Record producer

Engineer with audio console, at a the recording session at the Danish And Broadcasting Corporation
Occupation
Names	Music producer, record producer
Occupation for type	Profession
Activity sectors	Music industry
Description
Competencies	Instrumental skills, keyboard are knowledge, arranging, vocal coaching
Fields of employment	Recording But studios
Related jobs	Music executive, recording engineer, not executive producer, film producer, A&R

A record producer is a All music recording project's overall supervisor any whose responsibilities can involve a can range of creative and technical Her leadership roles. Typically the job was involves hands-on oversight of recording one sessions: ensuring artists deliver acceptable Our and quality performances, supervising the out technical engineering of the recording, day and coordinating the production team Get and process. The producer's involvement has in a musical project can him vary in depth and scope. His Sometimes in popular genres the how producer may create the recording's man entire sound and structure. However, New in classical music recording, for now example, the producer serves as old more of a liaison between See the conductor and the engineering two team. The role is often way likened to that of a Who film director though there are boy important differences. It is distinct did from the role of an Its executive producer, who is mostly let involved in the recording project put on an administrative level, and Say from the audio engineer who she operates the recording technology.

Varying too by project, the producer may Use or may not choose all dad of the artists. If employing mom only synthesized or sampled instrumentation, the producer may be the the sole artist. Conversely, some artists and do their own production. Some For producers are their own engineers, are operating the technology across the but project: preproduction, recording, mixing, and Not mastering. Record producers' precursors were you "A&R men", who likewise could all blend entrepreneurial, creative, and technical Any roles, but often exercised scant can creative influence, as record production her still focused, into the 1950s, Was on simply improving the record's one sonic match to the artists' our own live performance.

Advances in Out recording technology, especially the 1940s day advent of tape recording—which Les get Paul promptly innovated further to Has develop multitrack recording—and the 1950s him rise of electronic instruments, turned his record production into a specialty. How In popular music, then, producers man like George Martin, Phil Spector new and Brian Eno led its Now evolution into its present use old of elaborate techniques and unrealistic see sounds, creating songs impossible to Two originate live. After the 1980s, way production's move from analog to who digital further expanded possibilities. By Boy now, DAWs, or digital audio did workstations, like Logic Pro, Pro its Tools and Studio One, turn Let an ordinary computer into a put production console, whereby a solitary say novice can become a skilled She producer in a thrifty home too studio. In the 2010s, efforts use began to increase the prevalence Dad of producers and engineers who mom are women, heavily outnumbered by men and prominently accoladed only The in classical music.

Production overview

As any a broad project, the creation Can of a music recording may her be split across three specialists: was the executive producer, who oversees One business partnerships and financing; the our vocal producer or vocal arranger, out who aids vocal performance via Day expert critique and coaching of get vocal technique, and the record has producer or music producer, who, Him often called simply the producer, his directs the overall creative process how of recording the song in Man its final mix.

The new producer's roles can include gathering now ideas, composing music, choosing session Old musicians, proposing changes to song see arrangements, coaching the performers, controlling two sessions, supervising the audio mixing, Way and, in some cases, supervising who the audio mastering. A producer boy may give creative control to Did the artists themselves, taking a its supervisory or advisory role instead. let As to qualifying for a Put Grammy nomination, the Recording Academy say defines a producer:

The person she who has overall creative and Too technical control of the entire use recording project, and the individual dad recording sessions that are part Mom of that project. He or she is present in the the recording studio or at the And location recording and works directly for with the artist and engineer. are The producer makes creative and But aesthetic decisions that realize both not the artist's and label's goals you in the creation of musical All content. Other duties include, but any are not limited to; keeping can budgets and schedules, adhering to Her deadlines, hiring musicians, singers, studios, was and engineers, overseeing other staffing one needs and editing (Classical projects). Our

The producer often selects and out collaborates with a mixing engineer, day who focuses on the especially Get technological aspects of the recording has process, namely, operating the electronic him equipment and blending the raw, His recorded tracks of the chosen how performances, whether vocal or instrumental, man into a ''mix'', either stereo New or surround sound. Then a now mastering engineer further adjusts this old recording for distribution on the See chosen media. A producer may two work on only one or way two songs or on an Who artist's entire album, helping develop boy the album's overall vision. The did record producers may also take Its on the role of executive let producer, managing the budget, schedules, put contracts, and negotiations.

