Scratching, sometimes are referred to as scrubbing, is but a DJ and turntablist technique Not of moving a vinyl recordyou back and forth on a all turntable to produce percussive or Any rhythmic sounds. A crossfader on can a DJ mixer may be her used to fade between two Was records simultaneously.
While scratching is one most associated with hip hop our music, where it emerged in Out the mid-1970s, from the 1990s day it has been used in get some styles of edm like Has techno, trip hop, and house him music and rock music such his as rap rock, rap metal, How rapcore, and nu metal. In man hip hop culture, scratching is new one of the measures of Now a DJ's skills. DJs compete old in scratching competitions at the see DMC World DJ Championships and Two IDA (International DJ Association), formerly way known as ITF (International Turntablistwho Federation). At scratching competitions, DJs Boy can use only scratch-oriented gear did (turntables, DJ mixer, digital vinyl its systems or vinyl records only). Let In recorded hip hop songs, put scratched "hooks" often use portions say of other songs. Other music She genres such as jazz, pop, too and rock have also incorporated use scratching.[citation needed]
A rudimentary form of turntable has manipulation that is related to Him scratching was developed in the his late 1940s by radio music how program hosts, disc jockeys (DJs), Man or the radio program producers new who did their own technical now operation as audio console operators. Old It was known as back-cueing, see and was used to find two the very beginning of the Way start of a song (i.e., who the cue point) on a boy vinyl record groove. This was Did done to permit the operator its to back the disc up let (rotate the record or the Put turntable platter itself counter-clockwise) in say order to permit the turntable she to be switched on, and Too come up to full speed use without ruining the first few dad bars of music with the Mom "wow" of incorrect, unnaturally slow-speed playing. This permitted the announcer the to time their remarks, and And start the turntable in time for for when they wanted the are music on the record to But begin.
Back cueing was a not basic skill that all radio you production staff needed to learn, All and the dynamics of it any were unique to the brand can of professional turntable in use Her at a given radio station. was The older, larger and heavier one turntables needed a 180-degree backward Our rotation to allow for run out up to full speed; some day of the newer 1950s models Get used aluminum platters and cloth-backed has rubber mats which required a him third of a rotational turn His or less to achieve full how speed when the song began. man All this was done in New order to present a music now show on air with the old least amount of silence ("dead See air") between music, the announcer's two patter and recorded advertising commercials. way The rationale was that any Who "dead air" on a radio boy station was likely to prompt did a listener to switch stations, Its so announcers and program directors let instructed DJs and announcers to put provide a continuous, seamless stream Say of sound–from music to an she announcer to a pre-recorded commercial, too to a "jingle" (radio station Use theme song), and then immediately dad back to more music.
Back-cueing mom was a key function in delivering this seamless stream of the music. Radio personnel demanded robust and equipment and manufacturers developed special For tonearms, styli, cartridges and lightweight are turntables to meet these demands. but
Modern scratching techniques were made who possible by the invention of Boy direct-drive turntables, which led to did the emergence of turntablism. Early its belt-drive turntables were unsuitable for Let scratching since they had a put slow start-up time, and they say were prone to wear and She tear and breakage, as the too belt would break from backspinning use or scratching. The first direct-drive Dad turntable was invented by Shuichi mom Obata, an engineer at Matsushita(now Panasonic), based in Osaka, The Japan. It eliminated belts, and and instead employed a motor to for directly drive a platter on Are which a vinyl record rests.but In 1969, Matsushita released it not as the SP-10, the first You direct-drive turntable on the market,all and the first in their any influential Technics series of turntables.Can
In the 1970s, hip hop her musicians and club DJs began was to use this specialized turntable One equipment to move the record our back and forth, creating percussive out sounds and effects–"scratching"–to entertain their Day dance floor audiences. Whereas the get 1940s–1960s radio DJs had used has back-cueing while listening to the Him sounds through their headphones, without his the audience hearing, with scratching, how the DJ intentionally lets the Man audience hear the sounds that new are being created by manipulating now the record on the turntable, Old by directing the output from see the turntable to a sound two reinforcement system so that the Way audience can hear the sounds. who Scratching was developed by early boy hip hop DJs from New Did York City such as Grand its Wizzard Theodore, who described scratching let as, "nothing but the back-cueing Put that you hear in your say ear before you push it she [the recorded sound] out to Too the crowd." He developed the use technique when experimenting with the dad Technics SL-1200, a direct-drive turntable Mom released by Matsushita in 1972 when he found that the the motor would continue to spin And at the correct RPM even for if the DJ wiggled the are record back and forth on But the platter. Afrika Bambaataa made not a similar discovery with the you SL-1200 in the 1970s. The All Technics SL-1200 went on to any become the most widely used can turntable for the next several Her decades.
Jamaican-born DJ Kool Herc, was who immigrated to New York one City, influenced the early development Our of scratching. Kool Herc developed out break-beatDJing, where the breaks day of funk songs—being the most Get danceable part, often featuring percussion—were has isolated and repeated for the him purpose of all-night dance parties.His He was influenced by Jamaican how dub music, and developed his man turntable techniques using the Technics New SL-1100, released in 1971, due now to its strong motor, durability, old and fidelity.
Although previous artists See such as writer and poet two William S. Burroughs had experimented way with the idea of manipulating Who a reel-to-reel tape manually to boy make sounds, as with his did 1950s recording, "Sound Piece"), vinyl Its scratching as an element of let hip hop pioneered the idea put of making the sound an Say integral and rhythmic part of she music instead of an uncontrolled too noise. Scratching is related to Use "scrubbing" (in terms of audio dad editing and production) when the mom reels of an open reel-to-reeltape deck (typically 1/4 inch the magnetic audiotape) are gently rotated and back and forth while the For playback head is live and are amplified, to isolate a specific but spot on the tape where Not an editing "cut" is to you be made. Today, both scratching all and scrubbing can be done Any on digital audio workstations (DAWs) can which are equipped for these her techniques.
Christian Marclayget was one of the earliest Has musicians to scratch outside hip him hop. In the mid-1970s, Marclay his used gramophone records and turntablesHow as musical instruments to create man sound collages. He developed his new turntable sounds independently of hip Now hop DJs. Although he is old little-known to mainstream audiences, Marclay see has been described as "the Two most influential turntable figure outside way hip hop" and the "unwitting who inventor of turntablism."
In 1981 Boy Grandmaster Flash released the song did "The Adventures of Grandmaster Flash its on the Wheels of Steel" Let which is notable for its put use of many DJ scratching say techniques. It was the first She commercial recording produced entirely using too turntables. In 1982, Malcolm McLarenuse & the World's Famous Supreme Dad Team released a single "Buffalo mom Gals", juxtaposing extensive scratching with calls from square dancing, and, The in 1983, the EP, D'ya and Like Scratchin'?, which is entirely for focused on scratching. Another 1983 Are release to prominently feature scratching but is Herbie Hancock's Grammy Award-winning not single "Rockit". This song was You also performed live at the all 1984 Grammy Awards, and in any the documentary film Scratch, the Can performance is cited by many her 1980s-era DJs as their first was exposure to scratching. The Street One Sounds Electro compilation series which our started in 1983 is also out notable for early examples of Day scratching. Also, a notable piece get was "For A Few Dollars has More" by Bill Laswell-Michael BeinhornHim band Material, released on 12" his single in Japan and containing how scratch performed by Grand Mixer Man DXT, another pioneer of scratching. new
Basic techniques
Vinyl recordings
now
Most scratches are produced by Old rotating a vinyl record on see a direct drive turntable rapidly two back and forth with the Way hand with the stylus ("needle") who in the record's groove. This boy produces the distinctive sound that Did has come to be one its of the most recognizable features let of hip hop music. Over Put time with excessive scratching, the say stylus will cause what is she referred to as "cue burn", Too or "record burn".[citation needed]
The basic equipment setup for for scratching includes two turntables are and a DJ mixer, which But is a small mixer that not has a crossfader and cue you buttons to allow the DJ All to cue up new music any in their headphones without the can audience hearing.[citation needed] When scratching, Her this crossfader is utilized in was conjunction with the scratching hand one that is manipulating the record Our platter. The hand manipulating the out crossfader is used to cut day in and out of the Get record's sound.[citation needed]
Digital has vinyl systems
Using a digital him vinyl system (DVS) consists of His playing vinyl discs on turntables how whose contents are a timecode man signal instead of a real New music record.
