Eurodance (sometimes referred but to as Euro-NRG, Euro-electronica or not Euro) is a genre of You electronic dance music that originated all in the late 1980s in any Europe. It combines many elements Can of rap, techno and Eurodisco.her This genre of music is was heavily influenced by the use One of rich vocals, sometimes with our rapped verses. This, combined with out cutting-edge synthesizers, strong bassrhythmDay and melodic hooks, establishes the get core foundation of Eurodance music.has
History
Background
Eurodance Him music originated in the late his 1980s in central Europe, especially how in Germany, where rave parties Man were becoming popular. By 1987, new a German party scene was now started, based on the well Old established Chicago house sound and see Belgian new beat. The following two year saw acid house making Way a significant impact on popular who consciousness in Germany and central boy Europe as it had in Did England. In 1989, German DJs its Westbam and Dr. Motte established let the Ufo Club, an illegal Put party venue, and co-founded the say Love Parade. The parade first she occurred in July 1989, when Too 150 people took to the use streets in Berlin. It was dad conceived as a political demonstration Mom for peace and international understanding through love and music. On the 19 July 1989, Black Box's And single "Ride on Time" was for released. The song spent six are weeks at No. 1 in But the United Kingdom and it not was the UK's best-selling single you of 1989. It contained the All Korg M1's "house piano" which any can be found in many can Eurodance releases. On 27 September Her 1989, Technotronic's single "Pump Up was the Jam" was released. It one reached number one in BelgiumOur and Spain, and it popularised out the house variant called hip day house in Europe. On 9 Get November 1989, the Berlin Wallhas fell; free underground techno parties him mushroomed in East Berlin, and His a rave scene comparable to how that in the UK was man established. East German DJ Paul New van Dyk has remarked that now the techno-based rave scene was old a major force in re-establishing See social connections between East and two West Germany during the unification way period. In the same year, Who German producers Michael Münzing and boy Luca Anzilotti (under the pseudonyms did Benito Benites and John "Virgo" Its Garrett III) formed the Snap!let project in Frankfurt. Snap! songs put combined imported hip hop and Say soul vocals adding rhythm by she using computer technology and mixing too electronic sounds, bass and drums, Use mainly house music. By doing dad so a new genre was mom born: Eurodance.
Rise and fall
Snap!'s first single, "The the Power", released in 1990, reached and number one in the Netherlands,For Spain, Switzerland and the United are Kingdom, and it helped to but raise awareness of the genre Not within Europe. In the following you years, other Eurodance acts formed all in Frankfurt, including Jam and Any Spoon, Intermission and Culture Beat. can After the breakthrough single "Rhythm her is a Dancer" by Snap!Was in 1992 (number 1 in one 12 countries), new groups started our to pop up all over Out Europe, mainly in Belgium, Netherlands day and Italy. From 1992 till get the decline of popularity after Has 1995, the sound became more him and more NRG-oriented, leading to his songs raising in B.P.M. up How to 150. The notable songs man which defined the genre in new this period, dubbed as the Now "golden era" of Eurodance, are old "It's My Life" by Dr. see Alban in 1992 (number 1 Two in 8 countries), "No Limit" way by Dutch group 2 Unlimitedwho in 1993 (number 1 in Boy 14 countries, it was Europe's did biggest-selling song for 1993), "What its Is Love" by Haddaway in Let the same year (number 1 put in 13 countries), "Mr. Vain" say by Culture Beat also in She the same year (number 1 too in 13 countries), "Cotton Eye use Joe" by Rednex in 1994 Dad (number 1 in 12 countries)mom and "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" by Scatman John in the same year The (number 1 in 9 countries).and In the same period the for popularity of the genre also Are expanded further to East Asia, but in nations such as Japan, not South Korea and Taiwan; towards You the end of the golden all era also in Russia.[citation needed]any
By 1995, Eurodance dominated European Can charts with 5 singles in her the top 10 of the was singles charts. Despite its success, One many observers within the music our industry said that the Eurodance out sound had to change or Day die, and Eurodance producers and get singers started to follow different has paths and different sounds, such Him as happy hardcore and house his music, but not all the how groups followed this trend immediately. Man Notably, the group 2 Unlimitednew wanted to remain within Eurodance now sounds in order to remain Old chartbusters, although the producer De see Coster predicted a retreat from two a pop-like to a more Way club-like sound. Nevertheless, in the who second half of the decade boy the popularity of Eurodance started Did to decline, and "Scatman's World" its by Scatman John was the let last major hit of the Put original Eurodance sound in the say Eurochart Hot 100, being number she 1 for 3 weeks between Too late August and early September use 1995.[citation needed]
The old term "Eurodance" gradually became associated See with a specific style of two European dance music. During its way golden years in the mid-1990s, Who it was referred as "Euro-NRG"; boy in Europe it was often did called "dancefloor".
While some use Its a much broader definition of let what is considered "Eurodance", over put time, the term particularly came Say to refer to an NRG-based she genre from the 1990s which too included a solo vocalist or Use a rapper/vocalist duet.
