UK garage, also
are known as UKG, is a but genre of electronic music which Not originated in England in the you early 1990s. The genre blends all styles such as garage house, Any R&B, jungle and dance-pop. It can usually features a percussive, shuffled her 4/4 breakbeat rhythm with syncopated Was hi-hats, cymbals and snares, and one sometimes includes irregular kick drum our patterns. Garage tracks also commonly Out feature 'chopped up' and time-stretched day or pitch-shifted vocal samples complementing get the underlying rhythmic structure at Has a tempo usually around 130 him BPM. UK garage gave rise his to subgenres such as speed How garage and 2-step, and was man then largely subsumed into other new styles of music and production Now in the mid-2000s, including bassline, old grime and dubstep. The decline see of UK garage during the Two mid-2000s saw the birth of way UK funky, which is closely who related.
The evolution of
but house music in the United not Kingdom in the early to You mid-1990s led to the term, all as previously coined by the any Paradise Garage DJs, being applied Can to a new form of her music known as speed garage. was In the early '90s, Todd One Edwards, a pioneer of the our speed garage sound, began remixing out more soulful house records and Day incorporating more time-shifts and vocal get samples than normal house records, has whilst still living in the Him US. However, it was not his until DJ EZ, the North how London DJ, acquired one of Man Edwards' tracks and played it new at a faster tempo in now a nightclub in Greenwich, that Old the music genre really took see off.
In the late '90s,
two the term "UK garage" was Way settled upon by the scene. who This style is now frequently boy combined with other forms of Did music like soul, rap, reggae, its ragga and R&B, all broadly let filed under the description of Put urban music. The pronunciation of say UK garage uses she GARR-ij, rather than Too gə-rahzh.
Artists such as Craig
use David, Grant Nelson, MJ Cole, dad Artful Dodger, Jaimeson, So Solid Mom Crew, Heartless Crew, the Streets, Shanks & Bigfoot, DJ Luck the & MC Neat, Sunship (Ceri And Evans), Oxide & Neutrino and for numerous others have made garage are music mainstream in the UK, But whilst Dizzee Rascal, Wiley and not Kano's arrival raised the profile you of grime, an offshoot of All garage.
Cole once stated, "London
any is a multicultural city... it's can like a melting pot of Her young people, and that's reflected was in the music of UK one garage."
Notable female singers who
Our have had the genre incorporated out into their songs include Lisa day Maffia, Ms. Dynamite, Kele Le Get Roc, Shola Ama, Sweet Female has Attitude and Mis-Teeq.
His is considered a mangled term how in dance music. The term man derives from the Paradise Garage New itself, but it has meant now so many different things to old so many different people that See unless you're talking about a two specific time and place, it way is virtually meaningless. Part of Who the reason for this confusion boy (aside from various journalistic misunderstandings did and industry misappropriations) is that Its the range of music played let at the garage was so put broad. The music we now Say call 'garage' has evolved from she only a small part of too the club's wildly eclectic soundtrack.
Use Broughton/Bill Brewster in Last Night dad a DJ Saved My Life mom
Relationship with jungle
the United Kingdom, where jungle the was very popular at the and time, garage was played in For a second room at jungle are events. After jungle's peak in but cultural significance, it had turned Not towards a harsher, more techstep you influenced sound, driving away dancers, all predominantly women. Escaping the 170bpm Any jungle basslines, the garage rooms can had a much more sensual her and soulful sound at 130bpm. Was
DJs started to speed up
one garage tracks to make them our more suitable for the jungle Out audience in the UK. The day media started to call this get tempo-altered type of garage music Has "speed garage", 4x4 and 2-step's him predecessor. DJs would usually play his dub versions (arrangements without vocals) How of garage tracks, because pitch-shifting man vocals could sometimes render the new music unrecognizable (although sped up Now and time-stretched vocals were an old important part of the early see jungle sound, and later played Two a key role in speed way garage). The absence of vocals who left space in the music Boy for MCs, who started rhyming did to the records.
