Can Sync hold a DJ back?
Can Sync hold a DJ back? Posted on: 22.04.2013 by Addie Engbrecht I was originally going to post this in the other Sync thread that was started today, but out of respect for the OP, I thought it would be better if I just started my own thread. Hopefully the replies (if any) are just as friendlyDoes anyone believe that Sync can seriously handcuff DJ's into being stuck in the same tempo range with all their music, or maybe just not being versatile enough to mix in different tempos, at a moments notice, at will, constantly throughout the evening ? or handcuff them from learning any other transitions, and just relying heavily on blending? If so, do you believe Sync does more harm than good to those DJ's who are just starting out? I've kinda seen this trend in people who started w/ Sync and use Sync, and have been DJ'n anywhere from 3 years or less, so these questions are mostly directed at that crowd | |
Peggy Gabrielson 28.04.2013 |
Originally Posted by DarioJ
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Cole Maroto 26.04.2013 |
Originally Posted by DJSigma
i don't really believe that beatmatching is the barrier between djs posting sub-par crap and not posting at all. in my experiences it has not added much of filter to some people at all. i started on turntables in about 2000 and i met a fair amount of other djs that were starting around the same time. most of them would just hand out mixes on cds that were entirely trainwrecks, clashing mixes, bad phrasing, shoddy eq work and they didnt even believe twice about it. i practiced for a long time before i made a mix that i felt was good enough to release, but not everyone does that regardless of whether or not sync is used. hell, there are still people posting manually beatmatched mixes complete with trainwrecks and the works and it's 2013 - the era of sync. so again, this filter does not pertain to everyone. |
Meaghan Machold 26.04.2013 |
Originally Posted by Nicky H
/thread go home no more sync threads till May |
Janyce Henningson 26.04.2013 |
Originally Posted by djmetalgear
Listen bud I switched to digital around 4 years ago. Prior to that I used CDJ's and turntables before that. I use sync myself. I use it because it's easy - and i'm not worried about saying that or pretending it gives me time to "be more creative". I have no problem with anyone using software and sync, absolutely none - it is the future of club music and that's a fact. But it's not the same as traditional dj'ing - end of. I come from a house background, but back in the 90's house dj's had to cut/scratch/ learn all types of mixes - long blends/chops /whatever. Just look at the threads on this community and tell me that dj'ing now hasn't been "dumbed down" to the point it just requires very very basic IT knowledge. The question "Does sync hold you back?" IMO No is the answer. "Are they as talented as hip-hop dj's or old skool dj's who learnt on vinyl?" IMO No is the answer. |
Meaghan Machold 27.04.2013 |
Originally Posted by b1sh0p
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Sonja Roybal 26.04.2013 |
Originally Posted by djmetalgear
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Meaghan Machold 26.04.2013 |
Originally Posted by haze324
Did elevators make humans lazy? or are humans in general just lazy... THATS the issue. And in this case... someone who is lazy, will ALWAYS be lazy, whether there is sync there to help them or not. |
Warner Rotberg 26.04.2013 |
Originally Posted by djmetalgear
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Julissa Serrone 26.04.2013 |
Originally Posted by DJSigma
Great example. I can sync up and layer 12 samples, but i can't beatmach and swap out with another DJ at a club. |
Julissa Serrone 26.04.2013 |
Originally Posted by djmetalgear
Nothing wrong with embracing technology and leveraging it, but if the question is does sync hold you back. 100% yes it does if that's all you know. I asked in the other thread for folks to post an example of how sync helps them do what they and ONE person, just ONE (Sarasin, and he's a pimp for doing it) posted. |
Lina Rawie 26.04.2013 |
Originally Posted by squidot
A lot of people who are new to DJing do not have the ability to critique themselves yet. It's something that comes with experience. Manual beatmatching is like a built in barrier that stops DJs from posting up absolute crap. That's a good thing for all concerned IMO. On DJ Forums the other week, a guy posted up his first attempt at mixing after having 30 minutes experience of using DJ gear . 