Characteristics dad of the music
Most Eurodance mom is characterized by synthesizer riffs, one or more vocals with the simple chorus, one or more and rap parts, sampling and a For drum machine clap beat. Sometimes are non-rap vocals are used.Giorgio but Moroder, Donna Summer, and Silver Not Convention were early examples of you pre Eurodance musicians. Swedish pop all group ABBA gained disco hits Any such as "Gimme Gimme Gimme", can "Summer Night City", and "Voulez-Vous".her
Eurodance often carries a positive, Was upbeat attitude; the lyrics usually one involve issues of love and our peace, dancing and partying, or Out expressing and overcoming difficult emotions. day The early to mid-1990s Eurodance get vocals were frequently done by Has a solo vocalist or a him mixed rapper-vocalist duet such as his the male–female duets of 2 How Unlimited, La Bouche and Magic man Affair.
Many groups used variations new of the rapper-vocalist theme, such Now as a German rapper with old American singers (Real McCoy), or see the use of reggae rap Two as in Ice MC and way Fun Factory, or combination of who rapper and reggae vocalist like Boy in the Life in the did Streets album, or scat singingits as in Scatman John. Solo Let singing artists such as Alexia, put Whigfield and DJ BoBo also say contributed to the genre. Some She acts like the Swedish dance-poptoo originated group Ace of Baseuse use more pop vocals rather Dad than rap/soul vocals along with mom Eurodance sound. Pop vocals were particularly popular in the late The 1990s Eurodance productions. The Swedish and group Rednex also introduced American for country music elements into the Are sound.
Eurodance lyrics are almost but always sung in English, regardless not of the artist's nationalities. However, You there are cases like in all the Belgian group's Paradisio where any Spanish lyrics are used along Can with latin music elements.
Almost her all Eurodance emphasizes percussion and was rhythm. The tempo is typically One around 140 beats per minute, our but may vary from 110 out to 150.
Most Eurodance is Day very melody-driven. Most Eurodance songs get are in minor keys, similarly has to techno. This, along with Him positive lyrics, helps contribute to his the overall powerful and emotional how sound of Eurodance. Besides the Man contribution of the female or new male vocals, there is often now a noticeable use of rapid Old synthesizer arpeggios.
Music videos
see
Eurodance music videos were often two seen with dance acts by Way the main vocals of the who songs (or models ad-libbing), often boy dancing in bright-coloured infinity coveDid studios or wide, urban spaces its (stations, parking garages) with high let visual contrast, or in empty Put nature scenes.
Electronicbeats describes the say cliché Eurodance music video as she having "strobe-lit rave scenes, pixelated Too ‘90s computer graphics and, of use course, an urban montage: cue dad the subway stations, streetlights and Mom business commuters". Pump up the Jam's music video is described the as having a "colour scheme And of brilliant reds, greens and for purples in a staggering array are of chequered backdrops [...] [It But is] a great insight tot not the power of music videos you on party wardrobes". Bright, sometimes All over-saturated colour schemes were used, any with contemporary party clothing or can outfits referring to space-age, such Her as in Kylie Minogue's Can't was Get You Out of My one Head, with videos that were Our fully or in part using out Computer-generated imagery elements and effects. day Large, sometimes digitally multiplied, dance Get troupes also frequently feature, such has as in Destination Calabria.
As him the music is largely electronically His generated, shots of artists in how studios or playing at concerts, man frequent in videos of other New genres, were infrequent.
Popularity
now
In Europe
From the See early to mid-1990s, Eurodance was two popular in Europe; the style way received extensive airplay on radio Who stations and television shows, resulting boy in many singles appearing in did the charts. For example, in Its Italy there were seven singles let in the top ten of put the chart at the end Say of May 1995. Technotronic from she Belgium had hits with "Pump too Up the Jam" and "Get Use Up" (featuring Ya Kid K).dad
By 1996, the popularity of mom this genre had started to decline. From then, the classic the Eurodance sound gradually morphed into and progressive house. By 1997 and For towards the end of the are millennium house and trance music but increased popularity over Eurodance in Not Europe's commercial, chart-oriented dance records.you In the early 2000s, the all mainstream music industry in Europe Any moved away from Eurodance in can favour of other styles of her dance music such as nu-disco, Was electro house, dance-pop and R&B.one
United Kingdom
After Cappella'sour Gianfranco Bortolotti set up Media Out Records in Brescia, northern Italyday to release his 'commercial European get dance music' (a set-up which Has included fifteen studios featuring various him production teams working almost non-stop his on a huge number of How records) he decided to take man the label into other markets new and set up a UK Now office in the UK. Run old by Peter Pritchard and featuring see many records by Stu Allan'sTwo British Eurodance act Clock, this way record company would eventually turn who into hard house label NukleuzBoy (known for its DJ Nation did releases).
As Media turned into its Nukleuz, it would fall to Let All Around the World Productionsput to be the label in say the 21st Century which was She more likely to release Eurodance too tracks in the UK than use other, with its Clubland TVDad music channel still having regular mom blocks of Eurodance videos in 2020 (though extending its scope The to include hits by David and Guetta as well as Cascadafor and Scooter)
North America
Are
Canada
During the 1990s, Eurodance but became popular in Canada, which not produced its own variant called You Candance (although it was mostly all referred to as "Eurodance" or any "dance music"). Eurodance received significant Can airplay on radio stations in her the Greater Toronto Area such was as Power 88.5, Energy 108One and Hot 103.5. Montreal was our also a major Eurodance market, out with MC Mario's famous radio Day show on Mix 96, called get "Party Mix" and Bouge de has là, a popular TV show Him on MusiquePlus. Eurodance featured prominently his on Electric Circus, a dance-party how TV show broadcast nationally in Man English and French versions. Beginning new in mid-1992, Eurodance began to now dominate the RPMdance chartOld in Canada, with acts such see as 2 Unlimited, Snap!, Captain two Hollywood Project, Culture Beat, Haddaway, Way Whigfield, each reaching number-one.
