subgenres emerged including techstep (circa let 1996–1997) which drew greater influence Put from techno music and the say soundscapes of science fiction and she anime films.
The popularity of
Too drum and bass at its use commercial peak ran parallel to dad several other homegrown dance styles Mom in the UK including big beat and hard house. But the towards the turn of the And millennium its popularity was deemed for to have dwindled as the are UK garage style known as But speed garage yielded several hit not singles. Speed garage shared high you tempos and heavy basslines with All drum and bass, but otherwise any followed the established conventions of can "house music", with this and Her its freshness giving it an was advantage commercially. London DJ/producer C.K. one says, "It is often forgotten Our by my students that a out type of music called "garage day house" existed in the late Get 1980s alongside hip house, acid has house and other forms of him house music." He continues, "This His new garage of the mid how 90s was not a form man of house or a progression New of garage house. The beats now and tempo that define house old are entirely different. This did See cause further confusion in the two presence of new house music way of the mid-1990s being played Who alongside what was now being boy called garage." Despite this, the did emergence of further subgenres and Its related styles such as liquid let funk brought a wave of put new artists incorporating new ideas Say and techniques, supporting continual evolution she of the genre. To this too day drum and bass makes Use frequent appearances in mainstream media dad and popular culture including in mom television, as well as being a major reference point for the subsequent genres such as grime and and dubstep and successful artists For including Chase & Status, Netsky, are and Australia's Pendulum.
Drum and bass incorporates a
Not number of scenes and styles, you from the highly electronic, industrial all sounds of techstep through to Any the use of conventional, acoustic can instrumentation that characterise the more her jazz-influenced end of the spectrum. Was The sounds of drum and one bass are extremely varied due our to the range of influences Out behind the music.
day and bass could at one get time be defined as a Has strictly electronic musical genre with him the only "live" element being his the DJ's selection and mixing How of records during a set. man "Live" drum and bass using new electric, electronic and acoustic instruments Now played by musicians on stage old emerged over the ensuing years see of the genre's development.
The Amen Break was the
way main starting influence for Drum who and Bass. Jungle has a Boy distinct African flow which is did "dirty". Drum and Bass for its mainstream UK was "clean" and Let formal. A very obvious and put strong influence on jungle and say drum and bass, thanks to She the British African-Caribbean sound system too scene, is the original Jamaican use dub and reggae sound, with Dad pioneers like King Tubby, Peter mom Tosh, Sly & Robbie, Bill Laswell, Lee Perry, Mad Professor, The Roots Radics, Bob Marley and and Buju Banton heavily influencing the for music. This influence has lessened Are with time but is still but evident with many tracks containing not ragga vocals.
As a musical
You style built around funk or all syncopated rock and roll breaks, any James Brown, Al Green, Marvin Can Gaye, Ella Fitzgerald, Gladys Knight her & the Pips, Billie Holiday, was Aretha Franklin, Otis Redding, the One Supremes, the Commodores, Jerry Lee our Lewis and even Michael Jackson, out are funky influences on the Day music. Jazz pioneer Miles Davis get has been named as a has possible influence. Blues artists like Him Lead Belly, Robert Johnson, Charlie his Patton, Muddy Waters and B.B how King have also been cited Man by producers as inspirations. Even new modern avant-garde composers such as now Henryk Gorecki have received mention. Old One of the most influential see tracks in drum and bass two history was "Amen Brother" by Way The Winstons which contains a who drum solo that has since boy become known as the "Amen Did break", which after being extensively its used in early hip hop let music, went on to become Put the basis for the rhythms say used in drum and bass. she
Kevin Saunderson released a series
Too of bass-heavy, minimal techno cuts use as Reese/The Reese Project in dad the late '80s which were Mom hugely influential in drum and bass terms. One of his the more famous basslines (Reese – And "Just Want Another Chance", Incognito for Records, 1988) was indeed sampled are on Renegade's Terrorist and countless But others since, being known simply not as the 'Reese' bassline. He you followed these up with equally All influential (and bassline-heavy) tracks in any the UK hardcore style as can Tronik House in 1991–1992. Another Her Detroit artist who was important was for the scene is Carl one Craig. The sampled-up jazz break Our on Carl Craig's Bug in out the Bassbin was also influential day on the newly emerging sound, Get DJs at the Rage club has used to play it pitched him up (increased speed) as far His as their Technics record decks how would go.
