Recording interface for Dave Smith Tetra

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Recording interface for Dave Smith Tetra
Posted on: 26.12.2011 by Araceli Georgis
Hi

I'm seriously considering buying a Dave Smith Tetra synth

http://www.davesmithinstruments.com/products/tetra/


I'm after advice as to which interfaces to look at in order to get the sound from the Tetra into Ableton.

I have no other analog synths (and at the price, I probably won't be getting any more for a while) so I don't need a stack of inputs (just enough for the Tetra).

Importantly, I want to try and keep as much of the analog sound quality as possible.


Does anyone have any experience with the Motu Microbook?

http://www.motu.com/products/motuaudio/microbook

I'm looking to switch over to a Mac soon, so an Apogee Duet 2 feels a bit out of reach. I don't have much experience with recording devices so wondering if there is anything at the $2-300 range that would keep the sound quality for me or is it just not comparable?

Thanks
Dorie Scelzo
30.12.2011
Yeah
Dorie Scelzo
29.12.2011
Sorry to quote everything. I'm not 100% sober and this helps me keep my thoughts clearer.

Originally Posted by djfrogstar
I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Are you talking about the midi clocks just going off or setting tempos and forgetting them? 'cuz setting the clock should work
Dorie Scelzo
28.12.2011
Analog doesn't actually "have" higher quality than digital. It never did. Read about the Nyquest sampling theorem.

The only reason that I can find that Analog is preferred is because of 2 things.

  1. People like specific pieces of hardware, usually in the recording world and usually limited to summing busses or compressors, 1176ln, fairchild, ssl 4000g's master bus compressor, or specific analog boards like the ssl 4000g or some of the old emi or neve stuff.
  2. People like the way specific hardware overdrives: neve mic preamps, tube guitar amps, avalon mic pres with the right tubes, etc.. But, mostly that has to do with the nonlinear, coherent clipping properties of tubes that are really hard to emulate. Solid state analog electronics usually sound like crap when used that way. And digital is actually (marginally) closer.


But, random not-special analog piece of gear vs random not-special digital piece of gear
Dorie Scelzo
30.12.2011
Yeah
Dorie Scelzo
29.12.2011
Sorry to quote everything. I'm not 100% sober and this helps me keep my thoughts clearer.

Originally Posted by djfrogstar
I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Are you talking about the midi clocks just going off or setting tempos and forgetting them? 'cuz setting the clock should work
Dorie Scelzo
28.12.2011
Analog doesn't actually "have" higher quality than digital. It never did. Read about the Nyquest sampling theorem.

The only reason that I can find that Analog is preferred is because of 2 things.

  1. People like specific pieces of hardware, usually in the recording world and usually limited to summing busses or compressors, 1176ln, fairchild, ssl 4000g's master bus compressor, or specific analog boards like the ssl 4000g or some of the old emi or neve stuff.
  2. People like the way specific hardware overdrives: neve mic preamps, tube guitar amps, avalon mic pres with the right tubes, etc.. But, mostly that has to do with the nonlinear, coherent clipping properties of tubes that are really hard to emulate. Solid state analog electronics usually sound like crap when used that way. And digital is actually (marginally) closer.


But, random not-special analog piece of gear vs random not-special digital piece of gear
Dorie Scelzo
30.12.2011
Yeah
Dorie Scelzo
29.12.2011
Sorry to quote everything. I'm not 100% sober and this helps me keep my thoughts clearer.

Originally Posted by djfrogstar
I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Are you talking about the midi clocks just going off or setting tempos and forgetting them? 'cuz setting the clock should work
Dorie Scelzo
28.12.2011
Analog doesn't actually "have" higher quality than digital. It never did. Read about the Nyquest sampling theorem.

The only reason that I can find that Analog is preferred is because of 2 things.

  1. People like specific pieces of hardware, usually in the recording world and usually limited to summing busses or compressors, 1176ln, fairchild, ssl 4000g's master bus compressor, or specific analog boards like the ssl 4000g or some of the old emi or neve stuff.
  2. People like the way specific hardware overdrives: neve mic preamps, tube guitar amps, avalon mic pres with the right tubes, etc.. But, mostly that has to do with the nonlinear, coherent clipping properties of tubes that are really hard to emulate. Solid state analog electronics usually sound like crap when used that way. And digital is actually (marginally) closer.


But, random not-special analog piece of gear vs random not-special digital piece of gear
Dorie Scelzo
30.12.2011
Yeah
Dorie Scelzo
29.12.2011
Sorry to quote everything. I'm not 100% sober and this helps me keep my thoughts clearer.

