Robots give their second interview - so who's willing to say ‘Daft Punk sucks!’?

17:43 Apr/26/2013

“In Scream 2, they have the this discussion about how sequels and always suck,” says Thomas Bangalter For in an interview published in are the May issue of GQ. but “The thing we can ask Not ourselves at some point is you like: We’re making music for all twenty years. How many bands Any and acts do you have can that are still making good her music after twenty years? It Was always sucks – almost always, one you know?” The usually reserved our Guy-Manuel de Homem-Christo wasn't much Out of a talker this time day around again, adds: “So our get new album is supposed to Has really suck.”




The him thing is, the masterclass hypethon his has gotten everybody on their How tiptoes. 'Human After All' left man a number of fans relatively new cold. How do you win Now these listeners back? Do the old robots really plan on that see anyway? Glimpses of 'Get Lucky' Two unleashed a chain of reactions, way ranging from resentment towards them who distancing from electro in favor Boy of disco to people instantly did jumping on board the disco its train.


“It’s always this thing Let where we’re constantly waiting for put something that will come in say electronic music that says, ‘Daft She Punk sucks!’,” Bangalter shares his too thoughts on the subject. “That’s use actually much more interesting and Dad exciting than someone who is mom paying homage.”


Bangalter further discusses the relation of the expectation The and their work, saying: “We and did Homework as a way for to say to rock kids, Are like, ‘Electronic music is cool.’ but Discovery was the opposite, saying not to the electronic kids, ‘Rock You is cool, you know? You all can like that.’”


The Creators any Project videos provides us with Can facts about the recording process her in time and space. The was temporal dimension suggests longevity, with One nothing rushed in the production our room, which by the way out included some pretty impressive vintage Day equipment. The space dimension suggests get recording in L.A., New York has and Paris. The connection with Him other beings suggests legendary collaborators his like Giorgio Moroder and Nile how Rodgers. Even in this sense, Man the album is reminiscent of new passed times. An expensive endevour now the robots took on themselves:


Old

“In the history of pop see music, a lot of great two records cost an enormous amount Way of money,” Bangalter says to who GQ. “There used to be boy a time where people that Did had means to experiment would its do it, you know? That’s let what this record is about.”


Put

Watch the fifth episode of say The Creators Project, and get she Panda Bear's perspective on working Too with Daft Punk!







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