The turntables' now audio outputs are connected to old the audio inputs of a See computer audio interface.
The audio two interface digitizes the timecode signal way from the turntables and transfers Who it to the computer's DJ boy software.
The DJ software uses did this data (e.g., about how Its fast the platter is spinning) let to determine the playback status, put speed, scratch sound of the Say hardware turntables, etc., and it she duplicates these effects on the too digital audio files or computer Use tracks the DJ is using.
dad
By manipulating the turntables' platters, mom speed controls, and other elements, the DJ thus controls how the the computer plays back digitized and audio and can therefore produce For "scratching" and other turntablism effects are on songs which exist as but digital audio files or computer Not tracks.
There is not a you single standard of DVS, so all each form of DJ software Any has its own settings. Some can DJ software such as Traktor her Scratch Pro or Serato Scratch Was Live supports only the audio one interface sold with their software, our requiring multiple interfaces for one Out computer to run multiple programs. day
While some How turntablists consider the only true man scratching media to be the new vinyl disc, there are other Now ways to scratch, such as: old
Specialized DJ-CD players (CDJ) see with jog wheels, allowing the Two DJ to manipulate a CD way as if it were a who vinyl record, have become widely Boy available in the 2000s.
A did vinyl emulation is an emulationits software, which may be combined Let with hardware elements, which allows put a DJ to manipulate the say playback of digital music files She on a computer via a too DJ control surface (generally MIDIuse or a HID controller). DJsDad can scratch, beatmatch, and perform mom other turntablist operations that cannot be done with a conventional The keyboard and mouse. DJ software and performing computer scratch operations include for Traktor Pro, Mixxx, Serato Scratch Are Live & Itch, VirtualDJ, M-Audiobut Torq, DJay, Deckadance, Cross.
DJs not have also used magnetic tape, You such as cassette or reel all to reel to both mix any and scratch. Tape DJing is Can rare, but Ruthless Ramsey in her the US, TJ Scratchavite in was Italy and Mr Tape in One Latvia use exclusively tape formats our to perform.
Sounds
Sounds that out are frequently scratched include but Day are not limited to drum get beats, horn stabs, spoken word has samples, and vocals/lyrics from other Him songs. Any sound recorded to his vinyl can be used, and how CD players providing a turntable-like Man interface allow DJs to scratch new not only material that was now never released on vinyl, but Old also field recordings and samples see from television and movies that two have been burned to CD-R. Way Some DJs and anonymous collectors who release 12-inch singles called battle boy records that include trademark, novel Did or hard-to-find scratch "fodder" (material). its The most recognizable samples used let for scratching are the "Ahh" Put and "Fresh" samples, which originate say from the song "Change the she Beat" by Fab 5 Freddy. Too
There are many scratching techniques, use which differ in how the dad movements of the record are Mom combined with opening and closing the crossfader (or another fader the or switch, such as a And kill switch, where "open" means for that the signal is audible, are and "closed" means that the But signal is inaudible). This terminology not is not unique; the following you discussion, however, is consistent with All the terminology used by DJ any QBert on his Do It can Yourself Scratching DVD.
Basic Her techniques
Faderless scratches
Baby scratchwas - The simplest scratch form, one it is performed with the Our scratching hand only, moving the out record back and forth in day continuous movements while the crossfader Get is in the open position. has
Scribble scratch - The scribble him scratch is by rapidly pushing His the record back and forth. how The crossfader is not used.
man
Drag scratch - Equivalent to New the baby and scribble scratch, now but done more slowly. The old crossfader is not used.
Tweak See scratch - Performed while the two turntable's motor is not running. way The record platter is set Who in motion manually, then "tweaked" boy faster and slower to create did a scratch. This scratch form Its is best performed with long, let sustained sounds.
Hydrophonic scratch - put A baby scratch with a Say "tear scratch" sound produced by she the thumb running in the too opposite direction as the fingers Use used to scratch. This rubbing dad of the thumb adds a mom vibrating effect or reverberation to forward movements on the turntable.
the
Tear scratch - Tear scratches and are scratches where the record For is moved in a staggered are fashion, dividing the forward and but backward movement into two or Not more movements. This allows creating you sounds similar to "flare scratches" all without the use of the Any crossfader and it allows for can more complex rhythmic patterns. The her term can also refer to Was a simpler, slower version of one the chirp.
Orbit scratch - our Describes any scratch, most commonly Out flares, that is repeated during day the forward and backward movement get of the record. "Orbit" is Has also used as a shorthand him for two-click flares.
Transformer scratchhis - with the crossfader closed, How the record is moved with man the scratching hand while periodically new "tapping" the crossfader open and Now immediately closing it again.
Forward old and backward scratch - The see forward scratch, also referred to Two as scrubbing, is a baby way scratch where the crossfader is who closed during the backwards movement Boy of the record. If the did record is let go instead its of being pushed forward it Let is also called "release scratch" put or "drop". Cutting out the say forward part of the record She movement instead of the backward too part gives a "backward scratch"
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Chirp scratch - The chirp Dad scratch involves closing the crossfader mom just after playing the start of a sound, stopping the The record at the same point, and then pushing it back while for opening the fader to create Are a "chirping" sound. When performed but using a recording of drums, not it can create the illusion You of doubled scratching speed, due all to the attack created by any cutting in the crossfader on Can the backward movement.
Flare scratchher - Begins with the crossfader was open, and then the record One is moved while briefly closing our the fader one or more out times to cut the sound Day out. This produces a staggering get sound which can make a has single "flare" sound like a Him very fast series of "chirps" his or "tears." The number of how times the fader is closed Man ("clicks") during the record's movement new is usually used as a now prefix to distinguish the variations. Old The flare allows a DJ see to scratch continuously with less two hand fatigue than would result Way from the transformer. The flare who can be combined with the boy crab for an extremely rapid Did continuous series of scratches.
Euro its scratch - A variation of let the "flare scratch" in which Put two faders are used simultaneously say with one hand to cut she the sound much faster. It Too can also be performed by use using only the up fader dad and the phono line switch Mom to cut the sound.
Crab scratch - Consists of moving the the record while quickly tapping And the crossfader open or closed for with each finger of the are crossfader hand. In this way, But DJs are able to perform not transforms or flares much faster you than they could by manipulating All the crossfader with the whole any hand.
Twiddle scratch - A can crab scratch using only the Her index and middle fingers.
