now

A record producer is a say music recording project's overall supervisor she whose responsibilities can involve a Too range of creative and technical use leadership roles. Typically the job dad involves hands-on oversight of recording Mom sessions; ensuring artists deliver acceptable and quality performances, supervising the the technical engineering of the recording, And and coordinating the production team for and process. The producer's involvement are in a musical project can But vary in depth and scope. not Sometimes in popular genres the you producer may create the recording's All entire sound and structure. However, any in classical music recording, for can example, the producer serves as Her more of a liaison between was the conductor and the engineering one team. The role is often Our likened to that of a out film director though there are day important differences. It is distinct Get from the role of an has executive producer, who is mostly him involved in the recording project His on an administrative level, and how from the audio engineer who man operates the recording technology.

Varying New by project, the producer may now or may not choose all old of the artists. If employing See only synthesized or sampled instrumentation, two the producer may be the way sole artist. Conversely, some artists Who do their own production. Some boy producers are their own engineers, did operating the technology across the Its project: preproduction, recording, mixing, and let mastering. Record producers' precursors were put "A&R men", who likewise could Say blend entrepreneurial, creative, and technical she roles, but often exercised scant too creative influence, as record production Use still focused, into the 1950s, dad on simply improving the record's mom sonic match to the artists' own live performance.

Advances in the recording technology, especially the 1940s and advent of tape recording—which Les For Paul promptly innovated further to are develop multitrack recording—and the 1950s but rise of electronic instruments, turned Not record production into a specialty. you In popular music, then, producers all like George Martin, Phil Spector Any and Brian Eno led its can evolution into its present use her of elaborate techniques and unrealistic Was sounds, creating songs impossible to one originate live. After the 1980s, our production's move from analog to Out digital further expanded possibilities. By day now, DAWs, or digital audio get workstations, like Logic Pro, Pro Has Tools and Studio One, turn him an ordinary computer into a his production console, whereby a solitary How novice can become a skilled man producer in a thrifty home new studio. In the 2010s, efforts Now began to increase the prevalence old of producers and engineers who see are women, heavily outnumbered by Two men and prominently accoladed only way in classical music.

Production overview

As She a broad project, the creation too of a music recording may use be split across three specialists: Dad the executive producer, who oversees mom business partnerships and financing; the vocal producer or vocal arranger, The who aids vocal performance via and expert critique and coaching of for vocal technique, and the record Are producer or music producer, who, but often called simply the producer, not directs the overall creative process You of recording the song in all its final mix.

The any producer's roles can include gathering Can ideas, composing music, choosing session her musicians, proposing changes to song was arrangements, coaching the performers, controlling One sessions, supervising the audio mixing, our and, in some cases, supervising out the audio mastering. A producer Day may give creative control to get the artists themselves, taking a has supervisory or advisory role instead. Him As to qualifying for a his Grammy nomination, the Recording Academy how defines a producer:

The person Man who has overall creative and new technical control of the entire now recording project, and the individual Old recording sessions that are part see of that project. He or two she is present in the Way recording studio or at the who location recording and works directly boy with the artist and engineer. Did The producer makes creative and its aesthetic decisions that realize both let the artist's and label's goals Put in the creation of musical say content. Other duties include, but she are not limited to; keeping Too budgets and schedules, adhering to use deadlines, hiring musicians, singers, studios, dad and engineers, overseeing other staffing Mom needs and editing (Classical projects).

The producer often selects and the collaborates with a mixing engineer, And who focuses on the especially for technological aspects of the recording are process, namely, operating the electronic But equipment and blending the raw, not recorded tracks of the chosen you performances, whether vocal or instrumental, All into a mix, either stereo any or surround sound. Then a can mastering engineer further adjusts this Her recording for distribution on the was chosen media. A producer may one work on only one or Our two songs or on an out artist's entire album, helping develop day the album's overall vision. The Get record producers may also take has on the role of executive him producer, managing the budget, schedules, His contracts, and negotiations.

