wanna be dope?

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wanna be dope?
Posted on: 04.10.2012 by Winter Ruggio
hello,
i have been djing/beatmaking for a long time.to all the new artists jus starting,use less effects and just shine with just a few.you dont need 20-million stutters/echos/flangers all at once.less is more.dj shadow,cut chemist babu are examples of this.study this technique and use effects like spices.trust me,the crowd will enjoy your show,the promoter will re-book you,and the other dj's in the crowd will notice you have skills.
just some advice...follow if you want,but i havent had a non dj job in 21 years.
j-kutta
Winter Ruggio
05.10.2012
Originally Posted by Bl4ck3n3D
I like using alot of effects in my tracks, I like the more droning, trippy, head space, atmospheric, enticing beats that make you believe and question the sounds. Is that wrong? Should I minimize the amount of effects I use in my tracks and just make the straight same ole same ole?

Let me know!

http://soundcloud.com/d-troy
not at all...if you know how to use them,go crazy.its jus the people that use them to 'hide' from true musical know-how.it all comes down to the end result,if it sounds good and people as well as your peers enjoy it,than great.again,its different for everyone.i jus feel that there are too many effects available now and people are over using them.but again,thats jus my opinion.great music is great music,and can be made with no effects or 90 effects...its the result that makes the call.i personally keep them to a minimum,but never the less do use them and like them.too much skratching some people dont like,same as too much anything.harmony of sounds...sounds in harmony.do you,do what you feel is right.explore,...discover.repeat.
j-kutta
Winter Ruggio
05.10.2012
Originally Posted by Patch
dj calkutta - some REALLY good points you've made in this thread.

I hope you stick around here at DJTT - we need guys like you with experience and knowledge. Welcome.
thanks man,i love coming here to learn new things about all this new technology.im getting old and need to keep up with the world.lol..
thanks for the kind words man.im always down for collabs if you or anyone enjoys making ghost artist music...meaning,the artist only exists when the 2 other artist collaborate....its a studio term...lol...thanks again yo'.
Janyce Henningson
05.10.2012
Originally Posted by DemiAlex
"use effects like spices"

is this a technical term? if so, what does this mean?
Actually it's a cookery term..

Actually it's a similie.. Or is it an analogy...?

Yep analogy I believe.
Kellie Myrum
05.10.2012
Originally Posted by MYE
Are you ok
It's a guy who's calling other people pathetic with no reason...
Iluminada Vandevoort
04.10.2012
Originally Posted by dj calkutta
hello,
i have been djing/beatmaking for a long time.to all the new artists jus starting,use less effects and just shine with just a few.you dont need 20-million stutters/echos/flangers all at once.less is more.dj shadow,cut chemist babu are examples of this.study this technique and use effects like spices.trust me,the crowd will enjoy your show,the promoter will re-book you,and the other dj's in the crowd will notice you have skills.
just some advice...follow if you want,but i havent had a non dj job in 21 years.
j-kutta

"use effects like spices"

is this a technical term? if so, what does this mean?
Bunny Sockel
04.10.2012
Originally Posted by dj calkutta
not at all.sneaker and the dryer are great and fun to watch live.i lived in japan for a year and saw some truly crazy MPC battles that were truly some next level shit.what i mean,and this is just my opinion,is that drums,atmospheric sounds,scrapes,effects,etc,should be used complimenting one another.not jus a gater and beat slicer and other strange stuff for the sake of 'im so dope,people jus dont get me'..lol.
miles davis,monk and donald byrd were shunned at first cuz it was too new,but when people finally tried to play it,they understood the genius.taste comes down to nostalgia.i love trip-hop,like massive attack,as well as phillip glass and tim burton.what im trying to say is that the new kids should study timing,build ups,silence and all the aspects of sound instead of hitting every knob and it sounding like a sonic mess.i like a groove,and even a crazy bounce of effects can create a groove.those that know understand what i mean.you feel it in your god-self.it stimulates the intuitive faculty of the ancestral mind.its hard to explain.im jus glad we have great community s such as these to discus our ideas.props to all who love making sound.
j-kutta
Are you ok
Winter Ruggio
05.10.2012
Originally Posted by Bl4ck3n3D
I like using alot of effects in my tracks, I like the more droning, trippy, head space, atmospheric, enticing beats that make you believe and question the sounds. Is that wrong? Should I minimize the amount of effects I use in my tracks and just make the straight same ole same ole?