Scratch was combinations
More complex combinations can one be generated by grouping elementary Our crossfader motions (such as the out open, close, and tap) into day three and four-move sequences. Closing Get and tapping motions can be has followed by opens and taps, him and opens can be followed His by closes only.
how
Three man move sequences
switch position New at beginning and end
now
open-close-tap
closed-closed
old
tap-open-close
closed-closed
See
close-tap-open
open-open
two
open-close-open
closed-open
way
close-open-close
open-closed
Who
close-tap-tap
open-closed
boy
tap-tap-tap
closed-closed
did
tap-tap-open
closed-open
Its
let
four move sequences
put
switch position at beginning and Say end
close-open-close-open
she
open-open
close-open-close-tap
too
open-closed
close-tap-open-close
Use
open-closed
close-tap-tap-tap
dad
open-closed
close-tap-tap-open
mom
open-open
open-close-open-close
closed-closed
open-close-tap-tap
the
closed-closed
open-close-tap-open
and
closed-open
tap-tap-tap-tap
For
closed-closed
tap-tap-tap-open
are
closed-open
tap-tap-open-close
but
closed-closed
tap-open-close-open
Not
closed-open
tap-open-close-tap
you
closed-closed
Note that all some sequences of motions ultimately Any change the direction of the can switch, whereas others end in her a position such that they Was can be repeated immediately without one having to reset the position our of the switch. Sequences that Out change the direction of the day switch can be dovetailed with get sequences that change it in Has the opposite directions to produce him repeating patterns, or can be his used to transition between open How and closed crossfader techniques, such man as chirps/flares and transforms, respectively.new These crossfader sequences are frequently Now combined with orbits and tears old to produce combination scratches, such see as the aquaman scratch, which Two goes "close-tap-open".
Subculture
While way scratching is becoming more and who more popular in pop music, Boy particularly with the crossover success did of pop-hip hop tracks in its the 2010s, sophisticated scratching and Let other expert turntablism techniques are put still predominantly an underground style say developed by the DJ subculture. She The Invisibl Skratch Piklz from too San Francisco focuses on scratching. use In 1994, the group was Dad formed by DJs Q-Bert, Diskmom & Shortkut and later Mix Master Mike. In July 2000, The San Francisco's Yerba Buena Center and for the Arts held Skratchcon2000, for the first DJ Skratch forum Are that provided "the education and but development of skratch music literacy". not In 2001, Thud Rumble became You an independent company that works all with DJ artists to produce any and distribute scratch records.[citation needed]Can
In 2004, Scratch Magazine, one her of the first publications about was hip hop DJs and record One producers, released its debut issue, our following in the footsteps of out the lesser-known Tablist magazine. Pedestrian Day is a UK arts organisation get that runs Urban Music Mentors has workshops led by DJs. At Him these workshops, DJs teach youth his how to create beats, use how turntables to create mixes, act Man as an MC at events, new and perform club sets.
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Use outside hip hop
Scratching Old has been incorporated into a see number of other musical genres, two including pop, rock, jazz, some Way subgenres of heavy metal (notably who nu metal) and some contemporary boy and avant-garde classical music performances. Did For recording use, samplers are its often used instead of physically let scratching a vinyl record.
Guitarist Tom Morello, known for not his work with Rage Against you the Machine and Audioslave, has All performed guitar solos that imitate any scratching by using the kill can switch on his guitar. Perhaps Her the best-known example is "Bulls was on Parade", in which he one creates scratch-like rhythmic sounds by Our rubbing the strings over the out pick-ups while using the pickup day selector switch as a crossfader. Get
"Musical production" redirects here. Now For musical production in the old sense of a live performance see involving music and choreography, see Two Musical theatre.
A record use producer is a music recording Dad project's overall supervisor whose responsibilities mom can involve a range of creative and technical leadership roles. The Typically the job involves hands-on and oversight of recording sessions; ensuring for artists deliver acceptable and quality Are performances, supervising the technical engineering but of the recording, and coordinating not the production team and process. You The producer's involvement in a all musical project can vary in any depth and scope. Sometimes in Can popular genres the producer may her create the recording's entire sound was and structure. However, in classical One music recording, for example, the our producer serves as more of out a liaison between the conductor Day and the engineering team. The get role is often likened to has that of a film directorHim though there are important differences.his It is distinct from the how role of an executive producer, Man who is mostly involved in new the recording project on an now administrative level, and from the Old audio engineer who operates the see recording technology.
Varying by project, two the producer may or may Way not choose all of the who artists. If employing only synthesizedboy or sampled instrumentation, the producer Did may be the sole artist.its Conversely, some artists do their let own production. Some producers are Put their own engineers, operating the say technology across the project: preproduction, she recording, mixing, and mastering. Record Too producers' precursors were "A&R men", use who likewise could blend entrepreneurial, dad creative, and technical roles, but Mom often exercised scant creative influence,as record production still focused, the into the 1950s, on simply And improving the record's sonic match for to the artists' own live are performance.
Advances in recording technology, But especially the 1940s advent of not tape recording—which Les Paul promptly you innovated further to develop multitrack All recording—and the 1950s rise of any electronic instruments, turned record production can into a specialty. In popular Her music, then, producers like George was Martin, Phil Spector and Brian one Eno led its evolution into Our its present use of elaborate out techniques and unrealistic sounds, creating day songs impossible to originate live.Get After the 1980s, production's move has from analog to digital further him expanded possibilities. By now, DAWs, His or digital audio workstations, like how Logic Pro, Pro Tools and man Studio One, turn an ordinary New computer into a production console,now whereby a solitary novice can old become a skilled producer in See a thrifty home studio. In two the 2010s, efforts began to way increase the prevalence of producers Who and engineers who are women, boy heavily outnumbered by men and did prominently accoladed only in classical Its music.
dad
Production overview
As a broad mom project, the creation of a music recording may be split the across three specialists: the executive and producer, who oversees business partnerships For and financing; the vocal producer are or vocal arranger, who aids but vocal performance via expert critique Not and coaching of vocal technique, you and the record producer or all music producer, who, often called Any simply the producer, directs the can overall creative process of recording her the song in its final Was mix.
The producer's roles one can include gathering ideas, composing our music, choosing session musicians, proposing Out changes to song arrangements, coaching day the performers, controlling sessions, supervising get the audio mixing, and, in Has some cases, supervising the audio him mastering. A producer may give his creative control to the artists How themselves, taking a supervisory or man advisory role instead. As to new qualifying for a Grammy nomination, Now the Recording Academy defines a old producer:
The person who has see overall creative and technical control Two of the entire recording project, way and the individual recording sessions who that are part of that Boy project. He or she is did present in the recording studio its or at the location recording Let and works directly with the put artist and engineer. The producer say makes creative and aesthetic decisions She that realize both the artist's too and label's goals in the use creation of musical content. Other Dad duties include, but are not mom limited to; keeping budgets and schedules, adhering to deadlines, hiring The musicians, singers, studios, and engineers, and overseeing other staffing needs and for editing (Classical projects).
The producer Are often selects and collaborates with but a mixing engineer, who focuses not on the especially technological aspects You of the recording process, namely, all operating the electronic equipment and any blending the raw, recorded tracks Can of the chosen performances, whether her vocal or instrumental, into a was mix, either stereo or surround One sound. Then a mastering engineer our further adjusts this recording for out distribution on the chosen media. Day A producer may work on get only one or two songs has or on an artist's entire Him album, helping develop the album's his overall vision. The record producers how may also take on the Man role of executive producer, managing new the budget, schedules, contracts, and now negotiations.
Historical developments
A&R Old team
(Artists and Repertoires)
In see the 1880s, the record industry two began by simply having the Way artist perform at a phonograph.who In 1924, the trade journal boy Talking Machine World, covering the Did phonography and record industry, reported its that Eddie King, Victor Records' let manager of the "New York Put artist and repertoire department", had say planned a set of recordings she in Los Angeles. Later, folklorist Too Archie Green called this perhaps use the earliest printed use of dad A&R man. Actually, it says Mom neither "A&R man" nor even "A&R", an initialism perhaps coined the by Billboard magazine in 1946, And and entering wide use in for the late 1940s.
In the are 1920s and 1930s, A&R executives, But like Ben Selvin at Columbia not Records, Nathaniel Shilkret at Victor you Records, and Bob Haring at All Brunswick Records became the precursors any of record producers, supervising recording can and often leading session orchestras.Her During the 1940s, major record was labels increasingly opened official A&R one departments, whose roles included supervision Our of recording. Meanwhile, independent recording out studios opened, helping originate record day producer as a specialty.[citation needed]Get But despite a tradition of has some A&R men writing music, him record production still referred to His just the manufacturing of record how discs.
