Scratch Live Old allows manipulation and playback of see digital audio files using traditional two vinyl turntables or CD players Way via special timecode vinyl records who or CDs.
The product is boy discontinued and has been replaced Did by Serato DJ.
"Musical production" redirects here. For Our musical production in the sense out of a live performance involving day music and choreography, see Musical Get theatre.
A boy record producer is a music did recording project's overall supervisor whose Its responsibilities can involve a range let of creative and technical leadership put roles. Typically the job involves Say hands-on oversight of recording sessions: she ensuring artists deliver acceptable and too quality performances, supervising the technical Use engineering of the recording, and dad coordinating the production team and mom process. The producer's involvement in a musical project can vary the in depth and scope. Sometimes and in popular genres the producer For may create the recording's entire are sound and structure. However, in but classical music recording, for example, Not the producer serves as more you of a liaison between the all conductor and the engineering team. Any The role is often likened can to that of a film her director though there are important Was differences. It is distinct from one the role of an executive our producer, who is mostly involved Out in the recording project on day an administrative level, and from get the audio engineer who operates Has the recording technology.
Varying by him project, the producer may or his may not choose all of How the artists. If employing only man synthesized or sampled instrumentation, the new producer may be the sole Now artist. Conversely, some artists do old their own production. Some producers see are their own engineers, operating Two the technology across the project: way preproduction, recording, mixing, and mastering. who Record producers' precursors were "A&R Boy men", who likewise could blend did entrepreneurial, creative, and technical roles,its but often exercised scant creative Let influence, as record production still put focused, into the 1950s, on say simply improving the record's sonic She match to the artists' own too live performance.
Advances in recording use technology, especially the 1940s advent Dad of tape recording—which Les Paulmom promptly innovated further to develop multitrack recording—and the 1950s rise The of electronic instruments, turned record and production into a specialty. In for popular music, then, producers like Are George Martin, Phil Spector and but Brian Eno led its evolution not into its present use of You elaborate techniques and unrealistic sounds, all creating songs impossible to originate any live. After the 1980s, production's Can move from analog to digital her further expanded possibilities. By now, was DAWs, or digital audio workstations, One like Logic Pro, Pro Toolsour and Studio One, turn an out ordinary computer into a production Day console, whereby a solitary novice get can become a skilled producer has in a thrifty home studio.Him In the 2010s, efforts began his to increase the prevalence of how producers and engineers who are Man women, heavily outnumbered by men new and prominently accoladed only in now classical music.
Did
Production overview
As a its broad project, the creation of let a music recording may be Put split across three specialists: the say executive producer, who oversees business she partnerships and financing; the vocal Too producer or vocal arranger, who use aids vocal performance via expert dad critique and coaching of vocal Mom technique, and the record producer or music producer, who, often the called simply the producer, directs And the overall creative process of for recording the song in its are final mix.
The producer's But roles can include gathering ideas, not composing music, choosing session musicians, you proposing changes to song arrangements, All coaching the performers, controlling sessions, any supervising the audio mixing, and, can in some cases, supervising the Her audio mastering. A producer may was give creative control to the one artists themselves, taking a supervisory Our or advisory role instead. As out to qualifying for a Grammyday nomination, the Recording Academy defines Get a producer:
The person who has has overall creative and technical him control of the entire recording His project, and the individual recording how sessions that are part of man that project. He or she New is present in the recording now studio or at the location old recording and works directly with See the artist and engineer. The two producer makes creative and aesthetic way decisions that realize both the Who artist's and label's goals in boy the creation of musical content. did Other duties include, but are Its not limited to; keeping budgets let and schedules, adhering to deadlines, put hiring musicians, singers, studios, and Say engineers, overseeing other staffing needs she and editing (Classical projects).