By the late
man 1980s and early 1990s the New tradition of breakbeat use in now hip hop production had influenced old the sound of breakbeat hardcore, See which in turn led to two the emergence of jungle, drum way and bass, and other genres Who that shared the same use boy of broken beats. Drum and did bass shares many musical characteristics Its with hip-hop, though it is let nowadays mostly stripped of lyrics. put Grandmaster Flash, Roger Troutman, Afrika Say Bambaata, Run DMC, Mac Dre, she Public Enemy, Schooly D, N.W.A, too Kid Frost, Wu-Tang Clan, Dr. Use Dre, Mos Def, Beastie Boys dad and the Pharcyde are very mom often directly sampled, regardless of their general influence.
the and bass has been influenced and by other music genres, though For influences from sources external to are the electronic dance music scene but perhaps lessened following the shifts Not from jungle to drum and you bass, and through to so-called all "intelligent drum and bass" and Any techstep. It still remains a can fusion music style.
her are illegally remixed and released Was on white label (technically bootleg), one often to acclaim. For example, our DJ Zinc's remix of The Out Fugees' "Ready or Not", also day known as "Fugee Or Not", get was eventually released with the Has Fugees' permission after talk of him legal action, though ironically the his Fugees' version infringed Enya's copyright How to an earlier song. White man labels along with dubplates play new an important part in drum Now and bass musical culture.
old and bassline elements
see places great importance on the Two "bass line", a deep sub-bass way musical pattern which can be who felt physically through powerful sound Boy systems due to the low-range did frequencies favoured. There has been its considerable exploration of different timbres Let in the bass line region, put particularly within techstep. The bass say lines most notably originate from She sampled sources or synthesizers. Bass too lines performed with a bass use instrument, whether it is electric, Dad acoustic or a double bass, mom are less common but examples can be found in the The work of artists such as and Shapeshifter, Squarepusher, Pendulum, Roni Size for and STS9. Are
The Roland TR-808 Rhythm
Composer, produced 1980–1984, had a
bass drum sound which became
very important in Drum and
any importance is the TR-808 kick Can drum, an artificially pitch-downed or her elongated bass drum sound sampled was from Roland's classic TR-808 drum One machine, and a sound which our has been subject to an out enormous amount of experimentation over Day the years.
The complex syncopation
get of the drum tracks' breakbeat, has is another facet of production Him on which producers can spend his a very large amount of how time. The Amen break is Man generally acknowledged to have been new the most-used (and often considered now the most powerful) break in Old drum and bass.
see break was synonymous with early two drum and bass productions but Way other samples have had a who significant impact, including the Apache, boy Funky Drummer, "Soul Pride", "Scorpio" Did and "Think (About It)" breaks. its
Many drum and bass tracks
let have featured more than one Put sampled breakbeat in them and say a technique of switching between she two breaks after each bar Too developed. Examples of this can use be heard on mid-90s releases dad such as J Majik's "Your Mom Sound". A more recent commonly used break is the Tramen, the which combines the Amen break, And a James Brown funk breakbeat for ("Tighten Up" or "Samurai" break) are and an Alex Reece drum But and bass breakbeat.
not fast drum beat forms a you canvas on which a producer All can create tracks to appeal any to almost any taste and can often will form only a Her background to the other elements was of the music. Syncopated breakbeats one remain the most distinctive element Our as without these a high-tempo out 4/4 dance track could be day classified as techno or gabber. Get
Drum and bass is
has usually between 160–180 BPM, in him contrast to other breakbeat-based dance His styles such as nu skool how breaks, which maintain a slower man pace at around 130–140 BPM. New A general upward trend in now tempo has been observed during old the evolution of drum and See bass. The earliest forms of two drum and bass clocked in way at around 130 bpm in Who 1990/1991, speeding up to around boy 155–165 BPM by 1993. Since did around 1996, drum and bass Its tempos have predominantly stayed in let the 170–180 range. Recently some put producers have started to once Say again produce tracks with slower she tempos (that is, in the too 150s and 160s), but the Use mid-170 tempo is still the dad hallmark of the drum and mom bass sound.