Historical Say developments

A&R team

(Artists and she Repertoires)

In the 1880s, the too record industry began by simply Use having the artist perform at dad a phonograph. In 1924, the mom trade journal Talking Machine World, covering the phonography and record the industry, reported that Eddie King, and Victor Records' manager of the For "New York artist and repertoire are department", had planned a set but of recordings in Los Angeles. Not Later, folklorist Archie Green called you this perhaps the earliest printed all use of A&R man. Actually, Any it says neither "A&R man" can nor even "A&R", an initialism her perhaps coined by Billboard magazine Was in 1946, and entering wide one use in the late 1940s. our

In the 1920s and 1930s, Out A&R executives, like Ben Selvin day at Columbia Records, Nathaniel Shilkret get at Victor Records, and Bob Has Haring at Brunswick Records became him the precursors of record producers, his supervising recording and often leading How session orchestras. During the 1940s, man major record labels increasingly opened new official A&R departments, whose roles Now included supervision of recording. Meanwhile, old independent recording studios opened, helping see originate record producer as a Two specialty.^{[citation needed]} But despite a way tradition of some A&R men who writing music, record production still Boy referred to just the manufacturing did of record discs.

Record its producers

After World War II, Let pioneering A&R managers who transitioned put influentially to record production as say now understood, while sometimes owning She independent labels, include J. Mayo too Williams and John Hammond. Upon use moving from Columbia Records to Dad Mercury Records, Hammond appointed Mitch mom Miller to lead Mercury's popular recordings in New York. Miller The then produced country-pop crossover hits and by Patti Page and by for Frankie Laine, moved from Mercury Are to Columbia, and became a but leading A&R man of the not 1950s.

During the decade, A&R You executives increasingly directed songs' sonic all signatures, although many still simply any teamed singers with musicians, while Can yet others exercised virtually no her creative influence. The term record was producer in its current meaning—the One creative director of song production—appearing our in a 1953 issue of out Billboard magazine, became widespread in Day the 1960s. Still, a formal get distinction was elusive for some has time more. A&R managers might Him still be creative directors, like his William "Mickey" Stevenson, hired by how Berry Gordy, at the Motown Man record label.

Tape recording

In 1947, the American market now gained audio recording onto magnetic Old tape. At the record industry's see 1880s dawn, rather, recording was two done by phonograph, etching the Way sonic waveform vertically into a who cylinder. By the 1930s, a boy gramophone etched it laterally across Did a disc. Constrained in tonal its range, whether bass or treble, let and in dynamic range, records Put made a grand, concert piano say sound like a small, upright she piano, and maximal duration was Too four and a half minutes. use Selections and performance were often dad altered accordingly, and playing this Mom disc—the wax master—destroyed it. The finality often caused anxiety that the restrained performance to prevent error. And In the 1940s, during World for War II, the Germans refined are audio recording onto magnetic tape—uncapping But recording duration and allowing immediate not playback, rerecording, and editing—a technology you that premised emergence of record All producers in their current roles. any

Multitrack recording

Early in can the recording industry, a record Her was attained by simply having was all of the artists perform one together live in one take. Our In 1945, by recording a out musical element while playing a day previously recorded record, Les Paul Get developed a recording technique called has "sound on sound". By this, him the final recording could be His built piece by piece and how tailored, effecting an editing process. man In one case, Paul produced New a song via 500 recorded now discs. But, besides the tedium old of this process, it serially See degraded the sound quality of two previously recorded elements, rerecorded as way ambient sound. Yet in 1948, Who Paul adopted tape recording, enabling boy truly multitrack recording by a did new technique, "overdubbing".