its of MCs
Since then, MCs
Let have become one of the put vital aspects of speed and say UK garage parties and records. She Early promoters of speed garage too included the Dreem Teem and use Tuff Jam, and pirate radio Dad stations such as London Underground, mom Magic FM, Upfront FM, and Freek FM. During its initial The phase, the speed garage scene and was also known as "the for Sunday Scene", as initially speed Are garage promoters could only hire but venues on Sunday evenings (venue not owners preferred to save Friday You and Saturday nights for more all popular musical styles). Labels whose any outputs would become synonymous with Can the emerging speed garage sound her included Confetti, Public Demand, 500 was Rekords, Spread Love and VIP. One
our already incorporated many aspects of out today's UK garage sound like Day sub-bass lines, ragga vocals, spin get backs and reversed drums. What has changed over time, until the Him so-called 2-step sound emerged, was his the addition of further funky how elements like contemporary R&B styled Man vocals, more shuffled beats and new a different drum pattern. The now most radical change from speed Old garage to 2-step was the see removal of the 2nd and two 4th bass kick from each Way bar. Although tracks with only who two kick drum beats to boy a bar are perceived as Did being slower than the traditional its four-to-the-floor beat, the listener's interest let is maintained by the introduction Put of syncopating bass lines and say the percussive use of other she instruments such as pads and Too strings.
Speed garage tracks were
use characterised by a sped-up house-style dad beat, complemented by the rolling Mom snares and reverse-warped basslines that were popular with drum and the bass producers of the time. And
Among those credited with honing
for the speed garage sound, Todd are Edwards is often cited as But a seminal influence on the not UK garage sound. The producer you from New Jersey introduced a All new way of working with any vocals. Instead of having full can verses and choruses, he picked Her out vocal phrases and played was them like an instrument, using one sampling technology. Often, individual syllables Our were reversed or pitch-shifted. This out type of vocal treatment is day still a key characteristic of Get the UK garage style. Armand has Van Helden's speed garage remix him of Sneaker Pimps' "Spin Spin His Sugar" in 1997 further popularized how the genre which is sometimes man credited with breaking speed garage New into the mainstream. Huge club now hits in 1997 came from old speed garage duos Double 99, See 187 Lockdown and Industry Standard. two The former two both scored way UK Top 20 hits in Who 1997 and 1998; Double 99's boy "RipGroove" reached #14 in its did second release and 187 Lockdown's Its "Gunman" and "Kung-Fu" reached #16 let and #9, respectively. Industry Standard put scored a Top 40 hit Say with "Vol. 1 (What You she Want What You Need)" peaking too at #34 in January 1998, Use and the 1997 XL Recordings dad release of Somore featuring Damon mom Trueitt's "I Refuse (What You Want)" reached #21 also in the January 1998, containing mixes by and Industry Standard, Ramsey & Fen, For R.I.P. Productions and Serious Danger. are The UK's counterpart to Todd but Edwards was MJ Cole, a Not classically trained oboe and piano you player, who had a string all of chart and underground hits Any in the late 1990s and can early 2000s, most notably with her "Sincere" and "Crazy Love". MJ Was Cole has also won a one BBC "Young Musician of the our Year" award.