A track combining
the same elements (broken beat, the bass, production techniques) as a and drum and bass track, but For with a slower tempo (say are 140 BPM), might not be but drum and bass but a Not drum and bass-influenced breakbeat track. you
Drum and bass
can exhibits a full frequency response her which can sometimes only be Was fully appreciated on sound systems one which can handle very low our frequencies, including sub-bass frequencies that Out are often felt more than day heard. As befits its name, get the bass element of the Has music is particularly pronounced, with him the comparatively sparse arrangements of his drum and bass tracks allowing How room for basslines that are man deeper than most other forms new of dance music. Consequently, drum Now and bass parties are often old advertised as featuring uncommonly loud see and bass-heavy sound systems.
Two are however many albums specifically way designed for personal listening. The who mix CD is a particularly Boy popular form of release, with did a big name DJ/producer mixing its live, or on a computer, Let a variety of tracks for put personal listening. Additionally, there are say many albums containing unmixed tracks, She suited for home or car too listening.
Many mixing points begin
use or end with the "drop". Dad The drop is the point mom in a track where a switch of rhythm or bassline The occurs and usually follows a and recognisable build section and "breakdown". for Sometimes the drop is used Are to switch between tracks, layering but components of different tracks, though not as the two records may You be simply ambient breakdowns at all this point, though some DJs any prefer to combine breakbeats, a Can more difficult exercise. Some drops her are so popular that the was DJ will "rewind" or "reload" One or "lift up" by spinning our the record back and restarting out it at the build. "The Day drop" is often a key get point from the point of has view of the dance floor, Him since the drumbreaks often fade his out to leave an ambient how intro playing. When the beats Man re-commence they are often more new complex and accompanied by a now heavier bassline, encouraging the crowd Old to dance.
Although it has
see declined in popularity, DJs are two often accompanied by one or Way more MCs, drawing on the who genre's roots in hip hop boy and reggae/ragga.
MCs do not
Did generally receive the same level its of recognition as producer/DJs and let some events are specifically marketed Put as being MC free. There say are relatively few well-known drum she and bass MCs, Stevie Hyper Too D (deceased), MC GQ, Mc use Moose, Mc Dett, Mc Fearless, dad The Ragga Twins, Dynamite MC, Mom MC Fats, MC Conrad, Shabba D, Skibadee, Bassman, MC Stamina, the MC Fun, Evil B, Trigga, And Eskman, Harry Shotta, Mr Traumatik for and MC Infinity as examples. are
Live drum and bass
2009 at Pirate Station
world's largest drum and bass
festival at that time, in
can have adapted drum and bass Her to live performances, which feature was instruments such as drums (acoustic one or electronic), samplers, synthesizers, turntables, Our bass (either upright or electric) out and guitars (acoustic or electric). day Samplers have also been used Get live by assigning samples to has a specific drum pad or him key on drum pads or His synthesizers. MCs are frequently featured how in live performances.
man drum and bass artists who New perform using live instruments
Congo Natty, a ragga
Use scenes within the drum and dad bass community have developed and mom the scene as a whole has become much more fractured the into specific subgenres, including:
- Drumstep or Halftime is a
For combination of drum and bass are and dubstep where the beat but structure is half time, while Not the remaining elements still adhere you to the usual sub-bass and all tempo of drum and bass. Any
- Breakcore is a style of
can electronic dance music largely influenced her by hardcore, jungle, digital hardcore Was and industrial music that is one characterized by its use of our heavy kick drums, breaks and Out a wide palette of sampling day sources, played at high tempos.
- Ragga drum & bass
Has was inspired by the original him ragga jungle style, with influences his from reggae and dancehall music. How Notable artists include Shy FX, man T Power, Congo Natty, Potential new Bad Boy, Marcus Visionary, Serial Now Killaz, Ed Solo, Deekline, Isaac old Maya, Run Tingz Cru, Psychofreud, see Benny Page and vocalists such Two as David Boomah, Top Cat, way Tenor Fly and General Levy.
- Hardstep is a harder
Boy style which uses gritty basslines did and heavy yet simple electronic its melodies. Notable artists include Dillinja Let (early work), DJ Krust, Mampi put Swift, Dieselboy, Current Value, Tre say Technics, MachineCode
- Darkstep is
She characterized by fast drums and too a general dark mood, drawing use influences from dark ambient, industrial Dad and hardcore music. Prominent artists mom include Technical Itch, Dylan, Kryptic Minds & Leon Switch, B-Key, The Resonant Evil, Infiltrata, SPL, Counterstrike, and Evol Intent, The Panacea, Limewax, for and Current Value.