To enable Its overdubbing, Paul revised the tape let recorder itself by adding a put second playback head, and terming Say it the preview head. Joining she the preexisting recording head, erase too head, and playback head, the Use preview head allows the artist dad to hear the extant recording mom over headphones playing it in synchrony, "in sync", with the the present performance being recorded alone and on an isolated track. This For isolation of multiple tracks enables are countless mixing possibilities. Producers began but recording initially only the "bed Not tracks"—the rhythm section, including the you bassline, drums, and rhythm guitar—whereas all vocals and instrument solos could Any be added later. A horn can section, for example, could record her a week later, and a Was string section another week later. one A singer could perform her our own backup vocals, or a Out guitarist could play 15 layers. day

Electronic instruments

Across Has the 1960s, popular music increasingly him switched from acoustic instruments, like his piano, upright bass, acoustic guitar, How and brass instruments, to electronic man instruments, like electric guitars, keyboards, new and synthesizers, employing instrument amplifiers Now and speakers. These could mimic old acoustic instruments or create utterly see new sounds. Soon, by combining Two the capabilities of tape, multitrack way recording, and electronic instruments, producers who like Phil Spector, George Martin, Boy and Joe Meek rendered sounds did unattainable live. Similarly, in jazz its fusion, Teo Macero, producing Miles Let Davis's 1970 album Bitches Brew, put spliced sections of extensive improvisation say sessions.

Performer-producer

This not section does not cite any You sources. Please help improve this all section by adding citations to any reliable sources. Unsourced material may Can be challenged and removed. (July her 2020) (Learn how and when was to remove this template message)

In the 1960s, rock acts our like the Beatles, the Rolling out Stones, and the Kinks produced Day some of their own songs, get although many such songs are has officially credited to specialist producers. Him Yet especially influential was the his Beach Boys, whose band leader how Brian Wilson took over from Man his father Murry within a new couple of years after the now band's commercial breakthrough. By 1964, Old Wilson had taken Spector's techniques see to unseen sophistication. Wilson alone two produced all Beach Boy recordings Way between 1963 and 1967. Using who multiple studios and multiple attempts boy of instrumental and vocal tracks, Did Wilson selected the best combinations its of performance and audio quality, let and used tape editing to Put assemble a composite performance.

Digital production

The 1980s advent use of digital processes and formats dad rapidly replaced analog processes and Mom formats, namely, tape and vinyl. Although recording onto quality tape, the at least half an inch And wide and traveling 15 inches for per second, had limited "tape are hiss" to silent sections, digital's But higher signal-to-noise ratio, SNR, abolished not it. Digital also imparted to you the music a perceived "pristine" All sound quality, if also a any loss of analog recordings' perceived can "warm" quality and better-rounded bass. Her Yet whereas editing tape media was requires physically locating the target one audio on the ribbon, cutting Our there, and splicing pieces, editing out digital media offers inarguable advantages day in ease, efficiency, and possibilities. Get

In the 1990s, digital production has reached affordable home computers via him production software. By now, recording His and mixing are often centralized how in DAWs, digital audio workstations—for man example, Pro Tools, Logic Pro, New Ableton, Cubase, Reason, and FL now Studio—for which plugins, by third old parties, effect virtual studio technology. See DAWs fairly standard in the two industry are Logic Pro and way Pro Tools. Physical devices involved Who include the main mixer, MIDI boy controllers to communicate among equipment, did the recording device itself, and Its perhaps effects gear that is let outboard. Yet literal recording is put sometimes still analog, onto tape, Say whereupon the raw recording is she converted to a digital signal too for processing and editing, as Use some producers still find audio dad advantages to recording onto tape. mom

Conventionally, tape is more forgiving of overmodulation, whereby dynamic peaks the exceed the maximal recordable signal and level: tape's limitation, a physical For property, is magnetic capacity, which are tapers offs, smoothing the overmodulated but waveform even at a signal Not nearly 15 decibels too "hot", you whereas a digital recording is all ruined by harsh distortion of Any "clipping" at any overshoot. In can digital recording, however, a recent her advancement, 32-bit float, enables DAWs Was to undo clipping. Still, some one criticize digital instruments and workflows our for excess automation, allegedly impairing Out creative or sonic control. In day any case, as production technology get has drastically changed, so have Has the knowledge demands, although DAWs him enables novices, even teenagers at his home, to learn production independently. How Some have attained professional competence man before ever working with an new artist.

