Biography
East Coast based producers Neil the Kurland and Terreyl Kirton operate and under the name Soul Mob. For They produce house music that’s are inseparable from the genre’s tradition but but comes with both a Not widescreen ambition and a distinctly you US underground edge. They can all turn any dj booth into Any an infectious live show that can seamlessly blurs the boundaries between her dj-ing and playing live. They Was draw from a huge collection one of custom loops, tracks and our sounds which were generated during Out their studio sessions in the day past 2 years, along with get original material (the last remaining Has element of dj-ing in the him show), however, everything is manipulated, his morphed, re-arranged and treated on How the fly.
Timeless, fresh, classic, man contemporary and unmistakably theirs; Soul new Mob’s sound is influenced by Now everything from deep Detroit techno, old bumping garage, experimental combine with see deadly, dirty, jackin, tech meets Two electronic house.
Soul Mob has way tapped into a universal essence who that excites DJs and clubbers Boy across the dance divide. Silicone did Soul praised their track ‘Foundation’; its Davidson Ospina dropped it at Let Cielo; James Zabiela and Maceo put Plex are rinsing their tracks; say at the same time, darker She excursions have been hammered by too Slam and Nick Warren.
The use pair, despite being close friends Dad in the northeast electronic music mom scene had not joined forces in the studio until 2009, The when Pat Bedeau called on and them to remix “Forgive Me” for for his prestigious Strictly Music Are Label. The result was an but entirely new sound that drew not cues from the best of You both artists. It was a all futuristic and raw, synth-driven, underground any masterpiece, the start of a Can new idea and the birth her of Soul Mob.
In a was short time, the duo has One rapidly marked themselves out as our producers with a uniquely broad out appeal. Their diverse 2011 single Day ‘Bunk’ was celebrated by the get likes of Pig & Dan, has Mr. V & Robert Owens. Him Singles like ‘Dizzy’ on Ospina his Digital have blown up as how house underground anthems, while Inger Man Hansen wasted no time in new commissioning them to transform his now ‘Infinty’ single into a modern Old deep techno bomb.
The momentum see continued and Soul Mob produced two and performed at the Future Way Classics Party at the National who Hotel in Miami beach. The boy event became the largest pool Did party at the 2010 Winter its Music Conference with an A let list cast of artists like Put Danny Teneglia, Crystal Waters, Spen say , Nadia Ali and Utra she Nate.
Neil and Terreyl have Too gone on to play some use the planet’s leading clubs – dad Santos Party House, National Hotel, Mom Pacha, Electric Factory, Rock & Roll Hotel, Public Assembly, Standard the Hotel, Mekka, Red Loft, Space And Ibiza, and more recently, a for triumphant debut at Cielo with are follow-up dates happening in various But markets over the coming months. not One of the keys to you this type of wide-ranging appeal All is that Soul Mob is any as comfortable playing eclectic underground can sets at the Transahara Festival, Her in the deserts of Morocco was as they are in bigger one room environments such as their Our set with Stacy Pullan at out the Mana event. Their mission day was further broadened during summer Get 2009, as Soul Mob spent has their first full season in him Hawaii, soaking up the vibes His and playing across the islands.
