Sample Packs - Loopmasters and the like?
Sample Packs - Loopmasters and the like? Posted on: 17.09.2012 by Audrey Pinda So.I know it's best to do everything yourself. From using the recorded sound of a basketball you smashed against a tin roof for a hat, and hitting a door for another thing. But what do people honestly believe about these sample packs and the like? I'm finding more and more that... people just don't care as long as the end result is good? When I first got, and still to some degree, into production, I thought each artist was doing /everything/ basically themselves. And I've known about these packs for awhile, and I've bought a couple for different drum samples and such in the past. But where do you consider the cutoff line for using them? Some of them do have some awesome bits that I don't know how to make. I should probably learn how to make those sounds. But is it entirely taboo to use these things? I also realized when chilling with another local DJ, that he was almost using exclusively sample packs and the like for some of his "self" production stuff. Which, in a sense, is cheating. But on another level, it's composition using sounds, and wouldn't exist unless he was putting things the way they were. I'm kind of at an impasse right now with myself. I want to just purchase a couple hundred bucks worth of sample packs, have some fun with it. I'll probably do some, but not a ton of synth work myself. But is that acceptable today? I'm really lost as to where these sample packs use and not use, are the line of what is acceptable and what is not. | |
Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Dorie Scelzo 21.09.2012 |
Originally Posted by grazz16
Originally Posted by AllDay
He released it for free on the internet partially because of how badly the label fucked him with his last couple albums but also because his beats were just other tracks. Not like the old school hip hop looping a break kind of way……just flat-out playing them. And it's one of the better albums I've heard this year.
Originally Posted by crakbot
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Tera Baragan 20.09.2012 |
Originally Posted by JasonBay
So many herps and derps in this thread. |
Georgina Schatzman 19.09.2012 |
Originally Posted by rillep
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Norma Vanna 19.09.2012 |
Originally Posted by grazz16
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Berta Baie 19.09.2012 |
Originally Posted by JasonBay
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Dorie Scelzo 18.09.2012 |
Originally Posted by JasonBay
Also, you know, most of the other guys "on top of the world"……doing that might be taking it a bit too far, but putting a synth stab into a sampler and playing your own melody…cutting up a drum loop…screwing with a bass line……………no problem. Sampling is more in line with producing than hot cues and loops are at all a form of "live remixing". |
Georgina Schatzman 18.09.2012 |
Originally Posted by rillep
= p |
Georgina Schatzman 18.09.2012 |
Originally Posted by AllDay
Originally Posted by AllDay
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Cindie Brodskaya 29.09.2012 |
Originally Posted by mostapha
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Napoleon Koczur 29.09.2012 | Whilst there's certainly nothing wrong with sample packs, I'd recommend investing in a mic or field recorder instead. You can get some pretty good samples for free from the Wave Alchemy web site, so can fall back on these for more "standard" drum sounds, to use in conjunction with your recorded ones. One word of caution for using sample packs: stereo. Very often sample packs will include stereo widening effects on the hi hats, rides, claps, crashes etc to make them sound more impressive. Check them in mono to avoid nasty surprises! You can get round this by adding some frequencies in the middle of the stereo field using a mid/side eq (in mid mode). Something I did recently that I'd really recommend is this: get together with some producer friends and book a commercial recording studio and a session drummer. We recorded a couple of hours of hits, drum rolls and breaks at various tempos, and a bunch of random percussion stuff. Studios often have drum machines that you can record as well, and have the obvious benefits of super high grade mics and hardware eq and compression. You can also record some desk overdrive on you drums, sounds way better than software overdrive / distortion. Another benefit of recording is to add some human elements to electronic music, the little imperfections which are hard to fake yet really add to the feel of songs. Even recording on an iPhone works pretty well, although the low frequency reproduction is not good so only use it to record hi frequency sounds. "fire" is a really good app for recording. Good luck! |
Dorie Scelzo 21.09.2012 |
Originally Posted by grazz16
Originally Posted by AllDay
He released it for free on the internet partially because of how badly the label fucked him with his last couple albums but also because his beats were just other tracks. Not like the old school hip hop looping a break kind of way……just flat-out playing them. And it's one of the better albums I've heard this year.