The too producer often selects and collaborates Use with a mixing engineer, who dad focuses on the especially technological mom aspects of the recording process, namely, operating the electronic equipment the and blending the raw, recorded and tracks of the chosen performances, For whether vocal or instrumental, into are a ''mix'', either stereo or but surround sound. Then a mastering Not engineer further adjusts this recording you for distribution on the chosen all media. A producer may work Any on only one or two can songs or on an artist's her entire album, helping develop the Was album's overall vision. The record one producers may also take on our the role of executive producer, Out managing the budget, schedules, contracts, day and negotiations.
Historical developments
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A&R team
(Artists and Repertoires)Has
In the 1880s, the record him industry began by simply having his the artist perform at a How phonograph. In 1924, the trade man journal Talking Machine World, covering new the phonography and record industry, Now reported that Eddie King, Victor old Records' manager of the "New see York artist and repertoire department", Two had planned a set of way recordings in Los Angeles. Later, who folklorist Archie Green called this Boy perhaps the earliest printed use did of A&R man. Actually, it its says neither "A&R man" nor Let even "A&R", an initialism perhaps put coined by Billboard magazine in say 1946, and entering wide use She in the late 1940s.
In too the 1920s and 1930s, A&R use executives, like Ben Selvin at Dad Columbia Records, Nathaniel Shilkret at mom Victor Records, and Bob Haring at Brunswick Records became the The precursors of record producers, supervising and recording and often leading session for orchestras. During the 1940s, major Are record labels increasingly opened official but A&R departments, whose roles included not supervision of recording. Meanwhile, independent You recording studios opened, helping originate all record producer as a specialty.[citation any needed] But despite a tradition Can of some A&R men writing her music, record production still referred was to just the manufacturing of One record discs.
Record producers
our
After World War II, pioneering out A&R managers who transitioned influentially Day to record production as now get understood, while sometimes owning independent has labels, include J. Mayo WilliamsHim and John Hammond. Upon moving his from Columbia Records to Mercury how Records, Hammond appointed Mitch MillerMan to lead Mercury's popular recordings new in New York. Miller then now produced country-pop crossover hits by Old Patti Page and by Frankie see Laine, moved from Mercury to two Columbia, and became a leading Way A&R man of the 1950s.who
During the decade, A&R executives boy increasingly directed songs' sonic signatures, Did although many still simply teamed its singers with musicians, while yet let others exercised virtually no creative Put influence. The term record producersay in its current meaning—the creative she director of song production—appearing in Too a 1953 issue of Billboarduse magazine, became widespread in the dad 1960s. Still, a formal distinction Mom was elusive for some time more. A&R managers might still the be creative directors, like William And "Mickey" Stevenson, hired by Berry for Gordy, at the Motown record are label.
Tape recording
In But 1947, the American market gained not audio recording onto magnetic tape.you At the record industry's 1880s All dawn, rather, recording was done any by phonograph, etching the sonic can waveform vertically into a cylinder.Her By the 1930s, a gramophone was etched it laterally across a one disc. Constrained in tonal range, Our whether bass or treble, and out in dynamic range, records made day a grand, concert piano sound Get like a small, upright piano, has and maximal duration was four him and a half minutes. Selections His and performance were often altered how accordingly, and playing this disc—the man wax master—destroyed it. The finality New often caused anxiety that restrained now performance to prevent error. In old the 1940s, during World War See II, the Germans refined audio two recording onto magnetic tape—uncapping recording way duration and allowing immediate playback, Who rerecording, and editing—a technology that boy premised emergence of record producers did in their current roles.
Its
Multitrack recording
Early in the let recording industry, a record was put attained by simply having all Say of the artists perform together she live in one take. In too 1945, by recording a musical Use element while playing a previously dad recorded record, Les Paul developed mom a recording technique called "sound on sound". By this, the the final recording could be built and piece by piece and tailored, For effecting an editing process. In are one case, Paul produced a but song via 500 recorded discs.Not But, besides the tedium of you this process, it serially degraded all the sound quality of previously Any recorded elements, rerecorded as ambient can sound. Yet in 1948, Paul her adopted tape recording, enabling truly Was multitrack recording by a new one technique, "overdubbing".