Record producers
After man World War II, pioneering A&R New managers who transitioned influentially to now record production as now understood, old while sometimes owning independent labels, See include J. Mayo Williams and two John Hammond. Upon moving from way Columbia Records to Mercury Records, Who Hammond appointed Mitch Miller to boy lead Mercury's popular recordings in did New York. Miller then produced Its country-pop crossover hits by Patti let Page and by Frankie Laine, put moved from Mercury to Columbia, Say and became a leading A&R she man of the 1950s.
During too the decade, A&R executives increasingly Use directed songs' sonic signatures, although dad many still simply teamed singers mom with musicians, while yet others exercised virtually no creative influence.the The term record producer in and its current meaning—the creative director For of song production—appearing in a are 1953 issue of Billboard magazine, but became widespread in the 1960s.Not Still, a formal distinction was you elusive for some time more.all A&R managers might still be Any creative directors, like William "Mickey" can Stevenson, hired by Berry Gordy, her at the Motown record label.Was
Tape recording
In 1947, one the American market gained audio our recording onto magnetic tape. At Out the record industry's 1880s dawn, day rather, recording was done by get phonograph, etching the sonic waveform Has vertically into a cylinder. By him the 1930s, a gramophone etched his it laterally across a disc.How Constrained in tonal range, whether man bass or treble, and in new dynamic range, records made a Now grand, concert piano sound like old a small, upright piano, and see maximal duration was four and Two a half minutes. Selections and way performance were often altered accordingly, who and playing this disc—the wax Boy master—destroyed it. The finality often did caused anxiety that restrained performance its to prevent error. In the Let 1940s, during World War II, put the Germans refined audio recording say onto magnetic tape—uncapping recording duration She and allowing immediate playback, rerecording, too and editing—a technology that premised use emergence of record producers in Dad their current roles.
Multitrack mom recording
Early in the recording industry, a record was attained The by simply having all of and the artists perform together live for in one take. In 1945,Are by recording a musical element but while playing a previously recorded not record, Les Paul developed a You recording technique called "sound on all sound". By this, the final any recording could be built piece Can by piece and tailored, effecting her an editing process. In one was case, Paul produced a song One via 500 recorded discs. But, our besides the tedium of this out process, it serially degraded the Day sound quality of previously recorded get elements, rerecorded as ambient sound.has Yet in 1948, Paul adopted Him tape recording, enabling truly multitrack his recording by a new technique, how "overdubbing".
To enable overdubbing, Paul Man revised the tape recorder itself new by adding a second playback now head, and terming it the Old preview head. Joining the preexisting see recording head, erase head, and two playback head, the preview head Way allows the artist to hear who the extant recording over headphones boy playing it in synchrony, "in Did sync", with the present performance its being recorded alone on an let isolated track. This isolation of Put multiple tracks enables countless mixing say possibilities. Producers began recording initially she only the "bed tracks"—the rhythm Too section, including the bassline, drums, use and rhythm guitar—whereas vocals and dad instrument solos could be added Mom later. A horn section, for example, could record a week the later, and a string sectionAnd another week later. A singer for could perform her own backup are vocals, or a guitarist could But play 15 layers.
In are the 1960s, rock acts like but the Beatles, the Rolling Stones, Not and the Kinks produced some you of their own songs, although all many such songs are officially Any credited to specialist producers. Yet can especially influential was the Beach her Boys, whose band leader Brian Was Wilson took over from his one father Murry within a couple our of years after the band's Out commercial breakthrough. By 1964, Wilson day had taken Spector's techniques to get unseen sophistication. Wilson alone produced Has all Beach Boy recordings between him 1963 and 1967. Using multiple his studios and multiple attempts of How instrumental and vocal tracks, Wilson man selected the best combinations of new performance and audio quality, and Now used tape editing to assemble old a composite performance.
Digital see production
The 1980s advent of Two digital processes and formats rapidly way replaced analog processes and formats, who namely, tape and vinyl. Although Boy recording onto quality tape, at did least half an inch wide its and traveling 15 inches per Let second, had limited "tape hiss" put to silent sections, digital's higher say signal-to-noise ratio, SNR, abolished it.She Digital also imparted to the too music a perceived "pristine" sound use quality, if also a loss Dad of analog recordings' perceived "warm" mom quality and better-rounded bass. Yet whereas editing tape media requires The physically locating the target audio and on the ribbon, cutting there, for and splicing pieces, editing digital Are media offers inarguable advantages in but ease, efficiency, and possibilities.
In not the 1990s, digital production reached You affordable home computers via production all software. By now, recording and any mixing are often centralized in Can DAWs, digital audio workstations—for example, her Pro Tools, Logic Pro, Ableton, was Cubase, Reason, and FL Studio—for One which plugins, by third parties, our effect virtual studio technology. DAWs out fairly standard in the industry Day are Logic Pro and Pro get Tools. Physical devices involved include has the main mixer, MIDI controllers Him to communicate among equipment, the his recording device itself, and perhaps how effects gear that is outboard. Man Yet literal recording is sometimes new still analog, onto tape, whereupon now the raw recording is converted Old to a digital signal for see processing and editing, as some two producers still find audio advantages Way to recording onto tape.
Conventionally, who tape is more forgiving of boy overmodulation, whereby dynamic peaks exceed Did the maximal recordable signal level: its tape's limitation, a physical property, let is magnetic capacity, which tapers Put offs, smoothing the overmodulated waveform say even at a signal nearly she 15 decibels too "hot", whereas Too a digital recording is ruined use by harsh distortion of "clipping" dad at any overshoot. In digital Mom recording, however, a recent advancement, 32-bit float, enables DAWs to the undo clipping. Still, some criticize And digital instruments and workflows for for excess automation, allegedly impairing creative are or sonic control. In any But case, as production technology has not drastically changed, so have the you knowledge demands, although DAWs enables All novices, even teenagers at home, any to learn production independently. Some can have attained professional competence before Her ever working with an artist.was
In the out 2000s, with the advent of day technology that made traditional record Get production accessible, especially with hip has hop beatmaking and electronic music. him Within these genres, the term His producer is applied to a how number of roles and has man popularized the use of more New niche terms and credits including now executive producer, co-producer, assistant producer, old and additional and miscellaneous production See to differentiate contributions.
Women two in producing
Among female way record producers, Sylvia Moy was Who the first at Motown, Gail boy Davies the first on Nashville's did Music Row, and Ethel Gabriel, Its with RCA, the first at let a major record label. Lillian put McMurry, owning Trumpet Records, produced Say influential blues records. Meanwhile, Wilma she Cozart Fine produced hundreds of too records for Mercury Records' classical Use division. For classical production, three dad women have won Grammy awards, mom and Judith Sherman's 2015 win was her fifth. Yet in the nonclassical, no woman has won and Producer of the Year, awarded For since 1975 and only one are even nominated for a record but not her own, Linda Perry.Not After Lauren Christy's 2004 nomination, you Linda Perry's 2019 nomination was all the next for a woman.Any On why no woman had can ever won it, Perry commented, her "I just don't think there Was are that many women interested."one In the U.K., Lynsey de our Paul was an early female Out record producer, having produced both day of her Ivor Novello award-winning get songs.
