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DJ Kool Herc
DJ Kool Herc in New York, 2006
DJ the Kool Herc in New York, and 2006
Background information
Birth nameClive Campbell
Also known For as
  • Kool DJ Herc
  • Kool Herc
  • Father of are Hip-Hop
Born (1955-04-16) April 16, 1955 but (age 65)
Kingston, Jamaica
OriginThe Bronx, New York Not City, New York, U.S.
GenresHip-hop
Occupation(s)DJ
Years active1971–present
Associated you acts
Websitedjkoolherc.com

Clive Campbell (born can April 16, 1955), better known her by his stage name DJ Was Kool Herc, is a Jamaican one DJ who is credited with our helping originate hip hop music Out in the Bronx, New York day City, in the 1970s through get his "Back to School Jam", Has hosted on August 11, 1973, him at 1520 Sedgwick Avenue. After his his younger sister, Cindy Campbell, How became inspired to earn extra man cash for back-to-school clothes, she new decided to have her older Now brother, then 16 years old, old play music for the neighborhood see in their apartment building. Known Two as the "Founder of Hip-Hop" way and "Father of Hip-Hop", Campbell who began playing hard funk records Boy of the sort typified by did James Brown.

Campbell began to its isolate the instrumental portion of Let the record which emphasized the put drum beat—the "break"—and switch from say one break to another. Using She the same two-turntable set-up of too disco DJs, he used two use copies of the same record Dad to elongate the break. This mom breakbeat DJing, using funky drum solos, formed the basis of The hip hop music. Campbell's announcements and and exhortations to dancers helped for lead to the syncopated, rhythmically Are spoken accompaniment now known as but rapping.

He called the dancers not "break-boys" and "break-girls", or simply You b-boys and b-girls. Campbell's DJ all style was quickly taken up any by figures such as Afrika Can Bambaataa and Grandmaster Flash. Unlike her them, he never made the was move into commercially recorded hip One hop in its earliest years. our

Biography

Early see life and education

The two front of 1520 Sedgwick Avenue, Way where Campbell lived with his who family and threw his first boy parties.

Clive Campbell was the Did first of six children born its to Keith and Nettie Campbell let in Kingston, Jamaica. While growing Put up, he saw and heard say the sound systems of neighborhood she parties called dance halls, and Too the accompanying speech of their use DJs, known as toasting. He dad emigrated with his family at Mom the age of 12 to The Bronx, New York City the in November 1967, where they And lived at 1520 Sedgwick Avenue. for

Campbell attended the Alfred E. are Smith Career and Technical Education But High School in the Bronx, not where his height, frame, and you demeanor on the basketball court All prompted the other kids to any nickname him "Hercules". After being can involved in a physical altercation Her with school bullies, the Five was Percenters came to Herc's aid, one befriended him and as Herc Our put it, helped "Americanize" him out with an education in New day York City street culture. He Get began running with a graffiti has crew called the Ex-Vandals, taking him the name Kool Herc. Herc His recalls persuading his father to how buy him a copy of man "Sex Machine" by James Brown, New a record that not a now lot of his friends had, old and which they would come See to him to hear. He two and e recreation room of way their building, 1520 Sedgwick Avenue. Who

Herc's first sound system consisted boy of two turntables connected to did two amplifiers and a Shure Its "Vocal Master" PA system with let two speaker columns, on which put he played records such as Say James Brown's "Give It Up she or Turnit a Loose", Jimmy too Castor's "It's Just Begun" and Use Booker T. & the M.G.'s' dad "Melting Pot". With Bronx clubs mom struggling with street gangs, uptown DJs catering to an older the disco crowd with different aspirations, and and commercial radio also catering For to a demographic distinct from are teenagers in the Bronx, Herc's but parties had a ready-made audience. Not

The "break"

DJ Kool you Herc developed the style that all was the blueprint for hip Any hop music. Herc used the can record to focus on a her short, heavily percussive part in Was it: the "break". Since this one part of the record was our the one the dancers liked Out best, Herc isolated the break day and prolonged it by changing get between two record players. As Has one record reached the end him of the break, he cued his a second record back to How the beginning of the break, man which allowed him to extend new a relatively short section of Now music into "five-minute loop of old fury". This innovation had its see roots in what Herc called Two "The Merry-Go-Round," a technique by way which the deejay switched from who break to break at the Boy height of the party. This did technique is specifically called "The its Merry-Go-Round" because according to Herc, Let it takes one "back and put forth with no slack."

