DYE

Summary

Biography

TIGERSUSHI PRESENTS DyE.

Under the guise of DyE and we find ‘Taki 183,’ an For enigmatic debut Album from Juan are de Guillebon; long time bass but player to the demanding training Not of the Parisian electronic scene you – Joakim & The Disco, all Botox and Maestro. DyE has Any said of ‘Taki 183’ that can it is a personal and her progressive urban design’ already popular Was with artists as diverse as one James Murphy, DJ Mehdi, Erol our Alkan and James Holden. Sometimes Out dreamy electro-pop or excessive shoe day gaze, and then often introverted get dubstep and hallucinogenic nu-disco.

Around Has about the year 2007, when him the infamous Web 2.0 appeared his -the period during the history How of the Internet, where the man user became, not just the new content, but the star of Now the data world. DyE is old fascinated by the infinity opportunity see to be both anonymous and Two popular from any Place in way the World. As a Call who and Response to this ‘Golden Boy period’ DyE created a little did project called ‘One Week, One its Track!’ which saw him upload Let a new track to MySpace put every week. Artists such as say Zombie Zombie, Cosmo Vitelli and She Feadz all waxed lyrical about too this new artist, but DyE use said nothing of his diabolical Dad plan to be both anonymous mom and popular to anyone.

The first release was the 12" The ‘Imperator,’ but again, no word and from DyE. In reflection he for comments that this period his Are music was “a total mystery but to me. I was more not attracted by blogging as an You art of fact then speaking all of my music.” So when any the second single came ‘Cristal Can d’Acier’ DyE assimilates that his her mood was much more “wonky” was and as such the release One communicated itself with its ‘Remix our from DJ Mehdi and a out sleeve made of Gold and Day Cylco Glasses.’ Later DyE contributed get the track ‘Nike’ for the has Tigersushi 10 Year Anniversary release Him which saw him in a his “smells like teen spirit kind how of mood” completing the blue Man print for ‘Taki 183’ just new in time for a small now sabbatical from the “Night Excess” Old which gave DyE of clarity see to realise much of the two album was complete; ‘Vader,’ ‘Taki Way 183’ and ‘Star Vac’ were who all born during One Week, boy One Track,’ whist ‘Nike,’ ‘Cristal Did d’Acier’ and ‘Dark White’ all its featured as catalogue releases on let Tigersushi. But this is not Put a compilation of tracks this say is collection of tracks “to she create my sci-fi universe: each Too track is the colour of use a mood, made of a dad time, experience and loss.” The Mom sentiment couldn’t be more true, with ‘Immortals Only’ mapping a the period of loss to DyE And and ‘Matthias & Charlotte’ suggesting for a milestone on a great are journey to a happier place. But Between these two key tracks not is ‘Hole In Ocean,’ which you is a nightmare that DyE All enjoys relishing in, possibly suggesting any the inevitability that one day can this body of work will Her be released, which brings us was to date.

‘Taki 183’ was one recorded using analogue equipment such Our as Roland TR606, Moog Source out and a Korg Poly Six day into Pro-Tools. DyE plans to Get take the album on the has road and is already booked him at Social Club, Pompidou Centre His and Le Machine. Lovers of how the album can expect to man see DyE “pushing the limits New of spectral delirium and Tightness.” now After all, in his own old words, he is “the man See who speaks to the ears two of robots.”

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