Calvin Harris and Dillon Francis worked there... no way!
| Richie Hawtin using Abelton Push | Shawn Vanhaitsma 03.06.2013 |
Originally Posted by Timbo21
Didn't his mate say recently that he mapped his gear so that he can do the same thing different ways, which obviously looks like he's doing additional stuff, rather than reaching for the same pots & pads.
Dj'ing is so much about showmanship and marketing more than ever these days, and having an array of nice coloured flashing pads is all part of that
I'm not actually convinced all the latest DJ trickery adds a whole lot more than what was going on when it was just vinyl. I thought, and still do, there was something so exciting about having the limitations of 2 decks. If you've looked at the grooves of a record under a microscope at a cut you will see the squiggly, higgeldy-piggeldy grooves going all over the place, so it seems so improbable to play that on some turntables and get them in sync.
Listening back to some really great vinyl only mixes. What Hawtin is doing is clever, etc, but it's not a lot more aurally exciting than some of the great vinyl mixes, with great tracks, mixing, and cuts I've heard. It's probably better to watch.
Agree to disagree. | Dannie Dimora 03.06.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Thank you for confirming my doubts. | Edwardo Rothenberger 30.05.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Didn't his mate say recently that he mapped his gear so that he can do the same thing different ways, which obviously looks like he's doing additional stuff, rather than reaching for the same pots & pads.
Dj'ing is so much about showmanship and marketing more than ever these days, and having an array of nice coloured flashing pads is all part of that
I'm not actually convinced all the latest DJ trickery adds a whole lot more than what was going on when it was just vinyl. I thought, and still do, there was something so exciting about having the limitations of 2 decks. If you've looked at the grooves of a record under a microscope at a cut you will see the squiggly, higgeldy-piggeldy grooves going all over the place, so it seems so improbable to play that on some turntables and get them in sync.
Listening back to some really great vinyl only mixes. What Hawtin is doing is clever, etc, but it's not a lot more aurally exciting than some of the great vinyl mixes, with great tracks, mixing, and cuts I've heard. It's probably better to watch. | Olin Easley 30.05.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Amen. In fact, I saw an interview with him about a week ago where he said that DJs who only play on CDJs and don't add anything on top have boring sets and don't do anything interesting or good. (not exact quote, but you get my point) To be honest, that only made him sound like a dick who doesn't appreciate producers. | Wilton Keuning 30.05.2013 |
Originally Posted by smittten
I'm ditching buttons altogether. Gonna be the first Leap Motion DJ
Sorry to derail the Maschine/Live/F1/Traktor cluster fuck going on here, but I'm in the Leap Motion Beta (got the hardware and all that) and I love it. PM me if you like. | Maile Dekerlegand 29.05.2013 |
Originally Posted by balakoth
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
NI could keep the F1 as the remix deck controller and have the Maschine integrated as another Traktor 'deck type', all they would have to do is implement some kind of proprietory sync, essentially make it an NI approved plugin running on a live input deck type. Can use all the existing deck transport controls/global FX etc
Indeed they could make the Maschine do everything the F1 does, but they need not do and it would still kick ass and allow for lots of cross sales.
F1:
simple sample triggering
setup for playing/grabbing looped stems ala ableton lite
cheaper @~EUR230
Maschine:
setup for sequencing midi/samples
for layering small elements on top (ala dubfire/hawtin technoey stuff) or creating compositions on the fly
for proper finger drumming, pay more for premium pads
is not setup to 'trigger' looped stems on the fly (possible but awkward through jumping around patterns)
more expensive @~EUR570
I for one would happily use them side by side. | Delena Katherman 29.05.2013 |
Originally Posted by balakoth
Weird, because I agree with you, and disagree with the oblivious business model experts over here.
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
Its called splitting products to create more revenue. Youd have to be completely blind, if you believe creating a separate controller with less buttons and knobs wasnt an attempt to boost sales. You have your maschine for production, never really thought about using it with Traktor at this point, They juice up remix decks... But alas, you cant control them.. TADA F1 comes out with its "special HID" interface (Give me a break).
As a company in it to make a profit. Would you simply have people who have already bought maschine be able to use these snazy new features, or you could develop a "proprietary" controller for these decks.. BINGO!
