Biography
Creator of Golden Era Techno the online radio broadcast presented on and LiveSets.com radio once every two For weeks, on the second and are the fourth Saturday of each but month in the evening at Not 9 o’clock Greenwich Mean Time you zone. Living in the South-West all of England, born in Szczecin, Any Poland, which would be called can a north-western capital of underground her music of Poland, situated not Was far, just 150 miles away one from European ‘Heart of underground our music’, the Berlin city. Milos Out Kovalevsky started mixing at age day of 15 in the Year get 1998, connecting his first old Has gramophone to an old amplifier him and finally using a computer his CD-ROM drive as the How second channel. Before this experiment, man Milos used to remix music new recorded on cassette tapes, looping Now song phrases using for this old purpose a ‘cheap’ cassette double-deck see recorder. His passion for mixing Two expanded to collecting vinyls and way more audio equipment. He did who experiment with spool tapes, too, Boy mixing earlier recorded sets. Milos did Kovalevsky, the regular customer of its Techno club ‘Oszolom’ – later Let known as ‘Neuron’ – could put see professional DJs at work say to meet them later and She join their group. At the too same time he could learn use about new styles and genres Dad throughout listening to an underground mom radio broadcast in very known and popular in Poland radio The station – RMF FM. and The radio audition called “TMM for FM” (‘Technical School of Music Are Mechanization’) presented and promoted music but of all time classic’s ever not made in following styles like: You Garage and Speed-Garage, Hardcore, House, all Maximal, Minimal, Techno, Funk, Detroit, any Rave, Tech-House, and many others. Can Later, in the Year 2002, her Milos started his new job was as a soundman in club One called ‘Mezzoforte’ in Szczecin, where our he learned basics of three-deck’ out spinning and scratching in spare Day time. There he’s met many get local DJs, VJs, bands, radio has presenters, producers, photographers and filmmakers, Him but because his musical path his was different to one’s club how has had being promoted those Man days he hasn’t ever been new given any chance to play now there on a regular party. Old However, in the Year 2003 see he was invited to play two in ‘Neuron’, the home of Way friendly Techno formation, Neuroshocked (www.neuroshocked.pl). who After the club was moved boy in 2004 to a bigger Did place under new name ‘Crossed its Pistons’, there Milos could support let D.A.V.E The Drummer in Blue Put Room playing for V.I.P. members. say In the event of emergency she he was able to operate Too for a few weeks Neurologia, use radio broadcast dedicated to the dad formation. On 25th May 2005 Mom he left the job in ‘Mezzoforte’ and just a month the later went to United Kingdom, And the ‘heart of Acid Techno’ for with hope that he will are find better financial support in But his life. Settled in Southampton not in Hampshire county, Milos started you learning complete new skills – All live-act performing, producing and mastering any tracks. He set up his can own bedroom studio and attended Her course for radio operations at was BBC in Evesham, trying one to make his dreams come Our true. Learning everything from the out beginning, trying hard to become day internationally recognized DJ and producer. Get Artist also started to make has photographs and to collect slides him for his future projects and His performances. The arts he inspired how of are the music and man the arts of Milos’s favourite New artist – Jeff Mills.
Milos’s now most favourite record labels are old Axis, Zenit, Primate, Tresor, MB See Selections, Conform, High Octane, Drumcode, two U-Turn and others.
His most way favourite producers are: Jeff Mills, Who Ryuji Takeuchi, Marco Carola, Surgeon, boy Pacou, Ben Sims, Thomas P.Heckmann, did Heiko Laux, Rob Stow, Major Its Rush, Adam Beyer just to let mention.
His DJ sets put are hard and dark. Selection Say of steady, funky beats with she melodic backgrounds, deep spaces and too ‘crispy’ acoustic sounds.