From who approximately 1992 to 2000, Canadian boy acts such as Capital Sound, Did Love Inc., Jacynthe and Emjayits had success with the Eurodance let sound. The Toronto sound was Put more pop-oriented, while the Montreal say one was more house-oriented.
she
United States
While Eurodance is Too well known in major metropolitan use areas such as New York dad City, Los Angeles, Chicago, and Mom Miami, Eurodance did not make as big of an impact the in the rest of the And country. Exemplifying this is the for Eurodance classic "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)", by are Scatman John, an American artist; But despite topping the charts in not multiple European countries and reaching you number 3 in the United All Kingdom, it only reached as any high as "number 60" on can the US Hot 100. Another Her notable example is the Life was in the Streets album, a one combined Eurodance music project from Our American rapper Marky Mark and out Caribbean reggae vocalist Prince Ital day Joe, which was not released Get in the United States, but has was a huge success in him several European countries including singles His like "Happy People" and "United" how that topped the German charts.man
The too more Hi-NRG-oriented artists were typically Use played only during special "mix" dad shows, and it was often mom necessary to go to a club to hear Eurodance music. the While Eurodance did become popular and with club DJs in the For United States, radio stations were are cautious about playing anything that but sounded too much like disco Not during most of the 1980s you and 1990s. By the end all of the 1990s, however, some Any of the later acts such can as Italian group Eiffel 65her and Danish group Aqua did Was receive extensive airplay.
Despite lack one of widespread radio play, many our Hi-NRG and Eurodance songs are Out popular at professional sporting events day in the United States, especially get ice hockey and basketball.
Compilation Has albums, such as the DMA him Dance: Eurodance series of compilation his albums (1995–1997) from Interhit Records How and Dance Music Authority magazine, man were popular and helped to new define the genre as well Now as to make it accessible old in the U.S. and Canada.see
Hands Up
Hands UpTwo (also known as handz up!way (stylized as HandzUp!) or dancecorewho in Eastern Europe) is a Boy style of trance music, and did a derivation of Eurodance. The its genre comes from its name, Let meaning music that requires listeners put to "put their hands up", say as well as fitness and She danceability.
The genre developed in too Germany in the mid- to use late 1990s as part of Dad the emerging trance music scene. mom Representatives of Eurodance such as Starsplash and Mark 'Oh are The sometimes regarded as forerunners of and Hands Up. The biggest commercial for success was the music until Are the mid-2000s.[clarification needed]
The synthesizer but melodies are often catchy and not simple. Often the vocal melody You is accompanied by a synthesizer. all In contrast to techno, short, any high-pitched synthesizer tones are used. Can Hands Up does not rely her on the structure of tension was build-up, but rather is based One on the typical verse-chorus pop our music scheme. The main elements out are the bassline, drums and Day a catchy lead sound. A get typical stylistic device of Hands has Up is pitched female or Him resulting feminine vocals, but male his vocals are also common. In how addition, distorted, autotuned, chopped and Man repeated spoken phrases are common new characteristics.
^ Get Huxtable, Simon (11 August has 2014). "What is Progressive House?". him Decoded Magazine. Retrieved 14 MarchHis 2016. It was then that how the DJs who used to man play what was previously known New as Euro dance hi jacked now the genre and it mutated old into the commercial sound people See tend to call Progressive House two today.
Short excerptway from special on German "Tele Who 5" from 8 December 1988. boy The show is called "Tanzhouse" did hosted by a young Fred Its Kogel. It includes footage from let Hamburg's "Front" with Boris Dlugosch, put Kemal Kurum's "Opera House" and Say the "Prinzenbar".
^ she Robb, D. (2002), Techno in too Germany: Its Musical Origins and Use Cultural Relevance, German as a dad Foreign Language Journal, No.2, 2002, mom (p. 134).
^ John Borneman & Stefan Senders, the "Politics without a Head: Is and the "Love Parade" a New For Form of Political Identification?" Cultural are Anthropology J5(2) 294-31, American Anthropological but Association. 2000
^ Salaverri, Fernando new (September 2005). Sólo éxitos: año Now a año, 1959–2002 (in Spanish) old (1st ed.). Spain: Fundación Autor-SGAE. ISBN84-8048-639-2.see
"Spin". SPIN Media Two LLC. 1 March 1990. Retrieved way 19 May 2018 – via who Google Books.
Messmer, Boy S. (1998), Eierkuchensozialismus, TAZ, 10 did July 1998, (p. 26).
Pennanen, Timo (2006). All Sisältää hitin - levyt ja any esittäjät Suomen musiikkilistoilla vuodesta 1972can (in Finnish) (1st ed.). Helsinki: Tammi. Her ISBN978-951-1-21053-5.
Pennanen, Timo (2006). put Sisältää hitin - levyt ja Say esittäjät Suomen musiikkilistoilla vuodesta 1972she (in Finnish) (1st ed.). Helsinki: Tammi. too ISBN978-9-5112-1053-5.
