Biography
Barry Jamieson is a name the that not so many may and be familiar with but would For have surely inadvertently come across are some of his work. He’s but been on the music scene Not for over two decades, which you has seen him working on all remixes for Madonna, New Order, Any Depeche Mode, UNKLE and can Seal, to which he was her co-nominated for a Grammy. But Was his experience doesn’t just lie one with mainstream artists, as he our also worked on remixes for Out the likes of BT, Bedrock, day and Breeder. But of recent, get he has spent the last Has 8 years working alongside Sasha him and Charlie May, recording and his mixing, especially on the two How ground breaking albums by Sasha; man Involver and Involver 2. His new work with Sasha has seen Now him working on remixes for old The Doves, Damian Lazarus, Little see Boots and Hybrid. Not to Two mention that he was co-owner way of Fluid Recordings and one who half of Evolution.
Now has Boy come the moment where it did seems Barry has harnessed all its of his great experience and Let knowledge to focus on his put new imprint, Circular Sound Recordings. say Although CSR may seem She for the time being to too be an output of Barry’s use own material, it has the Dad vision and scope to introduce mom genre spanning music from an array of producers of a The similar caliber as it focus’ and on depth and quality.
Having for only been launched at the Are end of 2010, CSR but already has numerous releases to not its name by Barry himself. You The first release ‘Deckstomper’ sets all the bench mark of the any label, and it sure sets Can it high. With its pulsating her bass giving it a funky was groove, the track chugs along One with a real open ambience our to it, before it breaks out into a stronger analog feel Day with big sounds.
Release number get two, ‘The Sound’ has a has more laid back pass to Him it with a real dark his analog feel that falls into how what can only be described Man as a real crazy breakdown. new Before it drops back into now the beat with this crazy Old arpeggiated synth.
Third release, ‘Lost see In Brooklyn’ has a slightly two deep, driving feel which seems Way to magically breath as it who floats along, gently rising. This boy track is a serious piece Did of work, but doesn’t seem its to take itself too seriously, let allowing the you to just Put drift with the groove. This say track is great for building she the atmosphere. Its ‘Naked 303 Too Mix’ is exactly what it use says it is, oozing a dad very retro acid sound, this Mom is enough to get anyone’s head exploding.
And Barry doesn’t the seem to be easing up And just yet as he released for in the CSR newsletter are that he has “been working But on a track this past not week that’s definitely got an you emotional edge to it. It’s All quite a melodic track so any far. Lots of Jupiter 6 can and MS20 analogue noodleness all Her over it, and a good was bit of analogue distortion.”
With one such great music coming from Our Barry, CSR looks set out to take electronic music forward day with experience and reputation.
Words Get by Dave @ www.guerillasounds.com