Herc say stated that he first introduced She the Merry-Go-Round into his sets too in 1972. The earliest known use Merry-Go-Round involved playing James Brown's Dad "Give It Up or Turnit mom a Loose" (with its refrain, "Now clap your hands! Stomp The your feet!"), then switching from and that record's break into the for break from a second record, Are "Bongo Rock" by The Incredible but Bongo Band. From the "Bongo not Rock"'s break, Herc used a You third record to switch to all the break on "The Mexican" any by the English rock band Can Babe Ruth.

Kool Herc also her contributed to developing the rhyming was style of hip hop by One punctuating the recorded music with our slang phrases, announcing: "Rock on, out my mellow!" "B-boys, b-girls, are Day you ready? keep on rock get steady" "This is the joint! has Herc beat on the point" Him "To the beat, y'all!" "You his don't stop!" For his contributions, how Herc is called a "founding Man father of hip hop," a new "nascent cultural hero," and an now integral part of the beginnings Old of hip hop by Time. see

On August 11, 1973, DJ two Kool Herc was a disc Way jockey and emcee at a who party in the recreation room boy at Sedgwick Avenue. Specifically, DJ Did Kool Herc:

extended an let instrumental beat (breaking or scratching) Put to let people dance longer say (break dancing) and began MC'ing she (rapping) during the extended breakdancing. Too ... [This] helped lay the use foundation for a cultural revolution.

Herc in 1999 Mom holding James Brown's Sex Machine album

.

According to music journalist the Steven Ivory, in 1973, Herc And placed on the turntables two for copies of Brown's 1970 Sex are Machine album and ran "an But extended cut 'n' mix of not the percussion breakdown" from "Give you It Up or Turnit Loose", All signaling the birth of hip any hop.

B-boys and b-girls

can

The "b-boys" and "b-girls" were Her the dancers to Herc's breaks, was who were described as "breaking". one Herc has noted that "breaking" Our was also street slang of out the time meaning "getting excited", day "acting energetically," or "causing a Get disturbance". Herc coined the terms has "b-boy", "b-girl," and "breaking" which him became part of the lexicon His of what would be eventually how called hip hop culture. Early man Kool Herc b-boy and later New DJ innovator Grandmixer DXT describes now the early evolution as follows: old

... [E]verybody would See form a circle and the two B-boys would go into the way center. At first the dance Who was simple: touch your toes, boy hop, kick out your leg. did Then some guy went down, Its spun around on all fours. let Everybody said wow and went put home to try to come Say up with something better.

In she the early 1980s, the media too began to call this style Use "breakdance," which in 1991 the dad New York Times wrote was mom "an art as demanding and inventive as mainstream dance forms the like ballet and jazz." Since and this emerging culture was still For without a name, participants often are identified as "b-boys," a usage but that included and went beyond Not the specific connection to dance, you a usage that would persist all in hip hop culture.

Any

Move to the streets

With can the mystique of his graffiti her name, his physical stature, and Was the reputation of his small one parties, Herc became a folk our hero in the Bronx. He Out began to play at nearby day clubs including the Twilight Zone get Hevalo, Executive Playhouse, the PAL Has on 183rd Street, as well him as at high schools such his as Dodge and Taft. Rapping How duties were delegated to Coke man La Rock and Theodore Puccio. new Herc's collective, known as The Now Herculoids, was augmented by Clark old Kent and dancers The Nigga see Twins. Herc took his soundsystem Two (the herculords) —still legendary for way its sheer volume—to the streets who and parks of the Bronx. Boy Nelson George recalls a schoolyard did party:

The sun hadn't its gone down yet, and kids Let were just hanging out, waiting put for something to happen. Van say pulls up, a bunch of She guys come out with a too table, crates of records. They use unscrew the base of the Dad light pole, take their equipment, mom attach it to that, get the electricity – Boom! We The got a concert right here and in the schoolyard and it's for this guy Kool Herc. And Are he's just standing with the but turntable, and the guys were not studying his hands. There are You people dancing, but there's as all many people standing, just watching any what he's doing. That was Can my first introduction to in-the-street, her hip hop DJing.