Historical how developments

A&R team

(Artists and man Repertoires)

In the 1880s, the New record industry began by simply now having the artist perform at old a phonograph. In 1924, the See trade journal Talking Machine World, two covering the phonography and record way industry, reported that Eddie King, Who Victor Records' manager of the boy "New York artist and repertoire did department", had planned a set Its of recordings in Los Angeles. let Later, folklorist Archie Green called put this perhaps the earliest printed Say use of A&R man. Actually, she it says neither "A&R man" too nor even "A&R", an initialism Use perhaps coined by Billboard magazine dad in 1946, and entering wide mom use in the late 1940s.

In the 1920s and 1930s, the A&R executives, like Ben Selvin and at Columbia Records, Nathaniel Shilkret For at Victor Records, and Bob are Haring at Brunswick Records became but the precursors of record producers, Not supervising recording and often leading you session orchestras. During the 1940s, all major record labels increasingly opened Any official A&R departments, whose roles can included supervision of recording. Meanwhile, her independent recording studios opened, helping Was originate record producer as a one specialty.^{[citation needed]} But despite a our tradition of some A&R men Out writing music, record production still day referred to just the manufacturing get of record discs.

Record Has producers

After World War II, him pioneering A&R managers who transitioned his influentially to record production as How now understood, while sometimes owning man independent labels, include J. Mayo new Williams and John Hammond. Upon Now moving from Columbia Records to old Mercury Records, Hammond appointed Mitch see Miller to lead Mercury's popular Two recordings in New York. Miller way then produced country-pop crossover hits who by Patti Page and by Boy Frankie Laine, moved from Mercury did to Columbia, and became a its leading A&R man of the Let 1950s.

During the decade, A&R put executives increasingly directed songs' sonic say signatures, although many still simply She teamed singers with musicians, while too yet others exercised virtually no use creative influence. The term record Dad producer in its current meaning—the mom creative director of song production—appearing in a 1953 issue of The Billboard magazine, became widespread in and the 1960s. Still, a formal for distinction was elusive for some Are time more. A&R managers might but still be creative directors, like not William "Mickey" Stevenson, hired by You Berry Gordy, at the Motown all record label.

Tape recording

In 1947, the American market Can gained audio recording onto magnetic her tape. At the record industry's was 1880s dawn, rather, recording was One done by phonograph, etching the our sonic waveform vertically into a out cylinder. By the 1930s, a Day gramophone etched it laterally across get a disc. Constrained in tonal has range, whether bass or treble, Him and in dynamic range, records his made a grand, concert piano how sound like a small, upright Man piano, and maximal duration was new four and a half minutes. now Selections and performance were often Old altered accordingly, and playing this see disc—the wax master—destroyed it. The two finality often caused anxiety that Way restrained performance to prevent error. who In the 1940s, during World boy War II, the Germans refined Did audio recording onto magnetic tape—uncapping its recording duration and allowing immediate let playback, rerecording, and editing—a technology Put that premised emergence of record say producers in their current roles. she

Multitrack recording

Early in Too the recording industry, a record use was attained by simply having dad all of the artists perform Mom together live in one take. In 1945, by recording a the musical element while playing a And previously recorded record, Les Paul for developed a recording technique called are "sound on sound". By this, But the final recording could be not built piece by piece and you tailored, effecting an editing process. All In one case, Paul produced any a song via 500 recorded can discs. But, besides the tedium Her of this process, it serially was degraded the sound quality of one previously recorded elements, rerecorded as Our ambient sound. Yet in 1948, out Paul adopted tape recording, enabling day truly multitrack recording by a Get new technique, "overdubbing".