30 minutes. He asked "do I have room to improve?". Had he not been using auto-sync, his little mix would no doubt have sounded even worse than it did (and it sounded like crap as it is) - so bad that he wouldn't have even posted it up. But that's a good thing though. It used to be that you'd buy gear, hone your skills for several months, then post up your first mix. Now, the "hone your skills" part has gone out of the window because inexperienced n00bs believe that because the tracks are synced, their mix is OK, even though the phrase matching is out, the levels might be out, there's no variation in technique, and there's a high chance that they're doing too much EQ knob twiddling and effect triggering (all in the name of "creativity" you understand). SoundCloud is filled with awful mixes and mashups made using sync. A lot of these DJs start with the DJ name, the Facebook fan page, the SoundCloud account, then the product comes last. It's like a big rush to get stuff online for people to click "like" on. Who does this benefit though? I would argue that it benefits nobody, including the amateur DJs and producers that are doing it. So I believe sync can hold a DJ back: - 1. It limits the DJ to only using gear that has a sync feature. 2. The DJ can't do a back to back mix with 1 or more other DJs if they're using separate setups. 3. There is the challenge/enjoyment factor to consider. The less you do manually, the less you may feel connected to a particular activity, which lessens your enjoyment of it. And I know the sync crowd have the tendency to respond "that's bullshit!" to things like that, but how can they ever know? 4. It removes the biggest barrier between the DJ and posting up sub-par crap, as discussed above. So it's all very well saying "yes, but with sync I can use 12 decks with loops, samples and effects cos I'm so creative, blah blah", but I'm not saying never use sync. Being able to choose which method you use is better than being forced to use only the one that requires no skill whatsoever. |
Meaghan Machold 26.04.2013 |
Originally Posted by Nicky H
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Janyce Henningson 26.04.2013 | Exactly it's just different now to the past, like lots of things. Less skill/practice/talent required though which is the problem - everyone wants to be a dj these days it seems - and software makes it possible.
Originally Posted by Mr_Moo
But seeing as you compared it to other jobs - would you rather be the experienced tradesman who can craft items by hand or the cheap labour who uses the latest machine to get the job done. |
Peggy Gabrielson 28.04.2013 |
Originally Posted by DarioJ
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Lorri Bobar 27.04.2013 | hm i haven't tried looking at the waveform, but i do try to imagine the sound is rotating around the lifeless platter. i guess that doesn't work either lol! i'll have to give it more of a shot. |
Augustine Mitzen 27.04.2013 | Don't look at the waveform. It does feel quite different on CDJs and vinyl though |
Lorri Bobar 26.04.2013 | i am a beginner and i've been using sync. i kinda felt stumped even beginning to learn how to beatmatch manually because to me it just feels so weird trying to catch the 1st beat on platters that don't rotate (i use an s4) altho i have found it handy to fine tune the beat occasionally using the outer ring of the platter, and i've done a little bit of beatmatching but not enough to be confident in it. i should try learn it cos everyone who says it's worth knowing 'both' ways is totally right. does anyone else believe it feels strange manipulating a waveform on jog wheels that don't rotate like turntables do? it is a weird feeling like rubbing your tummy/patting your head cos you can't follow where the beats are or feel where they are thru the platter. any thoughts? |
Cole Maroto 26.04.2013 |
Originally Posted by DJSigma
i don't really believe that beatmatching is the barrier between djs posting sub-par crap and not posting at all. in my experiences it has not added much of filter to some people at all. i started on turntables in about 2000 and i met a fair amount of other djs that were starting around the same time. most of them would just hand out mixes on cds that were entirely trainwrecks, clashing mixes, bad phrasing, shoddy eq work and they didnt even believe twice about it. i practiced for a long time before i made a mix that i felt was good enough to release, but not everyone does that regardless of whether or not sync is used. hell, there are still people posting manually beatmatched mixes complete with trainwrecks and the works and it's 2013 - the era of sync. so again, this filter does not pertain to everyone. |
Meaghan Machold 26.04.2013 |
Originally Posted by Nicky H
/thread go home no more sync threads till May |
Dorie Scelzo 26.04.2013 | I didn't read any of the replies. My apologies if this has gone off topic and turned into a joke fest or something. 1. No, I don't believe that the particular issue the OP mentioned is a problem. Changing tempos drastically at a moment's notice is a bad idea. If you're mixing, then you should mix. If you're jukeboxing, then don't bother with sync becuase you're going to screw it up anyway. If you're curtting, sync is already screwing you up. If you're good enough to change the tempo effectively, you're good enough to do it with or without sync. 2. Yes, I believe it can hold a DJ back in general. Part of it is the "if your only tool's a hammer..." thing, but mostly it's becuase IMHE, sync is way more trouble than it's worth. Spending your time on something more productive, interesting, or artistic is probably a better use of your time when it's so simple to just move a pitch fader. |