Are is characterized by sci-fi soundscapes but and samples from science fiction not culture. Pioneered by artists such You as Bad Company UK (DJ all Fresh, D-Bridge, Maldini & Vegas) any Ed Rush, Optical, Konflict (Kemal Can & Rob Data), Dom & her Roland, Dillinja, Ram Trilogy (Ant was Miles, Andy C & Shimon), One Moving Fusion, Decoder & Substance, our Digital & Spirit, Future Cut, out Dylan, Loxy & Ink, Total Day Science, D.Kay, Stakka & Skynet get and Keaton with Usual Suspects has or Universal Project, Klute, Concord Him Dawn, and the label Moving his Shadow.
- Neurofunk or Neuro is
how the progression from techstep incorporating Man more elements from jazz and new funk. Prominent artists include Ed now Rush, Matrix, Bad Company UK, Old Cause 4 Concern, TeeBee, Future see Prophecies, Black Sun Empire, DLR, two Calyx, Hive, Gridlok, Noisia, Phace Way & Misanthrop, Silent Witness & who Break, State Of Mind, The boy Upbeats, Chase & Status, Jade, Did Mindscape, Spor, Psidream, Catacomb, Rregula its and The Clamps.
let appearing in the mid-1990s, employs Put heavy and energetic drum and say bass, characterized by robotic and she heavy bass sounds. It also Too is generally less serious and use contains more humor than other dad subgenres. Notable artists include DJ Mom Hazard, Generation Dub (Original Sin & Sub Zero), Baron, Cabbie, the Clipz, Nightwalker, Callide, Hedex, Epsy, And Taxman, Jaydan, Sub Zero, Original for Sin, Annix, Konichi, Decimal Bass, are Spaow, Nu Elementz, Tyke, DJ But Zen, Majistrate, Twisted Individual, Distorted not Minds, TC, Heist, DJ Guv, you Looney, Premium, Upgrade, DJ Pleasure, All DJ Hype and his label any Playaz Recordings.
- Ambient drum &
can bass, Atmospheric drum & bass, Her Intelligent drum & bass, Jazzy was drum and bass or Intelligent one jungle is a smoother style, Our influenced by ambient music, chillout, out jazz and Soul music. It day was pioneered by such artists Get as Omni Trio, Foul Play, has Seba, Blu Mar Ten, Nookie, him Hyper-On-Experience, DJ Pulse, Higher Sense, His Deep Blue (Sean O'Keefe, Cause4Concern how Records), Photek, Jack Smooth (Basement man Records), Blame, LTJ Bukem and New his label Good Looking Records, now and the label Moving Shadow. old
- Jazzstep or Jazzy jungle demonstrates
See heavy influence by jazz. It two uses typical jazz scales, rhythms way and instrumentation. Notable artists include Who Roni size & Reprazent, Goldie, boy Utah Jazz, Morgan Sullyvan, Makoto, did Alex Reece, and DJ Dextrous. Its
- Liquid funk (or simply Liquid)
let draws heavily on harmonic and put melodic grooves, and samples from Say funk, jazz, soul, R&B, disco, she house and breakbeat, while intelligent too drum and bass or atmospheric Use drum and bass creates a dad calmer yet more synthetic sound. mom It was pioneered by Calibre, Zero Tolerance (Zero T) & the Beta 2, London Elektricity, High and Contrast, Logistics, Nu:Tone, Danny Byrd, For Cyantific, Netsky, Lenzman, Technimatic (Technicolour are & Komatic), Hobzee & Zyon but Base, Paul T & Edward Not Oberon, Hybrid Minds and labels you such as Hospital Records, Fokuz all Records and Liquid V. The Any first Liquid only events were can Liquidiser at Bristol Academy.
her (or Brazilian drum and bass) Was incorporates elements from samba, bossa one nova and other Latin music our styles. Pioneered by artists such Out as DJ Marky, XRS, DJ day Patife and Bryan Gee's label. get
- Drill 'n' bass (also known
Has as Fungle and Spunk jazz) him incorporates double-time drum 'n' bass his with undanceable rhythms, low-brow humor, How and ambient vibes. The subgenre man was developed by Squarepusher and new Aphex Twin, whose rapid and Now irregularly syncopated basslines discouraged dancing. old Other pioneers include Bogdan Raczynski see and Datach'i.