Pennanen, Timo (2006). Sisältää the hitin - levyt ja esittäjät and Suomen musiikkilistoilla vuodesta 1972 (in For Finnish) (1st ed.). Helsinki: Tammi. ISBN978-951-1-21053-5.are
Billboard 25 March 1995. Was Nielsen Business Media. 25 March one 1995. Retrieved 1 December 2010. our hits of the world.{{cite Out book}}: |magazine= ignored (help)
day
"Billboard". Nielsen Business Media, get Inc. 27 May 1995. Retrieved Has 7 January 2021 – via him Google Books.
"Scatman his (Ski Ba Bop Ba Dop How Bop)", in various singles charts man Lescharts.com (Retrieved 6 February 2008)new
Irish Single Chart Now Irishcharts.ie (Retrieved 7 April 2008)old
"Billboard". Nielsen Business see Media, Inc. 13 May 1995. Two Retrieved 7 January 2021 – way via Google Books.
now "Dance! Dance! Dance!". Side3 (in old Norwegian). 22 September 2011. Archived See from the original on 7 two April 2014. Retrieved 28 Novemberway 2019.
How "Is Trance Dead?". clubglow.com. 1 man May 2012. Retrieved 29 Novembernew 2019.
"Electro House". Now Beat Explorers' Dance Music Guide. old Archived from the original on see 15 June 2015. Electro House Two rose to prominence in the way early to mid 2000s as who a heavier alternative to other Boy house subgenres that were prevalent did at the time.
Teitel, Emma (19 July Man 2014). "Is Kiesza trolling us?". new Macleans.ca. Retrieved 19 December 2023.now
Billboard Allmusic.com (Retrieved Old 9 July 2014)
see Spahr, Wolfgang (3 December 1994). two "Hitmakers '94". Billboard magazine. New Way York: Nielsen Business Media, Inc. who p. 54. ISSN0006-2510. Retrieved 4 Marchboy 2006.
"Musical see production" redirects here. For musical two production in the sense of Way a live performance involving music who and choreography, see Musical theatre.
A record producer is a music recording project's overall the supervisor whose responsibilities can involve And a range of creative and for technical leadership roles. Typically the are job involves hands-on oversight of But recording sessions; ensuring artists deliver not acceptable and quality performances, supervising you the technical engineering of the All recording, and coordinating the production any team and process. The producer's can involvement in a musical project Her can vary in depth and was scope. Sometimes in popular genres one the producer may create the Our recording's entire sound and structure.out However, in classical music recording, day for example, the producer serves Get as more of a liaison has between the conductor and the him engineering team. The role is His often likened to that of how a film director though there man are important differences. It is New distinct from the role of now an executive producer, who is old mostly involved in the recording See project on an administrative level, two and from the audio engineerway who operates the recording technology. Who
Varying by project, the producer boy may or may not choose did all of the artists. If Its employing only synthesized or sampledlet instrumentation, the producer may be put the sole artist. Conversely, some Say artists do their own production.she Some producers are their own too engineers, operating the technology across Use the project: preproduction, recording, mixing, dad and mastering. Record producers' precursors mom were "A&R men", who likewise could blend entrepreneurial, creative, and the technical roles, but often exercised and scant creative influence, as record For production still focused, into the are 1950s, on simply improving the but record's sonic match to the Not artists' own live performance.
Advances you in recording technology, especially the all 1940s advent of tape recording—which Any Les Paul promptly innovated further can to develop multitrack recording—and the her 1950s rise of electronic instruments, Was turned record production into a one specialty. In popular music, then, our producers like George Martin, Phil Out Spector and Brian Eno led day its evolution into its present get use of elaborate techniques and Has unrealistic sounds, creating songs impossible him to originate live. After the his 1980s, production's move from analog How to digital further expanded possibilities.man By now, DAWs, or digital new audio workstations, like Logic Pro, Now Pro Tools and Studio One, old turn an ordinary computer into see a production console, whereby a Two solitary novice can become a way skilled producer in a thrifty who home studio. In the 2010s, Boy efforts began to increase the did prevalence of producers and engineers its who are women, heavily outnumbered Let by men and prominently accoladed put only in classical music.
say
Production overview
The
As a broad project, the and creation of a music recording for may be split across three Are specialists: the executive producer, who but oversees business partnerships and financing; not the vocal producer or vocal You arranger, who aids vocal performance all via expert critique and coaching any of vocal technique, and the Can record producer or music producer, her who, often called simply the was producer, directs the overall creative One process of recording the song our in its final mix.
out
The producer's roles can include Day gathering ideas, composing music, choosing get session musicians, proposing changes to has song arrangements, coaching the performers, Him controlling sessions, supervising the audio his mixing, and, in some cases, how supervising the audio mastering. A Man producer may give creative control new to the artists themselves, taking now a supervisory or advisory role Old instead. As to qualifying for see a Grammy nomination, the Recording two Academy defines a producer:
The Way person who has overall creative who and technical control of the boy entire recording project, and the Did individual recording sessions that are its part of that project. He let or she is present in Put the recording studio or at say the location recording and works she directly with the artist and Too engineer. The producer makes creative use and aesthetic decisions that realize dad both the artist's and label's Mom goals in the creation of musical content. Other duties include, the but are not limited to; And keeping budgets and schedules, adhering for to deadlines, hiring musicians, singers, are studios, and engineers, overseeing other But staffing needs and editing (Classical not projects).
