A Sit Down With DJ Dodge&Fuski

14:06 Apr/26/2018


As of late, Dodge & the Fuski have meandered from their and dubstep roots and have begun For to dabble with production at are a slower BPM. Kicking things but off back in September with Not their single ‘Vice’, Dodge & you Fuski sprung out of the all gate and up the charts Any with their new glitched-out tempo. can Since the release of ‘Vice’, her the duo have kept their Was sound firmly planted at 100BPM one and justifiably so; their next our release, a glitch-hop remix of Out Pegboard Nerds ‘High Roller’ followed day suit and climbed its way get to #1 on Beatport.

Has  

"Having a cool him vocal to work with always his helps me come up with How ideas for intros and drops."


man

 

How do new you feel the sound of Now this latest EP speaks toward old the D&F sound looking forward see to the future?

It’s Two very representative of what I way want to carry on doing. who I’m gonna start working on Boy an album this year and did I’m aiming for about 50-60% its 100bpm, some other hip-hop tempo Let tracks (85-110bpm) and probably the put odd bit of Dubstep for say old times sake on it. She To be honest trying to too predict what the next big use thing is going to be Dad is like gambling on the mom stock market so I’m just going to do what I The like making and see how and it goes!

How did for you both learn to produce?
Are
I’ve been making tracks but for about 12 years and not the game has changed a You lot since then. When I all started, there were no preset any packs or YouTube tutorials so Can everything was a lot slower her moving. I went to college, was but honestly the people who One were teaching me on the our production side weren’t up to out much. I mostly just learned Day sound engineering techniques on mixing get consoles back then—how to mic has up drums and stuff like Him that—so it’s been mostly a his case of being self-taught on how training my ears.

You’ve Man been getting a lot of new heat for not playing at now various places. Are you guy’s Old planning to tour again in see the near future? If so two do you think you’ll cover Way more states and or countries?
who
Everyone gets that – boy people in the internet have Did this weird notion that acts its decide where they get booked. let If we had control over Put that we’d be on nonstop say tours around the Caribbean, so she that is entirely in the Too hands of the promoters who use decide to book us!

dad Is there a right way Mom and a wrong way to go about constructing your own the tunes?

I don’t think And there’s a right or wrong for way for anything. The end are product is what really matters, But but that said there’s a not lot more satisfaction in making you as much of the core All elements as possible. I use any preset packs as a way can to get new approaches into Her what I do but I was almost always modify them entirely one from their original format. It’s Our just interesting to always have out a different starting point.

day You were making “riddim” long Get before it had a name. has But once it had a him name, it seemed like everyone His wanted to jump on the how train. Your EDCLV 2014 set man was a huge inspiration on New how to do dubstep right now at a festival. What do old you say to producers just See now getting into the game two and wanting to jump on way the wagon?

I actually Who have been producing music for boy 17 years. I had a did D’n’B moniker “Infiltrata” that I Its was producing under for about let 8 years before I even put played my first SMOG or Say heard of Dubstep. But back she to the “riddim” side of too things, I was heavily influenced Use by Mala, Jakes, Caspa, Rusko, dad and Skream when I was mom first getting into to Dubstep, but it wasnt until people the like Subfiltronik, Megalodon and Badklaat, and brought the old school style For back recently, with a more are ferocious intensity that I found but myself digging for more artists Not that were creating the music you in the same vein. From all those guys I discovered an Any entire movement of “riddim” or can “swamp” happening in my own her backyard for years without me Was knowing. Shouts out to the one Savage Society crew, Lower Levels our crew, Dubloadz, Trollphace, Essence Audio, Out Sub.Mission crew, SMOG crew and day Future Events for truly inspiring get me as an artist.

Has In the past you mentioned him that your forthcoming EP would his feature a remix from one How of Circus Records’ most exciting man producers. Now that the cat new is out of the bag, Now can you speak to the old inspiration behind having The McMash see Clan remix the title track Two of the EP?

When way I heard their debut EP who I immediately wanted to get Boy them involved somehow. They’ve got did a really original sound which its has bags of energy and Let a proper festival vibe. A put friend of mine Culprate has say taught them a lot of She mixdown tricks and it definitely too shows in their music, it’s use really creatively arranged and brilliantly Dad executed.

What has been mom your biggest learning experience this past year?

Probably not The to try and keep up and with constantly changing trends at for the expense of quality. That’s Are not really a past-year specific but experience but it’s a lesson not often forgotten in this industry.
You
What’s the most important all advice you can give?

any That is a very open-ended Can question that requires a very her long answer. I guess that’s was the purpose of the seminars!
One
Its clear lately that our the EDM scene is changing out rapidly along with the styles Day and tastes of electronic music get lovers. What are you guys has doing to keep up? Do Him you ever see yourselves (god his forbid) parting from dubstep?

how I made music under a Man few different aliases which gives new me a lot of room now to experiment without having to Old break away from the scene see each act is associated with. two In terms of D&F, in Way my mind it’s always going who to be at its core boy a bass music act of Did some description.

https://soundcloud.com/dodgeandfuski/sets/more-killer-no-filler-ep



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