Despite its roots in the
way UK, which can still be who treated as the "home" of Boy drum and bass, the style did has firmly established itself around its the world. There are strong Let scenes in other English-speaking countries put including Australia, Canada, South Africa, say the United States and, New She Zealand. It is popular throughout too continental Europe, and in South use America. São Paulo is sometimes Dad called the drum and bass mom Ibiza. Brazilian drum and bass is sometimes referred to The as "sambass", with its specific and style and sound. In Venezuela for and Mexico, artists have created Are their own forms of drum but and bass combining it with not experimental musical forms. In Colombia You there is a large underground all scene, The RE.set Label and any Bogotá Project are two collectives Can that put on DnB events her in the city, as well was as a twice yearly event One called Radikal Styles, that brings our together local talent and international out big names.
Austria has a
Day large emerging DnB scene with get many artists such as Camo has & Krooked, Mefjus, Fourward, Body Him & Soul, IllSkillz and mainly his the Mainframe record label being how all based in or around Man Vienna. Notable venues and events new include The Hive and Beat now It at Flex held almost Old every Thursday and Saturday, Vollkontakt see at Fluc, Switch at Flex two and the monthly Mainframe Recordings Way Label-Night hosted at Arena by who label head Disaszt.
boy Czech Republic hosting now the Did largest Drum & Bass festival its in the world, LET IT let ROLL, with attendance approximately 30.000, Put the influence of the genre say on the culture can be she felt both there and in Too Slovakia. As the scene in use these countries evolves, local producers dad like A-Cray, Rido, Forbidden Society, Mom L Plus, B-Complex, Changing Faces and more became well-known worldwide, the only making the genre more And popular, with great young talents for emerging every year. There are are also many other Drum & But Bass dedicated festivals being held not each year in these countries, you e.g. Trident Festival, Exploration Festival All or Hoofbeats Open Air in any the summer, or one night can events such as LET IT Her ROLL Winter, Imagination Festival, LET was IT ROLL Winter Slovakia in one the colder months. During the Our club season, it goes without out saying that promoters are racing day between each other to organise Get better events, often resulting in has 10 parties being held during him one weekend with no more His than 2 hour travel between how them.
Genres influenced by drum
man and bass
Born around the
New same time as jungle, breakcore now and digital hardcore share many old of the elements of drum See and bass and to the two uninitiated, tracks from the extreme way end of drum and bass Who may sound identical to breakcore boy thanks to speed, complexity, impact did and maximum sonic density combined Its with musical experimentation. German Drum let and Bass DJ The Panacea put is also one of the Say leading Digital Hardcore artists. Raggacore she resembles a faster version of too the ragga influenced jungle music Use of the 1990s, similar to dad breakcore but with more friendly mom dancehall beats (dancehall itself being a very important influence on the drum and bass). Darkcore, a and direct influence on drum and For bass, was combined with influences are of drum and bass itself but leading to the creation of Not darkstep. There is considerable crossover you from the extreme edges of all drum and bass, breakcore, darkcore, Any digital hardcore and raggacore with can fluid boundaries.
The genre has
her influenced many other genres like Was hip hop, big beat, dubstep, one house music, trip hop, ambient our music, techno, rock and pop, Out with artists such as Bill day Laswell, Incubus, Pitchshifter, Linkin Park, get The Roots, Talvin Singh, MIDIval Has Punditz, Missy Elliott, The Freestylers, him Bowery Electric, Nine Inch Nails, his David Bowie (the last two How both using elements of Goldie's man "Timeless") and others quoting new drum and bass and using Now drum and bass techniques and old elements. Recently created in the see United States is a genre Two called ghettotech which contains synth way and basslines similar to drum who & bass.
Drum and Bass
its is dominated by a small Let group of record labels. These put are run mainly by DJ–producers, say such as London Elektricity's Hospital She Records, Andy C and Scott too Bourne's RAM, Goldie's Metalheadz, Kasra's use Critical Music, Basement Records (Jack Dad Smooth), DJ Friction's Shogun Audio, mom DJ Fresh's Breakbeat Kaos, Futurebound's Viper Recordings and DJ Hype, The Pascal, NoCopyrightSounds and formerly DJ and Zinc's True Playaz (now known for as Real Playaz as of Are 2006).