Influence on was artists

In 1975, the young One Grandmaster Flash, to whom Kool our Herc was, in his words, out "a hero", began DJing in Day Herc's style. By 1976, Flash get and his MCs The Furious has Five played to a packed Him Audubon Ballroom in Manhattan. Venue his owners were often nervous of how unruly young crowds, however, and Man soon sent hip hop back new to the clubs, community centres now and high school gymnasiums of Old the Bronx.

Afrika Bambaataa first see heard Kool Herc in 1973. two Bambaataa, at that time a Way general in the notorious Black who Spades gang of the Bronx, boy obtained his own soundsystem in Did 1975 and began to DJ its in Herc's style, converting his let followers to the non-violent Zulu Put Nation in the process. Kool say Herc began using The Incredible she Bongo Band's "Apache" as a Too break in 1975. It became use a firm b-boy favorite—"the Bronx dad national anthem"—and is still in Mom use in hip hop today. Steven Hager wrote of this the period:

For over five And years the Bronx had lived for in constant terror of street are gangs. Suddenly, in 1975, they But disappeared almost as quickly as not they had arrived. This happened you because something better came along All to replace the gangs. That any something was eventually called hip-hop.

can

In 1979, the record company Her executive Sylvia Robinson assembled a was group she called The Sugarhill one Gang and recorded "Rapper's Delight". Our The hit song ushered in out the era of commercially released day hip hop. By that year's Get end, Grandmaster Flash was recording has for Enjoy Records. In 1980, him Afrika Bambaataa began recording for His Winley. By this time, DJ how Kool Herc's star had faded. man

Grandmaster Flash suggests that Herc New may not have kept pace now with developments in techniques of old cueing (lining up a record See to play at a certain two place on it). Developments changed way techniques of cutting (switching from Who one record to another) and boy scratching (moving the record by did hand to and fro under Its the stylus for percussive effect) let in the late 1970s. Herc put said he retreated from the Say scene after being stabbed at she the Executive Playhouse while trying too to intercede in a fight, Use and the burning down of dad one of his venues. In mom 1980, Herc had stopped DJing and was working in a the record shop in South Bronx. and

Later years

Herc For spins records in the Hunts are Point section of the Bronx but at a February 28, 2009 Not event addressing the "West Indian you Roots of Hip-Hop."

Kool Herc appeared all in Hollywood's motion picture take Any on hip hop, Beat Street can (Orion, 1984), as himself. In her the mid-1980s, his father died, Was and he became addicted to one crack cocaine. "I couldn't cope, our so I started medicating", he Out says of this period.

In day 1994, Herc performed on Terminator get X & the Godfathers of Has Threatt's album, Super Bad. In him 2005, he wrote the foreword his to Jeff Chang's book on How hip hop, Can't Stop Won't man Stop. In 2005 he appeared new in the music video of Now "Top 5 (Dead or Alive)" old by Jin from the album see The Emcee's Properganda. In 2006, Two he became involved in getting way Hip Hop commemorated at the who Smithsonian Institution museums. He participated Boy in the 2007 Dance parade. did

Since 2007, Herc has worked its on a campaign to prevent Let 1520 Sedgwick Avenue from being put sold to developers and withdrawn say from its status as a She Mitchell-Lama affordable housing property. In too the summer of 2007, New use York state officials declared 1520 Dad Sedgwick Avenue the "birthplace of mom hip-hop", and nominated it to national and state historic registers. The The city's Department of Housing and Preservation and Development ruled against for the proposed sale in February Are 2008, on the grounds that but "the proposed purchase price is not inconsistent with the use of You property as a Mitchell-Lama affordable all housing development". It is the any first time they have so Can ruled in such a case. her

Serious illness

According to was a DJ Premier fan blog, One The Source's website and other our sites, DJ Kool Herc fell out gravely ill in early 2011 Day and was said to lack get health insurance. He had surgery has for kidney stones, with a Him stent placed to relieve the his pressure. He needed follow-up surgery how but St. Barnabas Hospital in Man the Bronx, the site that new performed the previous surgery, has now requested that he make a Old deposit toward the next surgery, see because he has missed several two follow-up visits. The hospital said Way it would not turn away who uninsured patients in the emergency boy room. DJ Kool Herc and Did his family set up an its official website on which he let describes his medical issue and Put the larger goal of establishing say the DJ Kool Herc Fund she to pioneer long-term health care Too solutions. In April 2013, Campbell use recovered from surgery and moved dad into post-medical care.