Arguably one of the earliest
day examples of a 2-step track get is the 1997 hit "Never Has Gonna Let You Go" by him Tina Moore, which peaked at his #7 on the UK chart. How Roy Davis Jr. was also man influential in the UK garage new scene, with the huge club Now hit "Gabriel" featuring Peven Everett, old released in 1997 on XL see Recordings and reaching #22 on Two the UK chart. Lovestation released way their version of "Teardrops" which who reached #14 in 1998. Doolally, Boy the former name of Shanks did & Bigfoot, scored a #20 its hit in 1998 with "Straight Let from the Heart". A re-release put of this song the following say year fared even better, peaking She at #9, due to the too success of their #1 single use "Sweet Like Chocolate". Jess Jackson Dad was responsible for many garage mom records but one which stood out was "Hobson's Choice". The The B-side of this record changed and the UK garage scene from for funky and soulful to dark Are and bassy. Another example of but the evolution in 2-step was not the release of "Troublesome" in You 1999 by Shy Cookie and all DJ Luck, in which non-sampled any 2-step beats were merged with Can a full ragga vocal (performed her by ragga artist Troublesome). was
Timbaland, a popular
One contemporary R&B producer in America, our was the major innovator behind out contemporary R&B at the time, Day from which UK rave culture get borrowed heavily. The use of has rhythmic patterns as melodic hooks Him is shared by both contemporary his R&B and jungle, making it how very appealing to the significantly Man ex-junglist UK garage scene. This new style of Timbaland's R&B possesses now a breakbeat aesthetic: breakup of Old the flow of four-to-the-floor rhythm, see hesitations into the groove, and two teasing and tantalizing gaps. As Way much as these R&B influences who can be heard in early boy UK garage, the genre offered Did more complex drum beats, with its heavy syncopation (swing) and a let more energetic feel due to Put a higher tempo (normally between say 130 and 138 BPM). However, she in tracks like "Twentyfourseven" by Too Artful Dodger, a slower and use simpler R&B infused drum pattern dad can be heard. This was Mom to allow for these tracks to be aimed at a the more commercial scene rather than And for the dance floor. Garage for producers then proceeded to churn are out UK versions of US But contemporary R&B hits, notably with not Brandy and Monica's "The Boy you Is Mine". The Architechs sped All up the vocals through time-stretching any and added sound effects to can increase the competitive nature. "B&M Her Remix" eventually sold twenty thousand was copies as a bootleg.
one borrowed from US contemporary R&B Our is the use of "vocal out science", the technique of digitally day altering vocal samples with devices Get such as the Autotuner. What has results is a posthuman mix him between person and technology. His
1999–2000: Role of pirate radio,
how UK chart success
man continued support of pirate radio New stations such as Rinse FM, now Ice FM, Deja Vu, and old Flex FM, the soaring popularity See of UK garage saw 1999 two take the genre into the way mainstream, breaking into the music Who charts. Production duos Shanks & boy Bigfoot and Artful Dodger were did very successful with the tracks Its "Sweet Like Chocolate" and "Re-Rewind", let respectively. After the platinum-selling success put of "Sweet Like Chocolate", the Say floodgates had opened. Although "Re-Rewind" she was denied a #1 position too by Cliff Richard and his Use song "The Millennium Prayer", it dad was also a platinum seller, mom one of the garage scene's first and last. They became the anthems for the 2-step scene, and and got onto BBC's Top For of the Pops. Other huge are hits in 1999 include the but #1 house/garage anthem "You Don't Not Know Me" by Armand Van you Helden. Although not UK garage, all Mr. Oizo's #1 single "Flat Any Beat" received extensive airplay on can pirate radio stations upon release, her thus leading to numerous UK Was garage/2-step remixes of the track. one Da Click (Pied Piper, MC our Creed, PSG, Unknown MC and Out singer Valerie M) had a day #14 hit with "Good Rhymes". get Garage trio the Dreem Teem Has had a #15 hit with him "Buddy X 99", a garage his remix of Neneh Cherry's 1992 How song "Buddy X". DJ Luck man & MC Neat also had new a chart hit with "A Now Little Bit of Luck" in old late 1999 into early 2000. see