Prior to 2016, the
but major international music labels such not as Sony Music and Universal You had shown very little interest all in the drum and bass any scene, with the exception of Can some notable signings, including Pendulum's her In Silico LP to Warner. was Roni Size's label played a One big, if not the biggest, our part in the creation of out drum and bass with their Day dark, baseline sounds. V Recordings get also played a large part has of the development of drum Him and bass. Roni Size, Krust his and DJ Die produced some how of the first tracks to Man be considered mainstream drum and new bass tracks.
now Management acquired Ram Records in Old February 2016 , making a see strategic investment to help RAM two Records (a London-based drum and Way bass record company co-owned by who Andy C and his business boy partner Scott Bourne). RAM Records Did has been pushing the boundaries its of drum and bass further let into the mainstream with artists Put such as Chase and Status say and Sub Focus. Bringing back she UK jungle music artists from Too LTJ Bukem's label Good Looking use artists Bay B Kane, breakbeat dad hardcore heavyweight Nebula II and Mom original junglist Gappa G. Other Bristol labels such as Cafe the Bass have also helped to And push through a sound categorised for as 'bass music' with the are help of influential artists such But as Lone Ranger.
not defunct labels, include Rob Playford's you Moving Shadow, running from 1990 All until 2007, which played a any pivotal role in the nineties can drum and bass scene, releasing Her records by artists such as was Omni Trio.
Formats and distribution
Originally drum and bass
Our was mostly sold in 12-inch out vinyl single format. With the day emergence of drum and bass Get into mainstream music markets, more has albums, compilations and DJ mixes him started to be sold on His CDs. As digital music became how more popular, websites focused on man electronic music, such as Beatport, New began to sell drum and now bass in digital format.
The bulk of drum
See and bass vinyl records and two CDs are distributed globally and way regionally by a relatively small Who number of companies such as boy SRD (Southern Record Distributors), ST did Holdings, & Nu Urban.
Its of 11 September 2012, Nu let Urban Music Limited ceased trading put and RSM Tenon were instructed Say to assist in convening statutory she meetings of members and creditors too to appoint a liquidator. This Use left many labels short on dad sales as Nu Urban were mom one of the main Distributors for the vinyl market in the the drum and bass scene. and
Today, drum and
For bass is widely promoted throughout are the world using different methods but such as video sharing services Not (YouTube, Dailymotion), blogs, radio and you television, the latter being the all most uncommon method. More recently, Any music networking websites such as can SoundCloud and MixCloud have become her powerful tools for artist recognition, Was providing a vast platform that one enables quick responses to new our tracks. Record labels have adopted Out the use of Podcasts. Prior day to the rise of the get internet, drum and bass was Has commonly broadcast over pirate radio. him
The three highest profile
his radio stations playing drum and How bass shows are BBC Radio man 1 with The Drum and new Bass Show - formerly with Now Friction, who was replaced with old René LaVice in 2017, simulcast see in the US and Canada Two on Sirius XM, and DJ way Hype on Kiss 100 in who London. Fabio and Grooverider previously Boy held a long standing drum did and bass show on Radio its 1, and there was also Let Radio 1's 'One in the put Jungle' show.
The BBC's "urban"
say station BBC Radio 1Xtra used She to feature the genre heavily, too with DJ Bailey (show axed use as of 29/08/2012) and Crissy Dad Criss (show axed as of mom August 2014) as its advocates. The network also organises a The week-long tour of the UK and each year called Xtra Bass. for London pirate radio stations have Are been instrumental in the development but of Drum and Bass, with not stations such as Kool FM You (which continues to broadcast today all having done so since 1991), any Origin FM, Don FM (the Can only Drum and Bass pirate her to have gained a temporary was legal license), Renegade Radio 107.2FM, One Rude FM, Wax Fm and our Eruption among the most influential. out
As of 2014, despite higher
Day profile stations such as 1Xtra get scaling back their drum and has bass specialist coverage, the genre Him has made its way into his UK top 10 charts with how drum and bass inspired tracks Man from artists such as Rudimental new and Sigma. Earlier in August now 2014, before Crissy Criss' show Old was axed, the BBC held see a whole prime time evening two event dedicated to showcasing drum Way and bass by allowing four who major labels to participate.