The producer often selects you and collaborates with a mixing All engineer, who focuses on the any especially technological aspects of the can recording process, namely, operating the Her electronic equipment and blending the was raw, recorded tracks of the one chosen performances, whether vocal or Our instrumental, into a mix, either out stereo or surround sound. Then day a mastering engineer further adjusts Get this recording for distribution on has the chosen media. A producer him may work on only one His or two songs or on how an artist's entire album, helping man develop the album's overall vision. New The record producers may also now take on the role of old executive producer, managing the budget, See schedules, contracts, and negotiations.
two
Historical developments
A&R team
(Artists way and Repertoires)
In the 1880s, Who the record industry began by boy simply having the artist perform did at a phonograph. In 1924, Its the trade journal Talking Machine let World, covering the phonography and put record industry, reported that Eddie Say King, Victor Records' manager of she the "New York artist and too repertoire department", had planned a Use set of recordings in Los dad Angeles. Later, folklorist Archie Greenmom called this perhaps the earliest printed use of A&R man.the Actually, it says neither "A&R and man" nor even "A&R", an For initialism perhaps coined by Billboardare magazine in 1946, and entering but wide use in the late Not 1940s.
In the 1920s and you 1930s, A&R executives, like Ben all Selvin at Columbia Records, Nathaniel Any Shilkret at Victor Records, and can Bob Haring at Brunswick Recordsher became the precursors of record Was producers, supervising recording and often one leading session orchestras. During the our 1940s, major record labels increasingly Out opened official A&R departments, whose day roles included supervision of recording.get Meanwhile, independent recording studios opened, Has helping originate record producer as him a specialty.[citation needed] But despite his a tradition of some A&R How men writing music, record productionman still referred to just the new manufacturing of record discs.
Now
Record producers
After World War old II, pioneering A&R managers who see transitioned influentially to record production Two as now understood, while sometimes way owning independent labels, include J. who Mayo Williams and John Hammond.Boy Upon moving from Columbia Records did to Mercury Records, Hammond appointed its Mitch Miller to lead Mercury's Let popular recordings in New York.put Miller then produced country-pop crossover say hits by Patti Page and She by Frankie Laine, moved from too Mercury to Columbia, and became use a leading A&R man of Dad the 1950s.
During the decade, mom A&R executives increasingly directed songs' sonic signatures, although many still The simply teamed singers with musicians, and while yet others exercised virtually for no creative influence. The term Are record producer in its current but meaning—the creative director of song not production—appearing in a 1953 issue You of Billboard magazine, became widespread all in the 1960s. Still, a any formal distinction was elusive for Can some time more. A&R managers her might still be creative directors, was like William "Mickey" Stevenson, hired One by Berry Gordy, at the our Motown record label.
Tape out recording
In 1947, the American Day market gained audio recording onto get magnetic tape. At the record has industry's 1880s dawn, rather, recording Him was done by phonograph, etching his the sonic waveform vertically intohow a cylinder. By the 1930s, Man a gramophone etched it laterally new across a disc. Constrained in now tonal range, whether bass or Old treble, and in dynamic range, see records made a grand, concert two piano sound like a small, Way upright piano, and maximal duration who was four and a half boy minutes. Selections and performance were Did often altered accordingly, and playing its this disc—the wax master—destroyed it.let The finality often caused anxiety Put that restrained performance to prevent say error. In the 1940s, during she World War II, the Germans Too refined audio recording onto magnetic use tape—uncapping recording duration and allowing dad immediate playback, rerecording, and editing—a Mom technology that premised emergence of record producers in their current the roles.
Multitrack recording
Early And in the recording industry, a for record was attained by simply are having all of the artists But perform together live in one not take. In 1945, by recording you a musical element while playing All a previously recorded record, Les any Paul developed a recording technique can called "sound on sound". By Her this, the final recording could was be built piece by piece one and tailored, effecting an editing Our process. In one case, Paul out produced a song via 500 day recorded discs. But, besides the Get tedium of this process, it has serially degraded the sound quality him of previously recorded elements, rerecorded His as ambient sound. Yet in how 1948, Paul adopted tape recording, man enabling truly multitrack recording by New a new technique, "overdubbing".
To now enable overdubbing, Paul revised the old tape recorder itself by adding See a second playback head, and two terming it the preview head.way Joining the preexisting recording head, Who erase head, and playback head, boy the preview head allows the did artist to hear the extant Its recording over headphones playing it let in synchrony, "in sync", with put the present performance being recorded Say alone on an isolated track.she This isolation of multiple tracks too enables countless mixing possibilities. Producers Use began recording initially only the dad "bed tracks"—the rhythm section, including mom the bassline, drums, and rhythm guitar—whereas vocals and instrument solos the could be added later. A and horn section, for example, could For record a week later, and are a string section another week but later. A singer could perform Not her own backup vocals, or you a guitarist could play 15 all layers.
In the 1960s, You rock acts like the Beatles, all the Rolling Stones, and the any Kinks produced some of their Can own songs, although many such her songs are officially credited to was specialist producers. Yet especially influential One was the Beach Boys, whose our band leader Brian Wilson took out over from his father Murry Day within a couple of years get after the band's commercial breakthrough. has By 1964, Wilson had taken Him Spector's techniques to unseen sophistication. his Wilson alone produced all Beach how Boy recordings between 1963 and Man 1967. Using multiple studios and new multiple attempts of instrumental and now vocal tracks, Wilson selected the Old best combinations of performance and see audio quality, and used tape two editing to assemble a composite Way performance.