Janyce Henningson 26.04.2013 |
Originally Posted by djmetalgear
Listen bud I switched to digital around 4 years ago. Prior to that I used CDJ's and turntables before that. I use sync myself. I use it because it's easy - and i'm not worried about saying that or pretending it gives me time to "be more creative". I have no problem with anyone using software and sync, absolutely none - it is the future of club music and that's a fact. But it's not the same as traditional dj'ing - end of. I come from a house background, but back in the 90's house dj's had to cut/scratch/ learn all types of mixes - long blends/chops /whatever. Just look at the threads on this community and tell me that dj'ing now hasn't been "dumbed down" to the point it just requires very very basic IT knowledge. The question "Does sync hold you back?" IMO No is the answer. "Are they as talented as hip-hop dj's or old skool dj's who learnt on vinyl?" IMO No is the answer. |
Meaghan Machold 27.04.2013 |
Originally Posted by b1sh0p
|
Sonja Roybal 26.04.2013 |
Originally Posted by djmetalgear
|
Meaghan Machold 26.04.2013 |
Originally Posted by haze324
Did elevators make humans lazy? or are humans in general just lazy... THATS the issue. And in this case... someone who is lazy, will ALWAYS be lazy, whether there is sync there to help them or not. |
Warner Rotberg 26.04.2013 |
Originally Posted by djmetalgear
|
Julissa Serrone 26.04.2013 |
Originally Posted by DJSigma
Great example. I can sync up and layer 12 samples, but i can't beatmach and swap out with another DJ at a club. |
Julissa Serrone 26.04.2013 |
Originally Posted by djmetalgear
Nothing wrong with embracing technology and leveraging it, but if the question is does sync hold you back. 100% yes it does if that's all you know. I asked in the other thread for folks to post an example of how sync helps them do what they and ONE person, just ONE (Sarasin, and he's a pimp for doing it) posted. |
Lina Rawie 26.04.2013 |
Originally Posted by squidot
A lot of people who are new to DJing do not have the ability to critique themselves yet. It's something that comes with experience. Manual beatmatching is like a built in barrier that stops DJs from posting up absolute crap. That's a good thing for all concerned IMO. On DJ Forums the other week, a guy posted up his first attempt at mixing after having 30 minutes experience of using DJ gear . 30 minutes. He asked "do I have room to improve?". Had he not been using auto-sync, his little mix would no doubt have sounded even worse than it did (and it sounded like crap as it is) - so bad that he wouldn't have even posted it up. But that's a good thing though. It used to be that you'd buy gear, hone your skills for several months, then post up your first mix. Now, the "hone your skills" part has gone out of the window because inexperienced n00bs believe that because the tracks are synced, their mix is OK, even though the phrase matching is out, the levels might be out, there's no variation in technique, and there's a high chance that they're doing too much EQ knob twiddling and effect triggering (all in the name of "creativity" you understand). SoundCloud is filled with awful mixes and mashups made using sync. A lot of these DJs start with the DJ name, the Facebook fan page, the SoundCloud account, then the product comes last. It's like a big rush to get stuff online for people to click "like" on. Who does this benefit though? I would argue that it benefits nobody, including the amateur DJs and producers that are doing it. So I believe sync can hold a DJ back: - 1. It limits the DJ to only using gear that has a sync feature. 2. The DJ can't do a back to back mix with 1 or more other DJs if they're using separate setups. 3. There is the challenge/enjoyment factor to consider. The less you do manually, the less you may feel connected to a particular activity, which lessens your enjoyment of it. And I know the sync crowd have the tendency to respond "that's bullshit!" to things like that, but how can they ever know? 4. It removes the biggest barrier between the DJ and posting up sub-par crap, as discussed above. So it's all very well saying "yes, but with sync I can use 12 decks with loops, samples and effects cos I'm so creative, blah blah", but I'm not saying never use sync. Being able to choose which method you use is better than being forced to use only the one that requires no skill whatsoever. |
Meaghan Machold 26.04.2013 |
Originally Posted by Nicky H
|
Janyce Henningson 26.04.2013 | Exactly it's just different now to the past, like lots of things. Less skill/practice/talent required though which is the problem - everyone wants to be a dj these days it seems - and software makes it possible.