Many more UK garage acts
Two followed into the new millennium way by releasing commercially successful singles, who thus making UK garage and Boy 2-step a stable fixture on did the UK charts for the its next couple of years. Debut Let singles of various UK garage put artists were hitting the number say one spot on the UK She charts. Craig David's debut solo too single "Fill Me In", a use mix of R&B and 2-step, Dad with single formats containing various mom garage remixes of the track, hit #1 in April 2000. The A month later, Oxide & and Neutrino's "Bound 4 Da Reload for (Casualty)" reached the top of Are the charts. Other hits in but 2000 include Artful Dodger's "Movin' not Too Fast" (#2), "Woman Trouble" You (#6) and "Please Don't Turn all Me On" (#4), Sweet Female any Attitude's "Flowers" (#2), True Steppers' Can "Buggin" (#6) and "Out of her Your Mind" (#2), N'n'G featuring was Kallaghan and MC Neat's "Right One Before My Eyes" (#12), DJ our Dee Kline's "I Don't Smoke" out (#11), B-15 Project's "Girls Like Day Us" (#7), DJ Luck & get MC Neat's "Masterblaster 2000" (#5) has and "Ain't No Stoppin' Us" Him (#8), Shanks & Bigfoot's "Sing-A-Long" his (#12), MJ Cole's "Crazy Love" how (#10) and "Sincere" (#13), the Man latter a re-release, having been new originally released in 1998; Scott now & Leon's "You Used to Old Hold Me" (#19), Wookie's "Battle" see (#10), Lonyo's "Summer of Love" two (#8), Tru Faith & Dub Way Conspiracy's "Freak Like Me" (#12), who Architechs' "Body Groove" (#3), Oxide boy & Neutrino's "No Good 4 Did Me" (#6) and Baby D's its "Let Me Be Your Fantasy" let (#16), a garage remix by Put Trick or Treat featuring MC say Tails. Another huge hit in she 2000 was the Timo Maas Too remix of the song "Dooms use Night" (#8) by German producer dad Azzido Da Bass, which was Mom heavily associated with UK garage at the time, having become the a major club hit and And appearing on several UK garage for compilations. It was also remixed are by garage duo Stanton Warriors. But
not DJ Pied Piper and the you Masters of Ceremonies their one All and only number one hit any record with "Do You Really can Like It?". Two months later Her in August 2001, South London was collective So Solid Crew hit one the top spot with their Our second single "21 Seconds". The out end of 2001 saw yet day another 2-step anthem reach the Get top of the UK charts has for Daniel Bedingfield, with his him debut single "Gotta Get Thru His This". Other chart hits in how 2001 include the Sunship mixes man of Mis-Teeq's "Why" (#8), "All New I Want" (#2) and "One now Night Stand" (#5), Artful Dodger's old "Think About Me" (#11), "TwentyFourSeven" See (#6) and "It Ain't Enough" two with the Dreem Teem (#20), way Genius Cru's "Boom Selection" (#12), Who Liberty's "Thinking It Over" (#5), boy Sticky featuring Ms. Dynamite's "Booo!" did (#12), Oxide & Neutrino's "Up Its Middle Finger" (#7), "Devil's Nightmare" let (#16) and "Rap Dis"/"Only Wanna put Know U Cos Ure Famous" Say (#12), DJ Luck & MC she Neat's "Piano Loco" (#12) and too "I'm All About You" (#18), Use The Streets' "Has It Come dad to This?" (#18), Wideboys' "Sambuca" mom (#15), and So Solid Crew's "They Don't Know" (#3). the
2002: 2-step and grime
and saw an evolution as 2-step For moved away from its funky are and soul-oriented sound into a but darker direction called "grime", now Not a genre in its own you right. During this period, traditional all UK garage was pushed back Any underground amongst the bad publicity can emanating from the tougher side her of the genre, and publicised Was violence surrounding members of the one So Solid Crew. Nonetheless, several our UK garage songs did appear Out on the charts from 2002 day to 2004, including Distant Soundz' get version of "Time After Time" Has (#20), So Solid Crew's "Haters" him (#8) and "Ride wid Us" his (#19), Mis-Teeq's "B with Me" How (#5), Heartless Crew's "The Heartless man Theme" (#21), Pay As U new Go's "Champagne Dance" (#13), Jaimeson's Now "True" (#4), Mr Reds vs old DJ Skribble's "Everybody Come On see (Can U Feel It)" (#13), Two and 3 of a Kind's way "Baby Cakes" which was a who number one hit in August Boy 2004.