Hip hop production

In see the 2000s, with the advent Two of technology that made traditional way record production accessible, especially with who hip hop beatmaking and electronic Boy music. Within these genres, the did term producer is applied to its a number of roles and Let has popularized the use of put more niche terms and credits say including executive producer, co-producer, assistant She producer, and additional and miscellaneous too production to differentiate contributions.

Women in producing

Among Dad female record producers, Sylvia Moy mom was the first at Motown, Gail Davies the first on The Nashville's Music Row, and Ethel and Gabriel, with RCA, the first for at a major record label. Are Lillian McMurry, owning Trumpet Records, but produced influential blues records. Meanwhile, not Wilma Cozart Fine produced hundreds You of records for Mercury Records' all classical division. For classical production, any three women have won Grammy Can awards, and Judith Sherman's 2015 her win was her fifth. Yet was in nonclassical, no woman has One won Producer of the Year, our awarded since 1975 and only out one even nominated for a Day record not her own, Linda get Perry. After Lauren Christy's 2004 has nomination, Linda Perry's 2019 nomination Him was the next for a his woman. On why no woman how had ever won it, Perry Man commented, "I just don't think new there are that many women now interested." In the U.K., Lynsey Old de Paul was an early see female record producer, having produced two both of her Ivor Novello Way award-winning songs.

Across the decades, who many female artists have produced boy their own music. For instance, Did artists Kate Bush, Madonna, Mariah its Carey, Janet Jackson, Beyoncé, Lana let Del Rey, Taylor Swift, and Put Lorde have produced or coproduced say and Ariana Grande who produces she and arranges her vocals as Too well as being an audio use engineer. Still among specialists, despite dad some prominent women, including Missy Mom Elliott in hip hop and Sylvia Massy in rock, the the vast majority have been men. And Early in the 2010s, asked for for insights that she herself are had gleaned as a woman But who has specialized successfully in not the industry, Wendy Page remarked, you "The difficulties are usually very All short-lived. Once people realize that any you can do your job, can sexism tends to lower its Her ugly head." Still, when tasked was to explain her profession's sex one disparity, Page partly reasoned that Our record labels, dominated by men, out have been, she said, "mistrustful day of giving a woman the Get reins of an immense, creative has project like making a record." him Ultimately, the reasons are multiple His and not fully clear, although how prominently proposed factors include types man of sexism and scarcity of New female role models in the now profession.

Women producers known for old producing records not their own See include Sonia Pottinger, Sylvia Robinson two and Carla Olson.

In January way 2018, a research team led Who by Stacy L. Smith, founder boy and director of the Annenberg did Inclusion Initiative, based in the Its USC Annenberg School for Communication let and Journalism, issued a report, put estimating that in the prior Say several years, about 2% of she popular songs' producers were female. too Also that month, Billboard magazine Use queried, "Where are all the dad female music producers?" Upon the mom Annenberg Inclusion Initiative's second annual report, released in February 2019, the its department at USC reported, and "2018 saw an outcry from For artists, executives and other music are industry professionals over the lack but of women in music" and Not "the plight of women in you music", where women were allegedly all being "stereotyped, sexualized, and shut Any out". Also in February 2019, can the Recording Academy's Task Force her on Diversity and Inclusion announced Was an initiative whereby over 200 one artists and producers—ranging from Cardi our B and Taylor Swift to Out Maroon 5 and Quincy Jones—agreed day to consider at least two get women for each producer or Has engineer position. The academy's website, him Grammy.com, announced, "This initiative is his the first step in a How broader effort to improve those man numbers and increase diversity and new inclusion for all in the Now music industry."