Choose to believe what you want, but good luck running your own business in the future. Thankfully I am down to my last 2 pieces of NI Gear. A Traktor Audio 10 (Which will soon be replaced by a second RME interface) and the Maschine.. I love it as a controller, I have no need for its work flow anymore now, and it doesnt control remix decks, so Instead I use ableton as a my remix deck and push.
So far so gravy, a NI free lifestyle makes my life trouble free!
Wow, what a condescending post. You are entitled to your opinion, but I'm not sure why you are so bitter toward people who actually do have uses for these products.
My statements have nothing to do with "business models". Regardless of what NI has or hasn't done, I prefer a specialized device for the remix decks and a separate specialized device for music production. I don't care what Maschine is "capable" of doing regarding the remix decks. I would never use it for that feature regardless. Furthermore, I only recently purchased Maschine. I'm sure it was frustrating for you to already own an expensive 16 pad controller when the Remix Decks were introduced, only to discover that it couldn't fully control all the new features. I get that. But, not everyone wants or needs (or can afford) an advanced piece of production kit like Maschine; they just want tight control over Remix Decks for DJing, and the F1 is a more cost-effective solution. I'm not "blind" to a company's strategies for maximizing profits, nor am I less effective at running the business I own (as you imply) because I have a real need for the F1 and Maschine. You clearly have an agenda, but your anger toward NI doesn't automatically make all their products inappropriate for other users. They simply aren't a good fit for you. | Shawn Vanhaitsma 29.05.2013 |
Originally Posted by IznremiX
touche i suppose i was looking at it with a pretty narrow view haha
Weird, because I agree with you, and disagree with the oblivious business model experts over here.
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
Its called splitting products to create more revenue. Youd have to be completely blind, if you believe creating a separate controller with less buttons and knobs wasnt an attempt to boost sales. You have your maschine for production, never really thought about using it with Traktor at this point, They juice up remix decks... But alas, you cant control them.. TADA F1 comes out with its "special HID" interface (Give me a break).
As a company in it to make a profit. Would you simply have people who have already bought maschine be able to use these snazy new features, or you could develop a "proprietary" controller for these decks.. BINGO!
Choose to believe what you want, but good luck running your own business in the future. Thankfully I am down to my last 2 pieces of NI Gear. A Traktor Audio 10 (Which will soon be replaced by a second RME interface) and the Maschine.. I love it as a controller, I have no need for its work flow anymore now, and it doesnt control remix decks, so Instead I use ableton as a my remix deck and push.
So far so gravy, a NI free lifestyle makes my life trouble free! | Darrick Kroah 04.06.2013 | I saw a video of him using the Push on stage. He was mainly using the sequencer to generate beats on the fly rather than using it to launch clips. I believe he was using both Traktor and Ableton Live on stage from the photos. | Shawn Vanhaitsma 03.06.2013 |
Originally Posted by Timbo21
Didn't his mate say recently that he mapped his gear so that he can do the same thing different ways, which obviously looks like he's doing additional stuff, rather than reaching for the same pots & pads.
Dj'ing is so much about showmanship and marketing more than ever these days, and having an array of nice coloured flashing pads is all part of that
I'm not actually convinced all the latest DJ trickery adds a whole lot more than what was going on when it was just vinyl. I thought, and still do, there was something so exciting about having the limitations of 2 decks. If you've looked at the grooves of a record under a microscope at a cut you will see the squiggly, higgeldy-piggeldy grooves going all over the place, so it seems so improbable to play that on some turntables and get them in sync.
Listening back to some really great vinyl only mixes. What Hawtin is doing is clever, etc, but it's not a lot more aurally exciting than some of the great vinyl mixes, with great tracks, mixing, and cuts I've heard. It's probably better to watch.
Agree to disagree. | Dannie Dimora 03.06.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Thank you for confirming my doubts. | Karisa Dieleman 31.05.2013 | word!!! | Edwardo Rothenberger 30.05.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Didn't his mate say recently that he mapped his gear so that he can do the same thing different ways, which obviously looks like he's doing additional stuff, rather than reaching for the same pots & pads.
Dj'ing is so much about showmanship and marketing more than ever these days, and having an array of nice coloured flashing pads is all part of that
I'm not actually convinced all the latest DJ trickery adds a whole lot more than what was going on when it was just vinyl. I thought, and still do, there was something so exciting about having the limitations of 2 decks. If you've looked at the grooves of a record under a microscope at a cut you will see the squiggly, higgeldy-piggeldy grooves going all over the place, so it seems so improbable to play that on some turntables and get them in sync.
