Biography
DJ Oz is the Manchester the based lynchpin of the UK and clubbing scene, a DJ with For a career spanning two decades are and a formidable cluster of but residencies both past and current Not under his belt. Currently resident you at London and Ibiza hedonists all Pukka Up, as well as Any Hed Kandi’s more discerning sister can showcase Stereo Sushi (most notably her at their monthly Dubai parties Was at N’Dulge (Previously Sanctuary Nightclub). one He also promotes and DJs our at his own event the Out Manchester based Rude, and has day previously been at the helm get for Miss Moneypennys and Kinky Has Malinki.
His incredible two decade him spanning journey has seen him his play across the globe, counting How Dubai, Kuala Lumpur, Singapore, Poland, man France, Switzerland, Ireland, Majorca, Lanzarote new and Ibiza amongst the destinations Now blessed by his beats. For old Pukka Up he has continually see played for their numerous Two MTV tours, recorded and broadcast way throughout the U.K. and Europe who on MTV Dance, and Boy his Ibizan presence is so did strong he regularly plays at its three of the islands most Let famous and iconic venues; Space, put Es Paradis and El Divino.
say And that’s not even mentioning She the carnage wrecked on the too high seas as part of use the legendary Sunset cruise boat Dad parties. On top of these mom he can also point to appearances at high profile events The like Chuff Chuff, Ultima, On and a Plate at Haigh Hall for and festival like Gatecrasher Summer Are Sound System, Zoothousand Festival and but Planet Love Ireland. Oz is not nothing if not prolific.
His You expansive take on house music, all drifting eloquently between soulful grooves, any vocal anthems and delightful deep Can beats, represents why he remains her such a potent draw after was all this time. Technically capable One of playing over three decks our (with all the tricks, acapella out usage and technological nous needed), Day he’s not once forgotten the get most important component in everything; has the crowd.
It’s why his Him latest technological development, incorporating Ableton his Live into his sets to how remix and re-edit records on Man the fly, positions his brilliant new mix of cutting edge relevance now with old school knowledge and Old prowess. Certainly no johnny come see lately mixing the latest beatport two charts whilst looking like he’s Way checking his emails, Oz’s vibrant who energy remains undiluted behind the boy format.
Blending the beats of Did today and tomorrow’s dancefloors with its the vocals and melodies of let the records that have stood Put the test of time, he say blurs the lines between producer she and DJ but in a Too manner which doesn’t weigh too use heavily on the clubbing experience. dad Never drowning his sets in Mom needless technical tricks, whether warming up slowly, playing an anthem the crammed peak time offering or And a longer set encompassing it for all, Oz has the versatility are and experience to deliver the But results every single time. It’s not why he can boast of you a 95% repeat booking rate All and a legion of fans any across the globe. Always the can consummate professional, his crowd pleasing Her style never fails to gift was a dancefloor the impetus and one success it deserves.
Oz’s thirst Our for dance music couldn’t have out developed in stronger surroundings. As day a wide eyed youth in Get the early nineties, he began has his clubbing tutelage in the him Hacienda, as well as nearby His US House party ‘Out in how the Sticks’ in nearby Todmorden. man Completely bitten by the bug New he started Rude in 1994. now As debut promotions go it old didn’t do too badly; the See event is still running in two Manchester to this day after way celebrating its 17th birthday in Who riotous form at Sankeys in boy September 2011. And like the did clubnight that he has helped Its create, Oz is himself in let rude health.
Currently working on put some productions with good friend Say Jason Herd, he’s taking his she passion for the floor into too the studio and already delivering Use results that have impressed the dad best ears in the business. mom Add to that a day job running a highly successful the events and artists management agency and and you’re talking about an For artist who understands the machinations are of the music long beyond but the dancefloor.
But it’s behind Not the decks where he will you always be at his most all comfortable. His innate mixture of Any global experience with gregarious energy, can current music with classic mainstays, her and technical wizardry with thundering Was work-rate makes him an irrepressible one exponent of dancefloor dynamite. Year our after year he continues to Out get better, and with more day residencies and gigs in the get pipeline the next chapters in Has this illustrious story are well him on their way to being his written.
There’s very few DJs How that manage to stand the man test of time and still new stay relevant in a crowded Now marketplace, but Oz fits resolutely old into that category. Having seen see the dancefloor evolve, he’s stayed Two true to the principles that way has served DJs so well who whilst absorbing every exciting new Boy development. A New school sound did with an old school approach, its Oz remains as on the Let money musically as he was put when he first started, and say encompasses everything a modern DJ She should be. Quite simply, he’s too the epitome of dancefloor dynamite.