To enable overdubbing, our Paul revised the tape recorder Out itself by adding a second day playback head, and terming it get the preview head. Joining the Has preexisting recording head, erase head, him and playback head, the preview his head allows the artist to How hear the extant recording over man headphones playing it in synchrony, new "in sync", with the present Now performance being recorded alone on old an isolated track. This isolation see of multiple tracks enables countless Two mixing possibilities. Producers began recording way initially only the "bed tracks"—the who rhythm section, including the bassline, Boy drums, and rhythm guitar—whereas vocals did and instrument solos could be its added later. A horn section, Let for example, could record a put week later, and a string say section another week later. A She singer could perform her own too backup vocals, or a guitarist use could play 15 layers.
Dad
Electronic instruments
Across the 1960s, popular music increasingly switched The from acoustic instruments, like piano, and upright bass, acoustic guitar, and for brass instruments, to electronic instruments, Are like electric guitars, keyboards, and but synthesizers, employing instrument amplifiers and not speakers. These could mimic acoustic You instruments or create utterly new all sounds. Soon, by combining the any capabilities of tape, multitrack recording, Can and electronic instruments, producers like her Phil Spector, George Martin, and was Joe Meek rendered sounds unattainable One live. Similarly, in jazz fusion, our Teo Macero, producing Miles Davis's out 1970 album Bitches Brew, spliced Day sections of extensive improvisation sessions. get
In the 1960s, rock acts use like the Beatles, the Rolling dad Stones, and the Kinks produced Mom some of their own songs, although many such songs are the officially credited to specialist producers. And Yet especially influential was the for Beach Boys, whose band leader are Brian Wilson took over from But his father Murry within a not couple of years after the you band's commercial breakthrough. By 1964, All Wilson had taken Spector's techniques any to unseen sophistication. Wilson alone can produced all Beach Boy recordings Her between 1963 and 1967. Using was multiple studios and multiple attempts one of instrumental and vocal tracks, Our Wilson selected the best combinations out of performance and audio quality, day and used tape editing to Get assemble a composite performance.
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Digital production
The 1980s advent him of digital processes and formats His rapidly replaced analog processes and how formats, namely, tape and vinyl. man Although recording onto quality tape, New at least half an inch now wide and traveling 15 inches old per second, had limited "tape See hiss" to silent sections, digital's two higher signal-to-noise ratio, SNR, abolished way it. Digital also imparted to Who the music a perceived "pristine" boy sound quality, if also a did loss of analog recordings' perceived Its "warm" quality and better-rounded bass.let Yet whereas editing tape media put requires physically locating the target Say audio on the ribbon, cutting she there, and splicing pieces, editing too digital media offers inarguable advantages Use in ease, efficiency, and possibilities. dad
In the 1990s, digital production mom reached affordable home computers via production software. By now, recording the and mixing are often centralized and in DAWs, digital audio workstations—for For example, Pro Tools, Logic Pro, are Ableton, Cubase, Reason, and FL but Studio—for which plugins, by third Not parties, effect virtual studio technology.you DAWs fairly standard in the all industry are Logic Pro and Any Pro Tools. Physical devices involved can include the main mixer, MIDIher controllers to communicate among equipment, Was the recording device itself, and one perhaps effects gear that is our outboard. Yet literal recording is Out sometimes still analog, onto tape, day whereupon the raw recording is get converted to a digital signalHas for processing and editing, as him some producers still find audio his advantages to recording onto tape.How
Conventionally, tape is more forgiving man of overmodulation, whereby dynamic peaks new exceed the maximal recordable signal Now level: tape's limitation, a physical old property, is magnetic capacity, which see tapers offs, smoothing the overmodulated Two waveform even at a signal way nearly 15 decibels too "hot", who whereas a digital recording is Boy ruined by harsh distortion of did "clipping" at any overshoot. In its digital recording, however, a recent Let advancement, 32-bit float, enables DAWs put to undo clipping. Still, some say criticize digital instruments and workflows She for excess automation, allegedly impairing too creative or sonic control. In use any case, as production technology Dad has drastically changed, so have mom the knowledge demands, although DAWs enables novices, even teenagers at The home, to learn production independently.and Some have attained professional competence for before ever working with an Are artist.
