Input on a New Mix

Input on a New Mix
Posted on: 23.02.2011 by Arturo Banerjee
Hey Guys,

Here's a new mashup I made on Traktor--harsh criticism is welcome

http://i.mixcloud.com/CRG8f
Gertrude Razzano
24.02.2011
Originally Posted by Jaimenez
Hey Guys,

Here's a new mashup I made on Traktor--harsh criticism is welcome

http://i.mixcloud.com/CRG8f
Cool... That was the worst piece of shit I've ever heard. I thought I had a good life, and then I listened to that. I'm gonna save the link and post it all over the internet claiming it to be a leaked deadmau5 track. It'll be like rickrolling all over again, except now it'll be like Rick Astley stabbing your brain through your ear with a needle he found in an Oakland dumpster.



Seriously though, it's a good effort. But you can't just take your favorite <insert genre> tracks and combine them and expect it to sound good. If they have too much in common, there'll be...too much in common. Eg, the vocals of those tracks; vocals always clash when mixing. Hearing two different vocal tracks vying for attention is like trying to listen to two people talking at the same time, neither of whom are aware of the other one's presence. Instead of being compelling and holding interest, they both become distractions, and it turns into a confusing and obnoxious mess. IMO, having two sets of vocals playing at the same time is the closest you can get to trainwrecking without actually trainwrecking. Also, listen to the drum pattern in Pon de Floor (which is the worst track ever made). It's not 4/4, but still gets everyone moving. It relies on a groove built on the beats that aren't there. So when you take it and add a 4/4 beat, you get a trainwreck again. You have to pick and choose which elements you want to hear from each track, then mute the rest with your EQs. For instance, take the bass pattern of Pon de Floor, and kill the mids, keeping the highs for air. Then kill the bass of the other track, letting the lead play in the mid range, then switch to the inverse whenever the Pon de Floor vocals come in so they're delivered over the drum pattern (4/4 I believe?) of whatever that other track was.

Oh, and get a DAW if you're gonna pre arrange mashups. Traktor is for DJing, not arranging.
Arturo Banerjee
23.02.2011
Hey Guys,

Here's a new mashup I made on Traktor--harsh criticism is welcome

http://i.mixcloud.com/CRG8f
Arturo Banerjee
24.02.2011
Thanks man, helped a lot! I'll get right on this
Gertrude Razzano
24.02.2011
Originally Posted by Jaimenez
Hey Guys,

Here's a new mashup I made on Traktor--harsh criticism is welcome

http://i.mixcloud.com/CRG8f
Cool... That was the worst piece of shit I've ever heard. I thought I had a good life, and then I listened to that. I'm gonna save the link and post it all over the internet claiming it to be a leaked deadmau5 track. It'll be like rickrolling all over again, except now it'll be like Rick Astley stabbing your brain through your ear with a needle he found in an Oakland dumpster.



Seriously though, it's a good effort. But you can't just take your favorite <insert genre> tracks and combine them and expect it to sound good. If they have too much in common, there'll be...too much in common. Eg, the vocals of those tracks; vocals always clash when mixing. Hearing two different vocal tracks vying for attention is like trying to listen to two people talking at the same time, neither of whom are aware of the other one's presence. Instead of being compelling and holding interest, they both become distractions, and it turns into a confusing and obnoxious mess. IMO, having two sets of vocals playing at the same time is the closest you can get to trainwrecking without actually trainwrecking. Also, listen to the drum pattern in Pon de Floor (which is the worst track ever made). It's not 4/4, but still gets everyone moving. It relies on a groove built on the beats that aren't there. So when you take it and add a 4/4 beat, you get a trainwreck again. You have to pick and choose which elements you want to hear from each track, then mute the rest with your EQs. For instance, take the bass pattern of Pon de Floor, and kill the mids, keeping the highs for air. Then kill the bass of the other track, letting the lead play in the mid range, then switch to the inverse whenever the Pon de Floor vocals come in so they're delivered over the drum pattern (4/4 I believe?) of whatever that other track was.

Oh, and get a DAW if you're gonna pre arrange mashups. Traktor is for DJing, not arranging.

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