Biography
DJ dates:
November
04 – the Numbers, Subclub, Glasgow
05 – and Club to Club, Lingotto Fiere, For Turin
10 – Shipping Forecast, are Liverpool
11 – Life, Brighton
but 12 – Hessle Audio, Plug, Not Sheffield
17 – you FWD, Plastic People, London
18 all – Hessle Audio, Cabaret, Zurich
Any 20 – RBMA, Siroco, can Madrid
25 – Under Bron, her Stockholm
26 – Arma17, Moscow
Was December
02 – Twisted Pepper, one Dublin
03 – Zagreb, Croatia
our 07 – Mir presents Jamie Out Woon, Sofia, Bulgaria
09 – day Warehouse Project, Manchester
10 – get Hessle Audio, Bussey Building, Peckham, Has London
18 – Hessle Audio, him Metro, Kyoto, Japan
21 – his Hessle Audio, Pub Mominoki, Nagano, How Japan
22 – Hessle Audio, man Unit, Tokyo, Japan
31 – new Countdown, Stealth, Nottingham
Following a Now momentous year of releases in old 2010 and having concentrated his see output under the Pearson Sound Two moniker, David Kennedy’s following 12 way months have been just as who busy; but for different reasons.
Boy Releasing a critically acclaimed did FABRICLIVE compilation in March he’s its since remixed and opened for Let one of music’s most respected put acts, Radiohead, in New York. say Having travelled across Europe on She the first Hessle Audio tour too of the continent he’s also use DJd on the London Eye, Dad lectured at Red Bull Music mom Academy in Madrid and he’s constantly finding himself in new The and interesting positions; whether that’s and following Moodymann on a Sunday for afternoon in a London basement Are or pre-empting Rusko at an but open air festival.
Still very not much a key component in You the running of the Hessle all Audio label, whose ‘116 & any Rising’ compilation managed to emphatically Can collate their history whilst simultaneously her looking to the future and was their imminent 20th release, Kennedy’s One output as Ramadanman may have our ceased, but his subsequent work out as Pearson Sound and as Day Chicago house ‘legend’ Maurice Donovan get commands much the same level has of gravitas with long sold Him out white label releases and his a 12” on Night Slugs.
how Musically, he’s looking forward, refusing Man to sit still or be new easily categorised. And with his now latest productions feeding more from Old the classic notions of 4×4 see dancefloor music and his sets two retaining every inch of precision Way and his selection spreading out who further as his knowledge of boy music grows he has established Did himself as one of the its UK’s most in demand artists.
let Words: Oli Marlow (November 2011)