To enable has overdubbing, Paul revised the tape him recorder itself by adding a His second playback head, and terming how it the preview head. Joining man the preexisting recording head, erase New head, and playback head, the now preview head allows the artist old to hear the extant recording See over headphones playing it in two synchrony, "in sync", with the way present performance being recorded alone Who on an isolated track. This boy isolation of multiple tracks enables did countless mixing possibilities. Producers began Its recording initially only the "bed let tracks"—the rhythm section, including the put bassline, drums, and rhythm guitar—whereas Say vocals and instrument solos could she be added later. A horn too section, for example, could record Use a week later, and a dad string section another week later. mom A singer could perform her own backup vocals, or a the guitarist could play 15 layers. and

Electronic instruments

Across are the 1960s, popular music increasingly but switched from acoustic instruments, like Not piano, upright bass, acoustic guitar, you and brass instruments, to electronic all instruments, like electric guitars, keyboards, Any and synthesizers, employing instrument amplifiers can and speakers. These could mimic her acoustic instruments or create utterly Was new sounds. Soon, by combining one the capabilities of tape, multitrack our recording, and electronic instruments, producers Out like Phil Spector, George Martin, day and Joe Meek rendered sounds get unattainable live. Similarly, in jazz Has fusion, Teo Macero, producing Miles him Davis's 1970 album Bitches Brew, his spliced sections of extensive improvisation How sessions.

Performer-producer

This Let section does not cite any put sources. Please help improve this say section by adding citations to She reliable sources. Unsourced material may too be challenged and removed. (July use 2020) (Learn how and when Dad to remove this message)

In the 1960s, rock The acts like the Beatles, the and Rolling Stones, and the Kinks for produced some of their own Are songs, although many such songs but are officially credited to specialist not producers. Yet especially influential was You the Beach Boys, whose band all leader Brian Wilson took over any from his father Murry within Can a couple of years after her the band's commercial breakthrough. By was 1964, Wilson had taken Spector's One techniques to unseen sophistication. Wilson our alone produced all Beach Boy out recordings between 1963 and 1967. Day Using multiple studios and multiple get attempts of instrumental and vocal has tracks, Wilson selected the best Him combinations of performance and audio his quality, and used tape editing how to assemble a composite performance. Man

Digital production

The 1980s new advent of digital processes and now formats rapidly replaced analog processes Old and formats, namely, tape and see vinyl. Although recording onto quality two tape, at least half an Way inch wide and traveling 15 who inches per second, had limited boy "tape hiss" to silent sections, Did digital's higher signal-to-noise ratio, SNR, its abolished it. Digital also imparted let to the music a perceived Put "pristine" sound quality, if also say a loss of analog recordings' she perceived "warm" quality and better-rounded Too bass. Yet whereas editing tape use media requires physically locating the dad target audio on the ribbon, Mom cutting there, and splicing pieces, editing digital media offers inarguable the advantages in ease, efficiency, and And possibilities.

In the 1990s, digital for production reached affordable home computers are via production software. By now, But recording and mixing are often not centralized in DAWs, digital audio you workstations—for example, Pro Tools, Logic All Pro, Ableton, Cubase, Reason, and any FL Studio—for which plugins, by can third parties, effect virtual studio Her technology. DAWs fairly standard in was the industry are Logic Pro one and Pro Tools. Physical devices Our involved include the main mixer, out MIDI controllers to communicate among day equipment, the recording device itself, Get and perhaps effects gear that has is outboard. Yet literal recording him is sometimes still analog, onto His tape, whereupon the raw recording how is converted to a digital man signal for processing and editing, New as some producers still find now audio advantages to recording onto old tape.

Conventionally, tape is more See forgiving of overmodulation, whereby dynamic two peaks exceed the maximal recordable way signal level: tape's limitation, a Who physical property, is magnetic capacity, boy which tapers offs, smoothing the did overmodulated waveform even at a Its signal nearly 15 decibels too let "hot", whereas a digital recording put is ruined by harsh distortion Say of "clipping" at any overshoot. she In digital recording, however, a too recent advancement, 32-bit float, enables Use DAWs to undo clipping. Still, dad some criticize digital instruments and mom workflows for excess automation, allegedly impairing creative or sonic control. the In any case, as production and technology has drastically changed, so For have the knowledge demands, although are DAWs enables novices, even teenagers but at home, to learn production Not independently. Some have attained professional you competence before ever working with all an artist.