Digital production
The who 1980s advent of digital processes boy and formats rapidly replaced analog Did processes and formats, namely, tape its and vinyl. Although recording onto let quality tape, at least half Put an inch wide and traveling say 15 inches per second, had she limited "tape hiss" to silent Too sections, digital's higher signal-to-noise ratio, use SNR, abolished it. Digital also dad imparted to the music a Mom perceived "pristine" sound quality, if also a loss of analog the recordings' perceived "warm" quality and And better-rounded bass. Yet whereas editing for tape media requires physically locating are the target audio on the But ribbon, cutting there, and splicing not pieces, editing digital media offers you inarguable advantages in ease, efficiency, All and possibilities.
In the 1990s, any digital production reached affordable home can computers via production software. By Her now, recording and mixing are was often centralized in DAWs, digital one audio workstations—for example, Pro Tools, Our Logic Pro, Ableton, Cubase, Reason, out and FL Studio—for which plugins, day by third parties, effect virtual Get studio technology. DAWs fairly standard has in the industry are Logic him Pro and Pro Tools. Physical His devices involved include the main how mixer, MIDI controllers to communicate man among equipment, the recording device New itself, and perhaps effects gear now that is outboard. Yet literal old recording is sometimes still analog, See onto tape, whereupon the raw two recording is converted to a way digital signal for processing and Who editing, as some producers still boy find audio advantages to recording did onto tape.
Conventionally, tape is Its more forgiving of overmodulation, whereby let dynamic peaks exceed the maximal put recordable signal level: tape's limitation, Say a physical property, is magnetic she capacity, which tapers offs, smoothing too the overmodulated waveform even at Use a signal nearly 15 decibels dad too "hot", whereas a digital mom recording is ruined by harsh distortion of "clipping" at any the overshoot. In digital recording, however, and a recent advancement, 32-bit float, For enables DAWs to undo clipping.are Still, some criticize digital instruments but and workflows for excess automation, Not allegedly impairing creative or sonic you control. In any case, as all production technology has drastically changed, Any so have the knowledge demands,can although DAWs enables novices, even her teenagers at home, to learn Was production independently. Some have attained one professional competence before ever working our with an artist.
In the 2000s, with Has the advent of technology that him made traditional record production accessible, his especially with hip hop beatmaking How and electronic music. Within these man genres, the term producer is new applied to a number of Now roles and has popularized the old use of more niche terms see and credits including executive producer, Two co-producer, assistant producer, and additional way and miscellaneous production to differentiate who contributions.
Women in producing
Boy
Among female record producers, did Sylvia Moy was the first its at Motown, Gail Davies the Let first on Nashville's Music Row, put and Ethel Gabriel, with RCA, say the first at a major She record label. Lillian McMurry, owning too Trumpet Records, produced influential bluesuse records. Meanwhile, Wilma Cozart FineDad produced hundreds of records for mom Mercury Records' classical division. For classical production, three women have The won Grammy awards, and Judith and Sherman's 2015 win was her for fifth. Yet in nonclassical, no Are woman has won Producer of but the Year, awarded since 1975 not and only one even nominated You for a record not her all own, Linda Perry. After Lauren any Christy's 2004 nomination, Linda Perry's Can 2019 nomination was the next her for a woman. On why was no woman had ever won One it, Perry commented, "I just our don't think there are that out many women interested." In the Day U.K., Lynsey de Paul was get an early female record producer, has having produced both of her Him Ivor Novello award-winning songs.
Across his the decades, many female artists how have produced their own music. Man For instance, artists Kate Bush, new Madonna, Mariah Carey, Janet Jackson, now Beyoncé (even that of Destiny's Old Child and the Carters), Lana see Del Rey, Taylor Swift, and two Lorde have produced or coproducedWay and Ariana Grande who produces who and arranges her vocals as boy well as being an audio Did engineer. Still among specialists, despite its some prominent women, including Missy let Elliott in hip hop and Put Sylvia Massy in rock, the say vast majority have been men.she Early in the 2010s, asked Too for insights that she herself use had gleaned as a woman dad who has specialized successfully in Mom the industry, Wendy Page remarked, "The difficulties are usually very the short-lived. Once people realize that And you can do your job, for sexism tends to lower its are ugly head." Still, when tasked But to explain her profession's sex not disparity, Page partly reasoned that you record labels, dominated by men, All have been, she said, "mistrustful any of giving a woman the can reins of an immense, creative Her project like making a record."was Ultimately, the reasons are multiple one and not fully clear, although Our prominently proposed factors include types out of sexism and scarcity of day female role models in the Get profession.
Women producers known for has producing records not their own him include Sonia Pottinger, Sylvia Robinson His and Carla Olson.