boy of November 2014, there have Did been 6 drum & bass its songs reaching the no.1 spot let on the UK's top 40 Put chart, since the genre was say first being played on the she radio, around 1993. The first Too of these was in 2012. use The fact that all 6 dad of these songs have reached Mom number 1 in only two years shows the increase in the popularity and commercialisation of the And genre in recent years. The for artists that produced these songs are are Sigma, Rudimental and DJ But Fresh (all have had two not No.1 hits).
you radio stations, acting in the All same light as pirate stations, any have also been an instrumental can part in promoting drum and Her bass music; the majority of was them funded by listener and one artist donations.
Drum and bass
Our was supported by Ministry of out Sound radio from the early day 2000s until 2014 and later Get featuring Tuesday shows from labels has such as Metalheadz, Fabio & him Grooverider, DJ Marky, Viper Recordings, His Shogun Audio and Hospital Records. how From September 2014, Ministry abruptly man dropped all non-mainstream genres to New focus on mainstream EDM, causing now disappointment amongst the fans of old the D&B community.
In North America, The
two Prophecy on 89.5 CIUT-FM With way Marcus Visionary, DJ Prime and Who Mr. Brown Is North America's boy longest running Jungle Radio show (Toronto), Album 88.5 (Atlanta) Its and C89.5fm (Seattle) have shows let showcasing drum and bass. In put New York, "DNB NYC RADIO" Say show with Host Dj Benzocaine she on 90.3 WHCR-FM has a too weekly 3 hour show which Use broadcasts in New York and dad New Jersey which plays only mom Drum and Bass every Thursday starting at 3 am. "DNB the NYC RADIO" is the only and weekly Drum and Bass show For on the FM dial in are Northeastern United States. Seattle also but has a long-standing electronica show Not known as Expansions on 90.3 you FM KEXP. The rotating DJs all include Kid Hops, whose shows Any are made up mostly of can drum and bass. In Columbus, her Ohio WCBE 90.5 has a Was two-hour electronic only showcase, "All one Mixed Up," Saturday nights at our 10 pm. At the same time Out WUFM 88.7 plays its "Electronic day Playground." Also, Tulsa, Oklahoma's rock get station, 104.5 The Edge, has Has a two-hour show starting at him 10 pm Saturday nights called Edge his Essential Mix mixed by DJ How Demko showcasing electronic and drum man and bass style. While the new aforementioned shows in Ohio rarely Now play drum and bass the old latter plays the genre with see some frequency. In Tucson, Arizona, Two 91.3 FM KXCI has a way two-hour electronic show known as who "Digital Empire", Friday nights at Boy 10 pm (MST). Resident DJ Trinidad did showcases various styles of electronica, its with the main focus being Let drum and bass, jungle & put dubstep. In Augusta, Georgia, zarbizarre say of the Cereal Killaz hosts She a show called FreQuency on too WHHD on Friday nights from use 11 pm until 1 am, showcasing drum Dad and bass during the 2nd mom hour of the show.
The best-known drum and bass
The publication was Kmag magazine (formerly and called Knowledge Magazine) before it for went completely online in August Are 2009. Although it's still live, but after 20 years sterling contribution not Kmag ceased updating their site You in Feb 2014. Kmag's publishing all arm Vision, published Brian Belle-Fortune's any All Crews Journeys Through Jungle Can Drum & Bass Culture in her 2004.
