CDJ-2000 nexus.. any tips for counting bars/phrases?
CDJ-2000 nexus.. any tips for counting bars/phrases? Posted on: 23.03.2013 by Kandis Smollen Hey guys, so I LOVE my new CDJ-2000 nexus setup, yet I'm having some difficulty in counting bars/phrases with the on-screen LCD..I come from a Traktor background where it's ridiculously easy to see changes in the waveform with tools like the Infrared Spectrum which shows which parts of the wave have bass, etc.. Also, the wave would be much bigger and easier to navigate on Traktor VS on the CDJ's.. on Traktor, all my timing and phrasing was perfect, but I'm just having trouble figuring out a good way to do my counting/timing on the CDJ's.. I know that you can save up to 10 memory points on the song, and the CDJ display will show a "bar countdown" in between memory points, indicating how far you are from the next memory point.. but without having to go through the tedious work of entering in a memory point at every single change in the song, do you guys have any better recommendations? Any tips/advice would be greatly appreciated! | |
Julissa Serrone 25.03.2013 |
Originally Posted by papo
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Albertina Fay 25.03.2013 |
Originally Posted by haze324
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Julissa Serrone 25.03.2013 |
Originally Posted by PeterSkarzay
I used to believe the same way of having tons of tracks, now I download quality over quantity and knowing my tracks is much easier. |
Amira Gotcher 25.03.2013 |
Originally Posted by DjGil
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Lannie Kutay 25.03.2013 |
Originally Posted by octostout
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Ngoc Ninow 25.03.2013 |
Originally Posted by PeterSkarzay
Its not about memorising them either, I dont know every single one of my tracks from memory, but I know when the drops are going to come, when the breakdowns are etc etc but a lot of this just comes from feel and practice. You should be well practised enough/well listened enough that even when you listen to something for the first time that you have a pretty spot-on idea about when things are going to happen - it has been discussed on here is many other threads about how regular the structure of dance music is.... I work shifts as well so listening to my music is a good way to unwind; its not unusual to find house music playing at my place at 7.30AM when I have just worked a evening shift! |
Kary Pottkotter 26.03.2013 | Found this on this site! http://www.djranking s.com/2009/01/2...e-perfect-mix/ And This http://www.djranking s.com/2008/06/1...ching-for-all/ |
Kary Pottkotter 26.03.2013 | Found this on this site! http://www.djranking s.com/2009/01/2...e-perfect-mix/ |
Julissa Serrone 25.03.2013 |
Originally Posted by papo
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Albertina Fay 25.03.2013 |
Originally Posted by haze324
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Julissa Serrone 25.03.2013 |
Originally Posted by PeterSkarzay
I used to believe the same way of having tons of tracks, now I download quality over quantity and knowing my tracks is much easier. |
Amira Gotcher 25.03.2013 |
Originally Posted by DjGil
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Augustine Mitzen 25.03.2013 | constructive criticism - listen to your music. endof |
Alphonso Deitchman 25.03.2013 | May want to take it down a notch guys.. stick to constructive criticism maybe? |
Lannie Kutay 25.03.2013 |
Originally Posted by octostout
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Kathe Stump 25.03.2013 | OP needs to stop trying to DJ... After this many threads of questions that can be summed up as "HOW DO I DJ?", it's clear that it's just not for him. The fact that this stupid kid owns a pair of 2000 nexus' burns my soul. |
Ngoc Ninow 25.03.2013 |
Originally Posted by PeterSkarzay
Its not about memorising them either, I dont know every single one of my tracks from memory, but I know when the drops are going to come, when the breakdowns are etc etc but a lot of this just comes from feel and practice. You should be well practised enough/well listened enough that even when you listen to something for the first time that you have a pretty spot-on idea about when things are going to happen - it has been discussed on here is many other threads about how regular the structure of dance music is.... I work shifts as well so listening to my music is a good way to unwind; its not unusual to find house music playing at my place at 7.30AM when I have just worked a evening shift! |
Lannie Kutay 25.03.2013 | haha just keep listning to music, i mean like 6 to 7 hours a day. it will just hit you one day then you will never be able to get count out of your head. i bet like 90% of the people on this community could just walk into a evening club and within 1 beat be on the proper count in their head. lol |
Becky Momjian 25.03.2013 | One problem with knowing your music thoroughly is if you get hundred of tracks on a regular basis and really cannot find time to memorise them. |
Lashawn Maycock 25.03.2013 |
Originally Posted by DubluW
I call it the 'want it now' culture... |
Genoveva Bopp 25.03.2013 | You can see the breakdowns on vinyl which was helpful but that is no excuse for not learning your tracks. |
Jeffrey Akinsanya 25.03.2013 |
Originally Posted by ThinAir
i remember when i first learnt to beatmatch it was like a race for me to get in beat in time so that i hit the phase when i wanted to... |
Ngoc Ninow 25.03.2013 |
Originally Posted by DubluW
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Lillia Datson 25.03.2013 | Does anyone else DJ for a bit of a challenge and self advancement, or is that idea old hat? |
Brunilda Kora 25.03.2013 |
Originally Posted by squidot
What you've just demonstrated, squidot, is the difference between an experienced DJ USING functions like cue points, and Traktors countdown to cue cue function, and someone TRYING to learn to use those function. They're an absolute GODSEND for those that already have the knowledge - but not such a help for those learning, as they CAN be used INSTEAD of gaining the knowledge.