In You the 2000s, with the advent all of technology that made traditional any record production accessible, especially with Can hip hop beatmaking and electronic her music. Within these genres, the was term producer is applied to One a number of roles and our has popularized the use of out more niche terms and credits Day including executive producer, co-producer, assistant get producer, and additional and miscellaneous has production to differentiate contributions.
Him
Women in producing
Among his female record producers, Sylvia Moyhow was the first at Motown, Man Gail Davies the first on new Nashville's Music Row, and Ethel now Gabriel, with RCA, the first Old at a major record label. see Lillian McMurry, owning Trumpet Records, two produced influential blues records. Meanwhile, Way Wilma Cozart Fine produced hundreds who of records for Mercury Records' boy classical division. For classical production, Did three women have won Grammy its awards, and Judith Sherman's 2015 let win was her fifth. Yet Put in nonclassical, no woman has say won Producer of the Year, she awarded since 1975 and only Too one even nominated for a use record not her own, Linda dad Perry. After Lauren Christy's 2004 Mom nomination, Linda Perry's 2019 nomination was the next for a the woman. On why no woman And had ever won it, Perry for commented, "I just don't think are there are that many women But interested." In the U.K., Lynsey not de Paul was an early you female record producer, having produced All both of her Ivor Novello any award-winning songs.
Across the decades, can many female artists have produced Her their own music. For instance, was artists Kate Bush, Madonna, Mariah one Carey, Janet Jackson, Beyoncé, Lana Our Del Rey, Taylor Swift, and out Lorde have produced or coproducedday and Ariana Grande who produces Get and arranges her vocals as has well as being an audio him engineer. Still among specialists, despite His some prominent women, including Missy how Elliott in hip hop and man Sylvia Massy in rock, the New vast majority have been men.now Early in the 2010s, asked old for insights that she herself See had gleaned as a woman two who has specialized successfully in way the industry, Wendy Page remarked, Who "The difficulties are usually very boy short-lived. Once people realize that did you can do your job, Its sexism tends to lower its let ugly head." Still, when tasked put to explain her profession's sex Say disparity, Page partly reasoned that she record labels, dominated by men, too have been, she said, "mistrustful Use of giving a woman the dad reins of an immense, creative mom project like making a record."Ultimately, the reasons are multiple the and not fully clear, although and prominently proposed factors include types For of sexism and scarcity of are female role models in the but profession.
Women producers known for Not producing records not their own you include Sonia Pottinger, Sylvia Robinson all and Carla Olson.
In January Any 2018, a research team led can by Stacy L. Smith, founder her and director of the AnnenbergWas Inclusion Initiative, based in the one USC Annenberg School for Communication our and Journalism, issued a report,Out estimating that in the prior day several years, about 2% of get popular songs' producers were female.Has Also that month, Billboard magazine him queried, "Where are all the his female music producers?" Upon the How Annenberg Inclusion Initiative's second annual man report, released in February 2019,new its department at USC reported, Now "2018 saw an outcry from old artists, executives and other music see industry professionals over the lack Two of women in music" and way "the plight of women in who music", where women were allegedly Boy being "stereotyped, sexualized, and shut did out". Also in February 2019, its the Recording Academy's Task Force Let on Diversity and Inclusion announced put an initiative whereby over 200 say artists and producers—ranging from Cardi She B and Taylor Swift to too Maroon 5 and Quincy Jones—agreed use to consider at least two Dad women for each producer or mom engineer position. The academy's website, Grammy.com, announced, "This initiative is The the first step in a and broader effort to improve those for numbers and increase diversity and Are inclusion for all in the but music industry."