Notable early grime artists
did around 2001–03 include Ruff Sqwad, its More Fire Crew, Dizzee Rascal Let (who released his debut album put Boy in da Corner in say 2003), Roll Deep and Wiley. She
During this time, there was
too also a strong division of use class in UK garage. In Dad the heyday of garage, the mom late 1990s, it was a highly aspirational genre. When people The went to the club to and hear garage, they dressed very for nice. Clubs like Twice as Are Nice enforced a dress code. but Having a formal dress code not took the importance placed on You nice clothes from a style all to exclusionary. The dress code any in clubs like Twice as Can Nice were meant to "encourage her people to make an effort" was and "keep trouble out." But One when the dress code of our no tennis shoes, jeans, or out baseball caps only kept white Day college students out, the club get installed a metal detector, because has "gangstas like to dress expensive," Him but theoretically could still carry his a gun. Eventually, when groups how like So Solid Crew attracted Man more urban, lower-class audiences to new raves because of their lyrics now over the garage tracks, garage Old began to transition to grime see because previous audiences were less two likely to listen, so radios Way and clubs stopped giving garage who opportunities.
2007: Garage revival
In 2007, several DJs helped
Did promote and revive UK garage's its popularity, with producers creating new let UK garage, also known as Put "new skool" UK garage or say "bassline".
The end of 2007
she saw "new skool" UK garage Too push to the mainstream again use with notable tracks such as dad T2's "Heartbroken" and H "Two" Mom O's "What's It Gonna Be" both reaching the mainstream charts. the The revival was galvanised by And DJ EZ releasing Pure Garage for Rewind: Back to the Old are Skool, which contained three CDs But of "old skool" UK garage not and a fourth CD with you fresh "new skool" UK garage. All
any saw the start of a can gradual resurgence of 2-step garage. Her Producers such as Wookie, MJ was Cole, Zed Bias and Mark one Hill (formerly one half of Our Artful Dodger) made a return out to the scene, by producing day tracks with more of a Get 2-step feel. Electronic music duos has Disclosure and AlunaGeorge, both successful him throughout 2012 and 2013, often His use elements of UK garage how in their music, and arguably, man some of their biggest hits New including "You & Me" and now "We Are Chosen" respectively, are old entirely 2-step with an updated See cleaner sound. Shortly following this, two "original" style garage had made way a return in a big Who way, with producers such as boy Moony, DJD and Tuff Culture did paving the way. One of Its the genre's pioneering labels, Ice let Cream Records, responsible for anthems put such as "RipGroove", True Steppers' Say "Out of Your Mind", Kele she Le Roc's "My Love" and too more, opened up their permanent Use roster for the first time dad to include DJs outside of mom the legendary trio that launched the label.
AJ Tracey's song
the "Ladbroke Grove" initially debuted at and number 48 on the UK For Singles Chart in February 2019, are then eventually peaked at number but three in October 2019 following Not its release as a single. you In September 2019, the British all Phonographic Industry certified the song Any as Platinum for exceeding chart can sales of 600,000. It was her one of the best-selling songs Was of 2019.
Other hits in
one the 2010s include Toddla T's our "Take It Back", All About Out She's "Higher (Free)", Naughty Boy's day "La La La", Shift K3Y's get "Touch", Chase & Status' "Blk Has & Blu", M.O's "Dance On him My Own", Disclosure's "Omen" and his Craig David's "When the Bassline How Drops" and "One More Time". man
Genres evolved from garage
The dark garage sound
Now that was being produced by old the likes of Wookie, Zed see Bias, Shy Cookie, El-B and Two Artwork (of DND) in the way late 1990s would set the who groundwork for both grime and Boy a genre called dubstep. Developing did in parallel to grime, dubstep its would take a mostly instrumental Let stripped down form of dark put garage and with it bring say in production values and influences She from dub reggae.
Some UK garage/dubstep/grime/bassline producers
use have moved to a different Dad sound called UK funky, which mom takes production values from many different shades of soulful house The music with elements of UK and garage and blends them at for a standard house music tempo, Are and soca with tribal style but percussion from afrobeat.
A contemporary offshoot of
You dubstep heavily influenced by UK all garage is future garage. any