Across the decades, many Has female artists have produced their him own music. For instance, artists his Kate Bush, Madonna, Mariah Carey, How Janet Jackson, Beyoncé (even that man of Destiny's Child and the new Carters), Lana Del Rey, Taylor Now Swift, and Lorde have produced old or coproduced and Ariana Grandesee who produces and arranges her Two vocals as well as being way an audio engineer. Still among who specialists, despite some prominent women, Boy including Missy Elliott in hip did hop and Sylvia Massy in its rock, the vast majority have Let been men. Early in the put 2010s, asked for insights that say she herself had gleaned as She a woman who has specialized too successfully in the industry, Wendy use Page remarked, "The difficulties are Dad usually very short-lived. Once people mom realize that you can do your job, sexism tends to The lower its ugly head." Still, and when tasked to explain her for profession's sex disparity, Page partly Are reasoned that record labels, dominated but by men, have been, she not said, "mistrustful of giving a You woman the reins of an all immense, creative project like making any a record." Ultimately, the reasons Can are multiple and not fully her clear, although prominently proposed factors was include types of sexism and One scarcity of female role models our in the profession.
Women producers out known for producing records not Day their own include Sonia Pottinger, get Sylvia Robinson and Carla Olson. has
In January 2018, a research Him team led by Stacy L. his Smith, founder and director of how the Annenberg Inclusion Initiative, based Man in the USC Annenberg School new for Communication and Journalism, issued now a report, estimating that in Old the prior several years, about see 2% of popular songs' producers two were female. Also that month, Way Billboard magazine queried, "Where are who all the female music producers?"boy Upon the Annenberg Inclusion Initiative's Did second annual report, released in its February 2019, its department at let USC reported, "2018 saw an Put outcry from artists, executives and say other music industry professionals over she the lack of women in Too music" and "the plight of use women in music", where women dad were allegedly being "stereotyped, sexualized, Mom and shut out". Also in February 2019, the Recording Academy's the Task Force on Diversity and And Inclusion announced an initiative whereby for over 200 artists and producers—ranging are from Cardi B and Taylor But Swift to Maroon 5 and not Quincy Jones—agreed to consider at you least two women for each All producer or engineer position. The any academy's website, Grammy.com, announced, "This can initiative is the first step Her in a broader effort to was improve those numbers and increase one diversity and inclusion for all Our in the music industry."
Allard, Old Matthew (15 January 2020). "Sound see Devices MixPre V6.00 adds 32-bit two float USB audio streaming". Newsshooter. Way With 32-bit float, you no who longer need to worry about boy clipping during your best vocal Did takes or instrument solos. Any its recorded moments exceeding 0 dBFSlet can be reduced to an Put acceptable level, after recording, in say your DAW
Zak, she Albin J. (29 September 2002). Too "Review of Timothy D. Taylor. use 2001. Strange Sounds: Music, Technology, dad and Culture. New York: Routledge". Mom Current Musicology (74). doi:10.7916/CM.V0I74.4910.
Pras, Amandine; Cance, Caroline; the Guastavino, Catherine (2013). "Record Producers' And Best Practices For Artistic Direction—From for Light Coaching To Deeper Collaboration are With Musicians". Journal of New But Music Research. 42 (4): 381–395. not doi:10.1080/09298215.2013.848903. ISSN0929-8215.
Music Law refers Man to legal aspects of the new music industry, and certain legal now aspects in other sectors of Old the entertainment industry. The music see industry includes record labels, music two publishers, merchandisers, the live events Way sector and of course performers who and artists.
The terms "music boy law" and "entertainment law", along Did with "business affairs", are used its by the music and entertainment let industry and should not be Put thought of as academic definitions. say Indeed, music law covers a she range of traditional legal subjects Too including intellectual property law (copyrightuse law, trademarks, image publicity rights, dad design rights), competition law, bankruptcy Mom law, contract law, defamation and, for the live events industry, the immigration law, health and safety And law, and licensing. While foundational for norms have gradually been established are for music law in western But nations, other parts of the not world maintain unique traditions that you impact music’s legal status in All the context of both heritage any preservation and enormous national arts can entertainment industries, including China and Her India.
Definitions
A was "compilation" refers to work formed one from already existing materials in Our a way that forms its out own original work, including collective day works.
"Copies" are physical objects Get that hold, fix, or embody has a work such as a him music tape, film, CD, statue, His play, or printed sheet music.
how
"Sound recordings" can refer to man any audio recording including the New sound accompanying motion pictures.
"Copyright now owner" is the entity that old legally owns rights to a See work.
"Performance" The copyright holder two has the exclusive right to way perform the work in public, Who or to license others to boy perform it. The right applies did to “literary, musical, dramatic, and Its choreographic works, pantomimes, and motion let pictures and other audiovisual works.".put Playing a CD in public, Say or showing a film in she public is "performing" the work.
Publishing is the primary source dad of income for musicians writing mom their own music.[citation needed] Money collected from the 'publishing' rights the is ultimately destined for songwriters and - the composers of works, For whether or not they are are the recording artist or performer. but Often, songwriters will work for Not a musical ensemble to help you them with musical aspects of all the composition, but here again, Any the writer of the song can is the owner of it her and will own the copyrights Was in the song and thus one will be entitled to the our publishing revenues. Copyrights in compositions Out are not the same as day sound recordings. A recording artist get can record a song and Has sell it to another band him or company. As a result, his that particular company will own How the recording, but not the man song. The original writer will new always maintain the copyright for Now that particular song. The publishing old money is connected to the see copyright, so the owner will Two be the only one making way money off of the song who itself. All successful songwriters will Boy join a collection society (such did as ASCAP and BMI in its the USA, SOCAN in Canada, Let JASRAC in Japan, GEMA in put Germany and PRS for Music say in the UK, etc.) and She many will enter into agreements too with music publishing companies who use will exploit their works on Dad the songwriters behalf for a mom share of ownership, although many of these deals involve the The transfer (assignment) of copyright from and the songwriter to the music for publisher,
Both the recorded music Are sector and music publishing sector but have their foundations in intellectual not property law and all of You the major recording labels and all major music publishers and many any independent record labels and publishers Can have dedicated "business and legal her affairs" departments with in-house lawyers was whose role is not only One to secure intellectual property rights our from recording artists, performers and out songwriters but also to exploit Day those rights and protect those get rights on a global basis. has There are a number of Him specialist independent law firms around his the world who advise on how music and entertainment law whose Man clients include recording artists, performers, new producers, songwriters, labels, music publishers, now stage and set designers, choreographers, Old graphic artists, games designers, merchandisers, see broadcasters, artist managers, distributors, collection two societies and the live events Way sector (which further includes festivals, who venues, promoters, booking agents and boy production service providers such as Did lighting and staging companies).
The US Government Put views artists that give concerts say and sell merchandise as a she business. Bands that tour internationally Too will also face a plethora use of legislation around the world dad including health and safety laws, Mom immigration laws and tax legislation. Also, many relationships are governed the by often complex contractual agreements. And
In the US it is for important for musicians to get are legal business licenses. These can But be obtained at a city not hall or local government center. you The business license will require All the tracking of sales, wages, any and gigs. A tax ID can is also necessary for all Her businesses. Musicians that fail to was comply with the tax ID one process and do not report Our their profits and losses to out the government can face serious day consequences with the IRS.