Originally Posted by Mr_Moo
But seeing as you compared it to other jobs - would you rather be the experienced tradesman who can craft items by hand or the cheap labour who uses the latest machine to get the job done. |
Brunilda Kora 26.04.2013 |
Originally Posted by Mr_moo
|
Warner Rotberg 26.04.2013 | This whole topic bores me to tears (unless the DJ is new and hasnt learnt to beatmatch properly). BUT. Traktor has 4 decks or 2 decks and 8 Remix decks. CDJs. They are expensive to buy and clubs dont always have more than 2 of them. CDJs have whats called a BPM counter on there. Match it up and its pretty much in anyway. My point being, is, sync is there to be creative. Not everyone can afford CDJs. CDJs can also be used in conjunction with Traktor and yes, you can then press sync. You cant have 3/4 decks of CDJs without spending oodles of cash. Yes, you arent a "DJ" unless you play on vinyl. Fffffff uk off. At the end of the day, DJing isnt about playing 2 songs at the same speed. Anyone can do that. Its about choosing tracks for your audience. Are people who ride motor bikes cheating because they dont pedal? Do you still beat your clothes on a rock, or do you have a washing machine? Hell, do you believe reel2reel DJs kicked off when Technics came about? Most probably yes. Did vinyl DJs kick off when CDJs incorporated a BPM function and they called it cheating? YES. Did CDJ djs kick off when laptops and midi controllers came about to be more popular? .............. In what other job/industry do you see people slating advancement of technology and innovation? |
Ninfa Mazariegos 24.04.2013 | It's one of those things that you don't know until you go. It's all about the effort you want to put into it. You can beatgrid all day your tracks that you are going to play for a certain venue and easily get by. Or you can learn to beatmatch, use the tap function, if traktor gives you some random grid after a couple taps, say fuck it, and grab the pitch fader and go to town. Songs may not be even close, but you will know right away because you spent many evenings training your brain how to recognize two completely different rhythms and can even correct for tracks that are several beats off. I can confidently say that I could jam out with daft punk or the prodigy if they so randomly asked me to. So yes, relying on sync does holds you back from being the best live performer that you could be. |
Nia Amed 24.04.2013 |
Originally Posted by b1sh0p
I mostly play breaks, but Traktor screws up the grids on really percussive bumpity style techno at least 40% of the time. Screws up badly I should add. Nothing a quick tap tempo and some nudging can't solve. |
Sonja Roybal 24.04.2013 | I don't know if it's Traktor DJ or the downbeat detection in 2.6.1, but all my tunes are off when I import them. It seems like the downbeat detection wants to grid everything by the snare, which I hate because the snare isn't the downbeat. Most leads, bass, pads etc start at the kick, not the snare. I don't believe many people learned to beatmatch off the snare because it's a fundamental flaw. Traktor DJ makes gridding insanely fast and easy though. Every time I buy a new tune, I import it to Traktor DJ, grid it and add cue points. |
Olin Easley 24.04.2013 |
Originally Posted by b1sh0p
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Ashanti Andreacchio 24.04.2013 | also it not like your going to import 100's of song each day. But to the original question you synch can hold back a DJ. sepcialy if he/she does not know that songs need to be beatgrided. to beathmatch you need to train your ears/brain to get it right. but without the brain beeing trained to know when a 2 songs are beatmatched . For a beginner DJ synching 2 songs that are out of grid might not trigger any alarms in the brain. so they would believe everything is fine and thats how it's supose to be, so they eventualy trick their brain to believe it sound ok like that. These DJ will end up as shit DJ without even knowing why they are shit DJ. |
Syreeta Piela 24.04.2013 | Reading this thread makes me want to get on my 1210's and have a REAL mix... Ahh the feeling of vinyl in hand is like no other.. So tangible.. Letting that record slip out of your fingers when the beat drops, flicking it, twisting it, pushing it around, breaking with your fingers, moving the tempo up and down.. Priceless. I feel sorry for the sync generation kids who haven't had the opportunity to learn to mix records on vinyl. |
Meaghan Machold 24.04.2013 |
Originally Posted by b1sh0p
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Sonja Roybal 24.04.2013 | I assume the people that don't have problems with Traktor beatgrids are playing 4 to the floor house or techno? |
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