Any turntablist S4 users interested in an experimental net performance project??
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Any turntablist S4 users interested in an experimental net performance project?? Posted on: 01.04.2011 by Blondell Yamazaki Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions:------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city | |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Blondell Yamazaki 01.04.2011 | Since getting my S4 I have been exploring its potential as an improvising instrument playing along with other musicians, adapting DJ technology to live electronic music and experimental sound art of all types. I have come up with an idea for an experimental performance using an online program called Ninjam to connect digital DJs (alongside other improvising instruments) in 2 different locations. I am looking to line up a series of performances connecting the people I play with in Baltimore to S4/KP3/turntablists (and accompanying ensembles) in a number of other cities. Anyone interested? Here's my first draft of instructions: ------------------------ ZeroTime Operations: a networked performance collaboration The goal of this piece is to promote new levels of collective consciousness across national borders and different time zones. In a merging of live audio streams from improvising musicians in two different cities, synchronized musical actions will be offset by network latency- creating delay effects and an ambiguity about the present moment as it is experienced in different locations simultaneously. Social media communications between participants will guide digging expeditions in each city |
| Phylis Lebby 01.04.2011 | Interesting idea. Good luck! |
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