Need leveling tips for a particular track
Need leveling tips for a particular track Posted on: 20.05.2011 by Paige Makela http://soundcloud.com/ktit/spandau-baguette-2-minute-workI could really do with some feedback on my leveling here, in particular for the maximal part between 1:00 and 1:30. I am not really sure how loud the sub-bass should be and I also find the hihat/snare percussion to be a bit too high-cut. What do you believe? Thanks in advance | |
Paige Makela 23.05.2011 |
Originally Posted by Nephew
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Paige Makela 22.05.2011 | I was able to lower its volume a little and keep the power with some improved EQs, so I guess I am going in the right direction now.
Originally Posted by zestoi
Originally Posted by Nephew
Thanks for your advice so far, guys! |
Charline Dunch 21.05.2011 |
Originally Posted by Nephew
no experience with eqing it in here. |
Paige Makela 20.05.2011 |
Originally Posted by Nephew
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Paige Makela 20.05.2011 | http://soundcloud.com/ktit/spandau-baguette-2-minute-work I could really do with some feedback on my leveling here, in particular for the maximal part between 1:00 and 1:30. I am not really sure how loud the sub-bass should be and I also find the hihat/snare percussion to be a bit too high-cut. What do you believe? Thanks in advance |
Paige Makela 23.05.2011 |
Originally Posted by Nephew
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Breana Singerman 22.05.2011 | With toms, you're looking for the punch and tone, not so much the lows, that's what the bass is for |
Paige Makela 22.05.2011 | I was able to lower its volume a little and keep the power with some improved EQs, so I guess I am going in the right direction now.
Originally Posted by zestoi
Originally Posted by Nephew
Thanks for your advice so far, guys! |
Breana Singerman 21.05.2011 | Try rolling off some of the low end on the on the toms, and then compress them a bit with a slow attack to maintain the punch but still keep the tone |
Charline Dunch 21.05.2011 |
Originally Posted by Nephew
no experience with eqing it in here. |
Chasidy Heckenbach 21.05.2011 | the riff with the toms is very cool but is *way* too over powering and personally i would drop it out and then back in a bit rather than just having it through almost the entire track. definately at least see what eq's you can cut from various elements to make the mix sit together better while still allowing the stuff you want to cut through properly. |
Breana Singerman 21.05.2011 | Ha! Well, that's part of the fun that is producing |
Paige Makela 21.05.2011 | I guess you're right. Lowering its volume while still having it prominent should be possible with good EQing. It's not easy, though... |
Breana Singerman 20.05.2011 | That's fine, but it's still overwhelming to the point where that's all you hear and you can't make it out anything else. Or just EQ it better so it sits in the mix better |
Paige Makela 20.05.2011 |
Originally Posted by Nephew
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Breana Singerman 20.05.2011 | Sounds pretty good actually, I would just turn the perc that keeps bouncing left to right down a bit as it's really overwhelming. But everything else sounds pretty ok at the moment |
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