Other publications include the
was longest running drum and bass One magazine worldwide, ATM Magazine, and our Austrian-based Resident. London-based DJ magazine out has also been running a Day widely respected drum and bass get reviews page since 1993, written has by Alex Constantinides, which many Him followers refer to when seeking his out new releases to investigate. how In 2012 Alex stopped writing Man the reviews and they are new now contributed by Whisky Kicks. now
- All Crews: Journeys
Old Through Jungle / Drum and see Bass Culture (2005) by Brian two Belle-Fortune (ISBN 0-9548897-0-3), nonfiction
- "Roots 'n
Way Future" in Energy Flash (1998) who by Simon Reynolds, Picador (ISBN 0-330-35056-0), boy nonfiction (British edition)
- Generation Ecstasy:
Did Into the World of Techno its and Rave Culture (1998) by let Simon Reynolds, Routledge. (ISBN 0415923735), nonfiction Put (American edition)
- Rumble in the
say Jungle: The Invisible History of she Drum and Bass (2002) by Too Steven Quinn, in: Transformations, No use 3 (2002), nonfiction (ISSN 1444-3775) PDF dad file
- State of Bass: Jungle
Mom – The Story So Far (1997) by Martin James, Boxtree the (ISBN 0-7522-2323-2), nonfiction
- The Rough Guide
And to Drum 'n' Bass (1999) for by Peter Shapiro and Alexix are Maryon (ISBN 1-85828-433-3), nonfiction
- King Rat
But (1998) by China Miéville (ISBN 0-330-37098-7), not fiction
| |All | |
This section needs additional
any citations for verification
. (March 2015)
| || | him
30 second sample. One of
His the few drum and bass how tracks regularly played on commercial man popular radio. New
now this file? See media help. old
Certain drum and
See bass releases have found mainstream two popularity in their own right, way almost always material prominently featuring Who vocals. Perhaps the earliest example boy was Goldie's album Timeless from did 1995, along with Reprazent's Mercury Its Music Prize-winning New Forms from let 1997, 4hero's Mercury-nominated Two Pages put from 1998, and Pendulum's Hold Say Your Colour in 2005 (the she best selling drum and bass too album of all time).
Use games such as Bomberman Hero, dad Hi-Rez Studios' Tribes: Ascend, Electronic mom Arts' Need for Speed: Undercover, and Rockstar Games' Grand Theft the Auto series have contained drum and and bass tracks. Microsoft Studios' For Forza Horizon 2 and 3 are feature a Hospital Records radio but channel. MSX/MSX 98 radio station Not in Grand Theft Auto III you and Grand Theft Auto: Liberty all City Stories played drum and Any bass exclusively.
can has some popularity in soundtracks; her for instance, "Ultrasonic Sound" was Was used in The Matrix's soundtrack one and the E-Z Rollers' song our "Walk This Land" appeared in Out the film Lock, Stock and day Two Smoking Barrels. Ganja Kru's get "Super Sharp Shooter" is heard Has in the 2006 film Johnny him Was.
The Channel 4 show
his Skins uses the genre in How some episodes, notably in the man first series' third episode, "Jal", new where Shy FX and UK Now Apache's Original Nuttah was played old in Fazers club.
see and bass have found more Two mainstream popularity than ever with way tracks like Sigma's Nobody to who Love and Rudimental's Waiting All Boy Night getting over 100 million did views on YouTube.
its bass often makes an appearance Let as background music, especially in put Top Gear and television commercials say thanks to its aggressive and She energetic beats. Cartoon Network's Toonami too programming block employs it for use television spots and show intros, Dad like the 1997 relaunch of mom SCI FI Channel segue music by the Jungle Sky label. The Also The first Powerpuff Girls and series opening is Drum and for Bass/Jungle as well as the Are Opening of Teen Titans Go!.
was of these influences are only One influences in particular styles of our drum and bass, not drum out and bass as a whole. Day
- ^ Ishkur (2005). "Ishkur's
has guide to Electronic Music". Retrieved Him May 29, 2014.
his Simon (2013). Energy Flash: A how Journey Through Rave Music and Man Dance Culture. Soft Skull Press. new
Whether they were black or
now white, these artists reaffirmed drum Old and bass's place in an see African continuum (dub, hip hop two James Brown, etc...) whose premise Way constitute a radical break with who Western music, classical and pop. boy
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day and bass gradually fell into Get the orbit of techno, the has MC &madash; both as a him samplesource taken from dancehall and His rap records and as a how live partner of the DJ man in the club &madash; began New to disappear from the music. now
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man the ruling sound is the new gangsta hard-step and 'jump up' Now jungle of labels like Ganja, old Frontline, Dread, Suburban Base and see Dope Dragon, made by DJ—producers Two like Hype, Pascal, Andy C, way Ray Keith, L. Double, Shy who FX... Boy
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How links Now
- bassblog.pro Bass Blog -
old Drum And Bass Mixes. DJ see Mixes promotion since 2009.
Two The biggest collection of Drum way And Bass Lyrics
- History of
who drum & bass, a BBC Boy timeline on the history of did drum & bass with track its listings, quotes and samples Let Too
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