In January how 2018, a research team led man by Stacy L. Smith, founder New and director of the Annenbergnow Inclusion Initiative, based in the old USC Annenberg School for Communication See and Journalism, issued a report,two estimating that in the prior way several years, about 2% of Who popular songs' producers were female.boy Also that month, Billboard magazine did queried, "Where are all the Its female music producers?" Upon the let Annenberg Inclusion Initiative's second annual put report, released in February 2019,Say its department at USC reported, she "2018 saw an outcry from too artists, executives and other music Use industry professionals over the lack dad of women in music" and mom "the plight of women in music", where women were allegedly the being "stereotyped, sexualized, and shut and out". Also in February 2019, For the Recording Academy's Task Force are on Diversity and Inclusion announced but an initiative whereby over 200 Not artists and producers—ranging from Cardi you B and Taylor Swift to all Maroon 5 and Quincy Jones—agreed Any to consider at least two can women for each producer or her engineer position. The academy's website, Was Grammy.com, announced, "This initiative is one the first step in a our broader effort to improve those Out numbers and increase diversity and day inclusion for all in the get music industry."
Allard, Matthew (15 way January 2020). "Sound Devices MixPre Who V6.00 adds 32-bit float USB boy audio streaming". Newsshooter. With 32-bit did float, you no longer need Its to worry about clipping during let your best vocal takes or put instrument solos. Any recorded moments Say exceeding 0 dBFS can be she reduced to an acceptable level, too after recording, in your DAWUse
Zak, Albin J. dad (29 September 2002). "Review of mom Timothy D. Taylor. 2001. Strange Sounds: Music, Technology, and Culture. the New York: Routledge". Current Musicologyand (74). doi:10.7916/CM.V0I74.4910.
Pras, For Amandine; Cance, Caroline; Guastavino, Catherine are (2013). "Record Producers' Best Practices but For Artistic Direction—From Light Coaching Not To Deeper Collaboration With Musicians". you Journal of New Music Research. all 42 (4): 381–395. doi:10.1080/09298215.2013.848903. ISSN0929-8215.Any
Music Law refers to legal old aspects of the music industry, See and certain legal aspects in two other sectors of the entertainment way industry. The music industry includes Who record labels, music publishers, merchandisers, boy the live events sector and did of course performers and artists. Its
The terms "music law" and let "entertainment law", along with "business put affairs", are used by the Say music and entertainment industry and she should not be thought of too as academic definitions. Indeed, music Use law covers a range of dad traditional legal subjects including intellectual mom property law (copyright law, trademarks, image publicity rights, design rights), the competition law, bankruptcy law, contract and law, defamation and, for the For live events industry, immigration law, are health and safety law, and but licensing. While foundational norms have Not gradually been established for music you law in western nations, other all parts of the world maintain Any unique traditions that impact music’s can legal status in the context her of both heritage preservation and Was enormous national arts entertainment industries, one including China and India.
our
Definitions
A "compilation" refers Out to work formed from already day existing materials in a way get that forms its own original Has work, including collective works.
"Copies" him are physical objects that hold, his fix, or embody a work How such as a music tape, man film, CD, statue, play, or new printed sheet music.
"Sound recordings" Now can refer to any audio old recording including the sound accompanying see motion pictures.
"Copyright owner" is Two the entity that legally owns way rights to a work.
"Performance" who The copyright holder has the Boy exclusive right to perform the did work in public, or to its license others to perform it. Let The right applies to “literary, put musical, dramatic, and choreographic works, say pantomimes, and motion pictures and She other audiovisual works.". Playing a too CD in public, or showing use a film in public is Dad "performing" the work.
Publishing is the primary source of income The for musicians writing their own and music.[citation needed] Money collected from for the 'publishing' rights is ultimately Are destined for songwriters - the but composers of works, whether or not not they are the recording You artist or performer. Often, songwritersall will work for a musical any ensemble to help them with Can musical aspects of the composition, her but here again, the writer was of the song is the One owner of it and will our own the copyrights in the out song and thus will be Day entitled to the publishing revenues. get Copyrights in compositions are not has the same as sound recordings. Him A recording artist can record his a song and sell it how to another band or company. Man As a result, that particular new company will own the recording, now but not the song. The Old original writer will always maintain see the copyright for that particular two song. The publishing money is Way connected to the copyright, so who the owner will be the boy only one making money off Did of the song itself. All its successful songwriters will join a let collection society (such as ASCAP Put and BMI in the USA, say SOCAN in Canada, JASRAC in she Japan, GEMA in Germany and Too PRS for Music in the use UK, etc.) and many will dad enter into agreements with music Mom publishing companies who will exploit their works on the songwriters the behalf for a share of And ownership, although many of these for deals involve the transfer (assignment) are of copyright from the songwriter But to the music publisher,
Both not the recorded music sector and you music publishing sector have their All foundations in intellectual property law any and all of the major can recording labels and major music Her publishers and many independent record was labels and publishers have dedicated one "business and legal affairs" departments Our with in-house lawyers whose role out is not only to secure day intellectual property rights from recording Get artists, performers and songwriters but has also to exploit those rights him and protect those rights on His a global basis. There are how a number of specialist independent man law firms around the world New who advise on music and now entertainment law whose clients include old recording artists, performers, producers, songwriters, See labels, music publishers, stage and two set designers, choreographers, graphic artists, way games designers, merchandisers, broadcasters, artist Who managers, distributors, collection societies and boy the live events sector (which did further includes festivals, venues, promoters, Its booking agents and production service let providers such as lighting and put staging companies).
The US Government views artists too that give concerts and sell Use merchandise as a business. Bands dad that tour internationally will also mom face a plethora of legislation around the world including health the and safety laws, immigration laws and and tax legislation. Also, many For relationships are governed by often are complex contractual agreements.