Let me know!

http://soundcloud.com/d-troy
not at all...if you know how to use them,go crazy.its jus the people that use them to 'hide' from true musical know-how.it all comes down to the end result,if it sounds good and people as well as your peers enjoy it,than great.again,its different for everyone.i jus feel that there are too many effects available now and people are over using them.but again,thats jus my opinion.great music is great music,and can be made with no effects or 90 effects...its the result that makes the call.i personally keep them to a minimum,but never the less do use them and like them.too much skratching some people dont like,same as too much anything.harmony of sounds...sounds in harmony.do you,do what you feel is right.explore,...discover.repeat.
j-kutta
Winter Ruggio
05.10.2012
Originally Posted by Patch
dj calkutta - some REALLY good points you've made in this thread.

I hope you stick around here at DJTT - we need guys like you with experience and knowledge. Welcome.
thanks man,i love coming here to learn new things about all this new technology.im getting old and need to keep up with the world.lol..
thanks for the kind words man.im always down for collabs if you or anyone enjoys making ghost artist music...meaning,the artist only exists when the 2 other artist collaborate....its a studio term...lol...thanks again yo'.
Janyce Henningson
05.10.2012
Originally Posted by DemiAlex
"use effects like spices"

is this a technical term? if so, what does this mean?
Actually it's a cookery term..

Actually it's a similie.. Or is it an analogy...?

Yep analogy I believe.
Brunilda Kora
05.10.2012
dj calkutta - some REALLY good points you've made in this thread.

I hope you stick around here at DJTT - we need guys like you with experience and knowledge. Welcome.
Kellie Myrum
05.10.2012
Originally Posted by MYE
Are you ok
It's a guy who's calling other people pathetic with no reason...
Winter Ruggio
04.10.2012
use sparingly
Iluminada Vandevoort
04.10.2012
Originally Posted by dj calkutta
hello,
i have been djing/beatmaking for a long time.to all the new artists jus starting,use less effects and just shine with just a few.you dont need 20-million stutters/echos/flangers all at once.less is more.dj shadow,cut chemist babu are examples of this.study this technique and use effects like spices.trust me,the crowd will enjoy your show,the promoter will re-book you,and the other dj's in the crowd will notice you have skills.
just some advice...follow if you want,but i havent had a non dj job in 21 years.
j-kutta

"use effects like spices"