Originally Posted by djfrogstar
I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Are you talking about the midi clocks just going off or setting tempos and forgetting them? 'cuz setting the clock should work
Jacquiline Dua
28.12.2011
Originally Posted by funlife
@djfrogstar: Nah I don't believe I really need to sync up hardware and software - really would just be using Ableton to record into and then arrange. There might be a better program for this - it's just what I've been using lately. But thanks for the heads up
For that Ableton is perfect..
Dorie Scelzo
28.12.2011
Analog doesn't actually "have" higher quality than digital. It never did. Read about the Nyquest sampling theorem.

The only reason that I can find that Analog is preferred is because of 2 things.

  1. People like specific pieces of hardware, usually in the recording world and usually limited to summing busses or compressors, 1176ln, fairchild, ssl 4000g's master bus compressor, or specific analog boards like the ssl 4000g or some of the old emi or neve stuff.
  2. People like the way specific hardware overdrives: neve mic preamps, tube guitar amps, avalon mic pres with the right tubes, etc.. But, mostly that has to do with the nonlinear, coherent clipping properties of tubes that are really hard to emulate. Solid state analog electronics usually sound like crap when used that way. And digital is actually (marginally) closer.


But, random not-special analog piece of gear vs random not-special digital piece of gear
Dorie Scelzo
26.12.2011
The Microbook doesn't quite look like it'd cut it
Asuncion Osorto
26.12.2011
Originally Posted by Nephew
Duet 2 should do the trick
yup but thats like 700+ new and 400+used
Araceli Georgis
26.12.2011
Hi

I'm seriously considering buying a Dave Smith Tetra synth

http://www.davesmithinstruments.com/products/tetra/


I'm after advice as to which interfaces to look at in order to get the sound from the Tetra into Ableton.

I have no other analog synths (and at the price, I probably won't be getting any more for a while) so I don't need a stack of inputs (just enough for the Tetra).

Importantly, I want to try and keep as much of the analog sound quality as possible.


Does anyone have any experience with the Motu Microbook?

http://www.motu.com/products/motuaudio/microbook

I'm looking to switch over to a Mac soon, so an Apogee Duet 2 feels a bit out of reach. I don't have much experience with recording devices so wondering if there is anything at the $2-300 range that would keep the sound quality for me or is it just not comparable?

Thanks
Dorie Scelzo
30.12.2011
Yeah
Araceli Georgis
29.12.2011
I agree about the aversion to mapping and pages - it's one of the reasons I'm keen to get an analog - I just want to touch and play with something real. It's more expensive than VSTs and not as flexible and might be some time before I'm able to get into it but I believe I'd really like to try it.

If I got a BCR it would be covered in labels and probably only mapped to one VST - then it starts to become a bit exy.

I thought pretty hard about the Microkorg, might look at it again. I'm pretty keen on the Tetra at the moment just for the technoness, and I actually like the minimal design.

Nice point about the Digital I/O - I actually don't know anything about it so it's something I'll have to read up on. I just looked at the Mbox, saw four inputs (that looked like they'd take 1/4") and thought it would take all 4 separately.
Dorie Scelzo
29.12.2011
Sorry to quote everything. I'm not 100% sober and this helps me keep my thoughts clearer.

Originally Posted by djfrogstar
I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Are you talking about the midi clocks just going off or setting tempos and forgetting them? 'cuz setting the clock should work
Jacquiline Dua
28.12.2011
Originally Posted by funlife
@djfrogstar: Nah I don't believe I really need to sync up hardware and software - really would just be using Ableton to record into and then arrange. There might be a better program for this - it's just what I've been using lately. But thanks for the heads up
For that Ableton is perfect..
Araceli Georgis
28.12.2011
Yeah a lot of internet opinion seems to point to good VSTs being comparable to analog. I guess I'd like to check out analog and experience producing with it. The deal I had on a tetra just fell through so that venture is on pause at the moment.

I'd like to get into some more tactile control when producing - I believe a BCR2000 and some mapping would go a long way. This would allow me to "play" and record, rather than just drawing automation lines.

And the differences between the cards you're talking about are very small
I'm glad you said that. I've been wondering whether the difference between the cards is actually noticeable or whether that extra $2-$300 doesn't make a huge difference (especially when I don't have professional grade mastering compressors / limters etc)

Any chance this is the review?: http://acapella.harmony-central.com/...th-Conclusions

I believe it was the only one I came across with graphs

@djfrogstar: Nah I don't believe I really need to sync up hardware and software - really would just be using Ableton to record into and then arrange. There might be a better program for this - it's just what I've been using lately. But thanks for the heads up
Jacquiline Dua
28.12.2011
External hardware in ableton..? Be prepared for the Joy of Jitter. One thing to consider.... You will never get 100% sync if you plan on lets say having an arp playing on your hardware and an arp in ableton... It might stay closely in sync for 4 bars.. then the jitter happens.

I have a DSI Tempest... and a Motu MK3 and there is no way to do this 100% flawless and endless AKA Live performance unless you buy an interclock system
Dorie Scelzo
28.12.2011
Analog doesn't actually "have" higher quality than digital. It never did. Read about the Nyquest sampling theorem.

