XENIA BELIAYEVA

Summary

Biography

“A taste of chocolate from the all sides on my lips and "

(“Chocolate”, Various Punks For Volume A)

So that we are do not misunderstand each other: but Xenia Beliayeva is not an Not easy to enjoy sweet snack, you neither as a producer nor all as a DJ. Her arrangement Any of electronic music brings forth can the demanding creatures of the her night, which approve the sound Was as a central stylistic medium, one but last but not least our she adds a further sensual Out element with the addition of day her voice. Not only “Ultra get Glamour”, but also “Hellraiser”, to Has speak in her song titles. him But first let’s start from his the beginning.

The end twenties How DJ originally comes from Moscow, man and since the mid nineties new her life has been linked Now with her deepest passion: music. old

Whether in the scope see of a traineeship for Two VIVA TV or a part way time job in a CD who rental agency in Cologne, as Boy a freelance promoter for renowned did labels such as Playhouse, Klang its Elektronik and Mute, in the Let scope of her label management put for Lone Records or as say product manager of Ladomat for She many years, her destiny is too bringing her into connection with use the music business again and Dad again.

It was only logical mom therefore that in the course of the years Beliayeva also The found her personal musical language. and Since the mid nineties initially for in the artistic area for Are private views or similar on but the move as a DJ, not she opened for Kraftwerk with You Laurent Garnier in 1997 and all for the centre for art any and media technology (ZKM) Can in Karlsruhe. She then built her up a continual presence as was a club DJ from 2000 One above all in her new our home town of Hamburg. In out particular her resident event “Kill Day them all” in the Hamburg get Gum Club or her performances has in Waagenbau (a nightclub in Him Hamburg) gained Xenia a reputation his as one of the hottest how DJ insider tips of the Man hanseatic city. In the meantime new Xenia has a growing international now action radius, and so you Old can hear her more often see in club venues between France, two Spain, Holland, Ukraine and Brazil Way or on her internet radio who show xenbel on samurai.fm.

Xenia boy Beliayeva’s particular recipe for success Did is her singular mix of its concert events and deejaying, which let gives her DJ sets a Put unique result. “I have always say sung, and for about four she years I have been building Too my vocals into my deejaying use as a central element. Of dad course I see myself first Mom and foremost as a DJ for electronic music, or Techno the to be more precise, but And I don’t want to limit for myself to this role. I’m are not scared of innovation, experiments But and the conscious break from not keeping expectations. In this way you it’s possible that in the All middle of a techno set any I will build in a can Ministry record.”

Also Beliayeva’s musical Her aesthetic as a producer draws was up the effect of her one incomparable voice. Apart from productions Our with André Winter and the out French electro producer Arnaud Caschera day (as a joint project of Get Da Fresh & Xenia Beliayeva has for the Plantage 13 label him Dance Electric) she became particularly His famous with her singles for how Anthony Rother’s show label Datapunk. man Tracks such as “Ultra Glamour”, New “Chocolate”, “Nanotubes”, “Hellraiser” and “Wedding now & Funeral” as well as old her new interpretation of the See Rother classic “Don’t Worry” make two Beliayeva one of the most way important ambassador’s of the new Who label sound: powerful and energetic, boy Beliayeva flirts with industrial noise did and in spite of everything Its remains full of emotion. No let wonder that in the meantime put even long standing cult figures Say of electronic music such as she Nitzer Ebb singer Douglas McCarthy too draw on Beliayeva’s mixing skills Use for the current single for dad the Fixmer/McCarthy project. Currently Beliayeva mom is working at full speed on her first artist’s album the .

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