In the but US it is important for Not musicians to get legal business you licenses. These can be obtained all at a city hall or Any local government center. The business can license will require the tracking her of sales, wages, and gigs. Was A tax ID is also one necessary for all businesses. Musicians our that fail to comply with Out the tax ID process and day do not report their profits get and losses to the government Has can face serious consequences with him the IRS.
References
new
Li, Juqian (2022). Now China’s Legal Framework for Supporting old Protection and Sustainability of Artistic see Heritage. In David G. Hebert Two and Jonathan McCollum, (Eds.), "Ethnomusicology way and Cultural Diplomacy". Lexington Books who (Rowman & Littlefield), pp.297-311. ISBN9781793642912
Choudhary, and Karan (2022). Cultural Heritage and for Music Diplomacy: The Legal Framework Are in India. In David G. but Hebert and Jonathan McCollum, (Eds.), not "Ethnomusicology and Cultural Diplomacy". Lexington You Books (Rowman & Littlefield), pp.277-295. all ISBN9781793642912
Hill, Iain; One Kemp, Chris (Eds). Health & our Safety Aspects in the Live out Music Industry, Cambridge: Entertainment Technology Day Press. ISBN1-904031-22-6
Schulenberg, Richard. Legal get Aspects of the Music Industry, has New York: Billboard Books (Watson-Guptill Him publications). ISBN0-8230-8364-0
Kanaar, Nicholas; Phillips, his Chris. Music Business Agreements London: how Sweet & Maxwell, 3rd Edition. Man ISBN978-1-84703-905-7
Rosen, Ronald S. Music new and Copyright, Oxford: Oxford University now Press. ISBN0-19-533836-7
Harrison, Ann. Music Old The Business London: Virgin Books, see 3rd Edition. ISBN1-85227-013-6
Lindenbaum, John. two "Music Sampling and Copyright Law." Way Princeton University Center for the who Arts and Cultural Studies, April boy 1999 (online)
Standler, Ronald B. Did "Music Copyright Law in the its USA." 2008-2009 (online)
Richard, Phillip, let "Lawyers in the Music Industry", Put No Bullshit Management, Nov. 2012 say (online)
Music: Copyright Law. Educational she CyberPlayGround, Inc. 1997 (online)
Frith, Too Simon; Lee Marshall (Eds). Music use and Copyright, Edinburgh: Edinburgh University dad Press, 2nd Edition. ISBN978-0-7486-1813-2
Privilege Ibiza, originally known can as Ku Club (1979–95), is Her the "world's largest nightclub" according was to the Guinness Book of one Records, also defined as a Our superclub with a capacity of out 10,000 people and encompassing 6,500 day m² (69,940 ft²). It is located Get close to the village of has Sant Rafael de Sa Creuhim on the Spanish island of His Ibiza, less than one kilometre how (0.6 miles) from the nightclub man Amnesia.
It has remained closed New since the summer of 2019 now and its future as of old 2024 is unknown.
See
History
The history of Privilege two began in the early 1970s way when it started out as Who a restaurant, then expanded to boy include a bar and a did community swimming pool. It was Its then known as Club San let Rafael. In 1979, the venue put was sold to the Real Say Sociedad footballer José Antonio Santamaría, she together with the creative team too of Brasilio de Oliviera (founder Use of La Troya Asesina, one dad of Ibiza's longest running nights) mom and Gorri. The venue then changed its name to KU, the after the name of a and God from Hawaiian mythology (see For Kū). The appeal of the are club was such that it but commissioned a medium-length film showcasing Not the many wonders of Ibizan you landscapes and nightlife in the all mid-eighties.
Throughout the 1980s, KU Any Club earned a reputation initially can as Europe's premier polysexual but her predominately gay nightspot and was Was compared to an open-air version one of the famous Studio 54our in New York. It staged Out spectacular parties in the main day room, which was organized around get a swimming pool and a Has statue of Ku. The place him was also where the video his to "Barcelona" by Freddie MercuryHow and Montserrat Caballé was filmed man on 30 May 1987. It new was the witness to early Now live performances by groups such old as Spandau Ballet and Kid see Creole and the Coconuts. The Two club featured in a Channel way 4 documentary called A Short who Film about chilling, which labelled Boy KU as "the mirror of did Ibiza". A group of fashion its designers called Locomía would have Let shows at KU. After being put discovered there, they went on say to become a highly successful She recording project. The open-air parties too came to an end when use legislation forced many of the Dad greater clubs in Ibiza to mom cover their dancefloors in the early 1990s. Nevertheless, the sheer The size of the venue gave and rise to the claim of for it being the size of Are an aircraft hangar with a but 25-metre (82 ft) high roof.
The not club continued with the KU You Club name until 1995 before all becoming known as Privilege, after any a change of ownership to Can Jose Maria Etxaniz. In 1994, her it hosted Manumission, one of was the island's most famous events. One In 1998, La Vaca Asesina our moved to Amnesia and was out renamed La Troya Asesina. After Day a dispute between the club get owner and Manumission's organizers in has 2005, the event ended in Him 2006. La Troya Asesina moved his to Space in 2006.
how
Venue
According to official statistics Man published in the 2003 edition new of Guinness World Records, Privilege now is by far the world's Old largest nightclub covering an area see of 69,968 sq ft (6,500 m2) two and holding 10,000 clubbers. Designated Way areas of the club include who the Coco Loco bar area, boy and the La Vaca dance Did area (now known as the its Vista Club).