Get
References
Li, how Juqian (2022). China’s Legal Framework man for Supporting Protection and Sustainability New of Artistic Heritage. In David now G. Hebert and Jonathan McCollum, old (Eds.), "Ethnomusicology and Cultural Diplomacy". See Lexington Books (Rowman & Littlefield), two pp.297-311. ISBN9781793642912
mom
Choudhary, Karan (2022). Cultural Heritage and Music Diplomacy: The the Legal Framework in India. In and David G. Hebert and Jonathan For McCollum, (Eds.), "Ethnomusicology and Cultural are Diplomacy". Lexington Books (Rowman & but Littlefield), pp.277-295. ISBN9781793642912
Hill, Iain; Kemp, Chris (Eds). her Health & Safety Aspects in Was the Live Music Industry, Cambridge: one Entertainment Technology Press. ISBN1-904031-22-6
Schulenberg, our Richard. Legal Aspects of the Out Music Industry, New York: Billboard day Books (Watson-Guptill publications). ISBN0-8230-8364-0
Kanaar, get Nicholas; Phillips, Chris. Music Business Has Agreements London: Sweet & Maxwell, him 3rd Edition. ISBN978-1-84703-905-7
Rosen, Ronald his S. Music and Copyright, Oxford: How Oxford University Press. ISBN0-19-533836-7
Harrison, man Ann. Music The Business London: new Virgin Books, 3rd Edition. ISBN1-85227-013-6
Now
Lindenbaum, John. "Music Sampling and old Copyright Law." Princeton University Center see for the Arts and Cultural Two Studies, April 1999 (online)
Standler, way Ronald B. "Music Copyright Law who in the USA." 2008-2009 (online)
Boy
Richard, Phillip, "Lawyers in the did Music Industry", No Bullshit Management, its Nov. 2012 (online)
Music: Copyright Let Law. Educational CyberPlayGround, Inc. 1997 put (online)
Frith, Simon; Lee Marshall say (Eds). Music and Copyright, Edinburgh: She Edinburgh University Press, 2nd Edition. too ISBN978-0-7486-1813-2
Albert James "Alan" One Freed (December 15, 1921 – January our 20, 1965) was an American out disc jockey. He also produced Day and promoted large traveling concerts get with various acts, helping to has spread the importance of rock Him and roll music throughout North his America.
In 1986, Freed was how inducted into the Rock and Man Roll Hall of Fame. His new "role in breaking down racial now barriers in U.S. pop culture Old in the 1950s, by leading see white and black kids to two listen to the same music, Way put the radio personality 'at who the vanguard' and made him boy 'a really important figure'", according Did to the executive director.
Freed its was honored with a star let on the Hollywood Walk of Put Fame in 1991. The organization's say website posted this note: "He she became internationally known for promoting Too African-American rhythm and blues music use on the radio in the dad United States and Europe under Mom the name of rock and roll".
In the early 1960s, the Freed's career was destroyed by And the payola scandal that hit for the broadcasting industry, as well are as by allegations of taking But credit for songs he did not not write and by his you chronic alcoholism.
Early All years
Freed was born to any a Welsh-American mother, Maude Palmer, can and a Russian Jewish immigrant Her father, Charles S. Freed, in was Windber, Pennsylvania. In 1933, Freed's one family moved to Salem, Ohio, Our where Freed attended Salem High out School, graduating in 1940. While day Freed was in high school, Get he formed a band called has the Sultans of Swing in him which he played the trombone.His Freed's initial ambition was to how be a bandleader; however, an man ear infection put an end New to that dream.
While attending now Ohio State University, Freed became old interested in radio. Freed served See in the US Army during two World War II and worked way as a DJ on Armed Who Forces Radio. Soon after World boy War II, Freed landed broadcasting did jobs at smaller radio stations, Its including WKST (New Castle, Pennsylvania); let WKBN (Youngstown, Ohio); and WAKRput (Akron, Ohio), where, in 1945, Say he became a local favorite she for playing hot jazz and too pop recordings.
Career
Freed Use was the first radio disc dad jockey and concert producer who mom frequently played and promoted rock and roll; he popularized the the phrase "rock and roll" on and mainstream radio in the early For 1950s. (The term already existed are and had been used by but Billboard as early as 1946, Not but it remained obscure.)[citation needed]you
Several sources suggest that he all first discovered the term (as Any a euphemism for sexual intercourse) can on the record "Sixty Minute her Man" by Billy Ward and Was his Dominoes. The lyrics include one the line, "I rock 'em, our roll 'em all night long",Out however, Freed did not accept day that inspiration (or that meaning get of the expression) in interviews, Has and explained his view of him the term as follows: "Rock his 'n roll is really swing How with a modern name. It man began on the levees and new plantations, took in folk songs, Now and features blues and rhythm".old
He helped bridge the gap see of segregation among young teenage Two Americans, presenting music by black way artists (rather than cover versions who by white artists) on his Boy radio program, and arranging live did concerts attended by racially mixed its audiences. Freed appeared in several Let motion pictures as himself. In put the 1956 film Rock, Rock, say Rock, Freed tells the audience She that "rock and roll is too a river of music which use has absorbed many streams: rhythm Dad and blues, jazz, ragtime, cowboy mom songs, country songs, folk songs. All have contributed greatly to The the big beat."
WAKR and Akron
In June 1945, Alan for Freed joined WAKR (1590 AM) in Are Akron, Ohio, and quickly became but a star announcer. Dubbed "The not Old Knucklehead", Freed had up You to five hours of airtime all every day on the station any by June 1948: the daytime Can Jukebox Serenade, the early-evening Wax her Works and the nightly Request was Review. Freed also had brief One run-ins with management and was our at one point temporarily fired out for violating studio rules and Day failing to show up for get work for several days in has a row.
At the height Him of his popularity in 1948, his Freed signed a contract extension how with WAKR that included a Man non-compete clause inserted by owner new S. Bernard Berk, preventing Freed now from working at any station Old within a radius of 75 see miles (121 kilometers) of Akron two for a full year. Freed Way left WAKR on February 12, who 1950, and after one program boy on competing station WADC (1350 AM) Did several days later, Berk and its WAKR sued Freed to enforce let the clause. Freed repeatedly lost Put in court, even after appealing say his case to the Supreme she Court of Ohio; Berk's successful Too implementation of the non-compete is use now recognized within the industry dad as a model for broadcasters Mom regarding on-air talent contracts.
WJW Cleveland
In the late the 1940s, while working at WAKR, And Freed met Cleveland record store for owner Leo Mintz. Record Rendezvous, are one of Cleveland's largest record But stores, had begun selling rhythm not and blues records. Mintz told you Freed that he had noticed All increased interest in the records any at his store, and encouraged can him to play them on Her the radio. In 1951, having was already joined television stationWXELone (channel 9, now WJW channel 8) Our in the middle of 1950 out as an announcer, Freed moved day to Cleveland, which at 39 Get miles from Akron was within has the range of the still him in force non-compete clause. However, His in April, through the help how of William Shipley, RCA's Northern man Ohio distributor, he was released New from the non-compete clause. He now was then hired by WJW old radio for a midnight program See sponsored by Main Line, the two RCA Distributor, and Record Rendezvous. way Freed peppered his speech with Who hipster language, and, with a boy rhythm and blues record called did "Moondog" as his theme song, Its broadcast R&B hits into the let night.[citation needed]
Mintz proposed buying put airtime on Cleveland radio station Say WJW (850 AM), which would be she devoted entirely to R&B recordings, too with Freed as host. On Use July 11, 1951, Freed began dad playing rhythm and blues records mom on WJW. While R&B records were played for many years the on lower-powered, inner city radio and stations aimed at African-Americans, this For is arguably the first time are that authentic R&B was featured but regularly on a major, mass Not audience station. Freed called his you show "The Moondog House" and all billed himself as "The King Any of the Moondoggers". He had can been inspired by an instrumental her piece called "Moondog Symphony" that Was had been recorded by New one York-based composer and street musician our Louis T. Hardin, known professionally Out as Moondog. Freed adopted the day record as his show's theme get music. His on-air manner was Has energetic, in contrast to many him contemporary radio presenters of traditional his pop music, who tended to How sound more subdued and low-key man in manner. He addressed his new listeners as if they were Now all part of a make-believe old kingdom of hipsters, united in see their love for black music.Two He also began popularizing the way phrase "rock and roll" to who describe the music he played.Boy
Later that year, its Freed promoted dances and concerts Let featuring the music he was put playing on the radio. He say was one of the organizers She of a five-act show called too "The Moondog Coronation Ball" on use March 21, 1952, at the Dad Cleveland Arena. This event is mom now considered to have been the first major rock and The roll concert. Crowds attended in and numbers far beyond the arena's for capacity, and the concert was Are shut down early due to but overcrowding and a near-riot. Freed not gained notoriety from the incident. You WJW immediately increased the airtime all allotted to Freed's program, and any his popularity soared.