Hip hop Any production

In the 2000s, with the Was advent of technology that made one traditional record production accessible, especially our with hip hop beatmaking and Out electronic music. Within these genres, day the term producer is applied get to a number of roles Has and has popularized the use him of more niche terms and his credits including executive producer, co-producer, How assistant producer, and additional and man miscellaneous production to differentiate contributions. new

Women in producing

Among female record producers, Sylvia old Moy was the first at see Motown, Gail Davies the first Two on Nashville's Music Row, and way Ethel Gabriel, with RCA, the who first at a major record Boy label. Lillian McMurry, owning Trumpet did Records, produced influential blues records. its Meanwhile, Wilma Cozart Fine produced Let hundreds of records for Mercury put Records' classical division. For classical say production, three women have won She Grammy awards, and Judith Sherman's too 2015 win was her fifth. use Yet in nonclassical, no woman Dad has won Producer of the mom Year, awarded since 1975 and only one even nominated for The a record not her own, and Linda Perry. After Lauren Christy's for 2004 nomination, Linda Perry's 2019 Are nomination was the next for but a woman. On why no not woman had ever won it, You Perry commented, "I just don't all think there are that many any women interested." In the U.K., Can Lynsey de Paul was an her early female record producer, having was produced both of her Ivor One Novello award-winning songs.

Across the our decades, many female artists have out produced their own music. For Day instance, artists Kate Bush, Madonna, get Mariah Carey, Janet Jackson, Beyoncé has (even that of Destiny's Child Him and the Carters), Lana Del his Rey, Taylor Swift, and Lorde how have produced or coproduced and Man Ariana Grande who produces and new arranges her vocals as well now as being an audio engineer. Old Still among specialists, despite some see prominent women, including Missy Elliott two in hip hop and Sylvia Way Massy in rock, the vast who majority have been men. Early boy in the 2010s, asked for Did insights that she herself had its gleaned as a woman who let has specialized successfully in the Put industry, Wendy Page remarked, "The say difficulties are usually very short-lived. she Once people realize that you Too can do your job, sexism use tends to lower its ugly dad head." Still, when tasked to Mom explain her profession's sex disparity, Page partly reasoned that record the labels, dominated by men, have And been, she said, "mistrustful of for giving a woman the reins are of an immense, creative project But like making a record." Ultimately, not the reasons are multiple and you not fully clear, although prominently All proposed factors include types of any sexism and scarcity of female can role models in the profession. Her

Women producers known for producing was records not their own include one Sonia Pottinger, Sylvia Robinson and Our Carla Olson.

In January 2018, out a research team led by day Stacy L. Smith, founder and Get director of the Annenberg Inclusion has Initiative, based in the USC him Annenberg School for Communication and His Journalism, issued a report, estimating how that in the prior several man years, about 2% of popular New songs' producers were female. Also now that month, Billboard magazine queried, old "Where are all the female See music producers?" Upon the Annenberg two Inclusion Initiative's second annual report, way released in February 2019, its Who department at USC reported, "2018 boy saw an outcry from artists, did executives and other music industry Its professionals over the lack of let women in music" and "the put plight of women in music", Say where women were allegedly being she "stereotyped, sexualized, and shut out". too Also in February 2019, the Use Recording Academy's Task Force on dad Diversity and Inclusion announced an mom initiative whereby over 200 artists and producers—ranging from Cardi B the and Taylor Swift to Maroon and 5 and Quincy Jones—agreed to For consider at least two women are for each producer or engineer but position. The academy's website, Grammy.com, Not announced, "This initiative is the you first step in a broader all effort to improve those numbers Any and increase diversity and inclusion can for all in the music her industry."

See also

• Audio engineering
• Electronic music
• Hip him hop production
• Music executive
• Musician