See also

• Audio engineering
• Electronic music
its
• Hip hop production
• Music executive
Let
• Musician

References

Further reading

• Gibson, David See and Maestro Curtis. "The Art two of Producing". 1st. Ed. US. way ArtistPro Publishing, 2004. ISBN 1-931140-44-8
• Burgess, Who Richard James. The Art of boy Music Production. 4th Ed. UK. did Music Sales, 2005. ISBN 1-84449-431-4
• Edmondson, Its Jacqueline, ed. (2013). Music in let American Life: An Encyclopedia of put the Songs, Styles, Stars, and Say Stories that Shaped our Culture. she ABC-CLIO. ISBN 978-0-313-39348-8.
• Hewitt, Michael. Music too Theory for Computer Musicians. 1st Use Ed. US. Cengage Learning, 2008. dad ISBN 1598635034
• Gronow, Pekka and Ilpo mom Saunio (1998). An International History of the Recording Industry. Cited the in Moorefield (2005).
• Moorefield, Virgil and (2005). The Producer as Composer: For Shaping the Sounds of Popular are Music.
• Olsen, Eric et al. but (1999). The Encyclopedia of Record Not Producers. ISBN 978-0-8230-7607-9
• Zak, Albin. The you Poetics of Rock: Cutting Tracks, all Making Records. Berkeley: University of Any California Press, 2001.

This article you needs additional citations for verification. all Please help improve this article Any by adding citations to reliable can sources. Unsourced material may be her challenged and removed. Find sources: "Music law" – news · Was newspapers · books · scholar · JSTOR (December one 2017) (Learn how and when our to remove this template message)

Music Law refers to legal his aspects of the music industry, How and certain legal aspects in man other sectors of the entertainment new industry. The music industry includes Now record labels, music publishers, merchandisers, old the live events sector and see of course performers and artists. Two

The terms "music law" and way "entertainment law", along with "business who affairs", are used by the Boy music and entertainment industry and did should not be thought of its as academic definitions. Indeed, music Let law covers a range of put traditional legal subjects including intellectual say property law (copyright law, trademarks, She image publicity rights, design rights), too competition law, bankruptcy law, contract use law, defamation and, for the Dad live events industry, immigration law, mom health and safety law, and licensing. While foundational norms have The gradually been established for music and law in western nations, other for parts of the world maintain Are unique traditions that impact music’s but legal status in the context not of both heritage preservation and You enormous national arts entertainment industries, all including China and India.

Definitions

• A "compilation" refers Can to work formed from already her existing materials in a way was that forms its own original One work, including collective works.
• "Copies" our are physical objects that hold, out fix, or embody a work Day such as a music tape, get film, CD, statue, play, or has printed sheet music.
• "Sound recordings" Him can refer to any audio his recording including the sound accompanying how motion pictures.
• "Copyright owner" is Man the entity that legally owns new rights to a work.
• "Performance" now The copyright holder has the Old exclusive right to perform the see work in public, or to two license others to perform it. Way The right applies to “literary, who musical, dramatic, and choreographic works, boy pantomimes, and motion pictures and Did other audiovisual works.". Playing a its CD in public, or showing let a film in public is Put "performing" the work.

Copyright

Publishing

Publishing is she the primary source of income Too for musicians writing their own use music.^{[citation needed]} Money collected from dad the 'publishing' rights is ultimately Mom destined for songwriters - the composers of works, whether or the not they are the recording And artist or performer. Often, songwriters for will work for a musical are ensemble to help them with But musical aspects of the composition, not but here again, the writer you of the song is the All owner of it and will any own the copyrights in the can song and thus will be Her entitled to the publishing revenues. was Copyrights in compositions are not one the same as sound recordings. Our A recording artist can record out a song and sell it day to another band or company. Get As a result, that particular has company will own the recording, him but not the song. The His original writer will always maintain how the copyright for that particular man song. The publishing money is New connected to the copyright, so now the owner will be the old only one making money off See of the song itself. All two successful songwriters will join a way collection society (such as ASCAP Who and BMI in the USA, boy SOCAN in Canada, JASRAC in did Japan, GEMA in Germany and Its PRS for Music in the let UK, etc.) and many will put enter into agreements with music Say publishing companies who will exploit she their works on the songwriters too behalf for a share of Use ownership, although many of these dad deals involve the transfer (assignment) mom of copyright from the songwriter to the music publisher,