is this a technical term? if so, what does this mean?
Winter Ruggio
04.10.2012
um....what?
Bunny Sockel
04.10.2012
Originally Posted by dj calkutta
not at all.sneaker and the dryer are great and fun to watch live.i lived in japan for a year and saw some truly crazy MPC battles that were truly some next level shit.what i mean,and this is just my opinion,is that drums,atmospheric sounds,scrapes,effects,etc,should be used complimenting one another.not jus a gater and beat slicer and other strange stuff for the sake of 'im so dope,people jus dont get me'..lol.
miles davis,monk and donald byrd were shunned at first cuz it was too new,but when people finally tried to play it,they understood the genius.taste comes down to nostalgia.i love trip-hop,like massive attack,as well as phillip glass and tim burton.what im trying to say is that the new kids should study timing,build ups,silence and all the aspects of sound instead of hitting every knob and it sounding like a sonic mess.i like a groove,and even a crazy bounce of effects can create a groove.those that know understand what i mean.you feel it in your god-self.it stimulates the intuitive faculty of the ancestral mind.its hard to explain.im jus glad we have great community s such as these to discus our ideas.props to all who love making sound.
j-kutta
Are you ok
Winter Ruggio
04.10.2012
not at all.sneaker and the dryer are great and fun to watch live.i lived in japan for a year and saw some truly crazy MPC battles that were truly some next level shit.what i mean,and this is just my opinion,is that drums,atmospheric sounds,scrapes,effects,etc,should be used complimenting one another.not jus a gater and beat slicer and other strange stuff for the sake of 'im so dope,people jus dont get me'..lol.
miles davis,monk and donald byrd were shunned at first cuz it was too new,but when people finally tried to play it,they understood the genius.taste comes down to nostalgia.i love trip-hop,like massive attack,as well as phillip glass and tim burton.what im trying to say is that the new kids should study timing,build ups,silence and all the aspects of sound instead of hitting every knob and it sounding like a sonic mess.i like a groove,and even a crazy bounce of effects can create a groove.those that know understand what i mean.you feel it in your god-self.it stimulates the intuitive faculty of the ancestral mind.its hard to explain.im jus glad we have great community s such as these to discus our ideas.props to all who love making sound.
j-kutta
Winter Ruggio
04.10.2012
not at all.sneaker and the dryer are great and fun to watch live.i lived in japan for a year and saw some truly crazy MPC battles that were truly some next level shit.what i mean,and this is just my opinion,is that drums,atmospheric sounds,scrapes,effects,etc,should be used complimenting one another.not jus a gater and beat slicer and other strange stuff for the sake of 'im so dope,people jus dont get me'..lol.
miles davis,monk and donald byrd were shunned at first cuz it was too new,but when people finally tried to play it,they understood the genius.taste comes down to nostalgia.i love trip-hop,like massive attack,as well as phillip glass and tim burton.what im trying to say is that the new kids should study timing,build ups,silence and all the aspects of sound instead of hitting every knob and it sounding like a sonic mess.i like a groove,and even a crazy bounce of effects can create a groove.those that know understand what i mean.you feel it in your god-self.it stimulates the intuitive quality of the ancestral mind.its hard to explain.im jus glad we have great community s such as these to discus or ideas.props to all who love making sound.
j-kutta
Gerard Cowin
05.10.2012
I like using alot of effects in my tracks, I like the more droning, trippy, head space, atmospheric, enticing beats that make you believe and question the sounds. Is that wrong? Should I minimize the amount of effects I use in my tracks and just make the straight same ole same ole?

Let me know!

http://soundcloud.com/d-troy
Breanne Penge
05.10.2012
Originally Posted by Bl4ck3n3D
lol you don't mean these guys do you?

http://soundcloud.com/sneakerandthedryer
Awesome breakbeats by them Massive fan here. Biggaps the S&D boyz.
Gerard Cowin
05.10.2012
Originally Posted by dj calkutta
lol,nah,i jus hate hearing all this crazy sneakers in the drier type stuff.im jus old i guess.imma rob swift,d-styles type listener.but,to each his own....ha'
lol you don't mean these guys do you?

http://soundcloud.com/sneakerandthedryer
Winter Ruggio
04.10.2012
lol,word.i heard some of your music on souncloud.great work man.it totally shows that you have been moving dance floors for a long time.
some kats can actually use many many effects and sound great.but that is a skill born of mad practice and experience.when i first started making beats,we didnt have a trillion effects,so we worked with what we had.nowadays,in my opinion,there are just too many.
the indian food comment was super funny...extra curry lfo and cummin beat-slicer..lol.
but in all seriousness,im glad you understood my point.keep rocking,you are a natural.
j-kutta
Kellie Myrum
04.10.2012
I don't bother to hear Dj's using effects more than ordinary, ofc as long as it make sense and suits to music style they are kicking.
Celestine Porebski
04.10.2012
Originally Posted by Nicky H
"Use the effects like spices" - I like that
So use lots of them when playing Indian music?

*scnr*
Janyce Henningson
04.10.2012
lol, was only joking..

I agree - too much fx sounds awful.
"Use the effects like spices" - I like that
Winter Ruggio
04.10.2012
Originally Posted by Nicky H
I believe you been smoking the dope my friend
lol,nah,i jus hate hearing all this crazy sneakers in the drier type stuff.im jus old i guess.imma rob swift,d-styles type listener.but,to each his own....ha'
Janyce Henningson
04.10.2012
Originally Posted by dj calkutta
wanna be dope?
I believe you been smoking the dope my friend

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