The Future Sound of Atlanta (Dubstep/Breaks/DnB/House)

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The Future Sound of Atlanta (Dubstep/Breaks/DnB/House)
Posted on: 12.09.2011 by Harold Jaras

Click here to see it on Mixcloud



Lunice - I See You [Girl Unit Remix]
Santi Junior - Freeway Trips Down The Nile (Jody Breeze vs MRK1)
Silkie vs Truth - Feel
Cyrus & Tunnidge - Lights
Plastician - Retro
Commodo & Lurka - Airtight
Rob Sparx - Broke (Feat. Roqqert)
Truth - Juno
Saint Rider - Anything, Everything
Soundbwoy Addiction - In Stereo (dub)
Dark Sky - Something To Lose
Kano - Get Wild (Feat. Aidonia & Wiley) [Redlight Remix]
Addison Groove - This Is It
Mz Bratt - Selecta [Redlight Original Mix]
Dillon Francis - Bossa Rocka
Tomb Crew - Ode To Tom & Jerry
DJG - NYC
Baobinga - State of Ghetto Jackin (Feat. DJ Nasty) [TRG Remix]
Wiley - It's Wiley [Royal T Remix]
Trick Or Treat - Bad Bwoy Toon
Doorly - Your Love (Feat. Ruby Wood)
Wretch 32 - Don't Go [Sezer Uysal Goes Remix]
DJ Defkline & Red Polo - Street Sounds
Zarif - Box of Secrets [Redlight Remix]
Fresh - Ice Cream
Gucci Mane & Swizz Beats - Gucci Time (Feat. Tinchy Stryder) [Sinden Remix]
Fred V - Angry Jazzer
Nixus - Rapture

(DL link - art, mix, tracklist)


a little different, a little better.
Harold Jaras
17.09.2011
Originally Posted by Awesomer
I listened to your mix a few days ago, on the Klipschs with the subwoofer turned on. I was playing skate3 at the time. Here's my feedback.

- In general I don't *prefer* these particular sub-genres of dubstep, but I don't dislike them like I do, say, brostep. There were some tracks (Truth, for example) which I really rather enjoyed. Others, like the two different tracks that both seem to sample the hoover from rave classics (including one by Plasticman OH I'M SORRY, PLASTICIAN HERP DERP DIDNT KNOW THAT PLASTIKMAN EXISTED BUT CALL MYSELF AN ELECTRONIC MUSIC PRODUCER HERP HERP HERP) ... err.. those ones I didn't like so much. But in summary, your tracks were good enough for me to want to download your mix despite this not being exactly my flavor.

- I thought your mixing was pretty solid. I heard a few mixes that were a little "raw" but not really anything that sounded "off". I like a little bit of that rawness in a live mix, and I believe most listeners who are not DJs do too. I believe there may have been one or two tracks that I felt were harmonically awkward in transition, though I understand that my vagueness here is not very likely to be helpful. Your levels were good throughout. Very professional sounding here, even during transitions. I enjoyed when you went between hip-hop, dubstep and DnB, the tempo changes are pleasantly futuristic in terms of tempo ambivalence.

- I don't really understand why this mix is called "The Future Sound Of Atlanta" ... is it because you are from Atlanta and this is the sound you are representing? If you lived in Carbondale, Colorado, would this mix be called "The Future Sound Of Carbondale"? Because if we go by where the music all comes from, this is more like "The Future Sound Of England" and not "The Future Sound Of Atlanta". I was pretty excited to hear what ATL is up to in terms of underground hip-hop and/or glitch-hop in the 2G11.. what I ended up with was a quality mix of current UK music?

Thanks for posting, and keep at it!
first off, thank you for the most in depth critique of a mix i've ever received! i love when people tell me things like this, i feel it is the best way to improve as a musician/dj/performer.

the name was all about my vision for the future of bass music in Atlanta. so yes, if i lived in Carbondale, it would be named after that. i know the name is traditionally used in representing forward-believeing/unsigned producers from a certain city (Future Sound of Tokyo/Copenhagen releases, etc), but this was obviously not that. i am however working on a mix like that for my city (and no it will not be called Future Sound of Atlanta 2 lol)

i really appreciate the feedback, all points definitely taken into consideration! thanks for giving it a close listen.
Harold Jaras
12.09.2011

Click here to see it on Mixcloud



Lunice - I See You [Girl Unit Remix]
Santi Junior - Freeway Trips Down The Nile (Jody Breeze vs MRK1)
Silkie vs Truth - Feel
Cyrus & Tunnidge - Lights
Plastician - Retro
Commodo & Lurka - Airtight
Rob Sparx - Broke (Feat. Roqqert)
Truth - Juno
Saint Rider - Anything, Everything
Soundbwoy Addiction - In Stereo (dub)
Dark Sky - Something To Lose
Kano - Get Wild (Feat. Aidonia & Wiley) [Redlight Remix]
Addison Groove - This Is It
Mz Bratt - Selecta [Redlight Original Mix]
Dillon Francis - Bossa Rocka
Tomb Crew - Ode To Tom & Jerry
DJG - NYC
Baobinga - State of Ghetto Jackin (Feat. DJ Nasty) [TRG Remix]
Wiley - It's Wiley [Royal T Remix]
Trick Or Treat - Bad Bwoy Toon
Doorly - Your Love (Feat. Ruby Wood)
Wretch 32 - Don't Go [Sezer Uysal Goes Remix]
DJ Defkline & Red Polo - Street Sounds
Zarif - Box of Secrets [Redlight Remix]
Fresh - Ice Cream
Gucci Mane & Swizz Beats - Gucci Time (Feat. Tinchy Stryder) [Sinden Remix]
Fred V - Angry Jazzer
Nixus - Rapture