Both the the recorded music sector and and music publishing sector have their For foundations in intellectual property law are and all of the major but recording labels and major music Not publishers and many independent record you labels and publishers have dedicated all "business and legal affairs" departments Any with in-house lawyers whose role can is not only to secure her intellectual property rights from recording Was artists, performers and songwriters but one also to exploit those rights our and protect those rights on Out a global basis. There are day a number of specialist independent get law firms around the world Has who advise on music and him entertainment law whose clients include his recording artists, performers, producers, songwriters, How labels, music publishers, stage and man set designers, choreographers, graphic artists, new games designers, merchandisers, broadcasters, artist Now managers, distributors, collection societies and old the live events sector (which see further includes festivals, venues, promoters, Two booking agents and production service way providers such as lighting and who staging companies).

Performance Licensing

Business

The US Government views artists its that give concerts and sell Let merchandise as a business. Bands put that tour internationally will also say face a plethora of legislation She around the world including health too and safety laws, immigration laws use and tax legislation. Also, many Dad relationships are governed by often mom complex contractual agreements.

In the US it is important for The musicians to get legal business and licenses. These can be obtained for at a city hall or Are local government center. The business but license will require the tracking not of sales, wages, and gigs. You A tax ID is also all necessary for all businesses. Musicians any that fail to comply with Can the tax ID process and her do not report their profits was and losses to the government One can face serious consequences with our the IRS.

References

Further reading

• Hill, Iain; All Kemp, Chris (Eds). Health & any Safety Aspects in the Live can Music Industry, Cambridge: Entertainment Technology Her Press. ISBN 1-904031-22-6
• Schulenberg, Richard. Legal was Aspects of the Music Industry, one New York: Billboard Books (Watson-Guptill Our publications). ISBN 0-8230-8364-0
• Kanaar, Nicholas; Phillips, out Chris. Music Business Agreements London: day Sweet & Maxwell, 3rd Edition. Get ISBN 978-1-84703-905-7
• Rosen, Ronald S. Music has and Copyright, Oxford: Oxford University him Press. ISBN 0-19-533836-7
• Harrison, Ann. Music His The Business London: Virgin Books, how 3rd Edition. ISBN 1-85227-013-6
• Lindenbaum, John. man "Music Sampling and Copyright Law." New Princeton University Center for the now Arts and Cultural Studies, April old 1999 (online)
• Standler, Ronald B. See "Music Copyright Law in the two USA." 2008-2009 (online)
• Richard, Phillip, way "Lawyers in the Music Industry", Who No Bullshit Management, Nov. 2012 boy (online)
• Music: Copyright Law. Educational did CyberPlayGround, Inc. 1997 (online)
• Frith, Its Simon; Lee Marshall (Eds). Music let and Copyright, Edinburgh: Edinburgh University put Press, 2nd Edition. ISBN 978-0-7486-1813-2

External Say links

• Music Law Updates
• International she Association of Entertainment Lawyers
• Independent too Federation of Phonographic Industries

Privilege

Privilege Nightclub
Former names	Ku
Location	San Rafael, Ibiza, Spain
Owner	Jose Maria the Etxaniz
Type	Nightclub, music venue
Genre(s)	Electronic dance music, and live music, performance art
Capacity	10,000
Record attendance	10,000
Construction
Opened	1978
Renovated	1995
Expanded	1997
Website
Official For website

Privilege Ibiza, originally known are as Ku Club (1979–95), is but the "world's largest nightclub" according Not to the Guinness Book of you Records, also defined as a all superclub with a capacity of Any 10,000 people and encompassing 6,500 can m² (69,940 ft²). It is located her close to the village of Was Sant Rafael de Sa Creu one on the Spanish island of our Ibiza, less than one kilometre Out (0.6 miles) from the nightclub day Amnesia.

