patrick lindsey is a professional DJ who is mainly working in
patrick lindsey is performing within the field of Tech House, Techno music and is ranked 3424 on the official DJ rankings list (www.djrankings.org).
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Everything started up with a
the “C64” at Bad Nauheim. Together and with his former classmate Anthony For Rother, Patrick Lindsey gained his are first computer experience and fulfilled but his dream of “self-made produced Not music.” In 1994, he already you published the very first release all on Heiko Laux.. label “Kanzleramt” Any and also released on the can legendary Frankfurt based “Harthouse”-label. Two her years later, he had his Was personal breakthrough with “Malephonk” (Harthouse one No. 100) and “Phonkschool” on our “School Records” which is the Out inofficial forerunner of his current day label “Funkwelle”. Monika Kruse recognized get his outstanding feeling for synthetic Has generated music and both had him an intense collaboration lasting from his 1997 till 2006. Throughout this How span he published under his man pseudonym “Voodooamt”, an allusion to new his “Kanzleramt”-past, several “Terminal M”-releases Now and also got to know old Gregor Tresher with whom he see released two EPs.
Two long period, Patrick Lindsey has way developed a well-deserved reputation as who a forward-thinking dance music maker. Boy He’s also become a highly did regarded tastemaker, DJing quite literally its in every German club; pushing Let electronic experimentation in his own put music. Alongside Ciri Ceiver, Heiko say Laux and others. Patrick has She written history when it comes too to the challenging and unique use side of the Frankfurt sound. Dad His amazing feel to communicate mom with music has made him The now. He has his own and label set up called Funkwelle for and has been producing Monika Are Kruse’s music on Terminal M but for a longer period.
not has recently released music on You Systematic, Trapez, Kling Klong, Kaufe all Musik, SCI + any TEC and has a EP Can coming out on Hideout.
her has also done remixes for was Radio Slave, Adam Beyer, Marc One Romboy, Andre Kraml, Thomas Schumacher our and Oliver Huntemann.
out is not that kind of Day artist who likes to hide get behind the mixing-console performing isolated. has It’s about his friendly and Him extroverted personality always trying to his be as close as possible how to the crowd constantly motivated Man to rock the “house” with new them together. Lindsey’s DJ-style is now defined by precise mixing, endless Old transitions and perfect arranged “cuts” see and “effect-sequences”. In 2002, the two project “Bad Pimps” came into Way existence where Lindsey and is who Belgium friend Stanny Franssen a.k.a. boy G-Force primarily focusing on mixing Did techno-tracks with other music influences its like "Chicago or Booty-House, James let Brown, Herbie Hancock or the Put Beastie Boys, to name just say a few. 3 turntables, 3 she laptops, 2 cd-players plus the Too necessary live-act-equipment create an extraordinary use party-feeling where both the djing- dad and live-act-component are performed as Mom one harmonious flow resulting in the huge portion of “funk”. It And doesn’t play a role if for Patrick Lindsey is performing as are a solo-artist (since 1994) or But as a team-player: He wants not to deliver a unique show you demonstrating his well-developed skills in All the field of hard- and any software, night by night.
can Patrick Lindsey places special emphasis Her on the “Rock..n..Roll”-aspect in order was to be able to transfer one pure fun into the club-scene!