The only reason that I can find that Analog is preferred is because of 2 things.

  1. People like specific pieces of hardware, usually in the recording world and usually limited to summing busses or compressors, 1176ln, fairchild, ssl 4000g's master bus compressor, or specific analog boards like the ssl 4000g or some of the old emi or neve stuff.
  2. People like the way specific hardware overdrives: neve mic preamps, tube guitar amps, avalon mic pres with the right tubes, etc.. But, mostly that has to do with the nonlinear, coherent clipping properties of tubes that are really hard to emulate. Solid state analog electronics usually sound like crap when used that way. And digital is actually (marginally) closer.


But, random not-special analog piece of gear vs random not-special digital piece of gear
Araceli Georgis
27.12.2011
I was reading things on the Mbox last evening and yep, read the same things about the decoupling and improvement in quality. Read quite a few positive comments and a few suggestions it was close to the Duet.

I looked at the Komplete a little ago and it does look decent, especially at that price. But a slightly higher step in quality would be nice. I might shop around and see if I can find an Mbox at a good price. I just don't want to spend a few hundred on an interface (such as Komplete) and then be concerned about losing analog quality.
Dorie Scelzo
27.12.2011
I thought it was closer to $300. Sorry.

Based on everything I've read, yes. It's actually good. Avid decoupled Pro Tools from their interfaces, and the result was that they started charging more for the software and made the budget interfaces not suck so they'd actually compete in the marketplace instead of being sold in droves simply because they were "that crap you had to buy to run Pro Tools LE on your laptop without carrying around a 002 that's 3-times its size and weighs 13 pounds."

When I'm in the market (shortly), one of the Mboxes will probably find its way to my doorstep.

From what I've been reading about the komplete audio 6, it looks like it might actually not suck. It's converters aren't as good as the Mbox or anything Apogee makes, and I'd bet it's preamps aren't as good. But, it also costs less than half as much and comes with some (almost) interesting software.
Araceli Georgis
27.12.2011
Thanks for the replies, starting to form a clearer picture..

I have an Audio 2 DJ which I use but unfortunately offers no inputs. I was very close to buying an Audio 8 second hand, though I feel like I'd be losing some quality as it's not designed primarily for recording..

Quality is important - through something like an Audio 8, Komplete 6 I'd feel I was losing some quality. I figure if I'm spending $500 on a synth then using an interface that loses some of that analogueness is counter-productive. It's just a bit hard to stomach an interface that costs as much as the synth itself.

That Mbox3 looks interesting. It seems to be around $450-70 though I haven't hunted too hard yet. At that price it's starting to get towards the Duet 2 though as you say has the capability to record all 4 outputs of the Tetra simultaneously. In terms of building synth sounds I'm not sure how big an advantage this would be? If the Mbox is going to offer me quality that is comparable to a Duet then it is quite appealing, would it be close?

I guess at the end of it, I want to be able to capture that analogue quality. For release is my goal - at this stage it's a hobby
Dorie Scelzo
26.12.2011
The Microbook doesn't quite look like it'd cut it
Breana Singerman
26.12.2011
Do you have an interface you use for DJing? That would do the trick as well.
Araceli Georgis
26.12.2011
Yeah duet 2 would be the what I'd really like - so I guess saving for that is the best option.. Was just wondering if there was anything I could get a bit sooner that was sufficient and more in my price range.


There's a few things that really appeal to me about the Tetra.

1) Cost - they're a lot less that a Virus / other desktop synths

2) Analog sound - I believe I read somewhere that they're purely analog - though Virus / other VA's are going to have a great sound architecture too.

3) Deep house / Techno - that's the kind of style I'm looking to produce and I've read that they're really suited to that sound. Juno 106's were used in a lot of deep house but I hear the Tetra offers some new sounds (and is cheaper / more portable than a 106)

Really cost is a big one, at that price point it's probably the most accessible option for me that's suited to the sound I'm looking to produce. I saw Octave One a fortevening ago and they had a Mopho on stage so I figure I'm looking in the right direction
Asuncion Osorto
26.12.2011
Originally Posted by Nephew
Duet 2 should do the trick
yup but thats like 700+ new and 400+used
Breana Singerman
26.12.2011
Duet 2 should do the trick
Asuncion Osorto
26.12.2011
I just picked up a M-Audio Fast track Pro today. Ive yet to record with it though.
Cost me $270.00 CDN

http://www.uniquesquared.com/blog/41...k-c400-review/

http://www.m-audio.com/products/en_u...TrackC400.html


Ever since I saw the Virus TI i've been believeing about getting a desktop midi synth...Since that was the first one I saw or even know about; i need to do more research.

Out of curiosity what makes you want the tetra? whats it really good for?

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