Originally Posted by crakbot
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Frieda Swoboda 20.09.2012 | I search for a lot of loop packs, but only buy a few due to quality. So I am familiar with a lot of loop packs and I have heard several top songs on Beatport where I recognized the exact loop. I go back and find it, and there it is, totally unchanged. There are NO rules. If you can make a song out of 100% loops that gets people rocking, then you are a producer and you produced a good song. Obviously it is harder to do that and still sound unique. But there is no problem with using loops to any degree. Honestly, going through tons of loops to find snippets to edit together for a unique sound is no different from spending that same time working on your own synth preset. What's the difference? Some people like crate digging, some people like tweaking software, some do a combination. Work how you want. |
Tera Baragan 20.09.2012 |
Originally Posted by JasonBay
So many herps and derps in this thread. |
Leeanna Ayla 19.09.2012 | Very easy to fake, but still funny. |
Georgina Schatzman 19.09.2012 |
Originally Posted by rillep
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Norma Vanna 19.09.2012 |
Originally Posted by grazz16
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Berta Baie 19.09.2012 |
Originally Posted by JasonBay
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Dorie Scelzo 18.09.2012 |
Originally Posted by JasonBay
Also, you know, most of the other guys "on top of the world"……doing that might be taking it a bit too far, but putting a synth stab into a sampler and playing your own melody…cutting up a drum loop…screwing with a bass line……………no problem. Sampling is more in line with producing than hot cues and loops are at all a form of "live remixing". |
Georgina Schatzman 18.09.2012 |
Originally Posted by rillep
= p |
Georgina Schatzman 18.09.2012 |
Originally Posted by AllDay
Originally Posted by AllDay
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Celine Surico 18.09.2012 | As Don Was said on TV last Saturday. It is the uniqueness that will sell you. Use samples but make unique music. PS: If nobody knows who Don Was is, please look him up on Internet, I believe he knows what he talks about. |
Audrey Pinda 18.09.2012 | Thanks for all the solid replies so far guys. I agree that there is a point where you need to "make them your own" really, but I believe I'm going to invest into some, and go from there a bit. I've needed a kick in the pants about production, and if I can find a couple sounds I really like that inspires me to actually get a tune finished? Well, that's more priceless than spending hours tweaking knobs on synths to make random noises I don't care for. I believe what it comes down to, and what people generally seem to be saying, is that it's not a bad idea for a foundation. But you don't want to craft the whole thing with them. And that, makes sense. If I'm interpreting this correctly. |
Leeanna Ayla 18.09.2012 | I've always been under the impression that it's not really how much or what samples you use, but what you do with those samples. |
Berta Baie 18.09.2012 | I'd agree that how much sampling is acceptable does depend on the genre, hip hop is like 90% sampling and rearranging that material in some interesting way, this is true, but if you make a house track thats 90% samples, i dunno if anyone would take that seriously. Basically samples are ok, but there comes a point where it'll probably stop being creative or interesting, and starts becoming cliche. |
Dorie Scelzo 18.09.2012 | Without sampling, dance music and hip hop wouldn't exist. To people who say it's cheating, go fuck yourself. Then listen to any good hip hop. Then listen to classic house. Then realize that basically all of drum & bass is based off a 6-second clip from a soul record, that Lupe Fiasco's last album has several tracks where he just rapped over songs by Nero, Bassnectar, and John Coltrane. Then see if you can spot the one beat that Kanye took out of Fire by Jimmy Hendrix to put on My Beautiful…. There's nothing uncreative about sampling. If you believe there is, then you're doing it wrong. I see no problem using sample packs……I just haven't had much luck with finding sounds I liked in them……but I also haven't really tried. I do have a pile of records and CDs that I bought just to sample off of whenever inspiration strikes. |
Norma Vanna 18.09.2012 | i have sampled drums, and thats that. no loops tho. i dont believe its okey to take a vengaence 8bar synthsample and use it as your main foundation. |
Celine Surico 18.09.2012 | I've heard more and more tracks on let's say Beatport which are mediocre loop collections using Ableton with no creativity or interesting musical content, just a long pile of cliche samples tied together. Anyway, samples are quite useable and OK but you need to work a little bit to raise above such average and boring music. |
Tera Baragan 18.09.2012 |
Originally Posted by JasonBay
Not what op stated. Where did I say you shouldn't sample..? LOL |
Georgina Schatzman 18.09.2012 |
Originally Posted by AllDay
It's one thing to just take a loop, slap it in and leave at that. But it's something else entirely to get inspired by a two bar groove, build a whole track around it and really make it your own. Being able to match tone and timbre, making sure everything is in key, and being able to pitch it into key if needed. Everyone samples to some degree, and there's nothing wrong with that at all. Those don't are the exception, not the norm. |
Berta Baie 17.09.2012 | as far as beats go, this: http://community .djranking s.com/showthread.php?t=56852 dont even believe about using pre-made loops for synth melodies or anything, then your music is guaranteed to sound unoriginal |
Tera Baragan 17.09.2012 | If you aren't making your own sounds then your not a producer, your a remixer.. Producing entitles making original songs from your own brain.. Not using purely samples. LOL |
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