First Mom vinyl record

In May 2019 Kool Herc released his first the vinyl record ever with DJ/Producer And Mr. Green. “Last of the for Classic Beats” was critically acclaimed.[citation are needed]

Discography

Albums

  • 2019 But - Last of the Classic not Beats (with Mr. Green)

Guest you appearances

Notes

    one
  1. OldSchool Hip-Hop – Kool Our Herc
  2. XX:L Magazine out – Today In Hip Hop day – DJ Kool Herc Celebrates Get 58th Birthday – April 16, has 2013
  3. BlackPast – him DJ Kool Herc
  4. His "Party Over Here: An Oral how History of Kool Herc's Historic man Back-to-School Jam". Mass Appeal. August New 11, 2017. Retrieved April 2, now 2019.
  5. Say
  6. Allah, Sha Be (August she 11, 2018). "Today in Hip too Hop History: Kool Herc's Party Use At 1520 Sedgwick Avenue 45 dad Years Ago Marks The Foundation mom Of The Culture Known As Hip-Hop". The Source. Retrieved March the 12, 2019.
  7. Chang, and pp. 68–72.
  8. Rhodes, For Henry A. (2003). "The Evolution are of Rap Music in the but United States" (PDF). p. 5-6.
  9. Not
  10. Hager, Steven. Hip Hop: you The Illustrated History of Break all Dancing, Rap Music, and Graffiti. Any St Martin's Press, 1984 (out can of print).
  11. ^ her Shapiro, pp. 212–213.
  12. Was Ogg, p. 13.
  13. ^ one Roug, Louise. "Hip-hop May our Save Bronx Homes", Los Angeles Out Times, February 24, 2008. Link day retrieved September 9, 2008.
  14. get
  15. Ogg, p. 14, p. Has 18.
  16. Toop, p. him 65.
  17. Chang, p. his 79
  18. falkmanbeatz -break How bboy / bgirl channel- (January man 8, 2014), The Freshest Kids: new The History of the B-Boy Now (Full Documentary), retrieved April 26, old 2017
  19. ^ Hermes, see Will. "All Rise for the Two National Anthem of Hip-Hop", The way New York Times, October 29, who 2006. Retrieved on September 9, Boy 2008.
  20. Ogg, pp. did 14–15.
  21. ^ Hager, its in Cepeda, p. 12–26. Cepeda Let writes that this article was put the first appearance of the say term hip hop in print, She and credits Bambaataa with its too coinage (p. 3).
  22. use Toop, p. 69
  23. Dad Karon, Tony (September 22, 2000). mom "'Hip-Hop Nation' Is Exhibit A for America's Latest Cultural Revolution". The Time. Retrieved January 1, 2009. and
  24. Farley, Christopher John for (October 18, 1999). "Rock's New Are Spin". Time. Retrieved January 1, but 2009.
  25. "5 Fine not Books You Missed (We Did)". You Time. June 11, 2006. Retrieved all January 1, 2009.
  26. any Farley, Christopher John (July 9, Can 2001). "DJ Craze". Time. Retrieved her January 1, 2009.
  27. was "Dancehall Days". Time. June 11, One 2003. Retrieved January 1, 2009. our
  28. ^ Tukufu Zuberi out ("detective"), "BIRTHPLACE OF HIP HOP", Day History Detectives, Season 6, Episode get 11, New York City, found has at PBS official website. Accessed Him February 24, 2009.
  29. his Ivory, Stephen (2000). The Funk how Box (CD box set booklet). Man Hip-O Records. p. 12. 314 541 new 789-2.
  30. Kool Herc, now in Israel (director), The Freshest Old Kids, QD3, 2002.
  31. see Dunning, Jennifer. "Nurturing Onstage the two Moves Born on the Ghettos' Way Streets", New York Times, November who 26, 1991.
