Technics :D!

Technics :D!
Posted on: 24.12.2011 by Keeley Mikulsky
I'm a digital dj looking to possibly make a switch! After my research I've pretty much decided I want some technics. If anyone would be willing to take some time and shoot a couple of pms with a complete beginner to help me answer a few questions I can't find the answers too id be forever grateful! I have aim also if thats easier. Lmk thanks!
Osvaldo Newhall
01.01.2012
Originally Posted by mostapha
Because they haven't changed significantly since the m3d came out.

Not even the Super OEM tables, nor vestax's "huge innovations".

Also, I'm convinced that Digital DJs constantly changing setups means that nothing in the computer world works as well in that world as 1200s and a mixer do in theirs.

(this post is 100% serious, but look at my sig before you flame me or you'll wind up on my ignore list)
I agree on this.
Dorie Scelzo
29.12.2011
Originally Posted by Johbremat
If someone is prepared to spend their coin on newest controller to replace their existing one, why not the same for a phonograph every 3-5 years?
Because they haven't changed significantly since the m3d came out.

Not even the Super OEM tables, nor vestax's "huge innovations".

Also, I'm convinced that Digital DJs constantly changing setups means that nothing in the computer world works as well in that world as 1200s and a mixer do in theirs.

(this post is 100% serious, but look at my sig before you flame me or you'll wind up on my ignore list)
Pat Chaim
28.12.2011
Originally Posted by jsa83
shure m44-7 .. thats what i started off with and what i use @ home. if i'm at a gig i use my ortofons
Same here!
Delila Vandommelen
25.12.2011
Originally Posted by Nicadraus
Technics 1200s are very reputable not only because it's an industry standard but because it has proved its worth for the last 3 decades. Sturdiness, accuracy, parts availability, and most important of all, reliability.
Oh yes, parts. If something breaks, you can find a spare part for it and common sticking points are thoroughly documented.
A year after switching to DVS + buying my friend's unused Vestax PDX TTs for cheap and seeing the pitch faders become more and more unreliable, I figured there is literally no worthwhile spare part market for these decks, not even for the PDX 2300/3000.
On top of that, should you become tired of turntables, the resale value remains stable for Techs ; for anything else you'll have a harder time.
In short - GO 1200s!
Betsy Orsillo
25.12.2011
Original model

SL-1200 The SL-1200 was introduced in 1972 as an evolution to the popular SL-1100. It represented a culmination of all Technics innovations to the world of Hi-Fi. It was dubbed as "The Middle Class Player System".It was delivered in 2 different versions:The SL-1200 came complete with a tonearm section. The SL-120 came without a tonearm section. A SME
Keeley Mikulsky
24.12.2011
I'm a digital dj looking to possibly make a switch! After my research I've pretty much decided I want some technics. If anyone would be willing to take some time and shoot a couple of pms with a complete beginner to help me answer a few questions I can't find the answers too id be forever grateful! I have aim also if thats easier. Lmk thanks!
Ira Alsadi
02.01.2012
Starting with Techs is a good way to go. I started with Gemini's in 2000, then "upgraded" to Numark TT-1's in 2003. While I absolutely love my Numarks, and preferred them over Techs for quite a while, servicing and maintaining them proved impossible. As with most decks at the time, Numark and many others concentrated on "innovations" over stability, and models as well as replacement parts became discontinued quickly . I now have my kids using my Numarks (yes they are learning to mix). The leaky tonearms and loose mounts mean nothing to them, but with my two Techs (and a spare acquired at a yard sale), I have reliability and easy access to spare parts when needed.
Osvaldo Newhall
01.01.2012
Originally Posted by mostapha
Because they haven't changed significantly since the m3d came out.

Not even the Super OEM tables, nor vestax's "huge innovations".

Also, I'm convinced that Digital DJs constantly changing setups means that nothing in the computer world works as well in that world as 1200s and a mixer do in theirs.