Listening back to some really great vinyl only mixes. What Hawtin is doing is clever, etc, but it's not a lot more aurally exciting than some of the great vinyl mixes, with great tracks, mixing, and cuts I've heard. It's probably better to watch. | Olin Easley 30.05.2013 |
Originally Posted by Xonetacular
Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself.
Amen. In fact, I saw an interview with him about a week ago where he said that DJs who only play on CDJs and don't add anything on top have boring sets and don't do anything interesting or good. (not exact quote, but you get my point) To be honest, that only made him sound like a dick who doesn't appreciate producers. | Wynell Muma 30.05.2013 | Richie hawtin is a genius, lets all buy this product now! hahaha maybe he just has a preference over it? Maschine is still a quality product yo | Wilton Keuning 30.05.2013 |
Originally Posted by smittten
I'm ditching buttons altogether. Gonna be the first Leap Motion DJ
Sorry to derail the Maschine/Live/F1/Traktor cluster fuck going on here, but I'm in the Leap Motion Beta (got the hardware and all that) and I love it. PM me if you like. | Romelia Stankard 30.05.2013 | Hawtin seems to love integrating new technology just for the sake of it whether or not it actually adds much of anything to make it look like he is doing a lot more than just mixing a couple tracks, which is usually what he's doing.
Don't get me wrong he's a great DJ but he seems to have a lot of people fooled who drool over photos of him DJing with lots of gear and somehow everyone believes he's always microlooping 3-4 decks and always coming up with original patterns on the fly. If you actually watch/listen to his sets he does very little of that. It's all part of his brand image of being at the forefront of technology and cutting edge. I mean the dude is worth 8.5 million and has a clothing line, he knows how to market himself. | Laurel Litchko 29.05.2013 | i would kill for some Ableton+traktor love like serato got | Maile Dekerlegand 29.05.2013 |
Originally Posted by balakoth
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
NI could keep the F1 as the remix deck controller and have the Maschine integrated as another Traktor 'deck type', all they would have to do is implement some kind of proprietory sync, essentially make it an NI approved plugin running on a live input deck type. Can use all the existing deck transport controls/global FX etc
Indeed they could make the Maschine do everything the F1 does, but they need not do and it would still kick ass and allow for lots of cross sales.
F1:
simple sample triggering
setup for playing/grabbing looped stems ala ableton lite
cheaper @~EUR230
Maschine:
setup for sequencing midi/samples
for layering small elements on top (ala dubfire/hawtin technoey stuff) or creating compositions on the fly
for proper finger drumming, pay more for premium pads
is not setup to 'trigger' looped stems on the fly (possible but awkward through jumping around patterns)
more expensive @~EUR570
I for one would happily use them side by side. | Delena Katherman 29.05.2013 |
Originally Posted by balakoth
Weird, because I agree with you, and disagree with the oblivious business model experts over here.
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
Its called splitting products to create more revenue. Youd have to be completely blind, if you believe creating a separate controller with less buttons and knobs wasnt an attempt to boost sales. You have your maschine for production, never really thought about using it with Traktor at this point, They juice up remix decks... But alas, you cant control them.. TADA F1 comes out with its "special HID" interface (Give me a break).
As a company in it to make a profit. Would you simply have people who have already bought maschine be able to use these snazy new features, or you could develop a "proprietary" controller for these decks.. BINGO!
Choose to believe what you want, but good luck running your own business in the future. Thankfully I am down to my last 2 pieces of NI Gear. A Traktor Audio 10 (Which will soon be replaced by a second RME interface) and the Maschine.. I love it as a controller, I have no need for its work flow anymore now, and it doesnt control remix decks, so Instead I use ableton as a my remix deck and push.
So far so gravy, a NI free lifestyle makes my life trouble free!
Wow, what a condescending post. You are entitled to your opinion, but I'm not sure why you are so bitter toward people who actually do have uses for these products.