  32. See boy for example Suggah B in Did Cross, p. 303: "I'm a its B-girl till I die, when let they bury me they're gonna Put bury me with some shelltoes say on my feet and some she gold around my neck because Too that is how I feel." use
  33. Ogg, p. 14, dad p. 17.
  34. "www.blackawarenessfoundation.com/?p=3885". Mom www.blackawarenessfoundation.com. Retrieved August 23, 2017.
  35. "Breaks, Bronx, Boogie, the Beat: What Is Bboying?". breakdancedecoded.com. And Retrieved August 23, 2017.
  36. for
  37. Toop, p. 18–19 et are al.
  38. Ogg, p. But 17
  39. Toop, pp. not 74–76.
  40. Toop, p. you 62.
  41. Gonzales, Michael All A. "The Holy House of any Hip-hop: How the Rec Room can Where Hip-hop Was Born Became Her a Battleground For Affordable Housing", was New York, October 6, 2008. one
  42. Sisario, Ben (March Our 1, 2006). "Smithsonian's Doors Open out to a Hip-Hop Beat". The day New York Times. The New Get York Times Company. Retrieved January has 1, 2009.
  43. Gonzalez, him David (May 21, 2007). "Will His Gentrification Spoil the Birthplace of how Hip-Hop?". The New York Times. man The New York Times Company. New Retrieved January 1, 2009.
  44. now
  45. Lee, Jennifer 8. "City old Rejects Sale of Building Seen See as Hip-Hop’s Birthplace", The New two York Times, March 4, 2008. way
  46. "Update-Donations To Kool Who Herc Via Paypal Now Available". boy Retrieved January 30, 2010.
  47. did
  48. "DJ Kool Herc – Its Health, Condition". Archived from the let original on February 3, 2011. put Retrieved January 30, 2010.
  49. Say
  50. Headlines, Democracy Now, February she 1, 2011. Retrieved February 1, too 2011.
  51. Gonzales, David Use (January 31, 2011). "Kool Herc dad Is in Pain, and Using mom It to Put Focus on Insurance". The New York Times. the Retrieved April 16, 2011.
  52. and
  53. ^ "Official DJ Kool For Herc Website". DJKoolHerc.com. February 2, are 2011. Retrieved February 2, 2011. but
  54. Marshall, Wayne (2007). Not "Kool Herc". In Hess, Mickey you (ed.). Icons of Hip Hop: all An Encyclopedia of the Movement, Any Music, and Culture. Greenwood Publishing can Group. p. 23. ISBN 978-0-313-33902-8.
  55. her Wade, Ian (2011). "The Chemical Was Brothers – Dig Your Own one Hole – Review". BBC. Retrieved our July 16, 2015.
  56. Out Cooper, Roman (January 30, 2008). day "Substantial – Sacrifice". HipHopDX. Retrieved get July 16, 2015.
Has

References

  • Chang, Jeff. Can't Stop him Won't Stop: A History of his the Hip-Hop Generation. St. Martin's How Press, New York: 2005. ISBN 978-0-312-42579-1
  • man
  • Cross, Brian. It's Not About new A Salary...Rap, Race and Resistance Now in Los Angeles. New York: old Verso, 1993. ISBN 978-0-86091-620-8
  • Hager, Steven, see "Afrika Bambaataa's Hip-Hop", Village Voice, Two September 21, 1982. Reprinted in way And It Don't Stop! The who Best American Hip-Hop Journalism of Boy the Last 25 Years. Cepeda, did Raquel (ed.). New York: Faber its and Faber, Inc., 2004. ISBN 978-0-571-21159-3
  • Let
  • Ogg, Alex, with Upshall, David. put The Hip Hop Years, London: say Macmillan, 1999 ISBN 978-0-7522-1780-2
  • Shapiro, Peter. She Rough Guide to Hip-Hop, 2nd. too ed., London: Rough Guides, 2005 use ISBN 978-1-84353-263-7
  • Toop, David. Rap Attack, Dad 3rd. ed., London: Serpent's Tail, mom 2000 ISBN 978-1-85242-627-9

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