(DL link - art, mix, tracklist)


a little different, a little better.
Latoria Kavulich
18.09.2011		looks good bruv.
Harold Jaras
17.09.2011
Originally Posted by Awesomer
I listened to your mix a few days ago, on the Klipschs with the subwoofer turned on. I was playing skate3 at the time. Here's my feedback.

- In general I don't *prefer* these particular sub-genres of dubstep, but I don't dislike them like I do, say, brostep. There were some tracks (Truth, for example) which I really rather enjoyed. Others, like the two different tracks that both seem to sample the hoover from rave classics (including one by Plasticman OH I'M SORRY, PLASTICIAN HERP DERP DIDNT KNOW THAT PLASTIKMAN EXISTED BUT CALL MYSELF AN ELECTRONIC MUSIC PRODUCER HERP HERP HERP) ... err.. those ones I didn't like so much. But in summary, your tracks were good enough for me to want to download your mix despite this not being exactly my flavor.

- I thought your mixing was pretty solid. I heard a few mixes that were a little "raw" but not really anything that sounded "off". I like a little bit of that rawness in a live mix, and I believe most listeners who are not DJs do too. I believe there may have been one or two tracks that I felt were harmonically awkward in transition, though I understand that my vagueness here is not very likely to be helpful. Your levels were good throughout. Very professional sounding here, even during transitions. I enjoyed when you went between hip-hop, dubstep and DnB, the tempo changes are pleasantly futuristic in terms of tempo ambivalence.

- I don't really understand why this mix is called "The Future Sound Of Atlanta" ... is it because you are from Atlanta and this is the sound you are representing? If you lived in Carbondale, Colorado, would this mix be called "The Future Sound Of Carbondale"? Because if we go by where the music all comes from, this is more like "The Future Sound Of England" and not "The Future Sound Of Atlanta". I was pretty excited to hear what ATL is up to in terms of underground hip-hop and/or glitch-hop in the 2G11.. what I ended up with was a quality mix of current UK music?

Thanks for posting, and keep at it!
first off, thank you for the most in depth critique of a mix i've ever received! i love when people tell me things like this, i feel it is the best way to improve as a musician/dj/performer.

the name was all about my vision for the future of bass music in Atlanta. so yes, if i lived in Carbondale, it would be named after that. i know the name is traditionally used in representing forward-believeing/unsigned producers from a certain city (Future Sound of Tokyo/Copenhagen releases, etc), but this was obviously not that. i am however working on a mix like that for my city (and no it will not be called Future Sound of Atlanta 2 lol)

i really appreciate the feedback, all points definitely taken into consideration! thanks for giving it a close listen.
Kenton Almeyda
16.09.2011		I listened to your mix a few days ago, on the Klipschs with the subwoofer turned on. I was playing skate3 at the time. Here's my feedback.

- In general I don't *prefer* these particular sub-genres of dubstep, but I don't dislike them like I do, say, brostep. There were some tracks (Truth, for example) which I really rather enjoyed. Others, like the two different tracks that both seem to sample the hoover from rave classics (including one by Plasticman OH I'M SORRY, PLASTICIAN HERP DERP DIDNT KNOW THAT PLASTIKMAN EXISTED BUT CALL MYSELF AN ELECTRONIC MUSIC PRODUCER HERP HERP HERP) ... err.. those ones I didn't like so much. But in summary, your tracks were good enough for me to want to download your mix despite this not being exactly my flavor.

- I thought your mixing was pretty solid. I heard a few mixes that were a little "raw" but not really anything that sounded "off". I like a little bit of that rawness in a live mix, and I believe most listeners who are not DJs do too. I believe there may have been one or two tracks that I felt were harmonically awkward in transition, though I understand that my vagueness here is not very likely to be helpful. Your levels were good throughout. Very professional sounding here, even during transitions. I enjoyed when you went between hip-hop, dubstep and DnB, the tempo changes are pleasantly futuristic in terms of tempo ambivalence.

- I don't really understand why this mix is called "The Future Sound Of Atlanta" ... is it because you are from Atlanta and this is the sound you are representing? If you lived in Carbondale, Colorado, would this mix be called "The Future Sound Of Carbondale"? Because if we go by where the music all comes from, this is more like "The Future Sound Of England" and not "The Future Sound Of Atlanta". I was pretty excited to hear what ATL is up to in terms of underground hip-hop and/or glitch-hop in the 2G11.. what I ended up with was a quality mix of current UK music?

Thanks for posting, and keep at it!

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