Mixing Music for a school Dance..
Mixing Music for a school Dance.. Posted on: 23.07.2012 by Daine Ziadeh Hey guys, today i was asked by my friends to make a mix for a school dance or showoff idk how to call it, well i'm stuck in transitioning between Skrillex - Bangarang to Chris Brown - Turn up the music, what techniques do people use to do this? it's 110 BPM and 130 BPM and you know that it can be a mix, it must be like a cut from one to another but since it's such a drastic change idk what to do, any opinions?I'm doing it in ableton and i know my way around it..so you can go straight into the technical terms :P | |
Christel Croak 26.07.2012 |
Originally Posted by JulianVeloso
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Shonda Soulier 26.07.2012 |
Originally Posted by elio_xh
My comment was to the OP. If you know Ableton, build some custom transitions using BPM automation. I've done a few this way. |
Daine Ziadeh 26.07.2012 |
Originally Posted by elio_xh
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Daine Ziadeh 23.07.2012 |
Originally Posted by DJKyleHughes
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Noriko Lebowitz 23.07.2012 |
Originally Posted by elio_xh
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Christel Croak 23.07.2012 |
Originally Posted by JulianVeloso
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Daine Ziadeh 23.07.2012 |
Originally Posted by elio_xh
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Celine Surico 23.07.2012 |
Originally Posted by elio_xh
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Warner Rotberg 26.07.2012 | Do it live with mix in/out markers |
Warner Rotberg 26.07.2012 | Loop it to 1/8 - 1/16 immediately after something notable happens in the song and echo/delay it out almost immediately, so the volume fades down and its just echos in the background always dropping volume and bring in something notable of the next track. |
Ardell Lafranchi 26.07.2012 | One of my main techniques is to loop a certain 4 beat sequence in bangerang into 2 then 1 then half then 1/4th into 1/8th delay filter into break down or 4 beats before the climax of chris brown song |
Christel Croak 26.07.2012 |
Originally Posted by JulianVeloso
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Shonda Soulier 26.07.2012 |
Originally Posted by elio_xh
My comment was to the OP. If you know Ableton, build some custom transitions using BPM automation. I've done a few this way. |
Daine Ziadeh 26.07.2012 |
Originally Posted by elio_xh
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Christel Croak 26.07.2012 | Ya it was kind of sloppy, but the whole point of it was that it works live because the people I played it for knew the first song so they were singing along with it and then they just got really excited to hear the next one. It's weird... you really can't teach this stuff online. Only doing it live and experimenting gives you a true feel. |
Shonda Soulier 26.07.2012 | So if you know your way around Ableton, you could always premake a transition like this one: http://www.clubedits.com/product.php?productid=21322 But I'd venture to say that if you're playing those two tracks back to back nobody at that dance will notice a sloppy transition |
Christel Croak 26.07.2012 | Here's the example, I'll try the one with Bangarang too http://soundcloud.com/elioxh/dj-ranking s-tempo-transition |
Daine Ziadeh 23.07.2012 |
Originally Posted by DJKyleHughes
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Noriko Lebowitz 23.07.2012 |
Originally Posted by elio_xh
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Christel Croak 23.07.2012 |
Originally Posted by JulianVeloso
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Jerica Salava 23.07.2012 | This is the best way. I know it's TRAKTOR NOT ABLETON. I am sure you can figure out how to do it it Ableton. > |
Celine Surico 23.07.2012 | Long time ago I did similar experiments raising BPM 20 steps or more between transitions with drum beats on both tracks, was not a pretty sigh. Learned a lesson or two from that. However, if you use a freeze reverb (which I suggested early on) with no tempo around, filter, and kick the next thing in, that should be fine. |
Daine Ziadeh 23.07.2012 |
Originally Posted by elio_xh
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Christel Croak 23.07.2012 | Yep, at a sweet 16 once. The girl asked for the weirdest selection of music, ranging from Top 40 to spanish music to dubstep. I practised the transition for a while before doing the gig, to make sure I had it down but this is basically what I did: It was a spanish song into Party rock anthem (96 bpm to 128 bpm). The spanish song had the following phrase, and I looped the brackets, "Por que (paso paso)" Then I brought the tempo up and used the transpose stretch effect. At 128 I started using the armyofme sweep effect except I made the tail on the reverb tail longer, and then I froze it after building up. Party rock anthem started with the chords. It worked well for me because they were familiar with both songs, so when the loop of the first song was going they were all singing along with it. |
Celine Surico 23.07.2012 |
Originally Posted by elio_xh
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Christel Croak 23.07.2012 |
Originally Posted by ksandvik
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Daine Ziadeh 23.07.2012 | http://soundcloud.com/martinsolveig/...gs-radio-smash I Would like something like what happens at 46:20, where he slows both songs and then drops skrillex in for the kill...Any effect vst to reproduce this? I got Effectrix, it's got a vinyl stop, but the effect there it's like affecting both songs and slowly bringing one out of the vinyl stop.. |
Celine Surico 23.07.2012 |
Originally Posted by DJKyleHughes
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Daine Ziadeh 23.07.2012 | I usually do really sick mashups in ableton, but i'm not used to this song cuts straight into other genres, I don't even like Chris Brown or this top 40 style of music.. |
Noriko Lebowitz 23.07.2012 | Loop a section of bangarang and keep making it faster until the bpm matches with the chris brown tune. Then drop the chris brown into the loop and slowly fade out skrillex. |
Minda Verges 23.07.2012 | You could always you use a delay and raise the bpm and play the other song. Maybe use a beat repeat, set on 1 bar? |
Daine Ziadeh 23.07.2012 | Problem is songs have already been chosen, so i can't decide what to use to suit my transition better.. |
Minda Verges 23.07.2012 | The way I do it, is find a song with a build up, and as soon as the slower song is ending cut the low n it and begin raising the bpm while fading in/out both of the songs. |
Celine Surico 23.07.2012 | Big BPM changes means a more abrupt transition. Use a non-drum sequence, crank up reverb and filter out the first track and let the other one start. Or millions of similar transition ideas. |
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