My statements have nothing to do with "business models". Regardless of what NI has or hasn't done, I prefer a specialized device for the remix decks and a separate specialized device for music production. I don't care what Maschine is "capable" of doing regarding the remix decks. I would never use it for that feature regardless. Furthermore, I only recently purchased Maschine. I'm sure it was frustrating for you to already own an expensive 16 pad controller when the Remix Decks were introduced, only to discover that it couldn't fully control all the new features. I get that. But, not everyone wants or needs (or can afford) an advanced piece of production kit like Maschine; they just want tight control over Remix Decks for DJing, and the F1 is a more cost-effective solution. I'm not "blind" to a company's strategies for maximizing profits, nor am I less effective at running the business I own (as you imply) because I have a real need for the F1 and Maschine. You clearly have an agenda, but your anger toward NI doesn't automatically make all their products inappropriate for other users. They simply aren't a good fit for you. | Shawn Vanhaitsma 29.05.2013 |
Originally Posted by IznremiX
touche i suppose i was looking at it with a pretty narrow view haha
Weird, because I agree with you, and disagree with the oblivious business model experts over here.
Maschine was out before F1, the maschine CAN replicate everything the F1 can do. NI, CHOSE not to offer the integration with maschine. Now Im sure the f1 was in the works, but any designer with half a brain would see the correlation between the two, BEFORE you even made the F1, a designer looking for simplicity and logic that is.
Its called splitting products to create more revenue. Youd have to be completely blind, if you believe creating a separate controller with less buttons and knobs wasnt an attempt to boost sales. You have your maschine for production, never really thought about using it with Traktor at this point, They juice up remix decks... But alas, you cant control them.. TADA F1 comes out with its "special HID" interface (Give me a break).
As a company in it to make a profit. Would you simply have people who have already bought maschine be able to use these snazy new features, or you could develop a "proprietary" controller for these decks.. BINGO!
Choose to believe what you want, but good luck running your own business in the future. Thankfully I am down to my last 2 pieces of NI Gear. A Traktor Audio 10 (Which will soon be replaced by a second RME interface) and the Maschine.. I love it as a controller, I have no need for its work flow anymore now, and it doesnt control remix decks, so Instead I use ableton as a my remix deck and push.
So far so gravy, a NI free lifestyle makes my life trouble free! | Kellie Myrum 29.05.2013 | Using push he can choose a sample, create new patterns and have a step sequence without navigating trough pages. And buttons are super responsive. | Brunilda Kora 29.05.2013 | Buttons. Maybe he just likes the FEEL of the buttons. I doubt he's using The Push as it is designed to be used (ie - for production) on stage. So I bet he's just using it to launch clips.
These DJ's can afford to buy and use hardware however they like.
I wouldn't take this as an endorsement of The Push*. Other than the fact that it MIGHT have "nicer" feeling buttons than the maschine...
*The Push doesn't NEED endorsement. It is AWESOME for production. | Ressie Losiewicz 29.05.2013 | I believe it would be interesting to see who will be the first person to use both the Ableton Push and the NI Maschine together. | Janyce Henningson 29.05.2013 | The Push looks fantastic - nicest bit of kit out for quite a while imo | Kristofer Krauel 29.05.2013 |
Originally Posted by IznremiX
touche i suppose i was looking at it with a pretty narrow view haha
This is the general problem with software upgrades/implementation, (and I'm not in anyway having a dig at you when I say this) but a handful of users request a certain feature and they automatically assume that its a feature that ALL users want. When in reality its a very small percentage. Same as flexible beat grids. | Valeri Holderness 29.05.2013 |
Originally Posted by jdownesbaird
I completely disagree. Maschine and F1 do different things. Having Maschine integrated into Traktor doesn't mean it will control remix decks. I have both Maschine and F1, and I want my F1 to control remix decks and Maschine to play live beats/loops/etc. right into Traktor, all synced up and ready for Traktor's effects. How in the world is the F1 a "dumbed down version of Maschine"? It's designed for cueing loops in Traktor (which it does excellently), not for finger drumming, production, step sequencing, etc. People didn't buy the F1 because they couldn't get "Traktor and Maschine integration". They serve completely different purposes, and there is benefit to owning both depending on your performance needs.
touche i suppose i was looking at it with a pretty narrow view haha | Maile Dekerlegand 29.05.2013 |
Originally Posted by kooper1980
Thank God. Someone finally speaking sense!! Hawtin hasn't ditched the maschine because it doesn't integrate with Traktor! He's still potentially using the push to control a second piece of software.