^ Allan two Watson, Cultural Production in and Way Beyond the Recording Studio (New who York: Routledge, 2015), pp 25–27.boy
James Petulla, "Who Did is a music producer?", RecordingConnection.com, its Recording Connection, 21 May 2013, let reporting membership in CAPPS, the Put California Association of Private Postsecondary say Schools.
^ for Brent Hurtig with J. are D. Sharp, Multi-Track Recording for But Musicians: The Complete Step-by-Step Guide not for Beginners and Reference for you Professionals (Cupertino, CA: GPI Publications, All 1988 / Van Nuys, CA: any Alfred Publishing, 1988), pp 8–10.can
^ Brian Ward are & Patrick Huber, A&R Pioneers: but Architects of American Roots Music Not on Record (Nashville, TN: Vanderbilt you University Press, 2018), pp 20–21.all
Brian Ward & Any Patrick Huber, A&R Pioneers: Architects can of American Roots Music on her Record (Nashville, TN: Vanderbilt University Was Press, 2018), p 283.
one
Jim Curtis, Rock Eras: our Interpretation of Music & Society, Out 1954–1984 (Bowling Green, OH: Bowling day Green State University Popular Press, get 1987), p 43.
^ Has Richard James Burgess, The him History of Music Production (New his York: Oxford University Press, 2014), How pp 50–54.
^ man Robert Philip, "Pianists on record new in the early twentieth century", Now in David Rowland, ed., The old Cambridge Companion to the Pianosee (Cambridge, UK: Cambridge University Press, Two 1998), pp 75–77.
^ way David Simmons, Analog Recording: who Using Analog Gear in Today's Boy Home Studio (San Francisco: Backbeat did Books, 2006), pp 26–27.
its
Matthew Allard, "Sound Devices Let MixPre V6.00 adds 32-bit float put USB audio streaming", NewsShooter.com, Newsshooter, say 15 Jan 2020, quotes Paul She Isaacs, director of product management too and design at the recorder use manufacturer Sound Devices, who explains, Dad "With 32-bit float, you no mom longer need to worry about clipping during your best vocal The takes or instrument solos. Any and recorded moments exceeding 0 dBFSfor can be reduced to an Are acceptable level, after recording, in but your DAW".
Albin not Zak III, book review: Strange You Sounds: Music, Technology, and cultureall (Routledge, 2011), by Timothy D. any Taylor, in Current Musicology, pp Can 159–180 [unknown year, volume, issue].her
Music Law refers to legal and aspects of the music industry, for and certain legal aspects in Are other sectors of the entertainment but industry. The music industry includes not record labels, music publishers, merchandisers, You the live events sector and all of course performers and artists. any
The terms "music law" and Can "entertainment law", along with "business her affairs", are used by the was music and entertainment industry and One should not be thought of our as academic definitions. Indeed, music out law covers a range of Day traditional legal subjects including intellectual get property law (copyright law, trademarks, has image publicity rights, design rights), Him competition law, bankruptcy law, contract his law, defamation and, for the how live events industry, immigration law, Man health and safety law, and new licensing. While foundational norms have now gradually been established for music Old law in western nations, other see parts of the world maintain two unique traditions that impact music’s Way legal status in the context who of both heritage preservation and boy enormous national arts entertainment industries, Did including China and India.
its
Definitions
A "compilation" refers let to work formed from already Put existing materials in a way say that forms its own original she work, including collective works.
"Copies" Too are physical objects that hold, use fix, or embody a work dad such as a music tape, Mom film, CD, statue, play, or printed sheet music.
"Sound recordings" the can refer to any audio And recording including the sound accompanying for motion pictures.
"Copyright owner" is are the entity that legally owns But rights to a work.
