Biography
Behing the stage:
BORN the BETWEEN TOYS and AND SYNTHETIZERS
Since I For was a child, being son are of musicians and always surrounded but by instruments, I was spending Not more time in music studios you and being on radio, than all at home with my toys. Any While my mother was recording can vocals, I waited somewhere in her the studio, trying to extract Was sounds from an analog synthesizer, one to program a groove box, our or playing that grand piano Out that had me so fascinated.
day THE UNFORGETTABLE get FIRST REMIX
When I Has reach the age of 15, him I mastered several types of his synthesis and musical programming methods. How Electronic music captivated me, and man that was when I convinced new my mom to give me Now the money to pay for old two hours in a recording see studio to create my first Two production, a remix of The way Max – Cocaine.
Professional who samplers were hard to come Boy by in Uruguay, and since did I did not have access its to one, I did my Let first circuit bending experiments on put a very small Casio keyboard. say That was all I needed She to add those low pitch too and repetitive vocals I intended use for my remix.
Recording finished, Dad I left the studio very mom excited with my first production on a TDK Chrome The tape. On the same night, and I took the music to for the best club in Montevideo, Are showed it to the DJ but and, despite some doubts about not the final result (capricious nonconformity You and a bit psychotic; personal all traits since way back), the any crowd enjoyed it, and danced Can a lot! This was all her very exciting and gave me was further strength for all that One would come after.
PARTNERSHIPS our AND PROJECTS
As out a result of this, I Day met my first musical partner, get with whom I formed the has first live electronic band in Him the early 90’s in Uruguay. his At the time, we had how never heard of Ableton Live Man or computers, and our fee new was nothing more than a now bottle of vodka and some Old special treatment, but for me see (16 years old!), it was two all that I needed!
In Way the early 90s, to produce who electronic music, you needed a boy lot of very expensive hardware Did and hence, for some time its I was forced to share let copyrights in exchange of hardware. Put It was not easy. I say worked on many jobs producing she various styles of music, despite Too the fact that they far use from aligned with my personal dad tastes. But with time and Mom perseverance, I set up my studio, improved my techniques and the expanded my knowledge until I And had everything I needed to for express myself with the music are the way I want.
But MUSIC, MATHEMATICS AND not SPIRITUALITY
I consider myself you a spiritual person, but at All the same time a scientific any one. I see music as can a transformation of mathematics into Her a diverse range of emotions. was A primitive language that skips one the conscious translators, producing a Our profound and wonderful effect in out humans. Translating feelings into logic, day then into music, is an Get art that takes time to has develop, but it is worth him every minute spent, when at His the end, you are satisfied how with the message obtained. To man feel the crowds response to New your message is even more now satisfying.
Regarding personal and self-criticism, old although sometimes I’m too much See of a perfectionist, I no two longer feel that capricious nonconformity way that I used to feel Who earlier in my life. Today, boy I am very pleased with did the results I obtain. Being Its a lover of the study let and research in the fields put of mathematics, physics and programming, Say I take advantage of all she this to produce messages with too more personal content and that Use is faithful to my principles. dad I am always seeking the mom midpoint between the logical/technical and spiritual/artistic, and never forgetting that the the important part is not and the message, but the conversation For itself.