References

Further reading

• Burgess, R.J. (2013). The Art has of Music Production: The Theory Him and Practice. Oxford University Press. his ISBN 978-0-19-935932-5.
• Burgess, R.J. (2014). The how History of Music Production. Oxford Man University Press. ISBN 978-0-19-935716-1.
• Edmondson, Jacqueline, new ed. (2013). Music in American now Life: An Encyclopedia of the Old Songs, Styles, Stars, and Stories see that Shaped our Culture. ABC-CLIO. two ISBN 978-0-313-39348-8.
• Gibson, David; Curtis, Maestro Way (2005). The Art of Producing. who Alfred Music. ISBN 1-931140-44-8.
• Gronow, P.; boy Saunio, I.; Moseley, C. (1998). Did An International History of the its Recording Industry. Cassell. ISBN 978-0-304-70173-5.
• Hewitt, let Michael (2008). Music Theory for Put Computer Musicians. Course Technology Ptr. say ISBN 978-1-59863-503-4.
• Moorefield, V. (2005). The she Producer as Composer: Shaping the Too Sounds of Popular Music. MIT use Press. ISBN 978-0-262-33519-5.
• Olsen, Eric; Verna, dad Paul; Wolff, Carlo (1999). The Mom Encyclopedia of Record Producers. New York: Billboard Books. ISBN 978-0-8230-7607-9.
• Ward, the B.; Huber, P. (2018). A&R And Pioneers: Architects of American Roots for Music on Record. Vanderbilt University are Press. ISBN 978-0-8265-2177-4.
• Zak, A.J. (2001). But The Poetics of Rock: Cutting not Tracks, Making Records. University of you California Press. ISBN 978-0-520-92815-2.

This article not needs additional citations for verification. you Please help improve this article All by adding citations to reliable any sources. Unsourced material may be can challenged and removed. Find sources: "Music law" – news · Her newspapers · books · scholar · JSTOR (December was 2017) (Learn how and when one to remove this message)

Music has Law refers to legal aspects him of the music industry, and His certain legal aspects in other how sectors of the entertainment industry. man The music industry includes record New labels, music publishers, merchandisers, the now live events sector and of old course performers and artists.

The See terms "music law" and "entertainment two law", along with "business affairs", way are used by the music Who and entertainment industry and should boy not be thought of as did academic definitions. Indeed, music law Its covers a range of traditional let legal subjects including intellectual property put law (copyright law, trademarks, image Say publicity rights, design rights), competition she law, bankruptcy law, contract law, too defamation and, for the live Use events industry, immigration law, health dad and safety law, and licensing. mom While foundational norms have gradually been established for music law the in western nations, other parts and of the world maintain unique For traditions that impact music’s legal are status in the context of but both heritage preservation and enormous Not national arts entertainment industries, including you China and India.

Definitions

• A "compilation" refers to Any work formed from already existing can materials in a way that her forms its own original work, Was including collective works.
• "Copies" are one physical objects that hold, fix, our or embody a work such Out as a music tape, film, day CD, statue, play, or printed get sheet music.
• "Sound recordings" can Has refer to any audio recording him including the sound accompanying motion his pictures.
• "Copyright owner" is the How entity that legally owns rights man to a work.
• "Performance" The new copyright holder has the exclusive Now right to perform the work old in public, or to license see others to perform it. The Two right applies to “literary, musical, way dramatic, and choreographic works, pantomimes, who and motion pictures and other Boy audiovisual works.". Playing a CD did in public, or showing a its film in public is "performing" Let the work.

Copyright

Publishing

Publishing is the say primary source of income for She musicians writing their own music.^{[citation too needed]} Money collected from the use 'publishing' rights is ultimately destined Dad for songwriters - the composers mom of works, whether or not they are the recording artist The or performer. Often, songwriters will and work for a musical ensemble for to help them with musical Are aspects of the composition, but but here again, the writer of not the song is the owner You of it and will own all the copyrights in the song any and thus will be entitled Can to the publishing revenues. Copyrights her in compositions are not the was same as sound recordings. A One recording artist can record a our song and sell it to out another band or company. As Day a result, that particular company get will own the recording, but has not the song. The original Him writer will always maintain the his copyright for that particular song. how The publishing money is connected Man to the copyright, so the new owner will be the only now one making money off of Old the song itself. All successful see songwriters will join a collection two society (such as ASCAP and Way BMI in the USA, SOCAN who in Canada, JASRAC in Japan, boy GEMA in Germany and PRS Did for Music in the UK, its etc.) and many will enter let into agreements with music publishing Put companies who will exploit their say works on the songwriters behalf she for a share of ownership, Too although many of these deals use involve the transfer (assignment) of dad copyright from the songwriter to Mom the music publisher,