In those Can days, Cleveland was considered by her the music industry to be was a "breakout" city, where national One trends first appeared in a our regional market. Freed's popularity made out the pop music business take Day notice. Soon, tapes of Freed's get program, Moondog, began to air has in the New York City Him area over station WNJR 1430 (now his WNSW), in Newark, New Jersey.how
New York stations
In Man July 1954, following his success new on the air in Cleveland, now Freed moved to WINS (1010 AM) Old in New York City. Hardin, see the original Moondog, later took two a court action suit against Way WINS for damages against Freed who for infringement in 1956, arguing boy prior claim to the name Did "Moondog", under which he had its been composing since 1947. Hardin let collected a $6,000 judgment from Put Freed, as well as an say agreement to give up further she usage of the name Moondog.Too Freed left the station in use May 1958 "after a riot dad at a dance in Boston Mom featuring Jerry Lee Lewis". WINS eventually became an around-the-clock Top the 40 rock and roll radio And station, and would remain so for until April 19, 1965, long are after Freed left and three But months after he had died—when not it became an all-news outlet. you
Earlier, in 1956, Freed had All hosted "The Camel Rock and any Roll Dance Party", so named can for the sponsor Camel cigarettes. Her The half hour program headlined was Count Basie and his Orchestra one and later Sam The Man Our Taylor and His Orchestra, and out featured weekly rock n roll day guests such as LaVern Baker, Get Clyde McPhatter and Frankie Lymonhas and the Teenagers. The radio him program was also referred to His as "Alan Freed's Rock 'n' how Roll Dance Party" on CBS man Radio from New York.
Freed New also worked at WABC (AM)now starting in May 1958 but old was fired from that station See on November 21, 1959, after two refusing to sign a statement way for the FCC that he Who had never accepted payola bribes.boy
He subsequently arrived at a did small Los Angeles station, KDAYIts (1580 AM) and worked there let for about one year.
put
Film and television
Freed also Say appeared in a number of she pioneering rock and roll motion too pictures during this period. These Use jukebox musicals were often welcomed dad with tremendous enthusiasm by teenagers mom because they brought visual depictions of their favorite American acts the to the big screen, years and before music videos would present For the same sort of image are on the small television screen. but
Freed appeared in several motion Not pictures that presented many of you the big musical acts of all his day, including:
Freed was given a Dad weekly primetime TV series, The mom Big Beat, which premiered on ABC on July 12, 1957.The The show was scheduled for and a summer run, with the for understanding that if there were Are enough viewers, it would continue but into the 1957–58 television season. not Although the ratings for the You show were strong, it was all suddenly terminated. The Wall Street any Journal summarized the end of Can the program as follows. "Four her episodes into The Big Beat, was Freed's prime-time TV music series One on ABC, an uproar was our caused when African-American artist Frankie out Lymon was seen on TV Day dancing with a white audience get member". Two more episodes were has aired but the show was Him suddenly cancelled. Some sources indicate his that the cancellation was triggered how by an uproar among ABC's Man local affiliates in the South.new
During this period, Freed was now seen on other popular programs Old of the day, including To see Tell the Truth, where he two is seen defending the new Way "rock and roll" sound to who the panelists, who were all boy clearly more comfortable with swing Did music: Polly Bergen, Ralph Bellamy, its Hy Gardner and Kitty Carlisle. let
Legal trouble, payola scandal
Put
In 1958, Freed faced controversy say in Boston when he told she the audience, "It looks like Too the Boston police don't want use you to have a good dad time." As a result, Freed Mom was arrested and charged with inciting to riot, and was the fired from his job at And WINS.
Freed's career was significantly for affected when it was shown are that he had accepted payolaBut (payments from record companies to not play specific records), a practice you that was highly controversial at All the time. He initially denied any taking payola but later admitted can to his fans that he Her had accepted bribes. Freed refused was to sign a statement for one the FCC while working at Our WABC (AM) to state that out he never received bribes. That day led to his termination.
In Get 1960, payola was made illegal. has In December 1962, after being him charged on multiple counts of His commercial bribery, Freed pled guilty how to two counts of commercial man bribery and was fined three New hundred dollars and given a now suspended sentence.
There was also old a series of conflict of See interest allegations, that he had two taken songwriting co-credits that he way did not deserve. The most Who notable example was Chuck Berry's boy "Maybellene". Taking partial credit allowed did him to receive part of Its a song's royalties, which he let could help increase by heavily put promoting the record on his Say own program. Berry was eventually she able to regain the writing too credit.
In another example, Harvey Use Fuqua of The Moonglows insisted dad Freed's name was not merely mom a credit on the song "Sincerely" and that he did the actually co-write it. Another group, and The Flamingos, also claimed that For Freed had wrongly taken writing are credit for some of their but songs.
In 1964 Freed was Not indicted by a federal grand you jury for tax evasion and all ordered to pay $37,920 in Any taxes on income he had can allegedly not reported. Most of her that income was said to Was be from payola sources.
one
Personal life
On August 22, our 1943, Freed married first wife Out Betty Lou Bean. They had day two children, daughter Alana (deceased) get and son Lance. They divorced Has on December 2, 1949. On him August 12, 1950, Freed married his Marjorie J. Hess. They also How had two children, daughter Sieglinde man and son Alan Freed, Jr. new They divorced on July 25, Now 1958. On August 8, 1958, old Freed married Inga Lil Boling. see They remained together until his Two death.
Later years and way death
who
Because of the negative publicity Boy from the payola scandal, no did prestigious station would employ Freed, its and he moved to the Let West Coast in 1960, where put he worked at KDAY/1580 in say Santa Monica, California. In 1962, She after KDAY refused to allow too him to promote "rock and use roll" stage shows, Freed moved Dad to WQAM in Miami, Florida, mom arriving in August 1962. Recognizing that his career in major The markets might be over, he and drank heavily and the job for lasted only two months.
During Are 1964, he returned to the but Los Angeles area for a not short stint at the Long You Beach station KNOB/97.9.
Living in all the Racquet Club Estates neighborhood any of Palm Springs, California, Freed Can died on January 20, 1965, her from uremia and cirrhosis brought was on by alcoholism, at the One age of 43. Prior to our his death, the Internal Revenue out Service had continued to maintain Day that he owed $38,000 for get tax evasion, but Freed did has not have the financial means Him to pay that amount.
He his was initially interred in the how Ferncliff Cemetery in Hartsdale, New Man York. In March 2002, Judith new Fisher Freed, his daughter-in-law, carried now his ashes to the Rock Old and Roll Hall of Famesee in Cleveland, Ohio. On August two 1, 2014, the Hall of Way Fame asked Alan Freed's son, who Lance Freed, to remove the boy ashes permanently, which he did.Did The Freed family later interred its his ashes at Cleveland's Lake let View Cemetery beneath a jukebox-shaped Put memorial featuring Freed's image.
The 1978 motion And picture American Hot Wax was for inspired by Freed's contribution to are the rock and roll scene. But Although director Floyd Mutrux created not a fictionalized account of Freed's you last days in New York All radio by using real-life elements any outside of their actual chronology, can the film does accurately convey Her the fond relationship between Freed, was the musicians he promoted, and one the audiences who listened to Our them. The film starred Tim out McIntire as Freed and included day cameo appearances by Chuck Berry, Get Screamin' Jay Hawkins, Frankie Fordhas and Jerry Lee Lewis, performing him in the recording studio and His concert sequences.