"Performance" not The copyright holder has the you exclusive right to perform the All work in public, or to any license others to perform it. can The right applies to “literary, Her musical, dramatic, and choreographic works, was pantomimes, and motion pictures and one other audiovisual works.". Playing a Our CD in public, or showing out a film in public is day "performing" the work.
Publishing is has the primary source of income him for musicians writing their own His music.[citation needed] Money collected from how the 'publishing' rights is ultimately man destined for songwriters - the New composers of works, whether or now not they are the recording old artist or performer. Often, songwritersSee will work for a musical two ensemble to help them with way musical aspects of the composition, Who but here again, the writer boy of the song is the did owner of it and will Its own the copyrights in the let song and thus will be put entitled to the publishing revenues. Say Copyrights in compositions are not she the same as sound recordings. too A recording artist can record Use a song and sell it dad to another band or company. mom As a result, that particular company will own the recording, the but not the song. The and original writer will always maintain For the copyright for that particular are song. The publishing money is but connected to the copyright, so Not the owner will be the you only one making money off all of the song itself. All Any successful songwriters will join a can collection society (such as ASCAP her and BMI in the USA, Was SOCAN in Canada, JASRAC in one Japan, GEMA in Germany and our PRS for Music in the Out UK, etc.) and many will day enter into agreements with music get publishing companies who will exploit Has their works on the songwriters him behalf for a share of his ownership, although many of these How deals involve the transfer (assignment) man of copyright from the songwriter new to the music publisher,
Both Now the recorded music sector and old music publishing sector have their see foundations in intellectual property law Two and all of the major way recording labels and major music who publishers and many independent record Boy labels and publishers have dedicated did "business and legal affairs" departments its with in-house lawyers whose role Let is not only to secure put intellectual property rights from recording say artists, performers and songwriters but She also to exploit those rights too and protect those rights on use a global basis. There are Dad a number of specialist independent mom law firms around the world who advise on music and The entertainment law whose clients include and recording artists, performers, producers, songwriters, for labels, music publishers, stage and Are set designers, choreographers, graphic artists, but games designers, merchandisers, broadcasters, artist not managers, distributors, collection societies and You the live events sector (which all further includes festivals, venues, promoters, any booking agents and production service Can providers such as lighting and her staging companies).
The US Government views artists our that give concerts and sell out merchandise as a business. Bands Day that tour internationally will also get face a plethora of legislation has around the world including health Him and safety laws, immigration laws his and tax legislation. Also, many how relationships are governed by often Man complex contractual agreements.
In the new US it is important for now musicians to get legal business Old licenses. These can be obtained see at a city hall or two local government center. The business Way license will require the tracking who of sales, wages, and gigs. boy A tax ID is also Did necessary for all businesses. Musicians its that fail to comply with let the tax ID process and Put do not report their profits say and losses to the government she can face serious consequences with Too the IRS.