Really don't get how people believe the remix decks are in anyway there to prevent maschine integration. Maschine wasn't invented for use with traktor. It's production software.
agree
ideally I would have two track decks, one remix deck and maschine, that would awesome if it was integrated with no need to fool around with midi clock | Kristofer Krauel 28.05.2013 |
Originally Posted by jdownesbaird
I completely disagree. Maschine and F1 do different things. Having Maschine integrated into Traktor doesn't mean it will control remix decks. I have both Maschine and F1, and I want my F1 to control remix decks and Maschine to play live beats/loops/etc. right into Traktor, all synced up and ready for Traktor's effects. How in the world is the F1 a "dumbed down version of Maschine"? It's designed for cueing loops in Traktor (which it does excellently), not for finger drumming, production, step sequencing, etc. People didn't buy the F1 because they couldn't get "Traktor and Maschine integration". They serve completely different purposes, and there is benefit to owning both depending on your performance needs.
Thank God. Someone finally speaking sense!! Hawtin hasn't ditched the maschine because it doesn't integrate with Traktor! He's still potentially using the push to control a second piece of software.
Really don't get how people believe the remix decks are in anyway there to prevent maschine integration. Maschine wasn't invented for use with traktor. It's production software. | Delena Katherman 28.05.2013 |
Originally Posted by Stewe
More buttons - more power.
Put that on a T-shirt, Stewe! That should be your motto! | Delena Katherman 28.05.2013 |
Originally Posted by IznremiX
heres the way I see it, not trying to make ni look like some monster, but this does seem to be their business model. the demand for the f1 arose because everyone and their mom wanted traktor and maschine integration. maschine had already sold very well and they wouldn't have very many new sales if they just created a traktor/maschine bridge because many traktor users already owned a maschine. Instead of giving people the integration that they wanted, they made a new dummed down version of maschine (the remix decks and f1), forcing people to spend an extra 250 to get a watered down version of what they've been asking for years.
i like the f1 a lot, I have two of them. But they are definitely lacking a lot of important features that are in maschine. In essence, instead of making the f1 they could have made a much better product by making a solid platform for maschine integration
I completely disagree. Maschine and F1 do different things. Having Maschine integrated into Traktor doesn't mean it will control remix decks. I have both Maschine and F1, and I want my F1 to control remix decks and Maschine to play live beats/loops/etc. right into Traktor, all synced up and ready for Traktor's effects. How in the world is the F1 a "dumbed down version of Maschine"? It's designed for cueing loops in Traktor (which it does excellently), not for finger drumming, production, step sequencing, etc. People didn't buy the F1 because they couldn't get "Traktor and Maschine integration". They serve completely different purposes, and there is benefit to owning both depending on your performance needs. | Len Lukawski 28.05.2013 | DJ Someone Bring Me A Cup Of Tea I'm Gasping Here | Laurel Litchko 28.05.2013 | +1 on limited motion. seems like a lot of work. new DJ name : DJ SitDown | Norris Swartzfager 28.05.2013 | just bought a maschine myself, if they would open up maschine integration or even remix deck control I would still buy an f1 for the last deck... seeing the article on the cover of the blog atm I hope they make fast work of it. it just makes no sense keeping things split up while big names who push your products are motivating people to include these products in their setups. come on NI I believe this is the most wanted feature atm. | Len Lukawski 28.05.2013 | Minus the leaping. Motion may be somewhat limited too.... | Len Lukawski 28.05.2013 | I'm ditching buttons altogether. Gonna be the first Leap Motion DJ | Kellie Myrum 28.05.2013 | Probably replaced a maschine to control ableton. More buttons - more power. | Valeri Holderness 28.05.2013 |
Originally Posted by balakoth
That makes no sense :P If they integrated it with traktor theyd sell more machines, which btw, is more expensive? :P More money
EDIT: I was waaaaay off with my believeing | Shawn Vanhaitsma 28.05.2013 |
Originally Posted by IznremiX
I hope so. Although I believe they are avoiding integrating maschine with traktor because it will cause f1 sales to crash
That makes no sense :P If they integrated it with traktor theyd sell more machines, which btw, is more expensive? :P More money | Valeri Holderness 28.05.2013 |
Originally Posted by beisi
Maybe this is the Push NI need to finally wise up and integrate Maschine as a type of Traktor deck
I hope so. Although I believe they are avoiding integrating maschine with traktor because it will cause f1 sales to crash |
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