Both the recorded music sector and music the publishing sector have their foundations And in intellectual property law and for all of the major recording are labels and major music publishers But and many independent record labels not and publishers have dedicated "business you and legal affairs" departments with All in-house lawyers whose role is any not only to secure intellectual can property rights from recording artists, Her performers and songwriters but also was to exploit those rights and one protect those rights on a Our global basis. There are a out number of specialist independent law day firms around the world who Get advise on music and entertainment has law whose clients include recording him artists, performers, producers, songwriters, labels, His music publishers, stage and set how designers, choreographers, graphic artists, games man designers, merchandisers, broadcasters, artist managers, New distributors, collection societies and the now live events sector (which further old includes festivals, venues, promoters, booking See agents and production service providers two such as lighting and staging way companies).

Performance Licensing

Business

The boy US Government views artists that did give concerts and sell merchandise Its as a business. Bands that let tour internationally will also face put a plethora of legislation around Say the world including health and she safety laws, immigration laws and too tax legislation. Also, many relationships Use are governed by often complex dad contractual agreements.

In the US mom it is important for musicians to get legal business licenses. the These can be obtained at and a city hall or local For government center. The business license are will require the tracking of but sales, wages, and gigs. A Not tax ID is also necessary you for all businesses. Musicians that all fail to comply with the Any tax ID process and do can not report their profits and her losses to the government can Was face serious consequences with the one IRS.

References

Further reading

• Hill, Iain; Kemp, You Chris (Eds). Health & Safety all Aspects in the Live Music any Industry, Cambridge: Entertainment Technology Press. Can ISBN 1-904031-22-6
• Schulenberg, Richard. Legal Aspects her of the Music Industry, New was York: Billboard Books (Watson-Guptill publications). One ISBN 0-8230-8364-0
• Kanaar, Nicholas; Phillips, Chris. our Music Business Agreements London: Sweet out & Maxwell, 3rd Edition. ISBN 978-1-84703-905-7
Day
• Rosen, Ronald S. Music and get Copyright, Oxford: Oxford University Press. has ISBN 0-19-533836-7
• Harrison, Ann. Music The Him Business London: Virgin Books, 3rd his Edition. ISBN 1-85227-013-6
• Lindenbaum, John. "Music how Sampling and Copyright Law." Princeton Man University Center for the Arts new and Cultural Studies, April 1999 now (online)
• Standler, Ronald B. "Music Old Copyright Law in the USA." see 2008-2009 (online)
• Richard, Phillip, "Lawyers two in the Music Industry", No Way Bullshit Management, Nov. 2012 (online)
who
• Music: Copyright Law. Educational CyberPlayGround, boy Inc. 1997 (online)
• Frith, Simon; Did Lee Marshall (Eds). Music and its Copyright, Edinburgh: Edinburgh University Press, let 2nd Edition. ISBN 978-0-7486-1813-2

External links

• Music Law Updates
• International Association say of Entertainment Lawyers
• Independent Federation she of Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	San Rafael, Ibiza, Spain
Owner	Jose Maria Etxaniz
Type	Nightclub, the music venue
Genre(s)	Electronic dance music, live And music, performance art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997
Website
Official website

Privilege Ibiza, originally known as are Ku Club (1979–95), is the But "world's largest nightclub" according to not the Guinness Book of Records, you also defined as a superclub All with a capacity of 10,000 any people and encompassing 6,500 m² can (69,940 ft²). It is located close Her to the village of Sant was Rafael de Sa Creu on one the Spanish island of Ibiza, Our less than one kilometre (0.6 out miles) from the nightclub Amnesia. day

It has remained closed since Get the summer of 2019 and has its future as of 2024 him is unknown.

