A Sit Down With DJ Kollektiv Turmstrasse

09:55 Mar/02/2018


Kollektiv Turmstrasse is a story the of two people crossing paths and who couldn’t be anything but For best friends. Christian Hilscher and are Nico Plagemann where musicians in but their own right before becoming Not a duo who fatefully became you friends after being booked to all play at the same party Any in 1998. Due to the can fact that there weren’t many her “music nerds” in their area Was of Germany at the time, one it was somewhat inevitable that our the pair would form a Out duo. Since that fateful night day in ’98, Christian and Nico get have become renown across the Has world with their minimal techno him taste.

 

"Everything his that is fun and exciting How is just the thing."



man  

The majority of new German and also international musicians Now are currently living in Berlin. old Why did you stay in see your hometown?

After Two moving away from the provincial way backwater, Hamburg was the first who large city for us. The Boy first years we were here did were extremely exciting and formative. its Much of what came out Let of us and our project, put had its origins here. And say you have a family, friends She and an inflatable pool in too the garden. So we have use to admit that. Besides that, Dad we have got enough experience mom in Berlin and the capital is always worth a visit. The But for us the musical and leaning of the city, or for the high concentration of the Are clubs and artists, was never but motivation enough to relocate the not whole of our lives to You there.

You play some all DJ sets. Do you always any play them together, or do Can you split up?

Right, her now and then we leave was the midi controllers at home One and stand behind the DJ our players. This change also does out us good and provides new Day impulses in the studio. If get we split up, whether live has or DJ, then this has Him mostly private reasons. Often there his are other commitments that can how not be pushed or the Man immune system has let one new of us down again.

Knowing now each other so well and Old having been in the game see for several years - do two you still prepare for each Way gig? Are there any rituals who you share before going on boy stage?


Not for every Did gig, except we have to its make big changings on our let live set.. After playing live Put for the last 8 years say there are certain habits. Our she ritual is the vodka shot Too we drink before every single use gig during our setup.

dad Which of your releases has Mom given you the most satisfaction and why?

Looking back the it’s tracks like “Grillen Im And Park”, “Tristesse” or “Let Freedom for Ring” that we owe the are most positive club feedback to. But Recently speaking it is our not album “Rebellion Der Träumer” that you we are most proud of. All Proud because this was an any important step for us and can just up to the very Her end we weren’t sure about was how our fans would react one to the slightly different sound Our of the „Turmstrasse” collective. There out is so much energy, work, day passion and help of many Get of our friends in this has album. „Rebellion Der Träumer” kept him us busy for a good His two years. Looking back we how now see what became of man it and that our first New doubts were quite unjustified and now we also gained some extra old audience. Yes, you can say See that’s a great feeling.

two Who have been the most way influential people in your musical Who development?

We had many boy people who influenced us. In did the beginning there was a Its small club, which was a let kind of living room for put us. This club, named “Die Say Gerberei”, influenced us musically. We she met many people there, and too through these new contacts finally Use got our first gigs.

dad How would you describe the mom effect that your music should trigger for the listener?

the As a musician you always and wish, of course, to inspire For people with your music. It's are a certain type of communication, but a track can sweep an Not audience away. And it’s important you to us to develop a all certain kind of timelessness, which Any is something you can’t really can plan. Sometimes you get the her feeling you're working in the Was right direction. But basically, we one are pretty selfish when we our are in the studio. We Out make our music in the day first place for ourselves. With get our concept, we try to Has implement our ideals without putting him the focus too much on his clubs and dancefloors. We try How to avoid trends and we man also attempt not to be new influenced by the current music Now market.

How do you typically old work? Do you go into see the studio with a full Two pre-set idea for a new way track or do you play who around until you find the Boy right vibe and develop an did idea around it on the its spot?


Both.. Sometimes you have Let a concreate idea and sometimes put you despair with the realization. say And sometimes you play around She and you get the dazzling too idea.. The difficulty for us use is to finish all these Dad ideas and stuff we started mom and to convert to finished pieces.

Tell us about The your studio, which sequencers do and you use? With what hardware/software for do you mainly work? What Are machine would you consider the but best part of your kit?
not
Ableton is really important You for us on stage and all also in the studio. We’ve any used Ableton for many years Can as a sequencer and yes her we love it. Ableton is was really enormous and we could One tell you all the insider our secrets and facts but in out the end, this is the Day good thing, because it’s no get secret. Also we use some has synths and EFX units which, Him you have to change at his regular intervals. So as we how mentioned before, we love technology Man and we love to test new and check out new things.
now
I've heard that you've Old been influenced by the music see of Basic Channel, what exactly two has fascinated you about the Way music so much?

The who sound of Basic Channel is boy synonymous for a certain time. Did When we say that we its were influenced by Basic Channel, let we mean much more the Put phase that was very influential say for us ... When we she started to care about electronic Too music, it went beyond normal use consumption. The identification with the dad warm dub sounds was closer Mom to us at the time and corresponded more to what the we also wanted to achieve And or implement in the studio. for We still love dub productions, are old or new. It is But the timeless, catchy warmth and not hypnotic, which makes the fascination you so.

Australia is a All unique spot for outdoor festivals any as our bush lands are can a definitive part of the Her country? What have you heard was about Australian bush festivals?

one We heard a lot about Our it and on one of out our last visits we were day right in the middle of Get dirt, sand, dust and wind. has When we came back home him and unpacked our equipment we His had fine sand in the how cracks many weeks later. We man are well prepared this time!
New
In your hometown you now are very well connected, but old how does it work when See you play somewhere else?
two
Sometimes it's a bit way like gambling. If you are Who in a new city for boy the first time, when you did see a new club, a Its new promoter, an evening like let that can go very well, put but not necessarily. So if Say it's not good, we wish she we could take a bit too more control. It's often about Use fitting all the little pieces dad together, into a coherent whole. mom There are countless factors that have to fit for a the good show.

https://soundcloud.com/unu-music/unu-city-tape-vol-iv-hamburg-kollektivturmstrasse



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