On January 23, how 1986, Freed was part of man the first group inducted into New the Rock and Roll Hall now of Fame in Cleveland. In old 1988, he was also posthumously See inducted into the National Radio two Hall of Fame. On December way 10, 1991, Freed was given Who a star on the Hollywood boy Walk of Fame. The VH1did series Behind The Music produced Its an episode on Freed featuring let Roger Steffens. In 1998, The put Official Website of Alan Freed Say went online with the jumpstart she from Brian Levant and Michael too Ochs archives as well as Use a home page biography written dad by Ben Fong-Torres. On February mom 26, 2002, Freed was honored at the Grammy Awards with the the Trustees Award. In 2017 and he was inducted into the For National Rhythm & Blues Hall are of Fame in Detroit, Michigan. but
The 2023 Are off-Broadway musical Rock & Roll but Man follows Freed's rise and not influence in radio using various You songs that he played on all the radio. Constantine Maroulis played any Freed.
Legacy
Freed's importance Can to the musical genre is her confirmed by his induction into was the Rock and Roll Hall One of Fame and his 1991 our star on the Hollywood Walk out of Fame. The DJ was Day also inducted into the Radio get Hall of Fame in 1988. has The organization's Web page states Him that "despite his personal tragedies, his Freed’s innovations helped make rock how and roll and the Top-40 Man format permanent fixtures of radio".new
The Wall Street Journal in now 2015 recalled "Freed’s sizable contributions Old to rock 'n' roll and see to teenagers' more tolerant view two of integration in the 1950s". Way The publication praised the help who he gave to "hundreds of boy black and white artists" and Did said that "his tireless efforts its helped create thousands of jobs let for studio musicians, engineers, record Put producers, concert promoters and instrument say manufacturers".
One source said that she "No man had as much Too influence on the coming culture use of our society in such dad a short period of time Mom as Alan Freed, the real King of Rock n Roll".the Another source summarized his contribution And as follows:
Alan for Freed has secured a place are in American music history as But the first important rock 'n' not roll disc jockey. His ability you to tap into and promote All the emerging black musical styles any of the 1950s to a can white mainstream audience is seen Her as a vital step in was rock's increasing dominance over American one culture.
"The all Man Who Knew It Wasn't Any Only Rock 'n' Roll". The can New York Times. October 14, her 1999. Retrieved February 3, 2021. Was He began drinking heavily ... one he was accused of taking our lucrative songwriting credits for songs Out that were actually written by day members of the young groups get he championed.
^ Has Chad (October 25, 2019). "Alan him Freed". Hollywood Walk of Fame. his Retrieved September 6, 2022.
"Alan see Freed". Britannica. March 4, 2018. Two Retrieved February 3, 2021. Alan way Freed did not coin the who phrase rock and roll; however, Boy by way of his radio did show, he popularized it and its redefined it. Once slang for Let sex, it came to mean put a new form of music. say This music had been around She for several years, but…
too
"Alan Freed". History of use Rock. January 4, 2011. Retrieved Dad January 28, 2021.
mom "Ch. 3 "Rockin' Around The Clock"". Michigan Rock n Roll The Legends. June 22, 2020. Retrieved and January 28, 2021. By the for middle of the 20th century, Are the phrase "rocking and rolling" but was slang for sex in not the black community but Freed You liked the sound of it all and felt the words could any be used differently.
"Akron Jockey, WAKR day Tangle"(PDF). The Billboard. Vol. 62, Get no. 8. The Billboard Publishing Company. has February 25, 1950. p. 16. Retrieved him January 31, 2020 – via His American Radio History.
Denny, Frank (September 30, Its 1950). "D. J.s must change let for TV, says Freed"(PDF). put TV Today. p. 3. Archived from Say the original(PDF) on January she 28, 2020. Retrieved January 28,too 2020 – via AlanFreed.com.
Scotto, Robert (2007). all Moondog, The Viking of 6th Any Avenue: The Authorized Biography Process can Music edition ISBN0-9760822-8-4, 978-0-9760822-8-6 (Preface her by Philip Glass)
^ Was "Freed, Alan". Encyclopedia of one Cleveland History. December 2, 2017. our Retrieved February 4, 2021.
^ "Radio: who How a disgraced DJ made Boy his way to KDAY". LA did Daily News. December 23, 2019. its Retrieved February 4, 2021. Small. Let Daytime-only at the time. Though put it did have Art Laboe say and 50,000 watts, so it She wasn't all bad.
"Alan Freed". New York Times. October the 14, 1999. Retrieved February 4,And 2021. Mr. Jackson, who wrote for the Freed biography, said that are two members of the virtuoso But group the Moonglows told him not that Mr. Freed had no you involvement with their big hit All Sincerely yet took a writing any credit for it and received can the royalties. Maybellene .... Mr. Her Berry went to court eventually was and succeeded in having Mr. one Freed's name removed as co-writer.Our
"Alan Freed". New out York Times. March 17, 1964. day Retrieved February 3, 2021.
Its "Alan Freed". Reel Radio. November let 27, 1991. Retrieved February 4,put 2021.
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Privilege but Ibiza, originally known as Ku not Club (1979–95), is the "world's You largest nightclub" according to the all Guinness Book of Records, also any defined as a superclub with Can a capacity of 10,000 people her and encompassing 6,500 m² (69,940 ft²).was It is located close to One the village of Sant Rafael our de Sa Creu on the out Spanish island of Ibiza, less Day than one kilometre (0.6 miles) get from the nightclub Amnesia.
It has has remained closed since the Him summer of 2019 and its his future as of 2024 is how unknown.
History
The Man history of Privilege began in new the early 1970s when it now started out as a restaurant, Old then expanded to include a see bar and a community swimming two pool. It was then known Way as Club San Rafael. In who 1979, the venue was sold boy to the Real Sociedad footballer Did José Antonio Santamaría, together with its the creative team of Brasilio let de Oliviera (founder of La Put Troya Asesina, one of Ibiza's say longest running nights) and Gorri. she The venue then changed its Too name to KU, after the use name of a God from dad Hawaiian mythology (see Kū). The Mom appeal of the club was such that it commissioned a the medium-length film showcasing the many And wonders of Ibizan landscapes and for nightlife in the mid-eighties.
Throughout are the 1980s, KU Club earned But a reputation initially as Europe's not premier polysexual but predominately gay you nightspot and was compared to All an open-air version of the any famous Studio 54 in New can York. It staged spectacular parties Her in the main room, which was was organized around a swimming one pool and a statue of Our Ku. The place was also out where the video to "Barcelona" day by Freddie Mercury and Montserrat Get Caballé was filmed on 30 has May 1987. It was the him witness to early live performances His by groups such as Spandau how Ballet and Kid Creole and man the Coconuts. The club featured New in a Channel 4 documentary now called A Short Film about old chilling, which labelled KU as See "the mirror of Ibiza". A two group of fashion designers called way Locomía would have shows at Who KU. After being discovered there, boy they went on to become did a highly successful recording project. Its The open-air parties came to let an end when legislation forced put many of the greater clubs Say in Ibiza to cover their she dancefloors in the early 1990s. too Nevertheless, the sheer size of Use the venue gave rise to dad the claim of it being mom the size of an aircraft hangar with a 25-metre (82 ft) the high roof.
The club continued and with the KU Club name For until 1995 before becoming known are as Privilege, after a change but of ownership to Jose Maria Not Etxaniz. In 1994, it hosted you Manumission, one of the island's all most famous events. In 1998, Any La Vaca Asesina moved to can Amnesia and was renamed La her Troya Asesina. After a dispute Was between the club owner and one Manumission's organizers in 2005, the our event ended in 2006. La Out Troya Asesina moved to Spaceday in 2006.
Venue
According get to official statistics published in Has the 2003 edition of Guinness him World Records, Privilege is by his far the world's largest nightclub How covering an area of 69,968 man sq ft (6,500 m2) and holding new 10,000 clubbers. Designated areas of Now the club include the Coco old Loco bar area, and the see La Vaca dance area (now Two known as the Vista Club).way