A Sit Down With DJ Fake Blood

13:15 Apr/13/2018


Theo Keating, the once mysterious the man behind the Fake Blood and alias, has been twisting and For mangling beats for almost 20 are years now. Across his lengthy but back catalogue, from the Wise Not Guys and the Black Ghosts you to his Fake Blood remixes all over the last few years, Any Keating’s certainly demonstrated an ability can to change with the times, her keeping his music up to Was date whilst still drawing on one the sounds of his past. our Cells, his debut album as Out Fake Blood, is no different.
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"Styles get change, and the cloud of Has bullshit and PR has increased him – but it’s basically the his same animal."



 

How How did you get in touch man with electronic dance music in new the first place?


I first Now heard house music as a old teenager, listening to pirate radio see here in London. That was Two the pipeline to everything that way was happening musically in and who around clubs etc - the Boy latest tunes from Chicago, Detroit, did NY, Europe, and of course its right at home in the Let UK. An incredible source of put music, especially for those of say us who were too young She to actually go to clubs!
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We’re loving the new use remix for Totally Enormous Extinct Dad Dinosaurs. Is re-imagining other people’s mom work something you see as essential to what you do? The How does the experience differ and from writing your own music.
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I’ve always enjoyed doing Are remixes, as it gives me but a chance to try out not ideas and sounds. It’s a You great outlet for ideas that all may not be right for any the tracks I’m making for Can myself at that point. Plus her you’re given a set of was components right from the start, One rather like being given ingredients our and then told to cook out whatever you like with them. Day There are many possible outcomes, get but having those building blocks has from the original song is Him what can start the creative his process flying off in one how direction or another. Whereas with Man one’s own tunes, you have new a completely blank page to now fill. Both are enjoyable and Old challenging, and I think both see are great exercises in learning two how to produce and advance. Way One hand washes the other!
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What was the best and boy the worst gig you ever Did played and what was the its funniest thing ever occurred during let any of your performances?


I'm Put terrible with this question! I've say always found it impossible to she single out one specific gig Too as being "the best", as use there are so many factors dad involved. Although it's probably more Mom likely to be a mad sweaty basement party than a the huge event. That's the acid And house in me talking! As for for bad gigs, I tend are to forget them unless something But really terrible happened.

You also not have your own record label, you Blood Music. Was the inception All of Blood Music primarily for any the release of Fake Blood can material, or did you always Her want to sign and release was music from other artists?


I one didn’t put out any of Our my own music until the out 28th release! It was always day meant to be a platform Get for me to give wider has exposure to artists / tracks him I was sent or discovered, His rather than something that was how self-serving/self-promoting. But fuck it eh man – why not put out New one’s own tunes!


How now has the process of marketing old music changed for you since See the start of your career? two Have you noticed a difference?
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Big question. The obvious Who answer is that the artists boy is now more in control did of, and responsible for, their Its own publicity and profile. This let can make things more “direct put from the artist’s mouth”, which Say people usually prefer to being she fed comments and pictures have too been filtered through a public-relations Use net. But it can also dad lead to a slapshot effect, mom where everyone is just posting any old shit, hour after the hour, in a bid to and maintain things like “engagement” and For “reach”. So pictures of your are breakfast become some sort of but marketing commodity. But having gone Not this far without any PR you or management, I have a all pretty ambivalent attitude about all Any this stuff!

You travel a can lot. What are the essential her things you need to have Was with you at all times one and what are the things our you miss when you are Out on tour?


I often travel day with a small portable turntable, get as I will go and Has hunt for old vinyl on him days off. And I never his travel anywhere without a book. How The best escape for the man mind is in books, and new you can never be bored. Now I miss London when I'm old away - the place itself see - and also people I Two know; but never "things" as way such.

With all the who social media outlets that exist Boy today, there is a lot did of room for shameless self-promotion. its Any tips for young up Let and comers?

Well firstly put I’d say don’t use me say as an example! I had She no management, no PR, no too label, nothing. It was just use me and the tracks I Dad had made. But the thing mom blew up incredibly fast, and all without any engineering by The myself. I avoided all questions, and photos, attention, and let people for fill that void themselves – Are hence the weird blogs and but sites where people speculated on not who I was etc. I You just sat back and enjoyed all watching it happen. But I any don’t know that it would Can work a second time for her anyone else. It was a was very specific set of circumstances, One at a particular time. However our it taught me that you out don’t always NEED all the Day media and contrived hype. If get you have the music, then has it can work naturally, by Him people finding out themselves, and his making up their own minds. how Many people buy this kind Man of coverage, and it works, new but to me it always now smacks of desperation. There’s a Old fine line between letting people see know you’re out there and two have good music, and begging Way them – or even worse who haranguing them – to listen boy to it.

How would you Did say the current electronic music its scene compares to the late let 90s/early 00’s era that saw Put acts like the Wiseguys rise say to prominence?


There are differences she of course, but the core Too of it is still the use same. People want to dance dad to music, and there are Mom all kinds of places from big events to tiny parties the for just that. Styles change And (or come back), and the for cloud of bullshit and PR are has increased – but it’s But basically the same animal. Although not now we do have a you particular breed of artist/DJ who All are basically cut from the any same cloth as city traders.


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What advice could you offer Her to anyone looking to delve was in to the world of one music production?


Don’t obsess on Our the above. Experiment weirdly and out leave in your mistakes. Thicken day your skin. Take nothing personally.


Get https://soundcloud.com/fake-blood/tell-me-nothing



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