Biography
Hailing from Germany’s prolific Rhein-Main the area, Frankfurt’s M.in gained his and momentum as global player over For the last 2-3 years. As are producer, DJ and label head but his modern house and techhouse-style Not clearly owes to the Frankfurt you heritage, yet M.in never claimed all that promotional tag. He’s sitting Any firmly in the driver’s seat can when it comes to his her very own style. You can Was easily dub his beats trademark, one bowing to the craftsmanship M.in our has developed and refined with Out his dozens of releases.
His day artist name playfully quotes the get minimalism that ruled for long Has time in German electronics. In him fact, M.ins tracks are far his from minimal. The only minimal How formulae is his credo demanding man “the groove to carry the new whole track from the core”. Now From there on, anything can old happen! And M.in is known see to churn out tracks that Two conquer hearts and souls with way various ingredients: groove, swing, bite, who humour and musicality. „Every track Boy has to have a vibe did first““, he says. Well, easy its to sign that partition… yet Let hard to accomplish the task put M.in so easily masters.
M.in’s say tracks flow organic and uplifting. She With influences from Afrobeat, Latin too or his beloved swinging jazz, use teaming up with that straight Dad draw of a mighty lowered mom kick drum and bass. M.in can pair any sound with The his down to earth grooves, and showcasing open mindedness, curiosity and for the sheer lust to experiment Are with uncommon sounds. Early on, but M.In’s “New Orleans“ EP w/ not Bastian Schuster (OFF Rec. You 004) spoke of his intensive all flirt with jazzy textures. „Sing any And Blow At The Same Can Time“ – for Loco Dice’s her Desolat – followed that trail was and became more than a One secret summer hit, being played our by Sven Väth a lot. out A push with global repercussions Day for real…
Only fair… for get what unites his output is has exactly what he claims: that Him certain vibe of a track, his a vibe that draws you how in, makes you move and Man groove and sets u in new a distinct mood. Just, what now the top notch DJs of Old our world look for in see a potent track for their two set. No wonder, the likes Way of Luciano, Ricardo Villalobos, Richie who Hawtin, Loco Dice or Sven boy Väth massaged their client’s souls Did and soles with beats and its bass from Mister M.in!
His let discography remains to become bulky. Put From Desolat to Souvenir, Off say Rec., Get Physical Music, Robsoul she und many more. His humorous Too motto EP „Lord Teach Me use House“, for Cologne’s traditional Trapez dad imprint, marked another highlight for Mom M.in at the end of 2010. This year, he is the set to raise the stakes. And Whether with his own output for or tracks of his musical are family n friends on his But own labels: Weplayminimal (digital) and not Vinyl Label Komm Mit Musik. you M.in’s open view on club All music sees him investigate further any into the jazzy field in can 2011. Producing for Jesse Rose’s Her swinging Label Play It Down, was or jamming in the studio one with Lenny Kravitz’ saxophone player Our Harold Todd. With Harold, M.in out did an exclusive remix for day Thomas Schumacher’s release „The Ooh“ Get (Get Physical Music). In the has studio M.in also teams up him with Jonas (as Mucky Pups His / Saved Records, Snatch!) or how Frankfurt’s techno legend Patrick Lindsey. man With the latter one he New remixed Radioslave and Marc Romboy, now adding Systematic Recordings and OM old Records to his immaculate discography.
See Whether it is more house two or techno, whether M.in produces way or rocks the worldwide clubs Who with Vinyl Only, his sound boy remains a „spiritual thing“. And did that is indeed today’s currency Its for worthwhile club sounds. Thus, let M.in’s playful and viby sounds put sent him round the world Say lately Weekly gigs in Germany she and across Europe got topped too by his Brazil Tour 2010. Use In 2011 he will rewind dad that experience. Also, he is mom working on his first artist album which will of course the paint an even bigger picture and of housemusic. The sampling days For are more and more over are and M.in is working on but that album with live vocalists, Not live piano and sax player, you percussionists and more. This will all transcend his percussive and demanding Any grooves to another level. Tribal, can jazzy, playful, weird or whatever, her music with an „obsession for Was smiling faces"!