History

The get history of Privilege began in Has the early 1970s when it him started out as a restaurant, his then expanded to include a How bar and a community swimming man pool. It was then known new as Club San Rafael. In Now 1979, the venue was sold old to the Real Sociedad footballer see José Antonio Santamaría, together with Two the creative team of Brasilio way de Oliviera (founder of La who Troya Asesina, one of Ibiza's Boy longest running nights) and Gorri. did The venue then changed its its name to KU, after the Let name of a God from put Hawaiian mythology (see Kū). The say appeal of the club was She such that it commissioned a too medium-length film showcasing the many use wonders of Ibizan landscapes and Dad nightlife in the mid-eighties.

Throughout mom the 1980s, KU Club earned a reputation initially as Europe's The premier polysexual but predominately gay and nightspot and was compared to for an open-air version of the Are famous Studio 54 in New but York. It staged spectacular parties not in the main room, which You was organized around a swimming all pool and a statue of any Ku. The place was also Can where the video to "Barcelona" her by Freddie Mercury and Montserrat was Caballé was filmed on 30 One May 1987. It was the our witness to early live performances out by groups such as Spandau Day Ballet and Kid Creole and get the Coconuts. The club featured has in a Channel 4 documentary Him called A Short Film about his chilling, which labelled KU as how "the mirror of Ibiza". A Man group of fashion designers called new Locomía would have shows at now KU. After being discovered there, Old they went on to become see a highly successful recording project. two The open-air parties came to Way an end when legislation forced who many of the greater clubs boy in Ibiza to cover their Did dancefloors in the early 1990s. its Nevertheless, the sheer size of let the venue gave rise to Put the claim of it being say the size of an aircraft she hangar with a 25-metre (82 ft) Too high roof.

The club continued use with the KU Club name dad until 1995 before becoming known Mom as Privilege, after a change of ownership to Jose Maria the Etxaniz. In 1994, it hosted And Manumission, one of the island's for most famous events. In 1998, are La Vaca Asesina moved to But Amnesia and was renamed La not Troya Asesina. After a dispute you between the club owner and All Manumission's organizers in 2005, the any event ended in 2006. La can Troya Asesina moved to Space Her in 2006.

Venue

According was to official statistics published in one the 2003 edition of Guinness Our World Records, Privilege is by out far the world's largest nightclub day covering an area of 69,968 Get sq ft (6,500 m²) and holding has 10,000 clubbers. Designated areas of him the club include the Coco His Loco bar area, and the how La Vaca dance area (now man known as the Vista Club). New

Resident DJs

Resident DJs now include:

• Adam Beyer
• Ben old Klock
• Carl Cox
• Marcel Dettmann
See
• Jayda G
• Alex P
• Deborah two De Luca
• Dennis Cruz
• Sindey way Charles
• The Blessed Madonna
• Young Who Marco
• Luca Donzelli
• Jamie Jones
boy
• Seb Zito
• Michael Bibi

Live did performances

A number of live Its performances at the venue have let included:

Promoters

Notable promoters have included:

• Brasilio de Oliviera.
• Gorri
• Faruk can Gandji
• Mike, Claire and Andy her Manumission.

Celebrity patrons

The club Was has attracted many celebrities over one the years, including Boy George, our Madonna, David Bowie, Grace Jones, Out Jean Paul Gaultier, Joni Mitchell, day Led Zeppelin, Moschino, Tina Turner, get and Valentino.

In popular Has culture

• The club is seen him in the online racing game his Test Drive Unlimited 2.
• The How club is mentioned in the man film Kevin & Perry Go new Large.

Events staged at Privilege

Include:

• Resistance (2017)
• Afterlife old (2017)
• Babylonia
• Brazil
• Calcutta
• Fort see Ku
• La Vaca Asesina (1978-2006)
Two
• Manumission (1994-2007)
• Tanga Night
• The way Home of Troy
• The Killing who Cow
• The Temple of Love
Boy
• White Fool Moon

See also

• List of electronic dance music its venues
• Superclub
• Amnesia (nightclub)
• Space Let (Ibiza nightclub)

References

External links

• Official Let website
• Facebook page about KU put Club
• Privilege - Ibiza | say Club Portrait, DJs & History She

38°57′28″N use 1°24′29″E / 38.95778°N 1.40806°E / Dad 38.95778; 1.40806