that's why i love using traktor. i can prep a song and put cues/notes in to give a guiding hand while still maintaining the excitement of mixing songs i'm not very familiar with.
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Eleanor Munday 25.03.2013 | I seriously fear for the future of dance music and the art of DJ'ing. This thread just sums it up! I would love to see this boy given a pair of 1210s, DJM500 and a stack of vinyl then told to play. It would be comedy gold! |
Ngoc Ninow 25.03.2013 | Maybe try this. It was a great starting point for me, and as for finding records and learning about the music that I play, I found this to be an excellent jumping off point... it pointed me in the direction of some of the staples of house music and from there, I started to build my collection. None of us can do this for you, its something that you need to do for yourself, people here will provide you with guidance, but as with many things in life, the only person who can do it for you, is you. I can't see what enjoyment anyone can get by not doing anything for themselves. For me its all about the journey as far finding and discovering new music concerned, and figuring out how to use my kit is part and parcel of being a DJ! |
Kristofer Krauel 25.03.2013 |
Originally Posted by squidot
As a side note prepping a track for Traktor in no way replaces 'knowing' that track through frequent playing. If i'm playing out I dont want to rely on Traktor playlists and comment tags to tell me which track is ideal for that moment. I want to be able to know in my own mind which track will perfectly suit the mood of the crowd. I truly believe that knowing your tunes make this a better experience for everyone involved. Some tracks just fit. Traktor prep cant tell you which one it is. |
Cole Maroto 25.03.2013 |
Originally Posted by kooper1980
for me, if i know a tune inside and out...i never want to dj it again. it's no longer fresh and doesn't invoke the feeling of awesome that i got when it was new to me. when you are too familiar with songs, where's the fun in that? you are basically just mixing things you've memorized. that's why i love using traktor. i can prep a song and put cues/notes in to give a guiding hand while still maintaining the excitement of mixing songs i'm not very familiar with. so, it isn't laziness that stops everyone from knowing their music inside and out. i have no idea whether this line of believeing applies to the op, but i'm just trying to give another perspective since this seems to come up fairly often. |
Lashawn Maycock 25.03.2013 | OP - has to be a wind up, surely(?)! At the risk of being contradictary, I've stopped replying to some of these basic DJing questions which come across as 'tell me this', 'recommend me some music' etc etc, when it's quite clear the poster either hasn't searched the community , bothered to even attempt to RTFM or heaven forbid - done a bit of self learning and reseach in advance. It comes across as 'I want to be a DJ because it's cool, but can't be arsed with the learning bit'. |
Augustine Mitzen 25.03.2013 | listen to your fucking music |
Gaynell Rydberg 25.03.2013 |
Originally Posted by lethal_pizzle
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Carlee Pickard 25.03.2013 |
Originally Posted by lethal_pizzle
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Lana Akey 24.03.2013 |
Originally Posted by Audeo
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Kristofer Krauel 24.03.2013 |
Originally Posted by lethal_pizzle
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Marshall Aby 24.03.2013 | ? You can close your eyes, eff the displays, stop counting and 'feel' the music just as well with Traktor as with anything else... all 'counting' means is that you need to practice more; eventually you'll just 'know'. I've never met a good DJ who doesn't know his phrases inside out, whether it's on vinyl, Traktor, Serato, Ableton or top of the range CDJs like the OP has. As regards the actual tracks themselves: learn 'em OP. The system you've invested in isn't going to tell you when to swap your basses over etc. |
Gaynell Rydberg 24.03.2013 |
Originally Posted by Coldfuzion
When I try to count, I end up losing myself in the counts and missing drops. I really wish I got CDJs instead of Traktor. |
Carlee Pickard 24.03.2013 | The thing I learned after leaving Traktor and moving to CDJ's was feeling my music. Fuck counting. I do too much of it in general as I am an accounting / finance guy. Just FEEL your music. I mean close your eyes, fuck the displays, fuck it all, and just feel the music within the depths of your body and you'll be able to tell. |
Georgie Lukowiak 24.03.2013 |
Originally Posted by Audeo
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Delfina Suedmeyer 25.03.2013 |
Originally Posted by Audeo
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