Made Like A Tree

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Made Like A Tree
Posted on: 10.04.2013 by Abram Chapo
Just found this fantastic Podcast series and thought i would share:

http://madelikeatree.com/

All mixes are still available for download and has been running since 2009 (where have i been!)

I especially like Dave Aju's 7 Step Dance Music Production Honor System:

1. Try to emphasize content over form.

2. Challenge yourself. If it seems too easy, it is questionable at best.

3. Personalize all sounds, effects, and arrangements wherever possible.

4. Refrain from releasing or submitting any track that:
a. sounds like it could be the work of another producer,
b. sounds redundantly like other works of your own, or
c. only evokes the emotion of being in a club.

5. Treat every track as you would a loved one; support and encourage its individuality, and never misguide or manipulate it for popularity purposes.

6. Study and consider the history of dance music and make every attempt possible to carry on its creative and positive traditions while respectfully avoiding mimicking, re-treading, or capitalizing on its origins for content.

7. Honestly question your motivation and objective, particularly if your interest in dancing and dance music is a result of certain chemical experiences.
Abram Chapo
10.04.2013
Just found this fantastic Podcast series and thought i would share:

http://madelikeatree.com/

All mixes are still available for download and has been running since 2009 (where have i been!)

I especially like Dave Aju's 7 Step Dance Music Production Honor System:

1. Try to emphasize content over form.

2. Challenge yourself. If it seems too easy, it is questionable at best.

3. Personalize all sounds, effects, and arrangements wherever possible.

4. Refrain from releasing or submitting any track that:
a. sounds like it could be the work of another producer,
b. sounds redundantly like other works of your own, or
c. only evokes the emotion of being in a club.

5. Treat every track as you would a loved one; support and encourage its individuality, and never misguide or manipulate it for popularity purposes.

6. Study and consider the history of dance music and make every attempt possible to carry on its creative and positive traditions while respectfully avoiding mimicking, re-treading, or capitalizing on its origins for content.

7. Honestly question your motivation and objective, particularly if your interest in dancing and dance music is a result of certain chemical experiences.

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