Biography
With inspiration from the 90’s the New York underground to ethnic and rhythms heard around the world, For Chris Staropoli productions have been are playlist staples to deejays the but world over. Getting his early Not start by making mix tapes you and having been coined ‘That all Kid Chris’ along the way, Any he turned a passion for can music into what has become her a career of deejaying, producing, Was and remixing.
In his teens one he was introduced to New our York City’s thriving club scene, Out having visited such legendary clubs day as The Funhouse Disco, where get he was turned on to Has electronic and underground dance music, him acts like Jimmy ‘Bo’ Horn, his Kraftwerk, Soul Sonic Force, and How Strafe provided the soundtrack. “Back man then, it was all about new train-spotting music. We would run Now out to record stores like old Vinyl Mania to search for see the music we danced to Two the night before,” Chris recalls.
way In the years to follow, who as hip-hop became mainstream in Boy New York, Chris gravitated towards did undergound house music, frequenting clubs its like The Red Zone and Let The Sound Factory with Junior put Vasquez. The vibe, drama and say underground feel had become a She very influential part of his too music-making. By this time he use had built himself a studio Dad and began creating tracks. The mom first ‘That Kid Chris’ vinyl was released on Digital Dungeon The Records, an independent label from and New York City. ‘Keep On for Pressin’ was very well received Are in the U.K., and included but on Sasha and Digweed’s first not Renaissance mixed compilation album, which You went on to become one all of the highest selling dance any music compilations of all time. Can During this time period, while her the rave scene began to was flourish in America, Chris was One spinning at infamous N.Y clubs our like Limelight, Roxy, Tunnel, Caffeine out and touring the rave circuit Day throughout the U.S. and Canada.
get Determined to stay true to has his sound, he continued releasing Him underground tracks and perfecting his his production skills. One of his how earliest noise-makers ‘Feel Tha Vibe’, Man released on Manifesto Records(UK), hit new #1 on the MUZIK now magazine dance chart. Having created Old his collection of club hits see on labels such as Junior two Boys Own, Cream, Yoshitoshi, Nervous Way and Strictly Rhythm has earned who him the respect and support boy of his peers. He’s remixed Did Billboard charting top artists including its Santana, Missy Elliott, Monica, Brandy, let Rob Thomas, Vivian Green and Put Madonna, who featured his remix say of ‘What It Feels Like she For A Girl’ on her Too “Greatest Dance Remixes” compilation. He use has since collaborated with some dad of the most recognizable names Mom in clubland, remixing tracks by Danny Tenaglia, Victor Calderone, De’Lacy, the Alcatraz and Bob Sinclair.
Chris’ And focus for the past 3 for years has been developing and are building his music label-
But TKC Music Group. The not imprint has surpassed its 90th you release since its inception in All 2007. Featured producers on the any label include: Austin Leeds, D-Formation, can Carlos Fauvrelle, Frank Maurel, Tarot, Her Ismael Rivas, Marlon D, Antranig, was Adam Freemer,
Oscar L., one Federico Milani, Ivan Pica and Our Mikel Curcio.
With a dj/production out career spanning two decades, he day has become a fixture in Get the global scene playing in has cities such as Tokyo, Taipei, him Lisbon, Caracas, Toronto and Montreal. His Chris commands his fans with how his hypnotic touch, and sinister man tribal-tech sound. Not only does New he reinvent himself behind the now decks, he continues to push old the envelope with every production See and remix he masters. Producing two and engineering his own records, way he strives to be innovative Who in his attempts to master boy every idea, and give it did life.