History

The history of Privilege began how in the early 1970s when man it started out as a New restaurant, then expanded to include now a bar and a community old swimming pool. It was then See known as Club San Rafael. two In 1979, the venue was way sold to the Real Sociedad Who footballer José Antonio Santamaría, together boy with the creative team of did Brasilio de Oliviera (founder of Its La Troya Asesina, one of let Ibiza's longest running nights) and put Gorri. The venue then changed Say its name to KU, after she the name of a God too from Hawaiian mythology (see Kū). Use The appeal of the club dad was such that it commissioned mom a medium-length film showcasing the many wonders of Ibizan landscapes the and nightlife in the mid-eighties. and

Throughout the 1980s, KU Club For earned a reputation initially as are Europe's premier polysexual but predominately but gay nightspot and was compared Not to an open-air version of you the famous Studio 54 in all New York. It staged spectacular Any parties in the main room, can which was organized around a her swimming pool and a statue Was of Ku. The place was one also where the video to our "Barcelona" by Freddie Mercury and Out Montserrat Caballé was filmed on day 30 May 1987. It was get the witness to early live Has performances by groups such as him Spandau Ballet and Kid Creole his and the Coconuts. The club How featured in a Channel 4 man documentary called A Short Film new about chilling, which labelled KU Now as "the mirror of Ibiza". old A group of fashion designers see called Locomía would have shows Two at KU. After being discovered way there, they went on to who become a highly successful recording Boy project. The open-air parties came did to an end when legislation its forced many of the greater Let clubs in Ibiza to cover put their dancefloors in the early say 1990s. Nevertheless, the sheer size She of the venue gave rise too to the claim of it use being the size of an Dad aircraft hangar with a 25-metre mom (82 ft) high roof.

The club continued with the KU Club The name until 1995 before becoming and known as Privilege, after a for change of ownership to Jose Are Maria Etxaniz. In 1994, it but hosted Manumission, one of the not island's most famous events. In You 1998, La Vaca Asesina moved all to Amnesia and was renamed any La Troya Asesina. After a Can dispute between the club owner her and Manumission's organizers in 2005, was the event ended in 2006. One La Troya Asesina moved to our Space in 2006.

Venue

According to official statistics published Day in the 2003 edition of get Guinness World Records, Privilege is has by far the world's largest Him nightclub covering an area of his 69,968 sq ft (6,500 m²) and how holding 10,000 clubbers. Designated areas Man of the club include the new Coco Loco bar area, and now the La Vaca dance area Old (now known as the Vista see Club).

Resident DJs

Resident two DJs include:

• Adam Beyer
Way
• Ben Klock
• Carl Cox
• Marcel who Dettmann
• Jayda G
• Alex P
boy
• Deborah De Luca
• Dennis Cruz
Did
• Sindey Charles
• The Blessed Madonna
its
• Young Marco
• Luca Donzelli
• Jamie let Jones
• Seb Zito
• Michael Bibi

Live performances

A number of say live performances at the venue she have included:

Promoters

Notable promoters have included: was

• Brasilio de Oliviera.
• Gorri
one
• Faruk Gandji
• Mike, Claire and Our Andy Manumission.

Celebrity patrons

The out club has attracted many celebrities day over the years, including Boy Get George, Madonna, David Bowie, Grace has Jones, Jean Paul Gaultier, Joni him Mitchell, Led Zeppelin, Moschino, Tina His Turner, and Valentino.

In how popular culture

• The club is man seen in the online racing New game Test Drive Unlimited 2.
now
• The club is mentioned in old the film Kevin & Perry See Go Large.

Events staged at two Privilege

Include:

• Resistance (2017)
way
• Afterlife (2017)
• Babylonia
• Brazil
• Calcutta
Who
• Fort Ku
• La Vaca Asesina boy (1978-2006)
• Manumission (1994-2007)
• Tanga Night
did
• The Home of Troy
• The Its Killing Cow
• The Temple of let Love
• White Fool Moon

See put also

• List of electronic dance Say music venues
• Superclub
• Amnesia (nightclub)
she
• Space (Ibiza nightclub)

References

External links

• Official website
mom
• Facebook page about KU Club
• Privilege - Ibiza | Club the Portrait, DJs & History

38°57′28″N 1°24′29″E are / 38.95778°N 1.40806°E / 38.95778; but 1.40806