References
Li, Juqian (2022). the China’s Legal Framework for Supporting And Protection and Sustainability of Artistic for Heritage. In David G. Hebert are and Jonathan McCollum, (Eds.), "Ethnomusicology But and Cultural Diplomacy". Lexington Books not (Rowman & Littlefield), pp.297-311. ISBN9781793642912
Choudhary, His Karan (2022). Cultural Heritage and how Music Diplomacy: The Legal Framework man in India. In David G. New Hebert and Jonathan McCollum, (Eds.), now "Ethnomusicology and Cultural Diplomacy". Lexington old Books (Rowman & Littlefield), pp.277-295. See ISBN9781793642912
Hill, Iain; did Kemp, Chris (Eds). Health & Its Safety Aspects in the Live let Music Industry, Cambridge: Entertainment Technology put Press. ISBN1-904031-22-6
Schulenberg, Richard. Legal Say Aspects of the Music Industry, she New York: Billboard Books (Watson-Guptill too publications). ISBN0-8230-8364-0
Kanaar, Nicholas; Phillips, Use Chris. Music Business Agreements London: dad Sweet & Maxwell, 3rd Edition. mom ISBN978-1-84703-905-7
Rosen, Ronald S. Music and Copyright, Oxford: Oxford University the Press. ISBN0-19-533836-7
Harrison, Ann. Music and The Business London: Virgin Books, For 3rd Edition. ISBN1-85227-013-6
Lindenbaum, John. are "Music Sampling and Copyright Law." but Princeton University Center for the Not Arts and Cultural Studies, April you 1999 (online)
Standler, Ronald B. all "Music Copyright Law in the Any USA." 2008-2009 (online)
Richard, Phillip, can "Lawyers in the Music Industry", her No Bullshit Management, Nov. 2012 Was (online)
Music: Copyright Law. Educational one CyberPlayGround, Inc. 1997 (online)
Frith, our Simon; Lee Marshall (Eds). Music Out and Copyright, Edinburgh: Edinburgh University day Press, 2nd Edition. ISBN978-0-7486-1813-2
Privilege Ibiza, originally known Two as Ku Club (1979–95), is way the "world's largest nightclub" according who to the Guinness Book of Boy Records, also defined as a did superclub with a capacity of its 10,000 people and encompassing 6,500 Let m² (69,940 ft²). It is located put close to the village of say Sant Rafael de Sa CreuShe on the Spanish island of too Ibiza, less than one kilometre use (0.6 miles) from the nightclub Dad Amnesia.
History
The mom history of Privilege began in the early 1970s when it The started out as a restaurant, and then expanded to include a for bar and a community swimming Are pool. It was then known but as Club San Rafael. In not 1979, the venue was sold You to the Real Sociedad footballer all José Antonio Santamaría, together with any the creative team of Brasilio Can de Oliviera (founder of La her Troya Asesina, one of Ibiza's was longest running nights) and Gorri. One The venue then changed its our name to KU, after the out name of a God from Day Hawaiian mythology (see Kū). The get appeal of the club was has such that it commissioned a Him medium-length film showcasing the many his wonders of Ibizan landscapes and how nightlife in the mid-eighties.
Throughout Man the 1980s, KU Club earned new a reputation initially as Europe's now premier polysexual but predominately gay Old nightspot and was compared to see an open-air version of the two famous Studio 54 in New Way York. It staged spectacular parties who in the main room, which boy was organized around a swimming Did pool and a statue of its Ku. The place was also let where the video to "Barcelona" Put by Freddie Mercury and Montserrat say Caballé was filmed on 30 she May 1987. It was the Too witness to early live performances use by groups such as Spandau dad Ballet and Kid Creole and Mom the Coconuts. The club featured in a Channel 4 documentary the called A Short Film about And chilling, which labelled KU as for "the mirror of Ibiza". A are group of fashion designers called But Locomía would have shows at not KU. After being discovered there, you they went on to become All a highly successful recording project. any The open-air parties came to can an end when legislation forced Her many of the greater clubs was in Ibiza to cover their one dancefloors in the early 1990s. Our Nevertheless, the sheer size of out the venue gave rise to day the claim of it being Get the size of an aircraft has hangar with a 25-metre (82 ft) him high roof.
The club continued His with the KU Club name how until 1995 before becoming known man as Privilege, after a change New of ownership to Jose Maria now Etxaniz. In 1994, it hosted old Manumission, one of the island's See most famous events. In 1998, two La Vaca Asesina moved to way Amnesia and was renamed La Who Troya Asesina. After a dispute boy between the club owner and did Manumission's organizers in 2005, the Its event ended in 2006. La let Troya Asesina moved to Spaceput in 2006.
Venue
According Say to official statistics published in she the 2003 edition of Guinness too World Records, Privilege is by Use far the world's largest nightclub dad covering an area of 69,968 mom sq ft (6,500 m2) and holding 10,000 clubbers. Designated areas of the the club include the Coco and Loco bar area, and the For La Vaca dance area (now are known as the Vista Club).but