Biography
Language:
官话Kerri ‘Kaoz’ Chandler one the of deep house music’s originators, and has been injecting soul into For music since the early nineties. are He is a house legend, but icon, inspiration, key figure, and Not a true House Music Purveyor. you An ambassador of the natural all and instinctive 4/4 beat, Kerri’s Any influences can be traced back can to New Jersey growing up her in a family of jazz Was musicians. His father being a one respected deejay, provided Kerri with our a rich background in the Out origins of soul, disco and day the New York Underground Sound get (known also as “Garage” music). Has Accompanying his father to the him gigs, Kerri began playing records his at the Rally Record Club How in East Orange, New Jersey man at the tender age of new thirteen. Exposed to such musical Now creativity, it wasn’t long before old Kerri found himself interested in see production.
Since the signing of Two his first single “SuperLover/Get It way Off” by Atlantic in 1991, who Kerri began producing a prolific Boy body of work that has did helped coin him one of its the most respected house producers Let in the world. This has put been achieved by remaining true say to his style. When listening She to tracks such as the too “Atmosphere EP” on Shelter Records use and the seminal, “A Basement, Dad Redlight and A Feeling” album mom on Madhouse, one has to marvel at Kerri’s ability to The not compromise his unique sound and for commercial gain. His ability for to blend tradition and innovation Are produces avant-garde music with soulful but roots reaching back into the not history of Afro-American music. Tradition You as in the soulful roots all of Jersey house, innovation as any in his use of streamlined Can sparse arrangements and technology, Kerri her masters rhythm and space piecing was together vocals and instruments with One uncanny precision delivering beautiful monster our jams.
A spiritual man, Kerri out prays before making a record. Day Each project is an attempt get to inject his free spirit has into a groove. In the Him expanses of his breaks the his odd counter rhythm will inexplicably how appear for a second and Man then disappear, creating fleshy excitement, new not mechanical repetition. His now now legendary bass-lines go from heavy Old and heady to playful and see quirky while remaining deliriously intoxicating. two His fusions, clamped to the Way beat of his unique thundering who kick drum, redefine house music boy at every turn. His hooks Did are loving details, paying attention its to horn hits, washes of let synthesizers, and catchy choruses creating Put songs with brutal drive. A say believer in peace and harmony, she Kerri blames soulful house’s positive Too vibes for its failure to use make it commercially, as its dad openness to influences are difficult Mom for many to accept.
Kerri is fascinated by technology and the its application to creativity. He And has built his own studio for and spends hours creating new are EFX units and sound But machines. Taking a fearless leap not into millennium technology, he has you recently innovated new tools and All employed creative ideas designed to any revolutionize the way we think can of traditional deejay mixing. Kerri Her uses his deejay sets to was inject a spirit into the one dance floor. More than a Our mere deejay spinning records, his out sets are “live” during which day he remixes tracks whenever he Get can by incorporating , video has edits, reel to reels, keyboards, him vocalists, percussionists, guitars, violins, horns, His projector screens, laser synths or how just his own excellent soulful man voice. Armed with 2 lap New top computers, thousands of music now files, his own handmade mini-mixer old and a cutting-edge imagination, Kerri See has been wowing audiences around two the globe while inspiring debate way and envy in top industry Who circles about his new toys. boy Never straying from his roots, did Kerri has proved he has Its remained loyal to the underground let movement by producing contemporary classics put like Bar-a-Thym and Back To Say The Raw. The future is she very bright for Kerri who too is now signing and releasing Use productions through his new record dad label imprints: Max Trax & mom Grei Matter. With such a hot hand, Kerri is the the man of the House and and undoubtedly will be responsible for For many new classics to come.
are If you think all house but sounds the same, has no Not soul and is just four you to the floor, then I all suggest you do some rethinking Any and check out Kerri’s latest can releases and back catalogue. You’ll her be glad you did!