(this post is 100% serious, but look at my sig before you flame me or you'll wind up on my ignore list)
I agree on this.
Keli Muennink
01.01.2012
What questions do you have then????
Dorie Scelzo
29.12.2011
Originally Posted by Johbremat
If someone is prepared to spend their coin on newest controller to replace their existing one, why not the same for a phonograph every 3-5 years?
Because they haven't changed significantly since the m3d came out.

Not even the Super OEM tables, nor vestax's "huge innovations".

Also, I'm convinced that Digital DJs constantly changing setups means that nothing in the computer world works as well in that world as 1200s and a mixer do in theirs.

(this post is 100% serious, but look at my sig before you flame me or you'll wind up on my ignore list)
Lindy Jonker
29.12.2011
Props on your decision to go Technics - they're a great table - but it never fails to amaze me...


I'd be surprised if a majority of digital DJs on this community haven't cycled through their setup more than a few times (Numark <-> Vestax <-> NI <-> Stanton <-> Allen & Heath) yet when it comes to turnies, it's almost always "Technics 4EVA".


I believe the only thing going for Technics at the moment is their resale value.


You can easily get a pair of Stanton ST-150, Numark TTX-USB or Vestax PDX-3000Mix for the cost of a single 1200M5G new (the only comparable table based on features) with coin to spare on decent needles.


If someone is prepared to spend their coin on newest controller to replace their existing one, why not the same for a phonograph every 3-5 years?
Pat Chaim
28.12.2011
Originally Posted by jsa83
shure m44-7 .. thats what i started off with and what i use @ home. if i'm at a gig i use my ortofons
Same here!
Osvaldo Newhall
28.12.2011
As suggested, the M44-7 is the best all-around cartridge. Good sound and good for scratching too.
Betsy Orsillo
28.12.2011
shure m44-7 .. thats what i started off with and what i use @ home. if i'm at a gig i use my ortofons
Myles Sherritt
28.12.2011
What type of stylus should a beginner be looking at?
Pat Chaim
25.12.2011
I got 2 sets of the 1200mk2 (one silver and one black) and i love them!
You are making the right choice
Delila Vandommelen
25.12.2011
Originally Posted by Nicadraus
Technics 1200s are very reputable not only because it's an industry standard but because it has proved its worth for the last 3 decades. Sturdiness, accuracy, parts availability, and most important of all, reliability.
Oh yes, parts. If something breaks, you can find a spare part for it and common sticking points are thoroughly documented.
A year after switching to DVS + buying my friend's unused Vestax PDX TTs for cheap and seeing the pitch faders become more and more unreliable, I figured there is literally no worthwhile spare part market for these decks, not even for the PDX 2300/3000.
On top of that, should you become tired of turntables, the resale value remains stable for Techs ; for anything else you'll have a harder time.
In short - GO 1200s!
Betsy Orsillo
25.12.2011
most popular ones are mk2, mk5 and m5g
Betsy Orsillo
25.12.2011
Original model

SL-1200 The SL-1200 was introduced in 1972 as an evolution to the popular SL-1100. It represented a culmination of all Technics innovations to the world of Hi-Fi. It was dubbed as "The Middle Class Player System".It was delivered in 2 different versions:The SL-1200 came complete with a tonearm section. The SL-120 came without a tonearm section. A SME
Osvaldo Newhall
24.12.2011
Well for starters, you made the right path in choosing Technics. Some people will lead you to Stanton, Numark, Vestax and other super OEM turntables, but that's just about 2% of the DJ turntables users worldwide. Technics 1200s are very reputable not only because it's an industry standard but because it has proved its worth for the last 3 decades. Sturdiness, accuracy, parts availability, and most important of all, reliability.

Second, I would highly suggest in looking for a used pair instead of buying new ones because the prices are just insane. You can find a good working pair for $400-500.

Lastly, remember to get SL1200/1210 MK2, MK3, M3D/MK3D, MK4, MK5, MK6, and M5G/MK5G models only. If someone tries to sell you other Technics models aside from SL1200/1210, don't settle. Also, don't get carried away by reviews. Majority of DJs recommendations are based on experience and not biased reviews.

Good luck on the hunt.
Alla Bluemke
24.12.2011
just ask them here! People have very different opinions on gear , technique, and starting points. We don't bite.....much promise!

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